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mank
Mank
𝙰𝚌𝚊𝚍𝚎𝚖𝚢 𝙰𝚠𝚊𝚛𝚍® 𝚠𝚒𝚗𝚗𝚎𝚛 𝚏𝚘𝚛 𝙱𝚎𝚜𝚝 𝙲𝚒𝚗𝚎𝚖𝚊𝚝𝚘𝚐𝚛𝚊𝚙𝚑𝚢 𝚊𝚗𝚍 𝙱𝚎𝚜𝚝 𝙿𝚛𝚘𝚍𝚞𝚌𝚝𝚒𝚘𝚗 𝙳𝚎𝚜𝚒𝚐𝚗.
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𝚃𝚑𝚎 𝚋𝚊𝚕𝚕𝚛𝚘𝚘𝚖 𝚒𝚜 𝚙𝚊𝚌𝚔𝚎𝚍 𝚠𝚒𝚝𝚑 𝚖𝚎𝚖𝚋𝚎𝚛𝚜 𝚘𝚏 𝚝𝚑𝚎 𝙰𝚌𝚊𝚍𝚎𝚖𝚢…
Congratulations to MANK for winning the Academy Awards® for BEST CINEMATOGRAPHY - Erik Messerschmidt and BEST PRODUCTION DESIGN - Donald Graham Burt and Jan Pascale. #Oscars
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Witness the movie magic on full display. Get an on-set look at the making of MANK.
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Witness the movie magic on full display. Get an on-set look at the making of MANK.
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Witness the movie magic on full display. Get an on-set look at the making of MANK.
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Witness the movie magic on full display. Get an on-set look at the making of MANK.
⠀⠀⠀⠀⠀
Witness the movie magic on full display. Get an on-set look at the making of MANK.
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Witness the movie magic on full display. Get an on-set look at the making of MANK.
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𝙷𝚒𝚜 𝚐𝚊𝚣𝚎 𝚑𝚊𝚜 𝚊𝚗 𝚒𝚗𝚝𝚎𝚕𝚕𝚒𝚐𝚎𝚗𝚝, 𝚍𝚎𝚟𝚒𝚕𝚒𝚜𝚑 𝚐𝚕𝚒𝚗𝚝.
To embody Herman Mankiewicz, Academy Award®-nominee for Best Actor Gary Oldman focused on capturing the essence of the writer rather than just his look.
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𝙷𝚒𝚜 𝚐𝚊𝚣𝚎 𝚑𝚊𝚜 𝚊𝚗 𝚒𝚗𝚝𝚎𝚕𝚕𝚒𝚐𝚎𝚗𝚝, 𝚍𝚎𝚟𝚒𝚕𝚒𝚜𝚑 𝚐𝚕𝚒𝚗𝚝.
To embody Herman Mankiewicz, Academy Award®-nominee for Best Actor Gary Oldman focused on capturing the essence of the writer rather than just his look.
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𝙷𝚒𝚜 𝚐𝚊𝚣𝚎 𝚑𝚊𝚜 𝚊𝚗 𝚒𝚗𝚝𝚎𝚕𝚕𝚒𝚐𝚎𝚗𝚝, 𝚍𝚎𝚟𝚒𝚕𝚒𝚜𝚑 𝚐𝚕𝚒𝚗𝚝.
To embody Herman Mankiewicz, Academy Award®-nominee for Best Actor Gary Oldman focused on capturing the essence of the writer rather than just his look.
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Like Herman J. Mankiewicz, the black and white world of MANK is more layered than it first seems. Take a look at the many shades and tones used by cinematographer Erik Messerschmidt (@emesserschmidt) to create the film’s stunning black and white look.
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Like Herman J. Mankiewicz, the black and white world of MANK is more layered than it first seems. Take a look at the many shades and tones used by cinematographer Erik Messerschmidt (@emesserschmidt) to create the film’s stunning black and white look.
⠀⠀⠀⠀⠀
Like Herman J. Mankiewicz, the black and white world of MANK is more layered than it first seems. Take a look at the many shades and tones used by cinematographer Erik Messerschmidt (@emesserschmidt) to create the film’s stunning black and white look.
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“We wanted the film to transport the audience back to that period." — MANK's Academy Award®-nominated cinematographer Erik Messerschmidt (@emesserschmidt)
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“We wanted the film to transport the audience back to that period." — MANK's Academy Award®-nominated cinematographer Erik Messerschmidt (@emesserschmidt)
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“We wanted the film to transport the audience back to that period." — MANK's Academy Award®-nominated cinematographer Erik Messerschmidt (@emesserschmidt)
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“We wanted the film to transport the audience back to that period." — MANK's Academy Award®-nominated cinematographer Erik Messerschmidt (@emesserschmidt)
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"It was just such a gift to know that I really understood her in certain levels. Really what you see onscreen is definitely a fusion of Marion and me." – Academy Award® BEST ACTRESS IN A SUPPORTING ROLE nominee Amanda Seyfried on bringing icon Marion Davies back to the screen.
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"It was just such a gift to know that I really understood her in certain levels. Really what you see onscreen is definitely a fusion of Marion and me." – Academy Award® BEST ACTRESS IN A SUPPORTING ROLE nominee Amanda Seyfried on bringing icon Marion Davies back to the screen.
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𝙰 𝚍𝚘𝚘𝚛 𝙱𝙰𝙽𝙶𝚂 𝚘𝚙𝚎𝚗. 𝙻𝚒𝚐𝚑𝚝 𝚜𝚙𝚒𝚕𝚕𝚜 𝚒𝚗...
Academy Award®-nominated Erik Messerschmidt (@emesserschmidt) shares how he approached crafting MANK’s black and white cinematography by returning to first principles of light, texture, and tone.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝚃𝚛𝚊𝚌𝚝𝚘𝚛𝚜 𝚙𝚞𝚕𝚕 𝚕𝚒𝚐𝚑𝚝𝚜, 𝚖𝚎𝚗 𝚛𝚘𝚕𝚕 𝚜𝚌𝚎𝚗𝚎𝚛𝚢...
A behind the scenes look at the ornate and authentic work from MANK’s Academy Award®-nominated production designer Donald Graham Burt.
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𝙼𝙰𝚁𝙸𝙾𝙽
𝙰𝚜 𝚝𝚑𝚎𝚢 𝚜𝚊𝚢 𝚒𝚗 𝚝𝚑𝚎 𝙱𝚛𝚘𝚗𝚡,
"𝚖𝚊𝚔𝚎 𝚢𝚘𝚞𝚛𝚜𝚎𝚕𝚏 𝚝𝚘 𝚑𝚘𝚖𝚎," 𝙼𝚒𝚜𝚝𝚎𝚛 𝙼𝚊𝚗𝚔𝚒𝚎𝚠𝚒𝚌𝚣.
MANK's Amanda Seyfried explains how she crafted her Academy Award®-nominated performance of golden age Hollywood screen icon, Marion Davies.
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𝚃𝚑𝚎 𝙲𝙰𝙼𝙴𝚁𝙰 𝚝𝚛𝚊𝚌𝚔𝚜 𝚝𝚑𝚛𝚘𝚞𝚐𝚑...
Congratulations to MANK cinematographer Erik Messerschmidt (@emesserschmidt) for winning the American Society of Cinematographers Award for BEST THEATRICAL RELEASE. #ASCAwards
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𝙲𝙰𝙼𝙴𝚁𝙰𝙼𝙰𝙽
𝚂𝚙𝚎𝚎𝚍!
Academy Award®-nominated cinematographer Erik Messerschmidt crafted MANK’s stunning black and white look. Swipe to go behind the scenes on the MANK set.
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𝙲𝙰𝙼𝙴𝚁𝙰𝙼𝙰𝙽
𝚂𝚙𝚎𝚎𝚍!
Academy Award®-nominated cinematographer Erik Messerschmidt crafted MANK’s stunning black and white look. Swipe to go behind the scenes on the MANK set.
⠀⠀⠀⠀⠀
𝙲𝙰𝙼𝙴𝚁𝙰𝙼𝙰𝙽
𝚂𝚙𝚎𝚎𝚍!
Academy Award®-nominated cinematographer Erik Messerschmidt crafted MANK’s stunning black and white look. Swipe to go behind the scenes on the MANK set.
⠀⠀⠀⠀⠀
𝙲𝙰𝙼𝙴𝚁𝙰𝙼𝙰𝙽
𝚂𝚙𝚎𝚎𝚍!
Academy Award®-nominated cinematographer Erik Messerschmidt crafted MANK’s stunning black and white look. Swipe to go behind the scenes on the MANK set.
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𝙼𝙰𝙽𝙺 𝚊𝚗𝚍 𝙼𝙰𝚁𝙸𝙾𝙽 𝚜𝚒𝚝 𝚘𝚗 𝚝𝚑𝚎 𝚐𝚛𝚘𝚞𝚗𝚍 𝚞𝚙𝚘𝚗 𝚊 𝚌𝚑𝚎𝚌𝚔𝚎𝚛𝚎𝚍 𝚝𝚊𝚋𝚕𝚎 𝚌𝚕𝚘𝚝𝚑.
Congratulations to Donald Graham Burt, Jan Pascale, and the entire MANK art department on their @BAFTA Award win for PRODUCTION DESIGN. #EEBAFTAs
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