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major_tom2
Shreya Sharma
Photographer Writer Filmmaker
Shooting and developing analogue for the first time gave me a breather from the attention economy. I can’t look at a picture right after I press the shutter. I can’t precisely predict how the composition of the chemistry or the number of seconds for which I soak will affect my pictures. My fingerprints might have even stained the film while I fumbled in the darkroom. I must wait to see. But when I hang my negatives for the first time, the gratification washes over me — 36 times over. Now I wonder how the photos will look inverted and the process asks of me yet some more patience. I scan the pictures with a wonky lens and varying camera settings. Much is guess work.When I finally see the photographs —not knowing what to expect (as, apparently, is always the case with film) — I realise I have surrendered to the caprices of the process. Uncertainty colours every stage of creating an image on film.The variables are endless. Who knows how I could have fixed that one thing and how I can recreate another. In this not-knowing, my mind rests easy.
Shooting and developing analogue for the first time gave me a breather from the attention economy. I can’t look at a picture right after I press the shutter. I can’t precisely predict how the composition of the chemistry or the number of seconds for which I soak will affect my pictures. My fingerprints might have even stained the film while I fumbled in the darkroom. I must wait to see. But when I hang my negatives for the first time, the gratification washes over me — 36 times over. Now I wonder how the photos will look inverted and the process asks of me yet some more patience. I scan the pictures with a wonky lens and varying camera settings. Much is guess work.When I finally see the photographs —not knowing what to expect (as, apparently, is always the case with film) — I realise I have surrendered to the caprices of the process. Uncertainty colours every stage of creating an image on film.The variables are endless. Who knows how I could have fixed that one thing and how I can recreate another. In this not-knowing, my mind rests easy.
Shooting and developing analogue for the first time gave me a breather from the attention economy. I can’t look at a picture right after I press the shutter. I can’t precisely predict how the composition of the chemistry or the number of seconds for which I soak will affect my pictures. My fingerprints might have even stained the film while I fumbled in the darkroom. I must wait to see. But when I hang my negatives for the first time, the gratification washes over me — 36 times over. Now I wonder how the photos will look inverted and the process asks of me yet some more patience. I scan the pictures with a wonky lens and varying camera settings. Much is guess work.When I finally see the photographs —not knowing what to expect (as, apparently, is always the case with film) — I realise I have surrendered to the caprices of the process. Uncertainty colours every stage of creating an image on film.The variables are endless. Who knows how I could have fixed that one thing and how I can recreate another. In this not-knowing, my mind rests easy.
Shooting and developing analogue for the first time gave me a breather from the attention economy. I can’t look at a picture right after I press the shutter. I can’t precisely predict how the composition of the chemistry or the number of seconds for which I soak will affect my pictures. My fingerprints might have even stained the film while I fumbled in the darkroom. I must wait to see. But when I hang my negatives for the first time, the gratification washes over me — 36 times over. Now I wonder how the photos will look inverted and the process asks of me yet some more patience. I scan the pictures with a wonky lens and varying camera settings. Much is guess work.When I finally see the photographs —not knowing what to expect (as, apparently, is always the case with film) — I realise I have surrendered to the caprices of the process. Uncertainty colours every stage of creating an image on film.The variables are endless. Who knows how I could have fixed that one thing and how I can recreate another. In this not-knowing, my mind rests easy.
Shooting and developing analogue for the first time gave me a breather from the attention economy. I can’t look at a picture right after I press the shutter. I can’t precisely predict how the composition of the chemistry or the number of seconds for which I soak will affect my pictures. My fingerprints might have even stained the film while I fumbled in the darkroom. I must wait to see. But when I hang my negatives for the first time, the gratification washes over me — 36 times over. Now I wonder how the photos will look inverted and the process asks of me yet some more patience. I scan the pictures with a wonky lens and varying camera settings. Much is guess work.When I finally see the photographs —not knowing what to expect (as, apparently, is always the case with film) — I realise I have surrendered to the caprices of the process. Uncertainty colours every stage of creating an image on film.The variables are endless. Who knows how I could have fixed that one thing and how I can recreate another. In this not-knowing, my mind rests easy.
Fun lil shoot with @jaspritb1
EP: Garima Arora
Director: Ishaan Nair
DOP: Pratik Deora
Producer: Aditi Heda
1st AD: Nikhil Patil
2nd AD: Shreya Sharma
ADs: Soham Mhatre, Aniket Waghmare, Praggya Bose
Production Designer: Jahnavi Gaba & Team
Costume Stylist: Aesha Merchant & Team
Hair and Make up Artist: Danica Drego & Team
Cast: Jasprit Bumrah
Krithika Iyer
Arif Ashraf
Karan Kishore
Here’s another one
Directed a series of 6 films for @nutrazenofficial starring the amazing @milindrunning
One of the things I always imagined would happen when I move to Bombay is that I’d meet Milind Soman. Working with him was a crazy, happy, surreal experience. On shoot day I, for once, felt like I’m swimming through the city of dreams.
Directed by:🕺 Shreya Sharma @major_tom2 and Nachiket Parchure @nachiket_parchure
Starring: Milind Soman @milindrunning
Client: @theantiagingcentre
Agency: @meetvoicecompany
DOP: @mayursalvix
1st AC: @gauravmalji_dp
Chief AD: @parthhmanochaa
DA: @maayyyurrrrr
Executive Producer: @jtjaay
Producer: @navinyapawar
Line Producer: Anand Dhaware
Production Designer: Srishti Pindari & Anand Dhaware
Costume Stylist: Sejuti
HMU: Amit Pardeshi
Directed by:🕺 Shreya Sharma @major_tom2 and Nachiket Parchure @nachiket_parchure
Starring: Milind Soman @milindrunning
Client: @theantiagingcentre
Agency: @meetvoicecompany
DOP: @mayursalvix
1st AC: @gauravmalji_dp
Chief AD: @parthhmanochaa
DA: @maayyyurrrrr
Executive Producer: @jtjaay
Producer: @navinyapawar
Line Producer: Anand Dhaware
Production Designer: Srishti Pindari & Anand Dhaware
Costume Stylist: Sejuti
HMU: Amit Pardeshi
Directed by:🕺 Shreya Sharma @major_tom2 and Nachiket Parchure @nachiket_parchure
Starring: Milind Soman @milindrunning
Client: @theantiagingcentre
Agency: @meetvoicecompany
DOP: @mayursalvix
1st AC: @gauravmalji_dp
Chief AD: @parthhmanochaa
DA: @maayyyurrrrr
Executive Producer: @jtjaay
Producer: @navinyapawar
Line Producer: Anand Dhaware
Production Designer: Srishti Pindari & Anand Dhaware
Costume Stylist: Sejuti
HMU: Amit Pardeshi
#ReshamKiDor where love begins to blossom💓 Song out now
#tseries @tseries.official @piyushkhati @mooncake___13 @aditya.sirsa @gideon_dsouza @ronitvinta @manshaimam @shashibhushannegi @iamdalipgulati
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