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Go touch some grass or pet a dolphin 🐬 Portrait by rockstar @julie_hrncirova @studio.abrakadabra

Go touch some grass or pet a dolphin 🐬 Portrait by rockstar @julie_hrncirova @studio.abrakadabra

From the archive: Logo for Two Lions
@_nonstopstudio_

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

One of my favorite visual identities from the last year we did at @_nonstopstudio_ together with @fun.and.relax.

Sound @evaamartak

had fun working on this one 💅

Doja Cat - You Ain’t Seen Nothing Yet
Film poster for Ray-Ban Meta

STUDIO HERRSTRÖM
Alto
Giovanni García-Fenech

had fun working on this one 💅

Doja Cat - You Ain’t Seen Nothing Yet
Film poster for Ray-Ban Meta

STUDIO HERRSTRÖM
Alto
Giovanni García-Fenech

After two years with an incredibly talented team @studioherrstrom - I’m moving on

Really grateful for all the people and clients I got to work with and learn from along the way 💖💖🧩🏋️‍♀️🧚🏻‍♀️🧚🏻‍♀️💗🧩

Lukas Haider
Erik Herrström
Kara Griffin Cushman
Marcell Gulyas
Dennis Johanson
Martin Carlsson
Julian Jakob
Marzena Płaszczyca
Alexander Raffl
Yuriy Starikov
Jon Marsh
Alto team
Kerstin Herrström
David Lewerentz
Kimelle Fleary
Vasco Vincent
Lisa Endresz

Now working independently again🐬
Open to collaborations worldwide

matousmartak.com

After two years with an incredibly talented team @studioherrstrom - I’m moving on

Really grateful for all the people and clients I got to work with and learn from along the way 💖💖🧩🏋️‍♀️🧚🏻‍♀️🧚🏻‍♀️💗🧩

Lukas Haider
Erik Herrström
Kara Griffin Cushman
Marcell Gulyas
Dennis Johanson
Martin Carlsson
Julian Jakob
Marzena Płaszczyca
Alexander Raffl
Yuriy Starikov
Jon Marsh
Alto team
Kerstin Herrström
David Lewerentz
Kimelle Fleary
Vasco Vincent
Lisa Endresz

Now working independently again🐬
Open to collaborations worldwide

matousmartak.com

Custom SWAG on @studioherrstrom merch

T-shirt design for @stinkfilms

T-shirt design for @stinkfilms

T-shirt design for @stinkfilms

T-shirt design for @stinkfilms

T-shirt design for @stinkfilms

a quick fun symbol exploration I created at @studioherrstrom 🐎🐎

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

I’m happy to share one of my favorite projects from last year: ☆꧁✬◦°˚°◦ Spotify Proto- Playlist ◦°˚°◦✬꧂☆ created together with the best team @studioherrstrom

STUDIO HERRSTRÖM: Erik Herrström, Alexander Raffl, Matouš Marťák, Marzena Płaszczyca, Kara Griffin Cushman, Kerstin Herrström
Spotify: Jess Huddleston, Marc Matar, Loren Lee, Shahin Haghjou, Michelle Pham

When the Canadian editorial team’s brief landed, I knew right away it was a perfect match. Their vision was clear: curated, non-algorithmic, and deeply rooted in experimental music culture. For me, it felt personal – many of the artists were already in heavy rotation on my own playlists.

Early on, one idea kept surfacing: tension. The visual world of Proto- embraces lo-fi and raw formatting, standing apart in today’s hyper-slick, high-res design. It pulls from a time when digital felt handmade – like building your very first website.

ASCII art became one of our key tools: a universal design language full of early-internet nostalgia. We explored how it could live alongside a modular, monospaced system, shaping both frames and motion.

In the end, we designed four original ASCII-inspired frames: star, heart, hexagon, and oval – later adapted by Spotify into large-format OOHs across Toronto.

Listen to Proto- on Spotify.

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

matousmartak.com/playground 🎨Every time a new case study goes live, it feels like a big day. But in between those shiny drops, things usually go quiet. So I thought –why not make a little Playground of updates? From time to time you can peek in and find something new: some projects made it, some never will.. but you’ll never know which is which.🤹

Identity + art direction for the performance Synesthetic Flesh by @simulakrum_eu, supported by @whiskas_party 🫧✨

Berlin premiere Oct 9–10 at @newfears_gallery

ty again for the trust and for such an open brief @eduard_adam_orszulik

Identity + art direction for the performance Synesthetic Flesh by @simulakrum_eu, supported by @whiskas_party 🫧✨

Berlin premiere Oct 9–10 at @newfears_gallery

ty again for the trust and for such an open brief @eduard_adam_orszulik

Identity + art direction for the performance Synesthetic Flesh by @simulakrum_eu, supported by @whiskas_party 🫧✨

Berlin premiere Oct 9–10 at @newfears_gallery

ty again for the trust and for such an open brief @eduard_adam_orszulik

title design for an upcoming film. More sooon 🍒🐬

title design for an upcoming film. More sooon 🍒🐬