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la.meloni
myriam meloni
French / Italian working between Spain & Morocco ONGOING: One Million KM at FACES gallery, Marseille
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
A solo exhibition is never truly solo!
So many people have been part of this, and I would like to thank everyone for the professionalism, kindness, and enthusiasm brought to every stage.
In order of appearance 😉:
@alex.kahl , for believing in my work from the very beginning.
@tjadebouma for the creativity in developing the layout.@toni_tonete for the live 3D design session.
@carmencitafilmlab for the XXXL scans :) @impressionartbarcelona, for producing prints within the always-challenging short deadlines.
@studio_aza , for the aluminum frames that perfectly match the finishes of the Mercedes 240.
@atelier_kostenko , for the love of wood and for crafting the frames like no one else.
@danielleboelling and @wepresent, for the kindness and for making this project possible
@sylvain_ouolaf for the installation.
@faces_galerie , for providing such a beautiful space.
And to all the people who patiently posed with their cars while I searched for the frame through the viewfinder🙃
I look forward to seeing you on Thursday to share the results of all this collective effort!
VISIONADOS 2026 - “El Pan y las Flores” por Myriam Meloni.
@la.meloni se adentra en las grietas de Tánger para observar cómo el imaginario colonial sigue modelando la ciudad y sus formas de representación.
En su obra, la fotografía se convierte en un espacio de fricción desde el que leer las asimetrías, los gestos cotidianos y las formas de resistencia que atraviesan la vida urbana.
📌 Encuentra más información sobre los Visionados seleccionados para nuestra XIII edición en nuestra web.
[EN]
Myriam Meloni enters the cracks of Tangier to observe how the colonial imaginary continues to shape the city and its forms of representation.
In “El Pan y las Flores” photography becomes a space of friction from which to read the asymmetries, everyday gestures and forms of resistance that run through urban life.
📌 Find out more information on our website.
#ArtPhotoBcn
#Visionados #Fotografía #Barcelona
VISIONADOS 2026 - “El Pan y las Flores” por Myriam Meloni.
@la.meloni se adentra en las grietas de Tánger para observar cómo el imaginario colonial sigue modelando la ciudad y sus formas de representación.
En su obra, la fotografía se convierte en un espacio de fricción desde el que leer las asimetrías, los gestos cotidianos y las formas de resistencia que atraviesan la vida urbana.
📌 Encuentra más información sobre los Visionados seleccionados para nuestra XIII edición en nuestra web.
[EN]
Myriam Meloni enters the cracks of Tangier to observe how the colonial imaginary continues to shape the city and its forms of representation.
In “El Pan y las Flores” photography becomes a space of friction from which to read the asymmetries, everyday gestures and forms of resistance that run through urban life.
📌 Find out more information on our website.
#ArtPhotoBcn
#Visionados #Fotografía #Barcelona
VISIONADOS 2026 - “El Pan y las Flores” por Myriam Meloni.
@la.meloni se adentra en las grietas de Tánger para observar cómo el imaginario colonial sigue modelando la ciudad y sus formas de representación.
En su obra, la fotografía se convierte en un espacio de fricción desde el que leer las asimetrías, los gestos cotidianos y las formas de resistencia que atraviesan la vida urbana.
📌 Encuentra más información sobre los Visionados seleccionados para nuestra XIII edición en nuestra web.
[EN]
Myriam Meloni enters the cracks of Tangier to observe how the colonial imaginary continues to shape the city and its forms of representation.
In “El Pan y las Flores” photography becomes a space of friction from which to read the asymmetries, everyday gestures and forms of resistance that run through urban life.
📌 Find out more information on our website.
#ArtPhotoBcn
#Visionados #Fotografía #Barcelona
VISIONADOS 2026 - “El Pan y las Flores” por Myriam Meloni.
@la.meloni se adentra en las grietas de Tánger para observar cómo el imaginario colonial sigue modelando la ciudad y sus formas de representación.
En su obra, la fotografía se convierte en un espacio de fricción desde el que leer las asimetrías, los gestos cotidianos y las formas de resistencia que atraviesan la vida urbana.
📌 Encuentra más información sobre los Visionados seleccionados para nuestra XIII edición en nuestra web.
[EN]
Myriam Meloni enters the cracks of Tangier to observe how the colonial imaginary continues to shape the city and its forms of representation.
In “El Pan y las Flores” photography becomes a space of friction from which to read the asymmetries, everyday gestures and forms of resistance that run through urban life.
📌 Find out more information on our website.
#ArtPhotoBcn
#Visionados #Fotografía #Barcelona
Coming to Marseille this week ❤️. On Thursday, we present “One Million KM” a solo exhibition by Franco-Italian photographer Myriam Meloni @la.meloni , where a vintage car becomes the lens through which to explore technology, inequality, and colonial legacies in Morocco.
Shot on film, this is a documentary project that all started with Meloni’s fascination with how and why a seemingly indestructible vintage car continues to play a vital role in rural Moroccan life.
Join us upstairs at our new home @faces_galerie ,📍 Faces – 232 rue d’Endoume, Marseille 7e
OPENING – February 19 • 6:30 PM / 10:00 PM
Coming to Marseille this week ❤️. On Thursday, we present “One Million KM” a solo exhibition by Franco-Italian photographer Myriam Meloni @la.meloni , where a vintage car becomes the lens through which to explore technology, inequality, and colonial legacies in Morocco.
Shot on film, this is a documentary project that all started with Meloni’s fascination with how and why a seemingly indestructible vintage car continues to play a vital role in rural Moroccan life.
Join us upstairs at our new home @faces_galerie ,📍 Faces – 232 rue d’Endoume, Marseille 7e
OPENING – February 19 • 6:30 PM / 10:00 PM
Coming to Marseille this week ❤️. On Thursday, we present “One Million KM” a solo exhibition by Franco-Italian photographer Myriam Meloni @la.meloni , where a vintage car becomes the lens through which to explore technology, inequality, and colonial legacies in Morocco.
Shot on film, this is a documentary project that all started with Meloni’s fascination with how and why a seemingly indestructible vintage car continues to play a vital role in rural Moroccan life.
Join us upstairs at our new home @faces_galerie ,📍 Faces – 232 rue d’Endoume, Marseille 7e
OPENING – February 19 • 6:30 PM / 10:00 PM
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
Playing just for the sake of playing.
Playing like a dance.
Time passing without haste.
There is no need for a winner.
Morocco, Christmas 2024
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
They say, that the damascena rose came from far away, traveling along ancient routes, from Syria all the way to Morocco.
They say,that you need to pick it early in the morning, as its scent is more vivid and stronger, and that later it fades in the heat over the course of the day.
The flower is fragile and must be handled with care. In Kelaat M’Gouna, the rose is celebrated not just for its beauty, but because it provides work for an entire community. Later it ends up in perfumes, creams, and tonics, but first there are hands that plant it, pick it, weigh it, and distill it.
Thanks to @geomagazin for giving it a long feature in the December Magazine.
Text: Matteo Fagotto
“Il movimento — che sia desiderato, necessario o imposto — continua a essere un riflesso dei privilegi radicati nella storia coloniale e perpetuati dalle politiche attuali.
Questi privilegi, spesso ereditati, modellano la nostra esistenza nel mondo. Il primo e più significativo privilegio risiede nel luogo geografico in cui nasciamo, mentre il secondo riguarda la classe sociale.
Un passaporto europeo garantisce una libertà di movimento che non è universalmente
accessibile, e quando si somma ai privilegi di classe, concede esenzioni non meritate da
diverse forme di umiliazione, facilitando l’accesso a servizi vitali come la casa, la salute e l’istruzione.” Testo a cura di Sonia Borsato (Curatrice indipendente) @sonia_supernova
Siamo immensamente felici di cominciare la nostra avventura con la mostra “NELLE GIORNATE CHIARE SI VEDE EUROPA” di Myriam Meloni. Le opere esposte propongono una riflessione critica sul diritto al movimento delle persone.
Attraverso l’intreccio tra biografie individuali e dinamiche globali di potere, fotografie e testi invitano il pubblico a un dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese dalla forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee e con una diaspora tra le più numerose in Italia.
EVENTI IN PROGRAMMA:
📍 INAUGURAZIONE MOSTRA
Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni
Vecchia Farmacia, via Pilati 11, Cles (TN)
📍 CONFERENZA E VISITA GUIDATA CON L’ARTISTA
Martedì 12 agosto – ore 18:30
Palazzo Assessorile, Piazza del Municipio 21, Cles (TN)
📍 È possibile riservare una visita personalizzata alla mostra in orari alternativi a quelli
di apertura scrivendo una mail a: associazionetut@gmail.com
@la.meloni
#ContemporaryPhotography #VisualNarratives #PhotographyExhibition #DocumentaryPhotography #PhotographicStorytelling #Photojournalism
#MigrationMatters #CriticalThinking #ArtAndPolitics #VisualActivism #NELLEGIORNATECHIARESIVEDEEUROPA#MyriamMeloni#TuT_gelleria #IndependentArtSpaces #TrentinoArt #TValdiNon #estatecles
“Il movimento — che sia desiderato, necessario o imposto — continua a essere un riflesso dei privilegi radicati nella storia coloniale e perpetuati dalle politiche attuali.
Questi privilegi, spesso ereditati, modellano la nostra esistenza nel mondo. Il primo e più significativo privilegio risiede nel luogo geografico in cui nasciamo, mentre il secondo riguarda la classe sociale.
Un passaporto europeo garantisce una libertà di movimento che non è universalmente
accessibile, e quando si somma ai privilegi di classe, concede esenzioni non meritate da
diverse forme di umiliazione, facilitando l’accesso a servizi vitali come la casa, la salute e l’istruzione.” Testo a cura di Sonia Borsato (Curatrice indipendente) @sonia_supernova
Siamo immensamente felici di cominciare la nostra avventura con la mostra “NELLE GIORNATE CHIARE SI VEDE EUROPA” di Myriam Meloni. Le opere esposte propongono una riflessione critica sul diritto al movimento delle persone.
Attraverso l’intreccio tra biografie individuali e dinamiche globali di potere, fotografie e testi invitano il pubblico a un dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese dalla forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee e con una diaspora tra le più numerose in Italia.
EVENTI IN PROGRAMMA:
📍 INAUGURAZIONE MOSTRA
Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni
Vecchia Farmacia, via Pilati 11, Cles (TN)
📍 CONFERENZA E VISITA GUIDATA CON L’ARTISTA
Martedì 12 agosto – ore 18:30
Palazzo Assessorile, Piazza del Municipio 21, Cles (TN)
📍 È possibile riservare una visita personalizzata alla mostra in orari alternativi a quelli
di apertura scrivendo una mail a: associazionetut@gmail.com
@la.meloni
#ContemporaryPhotography #VisualNarratives #PhotographyExhibition #DocumentaryPhotography #PhotographicStorytelling #Photojournalism
#MigrationMatters #CriticalThinking #ArtAndPolitics #VisualActivism #NELLEGIORNATECHIARESIVEDEEUROPA#MyriamMeloni#TuT_gelleria #IndependentArtSpaces #TrentinoArt #TValdiNon #estatecles
“Il movimento — che sia desiderato, necessario o imposto — continua a essere un riflesso dei privilegi radicati nella storia coloniale e perpetuati dalle politiche attuali.
Questi privilegi, spesso ereditati, modellano la nostra esistenza nel mondo. Il primo e più significativo privilegio risiede nel luogo geografico in cui nasciamo, mentre il secondo riguarda la classe sociale.
Un passaporto europeo garantisce una libertà di movimento che non è universalmente
accessibile, e quando si somma ai privilegi di classe, concede esenzioni non meritate da
diverse forme di umiliazione, facilitando l’accesso a servizi vitali come la casa, la salute e l’istruzione.” Testo a cura di Sonia Borsato (Curatrice indipendente) @sonia_supernova
Siamo immensamente felici di cominciare la nostra avventura con la mostra “NELLE GIORNATE CHIARE SI VEDE EUROPA” di Myriam Meloni. Le opere esposte propongono una riflessione critica sul diritto al movimento delle persone.
Attraverso l’intreccio tra biografie individuali e dinamiche globali di potere, fotografie e testi invitano il pubblico a un dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese dalla forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee e con una diaspora tra le più numerose in Italia.
EVENTI IN PROGRAMMA:
📍 INAUGURAZIONE MOSTRA
Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni
Vecchia Farmacia, via Pilati 11, Cles (TN)
📍 CONFERENZA E VISITA GUIDATA CON L’ARTISTA
Martedì 12 agosto – ore 18:30
Palazzo Assessorile, Piazza del Municipio 21, Cles (TN)
📍 È possibile riservare una visita personalizzata alla mostra in orari alternativi a quelli
di apertura scrivendo una mail a: associazionetut@gmail.com
@la.meloni
#ContemporaryPhotography #VisualNarratives #PhotographyExhibition #DocumentaryPhotography #PhotographicStorytelling #Photojournalism
#MigrationMatters #CriticalThinking #ArtAndPolitics #VisualActivism #NELLEGIORNATECHIARESIVEDEEUROPA#MyriamMeloni#TuT_gelleria #IndependentArtSpaces #TrentinoArt #TValdiNon #estatecles
“Il movimento — che sia desiderato, necessario o imposto — continua a essere un riflesso dei privilegi radicati nella storia coloniale e perpetuati dalle politiche attuali.
Questi privilegi, spesso ereditati, modellano la nostra esistenza nel mondo. Il primo e più significativo privilegio risiede nel luogo geografico in cui nasciamo, mentre il secondo riguarda la classe sociale.
Un passaporto europeo garantisce una libertà di movimento che non è universalmente
accessibile, e quando si somma ai privilegi di classe, concede esenzioni non meritate da
diverse forme di umiliazione, facilitando l’accesso a servizi vitali come la casa, la salute e l’istruzione.” Testo a cura di Sonia Borsato (Curatrice indipendente) @sonia_supernova
Siamo immensamente felici di cominciare la nostra avventura con la mostra “NELLE GIORNATE CHIARE SI VEDE EUROPA” di Myriam Meloni. Le opere esposte propongono una riflessione critica sul diritto al movimento delle persone.
Attraverso l’intreccio tra biografie individuali e dinamiche globali di potere, fotografie e testi invitano il pubblico a un dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese dalla forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee e con una diaspora tra le più numerose in Italia.
EVENTI IN PROGRAMMA:
📍 INAUGURAZIONE MOSTRA
Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni
Vecchia Farmacia, via Pilati 11, Cles (TN)
📍 CONFERENZA E VISITA GUIDATA CON L’ARTISTA
Martedì 12 agosto – ore 18:30
Palazzo Assessorile, Piazza del Municipio 21, Cles (TN)
📍 È possibile riservare una visita personalizzata alla mostra in orari alternativi a quelli
di apertura scrivendo una mail a: associazionetut@gmail.com
@la.meloni
#ContemporaryPhotography #VisualNarratives #PhotographyExhibition #DocumentaryPhotography #PhotographicStorytelling #Photojournalism
#MigrationMatters #CriticalThinking #ArtAndPolitics #VisualActivism #NELLEGIORNATECHIARESIVEDEEUROPA#MyriamMeloni#TuT_gelleria #IndependentArtSpaces #TrentinoArt #TValdiNon #estatecles
“Il movimento — che sia desiderato, necessario o imposto — continua a essere un riflesso dei privilegi radicati nella storia coloniale e perpetuati dalle politiche attuali.
Questi privilegi, spesso ereditati, modellano la nostra esistenza nel mondo. Il primo e più significativo privilegio risiede nel luogo geografico in cui nasciamo, mentre il secondo riguarda la classe sociale.
Un passaporto europeo garantisce una libertà di movimento che non è universalmente
accessibile, e quando si somma ai privilegi di classe, concede esenzioni non meritate da
diverse forme di umiliazione, facilitando l’accesso a servizi vitali come la casa, la salute e l’istruzione.” Testo a cura di Sonia Borsato (Curatrice indipendente) @sonia_supernova
Siamo immensamente felici di cominciare la nostra avventura con la mostra “NELLE GIORNATE CHIARE SI VEDE EUROPA” di Myriam Meloni. Le opere esposte propongono una riflessione critica sul diritto al movimento delle persone.
Attraverso l’intreccio tra biografie individuali e dinamiche globali di potere, fotografie e testi invitano il pubblico a un dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese dalla forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee e con una diaspora tra le più numerose in Italia.
EVENTI IN PROGRAMMA:
📍 INAUGURAZIONE MOSTRA
Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni
Vecchia Farmacia, via Pilati 11, Cles (TN)
📍 CONFERENZA E VISITA GUIDATA CON L’ARTISTA
Martedì 12 agosto – ore 18:30
Palazzo Assessorile, Piazza del Municipio 21, Cles (TN)
📍 È possibile riservare una visita personalizzata alla mostra in orari alternativi a quelli
di apertura scrivendo una mail a: associazionetut@gmail.com
@la.meloni
#ContemporaryPhotography #VisualNarratives #PhotographyExhibition #DocumentaryPhotography #PhotographicStorytelling #Photojournalism
#MigrationMatters #CriticalThinking #ArtAndPolitics #VisualActivism #NELLEGIORNATECHIARESIVEDEEUROPA#MyriamMeloni#TuT_gelleria #IndependentArtSpaces #TrentinoArt #TValdiNon #estatecles
Siamo felicissimi di annunciare che la prossima mostra curata da TuT sarà dedicata al lavoro di Myriam Meloni @la.meloni , fotografa italo-francese oggi residente a Tangeri, in Marocco.
Da anni, attraverso i suoi progetti, Myriam esplora temi urgenti come migrazione, marginalizzazione e disuguaglianze sociali, intrecciando storie personali con narrazioni socio-politiche di ampio respiro. Amiamo il suo lavoro per l’approccio fotografico delicato, profondo ed empatico che lo caratterizza.
La mostra, intitolata “NELLE GIORNATE CHIARE SI VEDE EUROPA”, propone una riflessione critica sul movimento delle persone, siano esse in viaggio per scelta, necessità o costrizione. Attraverso uno sguardo femminile e l’intreccio tra biografie individuali e dinamiche globali di potere, immagini e testi in esposizione invitano al dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese con una forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee, e la cui diaspora rappresenta una delle comunità più numerose in Italia.
Nei prossimi giorni condivideremo dettagli sul progetto espositivo e sulle attività correlate che abbiamo organizzato.
Segnate la data:
📅 INAUGURAZIONE: Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni.
📍 Vecchia Farmacia, via Pilati 11, Cles (TN)
Vi Aspettiamo.!!!
#MyriamMeloni #migrazione #diritti #europa #marocco #italia #fotografia #fotografiacontemporanea #fotografia_valdinon #visualstorytelling #tangeri #movimento #tut #fan_tut
Questa mostra è stata resa possibile grazie al sostegno della Cassa Rurale Val di Non Rotaliana e Giovo, De Maffei Farmacie. Inoltre conta con il patrocinio del Comune di Cles. Grazie @cecilia.cappelli per il progetto grafico ☀️
Siamo felicissimi di annunciare che la prossima mostra curata da TuT sarà dedicata al lavoro di Myriam Meloni @la.meloni , fotografa italo-francese oggi residente a Tangeri, in Marocco.
Da anni, attraverso i suoi progetti, Myriam esplora temi urgenti come migrazione, marginalizzazione e disuguaglianze sociali, intrecciando storie personali con narrazioni socio-politiche di ampio respiro. Amiamo il suo lavoro per l’approccio fotografico delicato, profondo ed empatico che lo caratterizza.
La mostra, intitolata “NELLE GIORNATE CHIARE SI VEDE EUROPA”, propone una riflessione critica sul movimento delle persone, siano esse in viaggio per scelta, necessità o costrizione. Attraverso uno sguardo femminile e l’intreccio tra biografie individuali e dinamiche globali di potere, immagini e testi in esposizione invitano al dialogo sulla complessità delle realtà migratorie, con un focus sul contesto marocchino: un Paese con una forte eredità coloniale, storicamente migrante, oggi incaricato di presidiare le frontiere europee, e la cui diaspora rappresenta una delle comunità più numerose in Italia.
Nei prossimi giorni condivideremo dettagli sul progetto espositivo e sulle attività correlate che abbiamo organizzato.
Segnate la data:
📅 INAUGURAZIONE: Venerdì 8 agosto – ore 19:00
Con la presenza di Myriam Meloni.
📍 Vecchia Farmacia, via Pilati 11, Cles (TN)
Vi Aspettiamo.!!!
#MyriamMeloni #migrazione #diritti #europa #marocco #italia #fotografia #fotografiacontemporanea #fotografia_valdinon #visualstorytelling #tangeri #movimento #tut #fan_tut
Questa mostra è stata resa possibile grazie al sostegno della Cassa Rurale Val di Non Rotaliana e Giovo, De Maffei Farmacie. Inoltre conta con il patrocinio del Comune di Cles. Grazie @cecilia.cappelli per il progetto grafico ☀️
Hi, what are you looking for?
We’re looking for a woman’s house. It should be around here.
Let me see the photo... yes, I’ll take you there.
Hey, what happened to your wrists?
Nothing... I dislocated them playing football. I’m a goalkeeper. One day I’ll be an international footballer.
Ilham, kanmanna lik koulshi mzyan!
Hi, what are you looking for?
We’re looking for a woman’s house. It should be around here.
Let me see the photo... yes, I’ll take you there.
Hey, what happened to your wrists?
Nothing... I dislocated them playing football. I’m a goalkeeper. One day I’ll be an international footballer.
Ilham, kanmanna lik koulshi mzyan!
Hi, what are you looking for?
We’re looking for a woman’s house. It should be around here.
Let me see the photo... yes, I’ll take you there.
Hey, what happened to your wrists?
Nothing... I dislocated them playing football. I’m a goalkeeper. One day I’ll be an international footballer.
Ilham, kanmanna lik koulshi mzyan!
Hi, what are you looking for?
We’re looking for a woman’s house. It should be around here.
Let me see the photo... yes, I’ll take you there.
Hey, what happened to your wrists?
Nothing... I dislocated them playing football. I’m a goalkeeper. One day I’ll be an international footballer.
Ilham, kanmanna lik koulshi mzyan!
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
CAMPER! @achillesiongabriel , his singular creativity, and the artisans who have upheld the brand for half a century.
✍️ @marieottavi_ for @liberationfr @alessandro_zuffi_photoeditor
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Photography as an excuse.
An excuse to connect. To come closer.
To share our desires, our fears. To look at others. To look at ourselves. From near and far.
What a privilege it was to be there.
Surrounded by so many beautiful women. Brave. Joyful. Self-aware. Ambicious.
Eager to learn and to share.
It has been a long journey. Full of comings and goings. Of questioning how and why we do what we do.
Starting today, April 24th, the 20th edition of @fotografia_europea opens its doors.
At Palazzo da Mosto and the University of Reggio Emilia, you’ll find fragments of this creative journey— a process I had the pleasure of imagining and shaping through a series of participatory photography workshops along the Swahili Coast.
A process I had the joy of sharing and building with artists@nelsaguambe @gertrude_faith and @halimagongo
Big thanks, to the @weworld.onlus team—on the ground and in Italy— for bringing me on board. And especially to @arieledimario and Daniela Riva, whose enthusiasm made the impossible possible!
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
Querida Buenos Aires, one month is not enough for a lot of things, but it’s also enough for many others. Thank you for reminding me that friendship is the most powerful. That resistance is done in many ways. That there’s nothing like your light in the summer…
TE AMO
We are excited to host “On Clear Days You See Europe”, the solo photography exhibition of Italian photographer Myriam Meloni ( @la.meloni ). Opening on Thursday July 11th at 7 PM, the exhibition will run until September 15th 2024 in the American Arts Center main gallery.
“By juxtaposing the narratives of young European women who have relocated
outward to settle in Morocco with those of young Sub-Saharan women embarking on the reverse journey, but find themselves stranded in Morocco en route to Europe, the exhibition aims to stimulate an open dialogue regarding migratory processes, and highlight how movement— whether desired, necessary, or imposed—remains a reflection of entrenched privileges rooted in colonial history and perpetuated by present-day policies.” Myriam Meloni
Artist Talk : 6 PM ( AAC Theater)
Exhibition Opening: 7 PM (AAC Main Gallery)
Exhibition Curation by Sonia Borsato.
The Exhibition is co-produced by the American Arts Center as part of ArtReach Incubation Program.
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