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Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Amanda Jonsson @amandajonsson_art
-
Myren is a graphic novel and an installation that takes place in a cabin somewhere in Norrbotten. It explores restlessness, magical realism, folklore, nature, heritage, crafts, belonging and maybe also obsession. The book and the physical objects has been created in parallel, growing side by side. Something is carved, something embroidered, something written, something drawn. The story moves, twists and grows. It wants to exist.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Master's program in Visual Communication.

Martina Olsén Dahlin @blodlust
-
Sorting through information and memories, asking how and why awareness of intersex people fail to take root in the larger public consciousness despite consistent periodical campaigns and proposed legislation over the last 30 years. Telling tales of how's whys and maybes; through a counter-archival practice of introspective storytelling, medical studies and contradictions

For your future, I hope and pray that your body will be met with inherent respect and dignity.

Wherever, whoever,
you are.

Meet the graduating students from the Bachelor’s programme in Fine Art

@astridelvinmahedero

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Meet the graduating students from the Bachelor’s programme in Fine Art

@astridelvinmahedero

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Meet the graduating students from the Bachelor’s programme in Fine Art

@astridelvinmahedero

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Meet the graduating students from the Bachelor’s programme in Fine Art

@astridelvinmahedero

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Meet the graduating students from the Bachelor’s programme in Fine Art

@astridelvinmahedero

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Hejhej här kommer min lilla film ni kan titta på om ni vill lyssna på bibbi och hektor gagga om högtider och mammor

Bughouse
Stop motion

Meet the graduating students from the Bachelor’s programme in Fine Art

Marea

@ollewittkon

Meet the graduating students from the Bachelor’s programme in Fine Art

Marea

@ollewittkon

Meet the graduating students from the Bachelor’s programme in Fine Art

Marea

@ollewittkon

Meet the graduating students from the Bachelor’s programme in Fine Art

Ketziot Prison, southern Israel, February 26, 2025

156 x 246 cm
Fabric dye, acrylic and charcoal on cotton sheeting

Fas 

199x201 cm
Acrylic, tempera, soft pastel, charcoal and glue on cotton sheeting

-

I paint images that occupy me, step back, look, and listen for where the work is going, what it is becoming. I shape the work and let it shape me in return. As a response to the right kind of attention and immersion, the painting reveals new directions and meanings.

Disorder plays an important role as the chaos of the studio drives the process forward. Works are stacked, stepped on, spilled on, placed and hung haphazardly, creating chains of imprints within the studio’s tangle of overlapping flows.

Meet the graduating students from the Bachelor’s programme in Fine Art

Ketziot Prison, southern Israel, February 26, 2025

156 x 246 cm
Fabric dye, acrylic and charcoal on cotton sheeting

Fas 

199x201 cm
Acrylic, tempera, soft pastel, charcoal and glue on cotton sheeting

-

I paint images that occupy me, step back, look, and listen for where the work is going, what it is becoming. I shape the work and let it shape me in return. As a response to the right kind of attention and immersion, the painting reveals new directions and meanings.

Disorder plays an important role as the chaos of the studio drives the process forward. Works are stacked, stepped on, spilled on, placed and hung haphazardly, creating chains of imprints within the studio’s tangle of overlapping flows.

Meet the graduating students from the Bachelor’s programme in Fine Art

Ketziot Prison, southern Israel, February 26, 2025

156 x 246 cm
Fabric dye, acrylic and charcoal on cotton sheeting

Fas 

199x201 cm
Acrylic, tempera, soft pastel, charcoal and glue on cotton sheeting

-

I paint images that occupy me, step back, look, and listen for where the work is going, what it is becoming. I shape the work and let it shape me in return. As a response to the right kind of attention and immersion, the painting reveals new directions and meanings.

Disorder plays an important role as the chaos of the studio drives the process forward. Works are stacked, stepped on, spilled on, placed and hung haphazardly, creating chains of imprints within the studio’s tangle of overlapping flows.

Meet the graduating students from the Bachelor’s programme in Fine Art

För mig har det här arbetet handlat om ett försök att närma mig det förflutna och undersöka hur det känns att minnas något som inte längre går att nå fullt ut. I arbetet har jag försökt handskas med känslan av avstånd och separation.

Bild av: Sara Rad

Meet the graduating students from the Bachelor’s programme in Fine Art

För mig har det här arbetet handlat om ett försök att närma mig det förflutna och undersöka hur det känns att minnas något som inte längre går att nå fullt ut. I arbetet har jag försökt handskas med känslan av avstånd och separation.

Bild av: Sara Rad

Meet the graduating students from the Bachelor’s programme in Fine Art

För mig har det här arbetet handlat om ett försök att närma mig det förflutna och undersöka hur det känns att minnas något som inte längre går att nå fullt ut. I arbetet har jag försökt handskas med känslan av avstånd och separation.

Bild av: Sara Rad

Meet the graduating students from the Bachelor’s programme in Fine Art

För mig har det här arbetet handlat om ett försök att närma mig det förflutna och undersöka hur det känns att minnas något som inte längre går att nå fullt ut. I arbetet har jag försökt handskas med känslan av avstånd och separation.

Bild av: Sara Rad

Meet the graduating students from the Bachelor’s programme in Fine Art

Installation view, TO NOMI. From left to right:
Vertical Encagement, pencil on paper
Angel’s Labour, oil on canvas
Will They Know Me, oil on canvas

/

Dearest Nomi

These days of scarcity have me craving opulence.
I will savor this spring exhibition of chaos and mayhem.
I am very very very very mad because like Solange sang, I got a lot to be mad about.
I wanted to paint your portrait but I have never seen your face.
I made my way downwards, a force from the underground keeps pulling on my feet.
That is the angels.
Trotzig wrote: Ansiktet / finns / finns inte.
You, Nomi, asked: If they saw my face — will they know me — Nomi — know me, now?
I vow to be unfathomable. I vow to not be nonchalant.
I am not suggestive spirituality without religion. I am not a gesture reduced to „essence“ – release me!!! from nauseating minimalism!
Samson’s power sat in his long hair.

The church bells moan a warning.
Welcome to the opera.

Meet the graduating students from the Bachelor’s programme in Fine Art

Installation view, TO NOMI. From left to right:
Vertical Encagement, pencil on paper
Angel’s Labour, oil on canvas
Will They Know Me, oil on canvas

/

Dearest Nomi

These days of scarcity have me craving opulence.
I will savor this spring exhibition of chaos and mayhem.
I am very very very very mad because like Solange sang, I got a lot to be mad about.
I wanted to paint your portrait but I have never seen your face.
I made my way downwards, a force from the underground keeps pulling on my feet.
That is the angels.
Trotzig wrote: Ansiktet / finns / finns inte.
You, Nomi, asked: If they saw my face — will they know me — Nomi — know me, now?
I vow to be unfathomable. I vow to not be nonchalant.
I am not suggestive spirituality without religion. I am not a gesture reduced to „essence“ – release me!!! from nauseating minimalism!
Samson’s power sat in his long hair.

The church bells moan a warning.
Welcome to the opera.

Meet the graduating students from the Bachelor’s programme in Fine Art

Installation view, TO NOMI. From left to right:
Vertical Encagement, pencil on paper
Angel’s Labour, oil on canvas
Will They Know Me, oil on canvas

/

Dearest Nomi

These days of scarcity have me craving opulence.
I will savor this spring exhibition of chaos and mayhem.
I am very very very very mad because like Solange sang, I got a lot to be mad about.
I wanted to paint your portrait but I have never seen your face.
I made my way downwards, a force from the underground keeps pulling on my feet.
That is the angels.
Trotzig wrote: Ansiktet / finns / finns inte.
You, Nomi, asked: If they saw my face — will they know me — Nomi — know me, now?
I vow to be unfathomable. I vow to not be nonchalant.
I am not suggestive spirituality without religion. I am not a gesture reduced to „essence“ – release me!!! from nauseating minimalism!
Samson’s power sat in his long hair.

The church bells moan a warning.
Welcome to the opera.

Meet the graduating students from the Bachelor’s programme in Fine Art

Installation view, TO NOMI. From left to right:
Vertical Encagement, pencil on paper
Angel’s Labour, oil on canvas
Will They Know Me, oil on canvas

/

Dearest Nomi

These days of scarcity have me craving opulence.
I will savor this spring exhibition of chaos and mayhem.
I am very very very very mad because like Solange sang, I got a lot to be mad about.
I wanted to paint your portrait but I have never seen your face.
I made my way downwards, a force from the underground keeps pulling on my feet.
That is the angels.
Trotzig wrote: Ansiktet / finns / finns inte.
You, Nomi, asked: If they saw my face — will they know me — Nomi — know me, now?
I vow to be unfathomable. I vow to not be nonchalant.
I am not suggestive spirituality without religion. I am not a gesture reduced to „essence“ – release me!!! from nauseating minimalism!
Samson’s power sat in his long hair.

The church bells moan a warning.
Welcome to the opera.

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

@ellaazcaratelindblom

Meet the graduating students from the Bachelor’s programme in Fine Art

The drummer

Filippa Friberg utforskar måleriets språklighet genom att dekonstruera figurativa bildelement och måleriska gester till representativa byggstenar. Hon hittar sina motiv genom en intuitiv metod, där måleriska spår läggs till och tas bort upprepade gånger tills målningen tar form.

Friberg ser målningen som ett rum i sig själv och är intresserad av målningens multidimensionella potential att kombinera det fysiska med det sinnliga. Mellan det upplösta och definierade gör hon ett försök att närma sig det ordlösa språket. Tanken och minnet materialiseras både genom och bakom ytan.

Foton: Sara Rad

På bild:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

The drummer

Filippa Friberg explores the narrative aspects of painting through deconstructing figurative elements as well as painterly gestures into representative building blocks. She finds her motives through an intuitive method, where painterly traces are added and removed until the painting takes form.

Friberg sees the painting as a room in itself and interests herself with the painting’s multidimensional potential of combining the physical and the sensuous. In between the defined and the dissolved, she tries to approach a nonverbal language. The thought and memory materialized through and past the surface.

Photos: Sara Rad

On view:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

Meet the graduating students from the Bachelor’s programme in Fine Art

The drummer

Filippa Friberg utforskar måleriets språklighet genom att dekonstruera figurativa bildelement och måleriska gester till representativa byggstenar. Hon hittar sina motiv genom en intuitiv metod, där måleriska spår läggs till och tas bort upprepade gånger tills målningen tar form.

Friberg ser målningen som ett rum i sig själv och är intresserad av målningens multidimensionella potential att kombinera det fysiska med det sinnliga. Mellan det upplösta och definierade gör hon ett försök att närma sig det ordlösa språket. Tanken och minnet materialiseras både genom och bakom ytan.

Foton: Sara Rad

På bild:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

The drummer

Filippa Friberg explores the narrative aspects of painting through deconstructing figurative elements as well as painterly gestures into representative building blocks. She finds her motives through an intuitive method, where painterly traces are added and removed until the painting takes form.

Friberg sees the painting as a room in itself and interests herself with the painting’s multidimensional potential of combining the physical and the sensuous. In between the defined and the dissolved, she tries to approach a nonverbal language. The thought and memory materialized through and past the surface.

Photos: Sara Rad

On view:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

Meet the graduating students from the Bachelor’s programme in Fine Art

The drummer

Filippa Friberg utforskar måleriets språklighet genom att dekonstruera figurativa bildelement och måleriska gester till representativa byggstenar. Hon hittar sina motiv genom en intuitiv metod, där måleriska spår läggs till och tas bort upprepade gånger tills målningen tar form.

Friberg ser målningen som ett rum i sig själv och är intresserad av målningens multidimensionella potential att kombinera det fysiska med det sinnliga. Mellan det upplösta och definierade gör hon ett försök att närma sig det ordlösa språket. Tanken och minnet materialiseras både genom och bakom ytan.

Foton: Sara Rad

På bild:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

The drummer

Filippa Friberg explores the narrative aspects of painting through deconstructing figurative elements as well as painterly gestures into representative building blocks. She finds her motives through an intuitive method, where painterly traces are added and removed until the painting takes form.

Friberg sees the painting as a room in itself and interests herself with the painting’s multidimensional potential of combining the physical and the sensuous. In between the defined and the dissolved, she tries to approach a nonverbal language. The thought and memory materialized through and past the surface.

Photos: Sara Rad

On view:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

Meet the graduating students from the Bachelor’s programme in Fine Art

The drummer

Filippa Friberg utforskar måleriets språklighet genom att dekonstruera figurativa bildelement och måleriska gester till representativa byggstenar. Hon hittar sina motiv genom en intuitiv metod, där måleriska spår läggs till och tas bort upprepade gånger tills målningen tar form.

Friberg ser målningen som ett rum i sig själv och är intresserad av målningens multidimensionella potential att kombinera det fysiska med det sinnliga. Mellan det upplösta och definierade gör hon ett försök att närma sig det ordlösa språket. Tanken och minnet materialiseras både genom och bakom ytan.

Foton: Sara Rad

På bild:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

The drummer

Filippa Friberg explores the narrative aspects of painting through deconstructing figurative elements as well as painterly gestures into representative building blocks. She finds her motives through an intuitive method, where painterly traces are added and removed until the painting takes form.

Friberg sees the painting as a room in itself and interests herself with the painting’s multidimensional potential of combining the physical and the sensuous. In between the defined and the dissolved, she tries to approach a nonverbal language. The thought and memory materialized through and past the surface.

Photos: Sara Rad

On view:

”Y y”, 148x148 cm
”Brush off” 120x120 cm.
”Slip” 45x53 cm

Meet the graduating students from the Bachelor's programme in Fine Art

Hedvig Ingvarsson @h.edvig

GLIMT

Jag målar med ett intresse för det undflyende i vardagen. De senaste målningarna uppehåller sig vid stickspår och sneglingar; händelser vid sidan av den större vägen. I mellanrum och marginella skeenden, nära det stillastående, prövas frågan om vad som krävs för att något ska hända. Projektet utforskar en latent rörelse i det tillsynes tomma, ett tillstånd där något kan börja, något är på väg.

Meet the graduating students from the Bachelor's programme in Fine Art

Hedvig Ingvarsson @h.edvig

GLIMT

Jag målar med ett intresse för det undflyende i vardagen. De senaste målningarna uppehåller sig vid stickspår och sneglingar; händelser vid sidan av den större vägen. I mellanrum och marginella skeenden, nära det stillastående, prövas frågan om vad som krävs för att något ska hända. Projektet utforskar en latent rörelse i det tillsynes tomma, ett tillstånd där något kan börja, något är på väg.

Meet the graduating students from the Bachelor's programme in Fine Art

Hedvig Ingvarsson @h.edvig

GLIMT

Jag målar med ett intresse för det undflyende i vardagen. De senaste målningarna uppehåller sig vid stickspår och sneglingar; händelser vid sidan av den större vägen. I mellanrum och marginella skeenden, nära det stillastående, prövas frågan om vad som krävs för att något ska hända. Projektet utforskar en latent rörelse i det tillsynes tomma, ett tillstånd där något kan börja, något är på väg.

Meet the graduating students from the Bachelor's programme in Fine Art

Hedvig Ingvarsson @h.edvig

GLIMT

Jag målar med ett intresse för det undflyende i vardagen. De senaste målningarna uppehåller sig vid stickspår och sneglingar; händelser vid sidan av den större vägen. I mellanrum och marginella skeenden, nära det stillastående, prövas frågan om vad som krävs för att något ska hända. Projektet utforskar en latent rörelse i det tillsynes tomma, ett tillstånd där något kan börja, något är på väg.

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm

Missa inte Konstfacks vårutställning 2026!

192 studenter visar sin examensarbeten på Konstfack, Färgfabriken och Platform Stockholm till och med söndag 24 maj.

Öppettider:
Måndag–fredag kl. 12–18
Lördag–söndag kl. 12–16

Bilder från några av studenternas examensarbeten på vårutställningen.

Don't miss Konstfack's Degree Exhibition 2026!

192 students are showing their degree projects at Konstfack, Färgfabriken and Platform Stockholm until Sunday 24 May.

Opening hours:
Monday–Friday 12–18
Saturday–Sunday 12–16

#konstfack
#färgfabriken
#platformstockholm