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MENEMENE for BROWN PAPER

Deceitful in its form. Never to be trusted.

Available now at the pop-up. Limited Stock.

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Menemene shorts for BROWN PAPER

Polyviscose deconstructed lined shorts with adjustable sizing, one size fits most (29,32,36) that can also be worn as a poncho coat with button and hook/bar fastenings.

Zero-waste pattern making — cut from two rectangles.

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Lulama wearing Rich Aunty Poor Aunty boubou for BROWN PAPER

Raw black silk ruffled raglan sleeves with asymmetrical button stands

available for purchase at the pop-up. Limited stock.

Photographers: @aayom_ @franadilla
Hair and Make-up: @thutomoon
Muse: @susihatesfries44

RSVP LINK IN BIO

Me for BROWN PAPER

Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion

Pull up and smell the flowers x

@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_

Thru @peytonjoebasson’s eyes

RSVP LINK IN BO

Me for BROWN PAPER

Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion

Pull up and smell the flowers x

@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_

Thru @peytonjoebasson’s eyes

RSVP LINK IN BO

Me for BROWN PAPER

Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion

Pull up and smell the flowers x

@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_

Thru @peytonjoebasson’s eyes

RSVP LINK IN BO

Me for BROWN PAPER

Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion

Pull up and smell the flowers x

@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_

Thru @peytonjoebasson’s eyes

RSVP LINK IN BO

Me for BROWN PAPER

Where it all changes. Shifting the gaze to the peripheries. Turning a new leaf in South African Fashion

Pull up and smell the flowers x

@franzgrabeflowercouture @oovookoo @hennessy @bose @respect_your______elders_

Thru @peytonjoebasson’s eyes

RSVP LINK IN BO

Rich Aunty Poor Aunty Boubou. 2024.

Hand dyed raw silk by @tinyikomakwakwa
Fittings w @tracymokgopo

Looking back to move forward x

Rich Aunty Poor Aunty Boubou. 2024.

Hand dyed raw silk by @tinyikomakwakwa
Fittings w @tracymokgopo

Looking back to move forward x

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 2 with @bulelanigram

‘O MO KAE?’ -Sublimated and Fragmented Basotho blanket patterns: Seana Marena, historically associated with royalty and chiefs, and Victoria England, also known as the “badges of the brave,” which commemorate Basotho soldiers who served alongside British and Allied forces during World War II.

Blanket text shortened excerpt from SM Mofokeng’s Sesotho books of essay and stories

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

CONCEPT LOOK 1 with @bulelanigram, playing around with form and shape

‘O MO KAE?’ - sublimated photo of my mother,puff quilted and distorted

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

Looking back at our MOTHER THIS ISN’T ME group exhibition in cape town

‘O MO KAE?’ — puff quilted sublimated blankets

A process of seam loss — where the image gives away as it comes back together ... like pixels.

Very vulnerable process not only making the blankets but also having to make sense of it to an audience.
But I’m grateful to the MTIM artists and liaisons for how we held and articulated each other’s work.
A group show that practiced collective grieving … in CHURCH HOUSE.

@studio_________402 — a belief system / political party
More declarations soon.

Photos by @kwei_shunya

Thank you Mamzo for the surprise x

‘O Mo Kae?’

Mother, This Isn’t Me.

Capetown Groupshow 20/02-22/02.
See you there.

@studio_________402

puff quilting on liberty cotton.

Birth Is Nice. 2022 Archive.

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

Back in August, we spent a research residency in Accra, Ghana, most days in Kantamanto. Through collective making, we turned T-shirts into a canvas for dialogue and pop-cultural inquiry. T-shirt bales that flow and mirror larger social, economic, and aesthetic migrations.

Giving creative autonomy to markets artisans and repositioning them not just as service providers, but as co-authors in trend, design and research.

The project debuted at Design Week as part of The Price of Gold exhibition.

@berendjewillemina @itsumiawo @itaabbey @sicgmone@99_vibes @therevival.earth John Opoku Agyemang, Francis Oduro, Paul Tinkora, Ebenezer Morgan A Mensch

precious cargo