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Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

Alana Haim is a drama queen! What a joy to interview the musician-turned-actor for the California issue of @arabbitsfoot. We discussed her upbringing in the San Fernando Valley, working with Paul Thomas Anderson on Licorice Pizza and One Battle After Another, her upcoming role in The Drama alongside Zendaya and RPatz, and why her ultimate dream is to be a backing singer for Joni Mitchell.

Check it out online now and in the latest issue of A Rabbit’s Foot! Photos by @maddyrotman and creative direction by Fatima Khan

Production Director: Anna Pierce (@a.v.pierce)
DP: Mynxii White (@mynxiiwhite)
Video Editor: Alex Stenhouse (@alexstenhouse_)
Film production: Luke Georgiades (@lukegeorgiades)
Production Designer: Alice Jacobs (@a_vaj)
1st Assistant: Alonso Ayala (@yeahaaiiight)
2nd Assistant: Reveka Pasternak (@revbook)
Stylist: Alexander Roth at Talome Agency (@alexanderdroth)
Stylist Assistant: Felipe Xavier Diaz
Stylist Assistant: Carter Bright (@carterbrightt)
Stylist Assistant: Ismail Jallaq (@ismailscoronation)
Hair Artist: Laurie Zanoletti (@lauriezanoletti)
Makeup Artist: Olivia Barad (@oliviabarad)
Studio: Jane Ives Studio NY (@janeivesstudio)
Production Assistant: Kelli Mcguire (@creepykelli)
Creative Assistant: Kitty Spicer (@kitty_spicer)
Cover Title Treatment & Art Direction: Broad Peak Studio
Post Production: Alena Zolotnikova (@retouch_az)

The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️

The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️

The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️

The paper boys! Loved writing this portfolio of stylish men working in publishing today for this weekend’s @fthtsi. I visited Jonah Freud at @referencepoint180 where with @sophiadowsonc he has curated a beautiful library of rare art and photography books that also doubles up as a dance floor. (“If you can come in here and snog someone then suddenly that space doesn’t feel scary anymore,” he told me). I also interviewed Magma Journal’s @paulolivennes, @brunoceschel of SPBH Editions and Yuji Machida of @popeye_magazine_official - check it out! Thank you @jellison22 @bayasimons 🗞️

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Went to the @loewe show with @arabbitsfoot and penned a diary about it, ft inflatable invitations (and clothes), scream queen Sissy Spacek, CBK, and even a smile from Anna Wintour. Check it out online now!

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Had such a fun time interviewing the actor @havanaroseliu for the May digital cover of @arabbitsfoot ! We hiked up Primrose Hill on a sunny April afternoon and watched the world go by as we discussed her upcoming Cannes debut with Nicolas Winding Refn’s Her Private Hell, her background in dance and performance art and why it pays to be indecisive (hard relate). Beautiful photography by @oliviarthur and wonderful to work with the dream team @luke_georgiades @lsouthy @alexstenhouse_@ttiigerlilyy @kitty_spicer and creative direction by Fatima Khan. Read the full story on a-rabbitsfoot.com! 🤍

Truly an honour and a privilege to speak to one of my favourite writers, Siri Hustvedt, about her beautiful new memoir Ghost Stories, which documents the year following the death of her husband, Paul Auster. From her home in Brooklyn, for A Rabbit’s Foot we discussed her journey from grief to writing, the power of smell in conjuring the dead, and why being a reader has always meant living with ghosts. Accompanied by stunning images from @amirbangs. Thank you to @nicoparfitt for bringing the memoir to my attention last summer.

Read it online and in the upcoming issue of @arabbitsfoot

@sirihustvedt

Truly an honour and a privilege to speak to one of my favourite writers, Siri Hustvedt, about her beautiful new memoir Ghost Stories, which documents the year following the death of her husband, Paul Auster. From her home in Brooklyn, for A Rabbit’s Foot we discussed her journey from grief to writing, the power of smell in conjuring the dead, and why being a reader has always meant living with ghosts. Accompanied by stunning images from @amirbangs. Thank you to @nicoparfitt for bringing the memoir to my attention last summer.

Read it online and in the upcoming issue of @arabbitsfoot

@sirihustvedt

Truly an honour and a privilege to speak to one of my favourite writers, Siri Hustvedt, about her beautiful new memoir Ghost Stories, which documents the year following the death of her husband, Paul Auster. From her home in Brooklyn, for A Rabbit’s Foot we discussed her journey from grief to writing, the power of smell in conjuring the dead, and why being a reader has always meant living with ghosts. Accompanied by stunning images from @amirbangs. Thank you to @nicoparfitt for bringing the memoir to my attention last summer.

Read it online and in the upcoming issue of @arabbitsfoot

@sirihustvedt

Truly an honour and a privilege to speak to one of my favourite writers, Siri Hustvedt, about her beautiful new memoir Ghost Stories, which documents the year following the death of her husband, Paul Auster. From her home in Brooklyn, for A Rabbit’s Foot we discussed her journey from grief to writing, the power of smell in conjuring the dead, and why being a reader has always meant living with ghosts. Accompanied by stunning images from @amirbangs. Thank you to @nicoparfitt for bringing the memoir to my attention last summer.

Read it online and in the upcoming issue of @arabbitsfoot

@sirihustvedt

Truly an honour and a privilege to speak to one of my favourite writers, Siri Hustvedt, about her beautiful new memoir Ghost Stories, which documents the year following the death of her husband, Paul Auster. From her home in Brooklyn, for A Rabbit’s Foot we discussed her journey from grief to writing, the power of smell in conjuring the dead, and why being a reader has always meant living with ghosts. Accompanied by stunning images from @amirbangs. Thank you to @nicoparfitt for bringing the memoir to my attention last summer.

Read it online and in the upcoming issue of @arabbitsfoot

@sirihustvedt

It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend

It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend

It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend

It was wonderful to interview Oscar-winning director Chloe Zhao in the FT Weekend about her upcoming adaptation of Maggie O’Farrell’s Hamnet. With a backdrop of ambient music and the waft of essential oils, we discussed the guided meditation she opened the premiere with at Telluride, her early encounters with Shakespeare as a high school student in Los Angeles, working with Jessie Buckley and Paul Mescal, dealing with fandoms and parental grief. @ft_weekend

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

2025… looks and books

With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!

With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!

With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!

With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!

With Christmas truly upon us, resharing a recent article I wrote for The Guardian about Pillion (the “dom-com” debut from @hlighton) and why the best Christmas films aren’t really Christmas films, ft traumatic anecdote of seeing The Holiday with my family aged 12. Thank you to @jasebyjason for the commission!

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

Eva, baby! The wonderful and hilarious actor-writer-director @evavictor interviewed by me in issue 13 of @arabbitsfoot… we talked about their commitment to cosiness, the soup and toast that went into the writing of their debut feature Sorry, Baby, being inspired by The Holiday, and much much more! Had a hoot writing it - read it now on A Rabbit’s Foot! 🎄and go and watch @sorrybabymovie if you haven’t already

wonderful images by @rashidinoah + styling by @oliviapezzente

I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫

I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫

I’m in this weekend’s @fthtsi talking to @barnaba_fornasetti about all things taste! From his palazzo in Milan, we discussed collecting waistcoats, bicycles, post-coffee cigs and Christmas traditions. Read it online and in this weekend’s FT 💫

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

I loved loved loved speaking to Renate Reinsve and Inga Ibsdotter Lilleaas, leading sisters of Joachim Trier’s upcoming film Sentimental Value for the November digital cover of @arabbitsfoot . I spoke to the Norwegian actors about Oscar’s buzz, father figures and why it pays to find success in your thirties. Online now 😎

Creative Director & Photographer: Fatima Khan
Executive Producer: Anna Pierce @a.v.pierce
Production Coordinator: Olivia Kenney @oliviakenney_
Videographer: Katya Ganfeld @katyaganfeld
Video Assistant: Luke Georgiades @luke_georgiades & Kitty Spicer @kitty_spicer
Lighting: Laurence Hills @laurence.hills
Post production: Alena Zolotnikova @retouch_az
Stylist: Karen Clarkson @karenclarkson
Styling Assistant: Virginia Corelli
Hair Stylist (Renate Reinsve): Patrick Wilson @patrickwilson
Make-Up Artist (Renate Reinsve): Valeria Ferreira @valeriaferreiramakeup
Hair Stylist (Inga Ibsdotter Lilleaas): Earl Simms @earlsimms2
Make-Up Artist (Inga Ibsdotter Lilleaas): Kelly Cornwell @lipstickkelly

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now

The Tuscan monastery of the British sculptor Emily Young, who I visited in July and profiled in the ‘Sanctuary’ issue of @arabbitsfoot (with wonderful photography by @issycarr_ ). At the centre of her home is a chapel whose roof caved in 1928, meaning most of its vaulted arches have been replaced by a panorama of sky. Young told me that if you sit still for long enough, you can see the stars moving: “They arrive from one side, and on the other they disappear because of the turning of the planet… It’s deep time you are looking at. It’s such a thrill if you can get there.” Interview online now