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𝗩𝗘𝗡𝗘𝗭𝗨𝗘𝗟𝗔 ✨ 𝗘𝘀𝘁𝗮𝗺𝗼𝘀 𝗶𝗻𝗺𝗲𝗻𝘀𝗮𝗺𝗲𝗻𝘁𝗲 𝗳𝗲𝗹𝗶𝗰𝗲𝘀 𝗱𝗲 𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗮𝗿 𝗨𝗡 𝗖𝗔𝗟𝗘𝗡𝗗𝗔𝗥𝗜𝗢 𝗜𝗡𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗢 (𝗔𝗻 𝗜𝗻𝗰𝗼𝗺𝗽𝗹𝗲𝘁𝗲 𝗖𝗮𝗹𝗲𝗻𝗱𝗮𝗿) de 𝗦𝗮𝗻𝗮𝘇 𝗦𝗼𝗵𝗿𝗮𝗯𝗶 en el lugar que dio origen a este film, de la mano de 𝗛𝗮𝗯𝗶𝘁𝗮𝗿 𝗲𝗹 𝗖𝗶𝗻𝗲 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝗰𝗶𝗼𝗻𝗮𝗹 𝗱𝗲 𝗖𝗶𝗻𝗲 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿á𝗻𝗲𝗼 𝗱𝗲 𝗖𝗮𝗿𝗮𝗰𝗮 • @habitarelcine ✨ 𝗟𝗮 𝗿𝗲𝗮𝗹𝗶𝘇𝗮𝗱𝗼𝗿𝗮 𝗲𝘀𝘁𝗮𝗿á 𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗲 𝗽𝗮𝗿𝗮 𝗮𝗰𝗼𝗺𝗽𝗮ñ𝗮𝗿 𝗹𝗮 𝗽𝗿𝗼𝘆𝗲𝗰𝗰𝗶ó𝗻 𝗱𝗲 𝘀𝘂 𝘁𝗿𝗶𝗹𝗼𝗴í𝗮 𝗱𝗲 𝗲𝗻𝘀𝗮𝘆𝗼𝘀 𝗳í𝗹𝗺𝗶𝗰𝗼𝘀 que desentraman la relación entre economía política de las imágenes, tecnologías de archivo y culturas visuales de la extracción de recursos petroleros de Irán, Asia Occidental y Latinoamérica.
Los mediometrajes son 𝗘𝗦𝗖𝗘𝗡𝗔𝗦 𝗗𝗘 𝗘𝗫𝗧𝗥𝗔𝗖𝗖𝗜Ó𝗡 (𝟮𝟬𝟮𝟯) y 𝗨𝗡𝗔 𝗜𝗠𝗔𝗚𝗘𝗡, 𝗗𝗢𝗦 𝗔𝗖𝗧𝗢𝗦 (𝟮𝟬𝟮𝟬).

𝗘𝘀𝘁𝗲 𝗳𝗶𝗹𝗺 𝗳𝘂𝗲 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗶𝗱𝗼 𝗽𝗼𝗿 𝗲𝗹 𝗗𝗲𝗽𝗮𝗿𝘁𝗮𝗺𝗲𝗻𝘁𝗼 𝗱𝗲 𝗖𝘂𝗹𝘁𝘂𝗿𝗮 𝗱𝗲 𝗹𝗮 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝗱𝗮𝗱 𝗖𝗲𝗻𝘁𝗿𝗮𝗹 𝗱𝗲 𝗩𝗲𝗻𝗲𝘇𝘂𝗲𝗹𝗮 (𝗨𝗖𝗩) • @culturaucv

𝗚𝗿𝗮𝗰𝗶𝗮𝘀 𝗥𝗶𝗰𝗵𝗮𝗿𝗱 𝘆 𝗲𝗾𝘂𝗶𝗽𝗼 𝗽𝗼𝗿 𝗲𝗹 𝗽𝗿𝗼𝗳𝗲𝘀𝗶𝗼𝗻𝗮𝗹𝗶𝘀𝗺𝗼 𝘆 𝗰𝗼𝗺𝗽𝗿𝗼𝗺𝗶𝘀𝗼 💜

𝗛𝗔𝗕𝗜𝗧𝗔𝗥 𝗘𝗟 𝗖𝗜𝗡𝗘
📍𝗖𝗮𝗿𝗮𝗰𝗮𝘀
𝟮𝟱-𝟯𝟬 𝗱𝗲 𝗺𝗮𝘆𝗼

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#sanazsohrabi #anincompletecalendarfilm
#habitarelcine #folfilms #kinorebelde

𝗦𝗪𝗜𝗦𝗦 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘 🌟𝗟𝗘𝗙𝗧 𝗕𝗘𝗛𝗜𝗡𝗗 will be presented by 𝗬𝗮𝗻𝗻𝗶𝘀 𝗞𝗮𝗿𝗽𝗼𝘂𝘇𝗶𝘀 • @yannis_karpouzis at the 𝟮𝟴𝘁𝗵 𝗘𝗱𝗶𝘁𝗶𝗼𝗻 𝗩𝗜𝗗𝗘𝗢𝗘𝗫 • @videoex_festival the largest Swiss festival dedicated to experimental films 🌟 The short is part of the 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 / "𝗧𝗼 𝗯𝗲 𝗼𝗿 𝗻𝗼𝘁 𝘁𝗼 𝗯𝗲" 𝗣𝗿𝗼𝗴𝗿𝗮𝗺 🌟

🎟️ 𝟮𝟱.𝟬𝟱 • 𝟭𝟳:𝟰𝟱
📍 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝗸𝗶𝗻𝗼 𝗖𝗶𝗻𝗲𝗺𝗮 𝗭𝟯, Zürich
+ Q&A

🎟️ 𝟮𝟴.𝟬𝟱 • 𝟭𝟱:𝟯𝟬
📍𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝗸𝗶𝗻𝗼 𝗖𝗶𝗻𝗲𝗺𝗮 𝗭𝟯, Zürich
+ Q&A
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#leftbehindshortfilm #yanniskarpouzis
#videoexfestival #experimentalshortfilm #kinorebelde

𝗦𝗢𝗨𝗧𝗛 𝗞𝗢𝗥𝗘𝗔 🌸 𝗛𝗘𝗥𝗕𝗔𝗥𝗜𝗔 will be part of "𝗥𝗲𝗰𝗹𝗮𝗶𝗺𝗶𝗻𝗴 𝘁𝗵𝗲 𝗔𝗿𝗰𝗵𝗶𝘃𝗲𝘀" 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝗿𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲 𝗼𝗳 𝗟𝗲𝗮𝗻𝗱𝗿𝗼 𝗟𝗶𝘀𝘁𝗼𝗿𝘁𝗶 • @leandro.listorti in 𝗔𝘀𝗶𝗮, presented by 𝗖𝗼𝗿𝗿𝗲𝘀𝗽𝗼𝗻𝗱𝗲𝗻𝗰𝗶𝗮(𝘀) • @correspondencias.co 𝗮 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝗻𝗱 𝗰𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆 𝗮𝗻𝗱 𝗰𝗶𝗻𝗲-𝗰𝗹𝘂𝗯 𝗶𝗻 𝗦𝗲𝗼𝘂𝗹 🌸 The films directed by the Argentinian filmmaker, archivist, film programmer and producer will be shown at 𝗜𝗻𝗱𝗶𝗲𝘀𝗽𝗮𝗰𝗲 • @indiespace_kr 🌸

𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘵𝘩𝘦 𝘈𝘳𝘤𝘩𝘪𝘷𝘦, 𝘪𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘦𝘴 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘰𝘧 𝘥𝘪𝘳𝘦𝘤𝘵𝘰𝘳 𝘓𝘦𝘢𝘯𝘥𝘳𝘰 𝘓𝘪𝘴𝘵𝘰𝘳𝘵𝘪, 𝘸𝘩𝘰 𝘰𝘱𝘦𝘳𝘢𝘵𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘴𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘢𝘳𝘤𝘩𝘪𝘷𝘢𝘭 𝘧𝘰𝘰𝘵𝘢𝘨𝘦 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘧𝘪𝘭𝘮. 𝘈𝘴 𝘢 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘰𝘳 𝘢𝘯𝘥 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘢𝘯, 𝘓𝘪𝘴𝘵𝘰𝘳𝘵𝘪’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘪𝘯𝘷𝘰𝘭𝘷𝘦𝘴 𝘵𝘩𝘦 𝘥𝘦𝘭𝘪𝘤𝘢𝘵𝘦 𝘱𝘳𝘦𝘴𝘦𝘳𝘷𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘵𝘩𝘦 𝘳𝘦𝘯𝘦𝘸𝘢𝘭 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘳𝘦𝘴𝘵𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘧𝘰𝘳𝘨𝘰𝘵𝘵𝘦𝘯 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴. 𝘏𝘪𝘴 𝘧𝘪𝘭𝘮𝘴 𝘴𝘦𝘳𝘷𝘦 𝘢𝘴 𝘦𝘷𝘪𝘥𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘧𝘶𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵 𝘢𝘳𝘦 𝘣𝘰𝘵𝘩 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘢 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴 𝘢𝘯𝘥 𝘥𝘺𝘯𝘢𝘮𝘪𝘤 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘦𝘷𝘰𝘭𝘶𝘵𝘪𝘰𝘯.

𝟲𝘁𝗵 𝗝𝘂𝗻𝗲
🎟️ 17:30 - 18:25 La película infinita (2018)

🎟️ 18:40 - 20:10 Petit Daguerre (2018) / Fresno (2014) / Herbaria (2022)
+ 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗟𝗲𝗮𝗻𝗱𝗿𝗼 𝗟𝗶𝘀𝘁𝗼𝗿𝘁𝗶 𝗮𝗻𝗱 𝗣𝗶𝗽 𝗖𝗵𝗼𝗱𝗼𝗿𝗼𝘃 • @pipchodorov

📍indiespace • @indiespace_kr
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✨✨ 𝗚𝗿𝗮𝗽𝗵𝗶𝗰 𝗗𝗲𝘀𝗶𝗴𝗻: 𝗟𝗲𝗲 𝗚𝗲𝗼𝗻-𝗷𝘂𝗻𝗴 • @handgloves

✨✨ 𝗧𝗵𝗮𝗻𝗸𝘀 𝗛𝘆𝗲𝗺𝗶𝗻 & 𝗛𝘆𝗼𝘂𝗻𝘆𝗼𝘂𝗻𝗴, 𝘆𝗼𝘂 𝗮𝗿𝗲 𝘄𝗼𝗻𝗱𝗲𝗿𝗳𝘂𝗹𝗹!

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#leandrolistorti #herbariafilm #filmpreservation #archivefilms #kinorebelde

𝗦𝗢𝗨𝗧𝗛 𝗞𝗢𝗥𝗘𝗔 🌸 𝗛𝗘𝗥𝗕𝗔𝗥𝗜𝗔 will be part of "𝗥𝗲𝗰𝗹𝗮𝗶𝗺𝗶𝗻𝗴 𝘁𝗵𝗲 𝗔𝗿𝗰𝗵𝗶𝘃𝗲𝘀" 𝘁𝗵𝗲 𝗳𝗶𝗿𝘀𝘁 𝗿𝗲𝘁𝗿𝗼𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲 𝗼𝗳 𝗟𝗲𝗮𝗻𝗱𝗿𝗼 𝗟𝗶𝘀𝘁𝗼𝗿𝘁𝗶 • @leandro.listorti in 𝗔𝘀𝗶𝗮, presented by 𝗖𝗼𝗿𝗿𝗲𝘀𝗽𝗼𝗻𝗱𝗲𝗻𝗰𝗶𝗮(𝘀) • @correspondencias.co 𝗮 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝗻𝗱 𝗰𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆 𝗮𝗻𝗱 𝗰𝗶𝗻𝗲-𝗰𝗹𝘂𝗯 𝗶𝗻 𝗦𝗲𝗼𝘂𝗹 🌸 The films directed by the Argentinian filmmaker, archivist, film programmer and producer will be shown at 𝗜𝗻𝗱𝗶𝗲𝘀𝗽𝗮𝗰𝗲 • @indiespace_kr 🌸

𝘙𝘦𝘤𝘭𝘢𝘪𝘮𝘪𝘯𝘨 𝘵𝘩𝘦 𝘈𝘳𝘤𝘩𝘪𝘷𝘦, 𝘪𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘦𝘴 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘴 𝘰𝘧 𝘥𝘪𝘳𝘦𝘤𝘵𝘰𝘳 𝘓𝘦𝘢𝘯𝘥𝘳𝘰 𝘓𝘪𝘴𝘵𝘰𝘳𝘵𝘪, 𝘸𝘩𝘰 𝘰𝘱𝘦𝘳𝘢𝘵𝘦𝘴 𝘢𝘵 𝘵𝘩𝘦 𝘪𝘯𝘵𝘦𝘳𝘴𝘦𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘢𝘳𝘤𝘩𝘪𝘷𝘢𝘭 𝘧𝘰𝘰𝘵𝘢𝘨𝘦 𝘢𝘯𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘧𝘪𝘭𝘮. 𝘈𝘴 𝘢 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘰𝘳 𝘢𝘯𝘥 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘢𝘯, 𝘓𝘪𝘴𝘵𝘰𝘳𝘵𝘪’𝘴 𝘱𝘳𝘢𝘤𝘵𝘪𝘤𝘦 𝘪𝘯𝘷𝘰𝘭𝘷𝘦𝘴 𝘵𝘩𝘦 𝘥𝘦𝘭𝘪𝘤𝘢𝘵𝘦 𝘱𝘳𝘦𝘴𝘦𝘳𝘷𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭𝘴, 𝘵𝘩𝘦 𝘳𝘦𝘯𝘦𝘸𝘢𝘭 𝘰𝘧 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵, 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘳𝘦𝘴𝘵𝘰𝘳𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘧𝘰𝘳𝘨𝘰𝘵𝘵𝘦𝘯 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴. 𝘏𝘪𝘴 𝘧𝘪𝘭𝘮𝘴 𝘴𝘦𝘳𝘷𝘦 𝘢𝘴 𝘦𝘷𝘪𝘥𝘦𝘯𝘤𝘦 𝘵𝘩𝘢𝘵 𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘧𝘶𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵𝘪𝘯𝘨 𝘰𝘯 𝘵𝘩𝘦 𝘱𝘢𝘴𝘵 𝘢𝘳𝘦 𝘣𝘰𝘵𝘩 𝘱𝘢𝘳𝘵 𝘰𝘧 𝘢 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴 𝘢𝘯𝘥 𝘥𝘺𝘯𝘢𝘮𝘪𝘤 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘦𝘷𝘰𝘭𝘶𝘵𝘪𝘰𝘯.

𝟲𝘁𝗵 𝗝𝘂𝗻𝗲
🎟️ 17:30 - 18:25 La película infinita (2018)

🎟️ 18:40 - 20:10 Petit Daguerre (2018) / Fresno (2014) / Herbaria (2022)
+ 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗟𝗲𝗮𝗻𝗱𝗿𝗼 𝗟𝗶𝘀𝘁𝗼𝗿𝘁𝗶 𝗮𝗻𝗱 𝗣𝗶𝗽 𝗖𝗵𝗼𝗱𝗼𝗿𝗼𝘃 • @pipchodorov

📍indiespace • @indiespace_kr
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✨✨ 𝗚𝗿𝗮𝗽𝗵𝗶𝗰 𝗗𝗲𝘀𝗶𝗴𝗻: 𝗟𝗲𝗲 𝗚𝗲𝗼𝗻-𝗷𝘂𝗻𝗴 • @handgloves

✨✨ 𝗧𝗵𝗮𝗻𝗸𝘀 𝗛𝘆𝗲𝗺𝗶𝗻 & 𝗛𝘆𝗼𝘂𝗻𝘆𝗼𝘂𝗻𝗴, 𝘆𝗼𝘂 𝗮𝗿𝗲 𝘄𝗼𝗻𝗱𝗲𝗿𝗳𝘂𝗹𝗹!

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#leandrolistorti #herbariafilm #filmpreservation #archivefilms #kinorebelde

𝗪𝗮𝘀𝗵𝗶𝗻𝗴𝘁𝗼𝗻 𝗗𝗖 ✨ We are back at the gorgeous 𝗘𝗮𝘀𝘁 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴 𝗔𝘂𝗱𝗶𝘁𝗼𝗿𝗶𝘂𝗺 of the 𝗡𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗚𝗮𝗹𝗹𝗲𝗿𝘆 𝗼𝗳 𝗔𝗿𝘁 • @ngadc to present 𝗘𝗩𝗘𝗥𝗬 𝗖𝗢𝗡𝗧𝗔𝗖𝗧 𝗟𝗘𝗔𝗩𝗘𝗦 𝗔 𝗧𝗥𝗔𝗖𝗘 by 𝗟𝘆𝗻𝗻𝗲 𝗦𝗮𝗰𝗵𝘀 • @lynnesachs1 as part of 𝗗𝗖/𝗗𝗢𝗫 • @dcdoxfest ✨ 𝗧𝗵𝗶𝘀 𝗶𝘀 𝗮 𝘀𝗽𝗲𝗰𝗶𝗮𝗹 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗯𝗲𝗰𝗮𝘂𝘀𝗲 𝘁𝗵𝗲 𝗳𝗶𝗹𝗺 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗲𝗱 𝗮𝗹𝗼𝗻𝗴𝘀𝗶𝗱𝗲 𝗚𝗥𝗔𝗭𝗜𝗡𝗚 𝗢𝗡 𝗜𝗠𝗔𝗚𝗘𝗦, 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘀𝗵𝗼𝗿𝘁 𝗳𝗶𝗹𝗺 𝗯𝘆 𝗠𝗮𝗿𝗸 𝗦𝘁𝗿𝗲𝗲𝘁 • @marklacalle ✨

🎟️ 𝗦𝗨𝗡𝗗𝗔𝗬, 𝗝𝗨𝗡𝗘 𝟭𝟰 • 𝟭𝟭:𝟬𝟬 𝗮𝗺
📍𝗡𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗚𝗮𝗹𝗹𝗲𝗿𝘆 𝗼𝗳 𝗔𝗿𝘁

+ Q&A by Lynne Sachs & Mark Street 💮

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#lynnesachs #markstreet #nationalgalleryofart #dcdox #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗙𝗶𝗹𝗺𝘀 𝗳𝗿𝗼𝗺 𝟭𝟵𝟴𝟮 𝘁𝗼 𝟮𝟬𝟮𝟮:
𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (𝟭𝟵𝟴𝟮)
𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (𝟭𝟵𝟴𝟱)
𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (𝟭𝟵𝟴𝟵)
𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (𝟭𝟵𝟵𝟭)
𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 co-directed with Jean-Paul Bourdier (𝟭𝟵𝟵𝟱)
𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (𝟮𝟬𝟬𝟭)
𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 co-directed with Jean-Paul Bourdier (𝟮𝟬𝟬𝟰)
𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (𝟮𝟬𝟭𝟱)
𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (𝟮𝟬𝟮𝟮)

🟡 𝗩𝗜𝗗𝗘𝗢 𝗜𝗡𝗦𝗧𝗔𝗟𝗟𝗔𝗧𝗜𝗢𝗡𝗦
𝗕𝗼𝗱𝗶𝗲𝘀 𝗼𝗳 𝘁𝗵𝗲 𝗗𝗲𝘀𝗲𝗿𝘁 (𝟮𝟬𝟬𝟱) – 𝟮𝟬 𝗺𝗶𝗻, 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗩𝗶𝗱𝗲𝗼
𝗧𝗵𝗲 𝗗𝗲𝘀𝗲𝗿𝘁 𝗶𝘀 𝗪𝗮𝘁𝗰𝗵𝗶𝗻𝗴 (𝟮𝟬𝟬𝟯) – 𝟭𝟭 𝗺𝗶𝗻, 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗩𝗶𝗱𝗲𝗼
𝗢𝗹𝗱 𝗟𝗮𝗻𝗱 𝗡𝗲𝘄 𝗪𝗮𝘁𝗲𝗿𝘀 (𝟮𝟬𝟬𝟳) – 𝟮-𝗰𝗵𝗮𝗻𝗻𝗲𝗹 𝘃𝗶𝗱𝗲𝗼 𝗶𝗻𝘀𝘁𝗮𝗹𝗹𝗮𝘁𝗶𝗼𝗻
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#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 🟡 𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗙𝗜𝗟𝗠𝗢𝗚𝗥𝗔𝗣𝗛𝗬 🟡 𝗪𝗲 𝗼𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗹𝘆 𝘄𝗲𝗹𝗰𝗼𝗺𝗲 𝘁𝗼 𝗼𝘂𝘁 𝗰𝗮𝘁𝗮𝗹𝗼𝗴𝘂𝗲 𝘁𝗵𝗲 𝗳𝗲𝗺𝗶𝗻𝗶𝘀𝘁 𝗳𝗶𝗹𝗺𝗺𝗮𝗸𝗲𝗿, 𝘄𝗿𝗶𝘁𝗲𝗿 𝗮𝗻𝗱 𝗶𝗿𝗿𝗲𝗳𝘂𝘁𝗮𝗯𝗹𝗲 𝘁𝗿𝗮𝗻𝘀𝗴𝗿𝗲𝘀𝗼𝗿 𝗼𝗳 𝗱𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗮𝗻𝗱 𝗲𝘁𝗵𝗻𝗼𝗴𝗿𝗮𝗽𝗵𝗶𝗰 𝗰𝗶𝗻𝗲𝗺𝗮: 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔.

From 𝗞𝗶𝗻𝗼 𝗥𝗲𝗯𝗲𝗹𝗱𝗲 we are embracing not only a multidisciplinary fundamental artist and thinker of our time, but also a great inspiration for the cinema we believe in.

Often overwhelmed by a cinema cut with the same hegemonic scissors—the boxes, the hollowing out of content, the lack of filmmakers’ stance, and the endless samples of a simplistic and extractivist films—we have embraced the challenge of rethinking cinema, of unsettling, of questioning. No Instagram post will ever be enough to define or describe what Minh-ha’s work—her films and her books—stirs in us, nor the happiness of having her become part of our catalogue.

𝗪𝗲 𝘀𝗶𝗺𝗽𝗹𝘆 𝗵𝗼𝗽𝗲 𝘁𝗼 𝗵𝗲𝗹𝗽 𝘀𝗽𝗿𝗲𝗮𝗱 𝗮 𝗰𝗶𝗻𝗲𝗺𝗮 𝘄𝗲 𝗱𝗲𝗲𝗽𝗹𝘆 𝗯𝗲𝗹𝗶𝗲𝘃𝗲 𝗶𝗻, 𝗺𝗼𝘃𝗲 𝘂𝘀, 𝗮𝗻𝗱 𝗮𝗯𝗼𝘃𝗲 𝗮𝗹𝗹, 𝗿𝗲𝗺𝗶𝗻𝗱𝘀 𝘂𝘀 𝗼𝗳 𝘁𝗵𝗲 𝘀𝘂𝘃𝗯𝗲𝗿𝘀𝗶𝘃𝗲 𝗽𝗼𝘄𝗲𝗿 𝗼𝗳 𝗰𝗶𝗻𝗲𝗺𝗮.

🟡 𝗧𝗥𝗜𝗡𝗛 𝗧. 𝗠𝗜𝗡𝗛-𝗛𝗔 filmmaker, feminist and post-colonial theorist, writer, and former composer. She is a Distinguished Professor of the Graduate School at the University of California, Berkeley. Her nine feature-length films are: 𝗥𝗲𝗮𝘀𝘀𝗲𝗺𝗯𝗹𝗮𝗴𝗲 (1982), 𝗡𝗮𝗸𝗲𝗱 𝗦𝗽𝗮𝗰𝗲𝘀 (1985) 𝗦𝘂𝗿𝗻𝗮𝗺𝗲 𝗩𝗶𝗲𝘁 𝗚𝗶𝘃𝗲𝗻 𝗡𝗮𝗺𝗲 𝗡𝗮𝗺 (1989), 𝗦𝗵𝗼𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗖𝗼𝗻𝘁𝗲𝗻𝘁𝘀 (1991), 𝗔 𝗧𝗮𝗹𝗲 𝗼𝗳 𝗟𝗼𝘃𝗲 (1995), 𝗧𝗵𝗲 𝗙𝗼𝘂𝗿𝘁𝗵 𝗗𝗶𝗺𝗲𝗻𝘀𝗶𝗼𝗻 (2001), 𝗡𝗶𝗴𝗵𝘁 𝗣𝗮𝘀𝘀𝗮𝗴𝗲 (2004) -NOT 1998!- 𝗙𝗼𝗿𝗴𝗲𝘁𝘁𝗶𝗻𝗴 𝗩𝗶𝗲𝘁𝗻𝗮𝗺 (2015), 𝗮𝗻𝗱 𝗪𝗵𝗮𝘁 𝗔𝗯𝗼𝘂𝘁 𝗖𝗵𝗶𝗻𝗮? (2022).

She has been honored in some sixty-nine retrospectives around the world.

Writer of numerous books, such as Lovecidal. Walking with The Disappeared (2016), D-Passage. The Digital Way (2013), Elsewhere, Within Here (2011), and Woman, Native, Other: Writing Postcoloniality and Feminism (1989).

#trinhtminhha #kinorebelde

𝗕𝗥𝗔𝗭𝗜𝗟𝗜𝗔𝗡 𝗣𝗥𝗘𝗠𝗜𝗘𝗥𝗘 ✨ 𝗔𝗡 𝗜𝗡𝗖𝗢𝗠𝗣𝗟𝗘𝗧𝗘 𝗖𝗔𝗟𝗘𝗡𝗗𝗔𝗥 by 𝗦𝗮𝗻𝗮𝘇 𝗦𝗼𝗵𝗿𝗮𝗯𝗶 will be part of the 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗖𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 of 𝗢𝗹𝗵𝗮𝗿 𝗱𝗲 𝗖𝗶𝗻𝗲𝗺𝗮 • @olhardecinema 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝗶𝗻 𝗖𝘂𝗿𝗶𝘁𝗶𝗯𝗮 𝗿𝘂𝗻𝗻𝗶𝗻𝗴 𝗳𝗿𝗼𝗺 𝟰 𝘁𝗼 𝟭𝟯 𝗝𝘂𝗻𝗲 ✨ and we couldn't be happier!

+ 𝗜𝗡𝗙𝗢 𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗢𝗢𝗡

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#anincompletecalendarfilm #sanazsohrabi #folfilms #olhardocinema2026 #kinorebelde

𝗢𝗡𝗟𝗜𝗡𝗘 𝗢𝗡 𝗗𝗔𝗙𝗜𝗟𝗠𝗦 💥 𝗙𝗶𝗻𝗮𝗹𝗹𝘆 𝘄𝗼𝗿𝗹𝗱𝘄𝗶𝗱𝗲 💥 We are very happy to share 𝘁𝗵𝗿𝗲𝗲 𝘀𝗽𝗮𝗿𝗸𝘀 (𝟮𝟬𝟮𝟯) by 𝗡𝗮𝗼𝗺𝗶 𝗨𝗺𝗮𝗻 • @naomiuman2026 on @dafilms 💥

This 𝗠𝗲𝘅𝗶𝗰𝗮𝗻-𝗔𝗹𝗯𝗮𝗻𝗶𝗮𝗻 film started its circuit at the 𝗧𝗶𝗴𝗲𝗿 𝗖𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 of 𝗜𝗙𝗙𝗥 • @iffr and got the 𝗕𝗲𝘀𝘁 𝗙𝗶𝗹𝗺 𝗔𝘄𝗮𝗿𝗱 of the "𝗥𝗲𝗳𝗹𝗲𝗰𝘁𝗶𝗻𝗴 𝗔𝗹𝗯𝗮𝗻𝗶𝗮" 𝗖𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 at 𝗧𝗶𝗿𝗮𝗻𝗮 𝗜𝗙𝗙 • @tiranafilmfest.

We are proud that the film has traveled from 𝗦𝗼𝘂𝘁𝗵 𝗞𝗼𝗿𝗲𝗮 to 𝗔𝗹𝗴𝗲𝗿𝗶𝗮, 𝗕𝗼𝗹𝗶𝘃𝗶𝗮, from 𝗠𝗲𝘅𝗶𝗰𝗼 to 𝗜𝗿𝗮𝗻 and 𝗔𝗿𝗺𝗲𝗻𝗶𝗮. We have shown it in +𝟰𝟬 𝗳𝗲𝘀𝘁𝗶𝘃𝗮𝗹𝘀 𝗮𝗻𝗱 𝗮𝗹𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝘃𝗲 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴𝘀 worldwide ✨ 𝗦𝗼𝗺𝗲 𝗼𝗳 𝘁𝗵𝗲𝗺: 𝗙𝗜𝗖𝗨𝗡𝗔𝗠 • @ficunam , 𝗣𝗿𝗶𝘀𝗺𝗮𝘁𝗶𝗰 𝗚𝗿𝗼𝘂𝗻𝗱 • @prismaticground , 𝗡𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗚𝗮𝗹𝗹𝗲𝗿𝘆 𝗼𝗳 𝗔𝗿𝘁 • @ngadc 𝗠𝗲𝘁𝗿𝗼𝗴𝗿𝗮𝗽𝗵 • @metrographnyc , 𝗚𝗼𝗹𝗱𝗲𝗻 𝗔𝗽𝗿𝗶𝗰𝗼𝘁 • @goldenapricotiff , 𝗗𝗼𝗸𝘂𝗳𝗲𝘀𝘁 • @dokufest , 𝗡𝗲𝘄 𝗛𝗼𝗿𝗶𝘇𝗼𝗻𝘀 • @mff_nowehoryzonty , 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁 𝗚𝗲𝗻𝘁 • @filmfestgent ,𝗜𝗙𝗙𝗜 𝗚𝗢𝗔 • @iffigoa , 𝗗𝗠𝗭 • @dmzdocs , 𝗔𝗻𝗻𝗮𝗯𝗮 𝗠𝗲𝗱𝗶𝘁𝗲𝗿𝗿𝗮𝗻𝗲𝗮𝗻 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 • @annabafilmfestival.algeria , 𝗢𝗱𝗲𝘀𝗮 𝗜𝗙𝗙 • @odesafilmfestival , 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 𝗱𝗲 𝗖𝗶𝗻𝗲 𝗥𝗮𝗱𝗶𝗰𝗮𝗹 • @festradical_bolivia and 𝗠𝗼𝘀𝘁𝗿𝗮 𝗱𝗲 𝗩𝗮𝗹è𝗻𝗰𝗶𝗮 • @lamostradevalencia .

𝗡𝗮𝗼𝗺𝗶 𝗨𝗺𝗮𝗻 • 𝗠𝗲𝘅𝗶𝗰𝗼, 𝗔𝗹𝗯𝗮𝗻𝗶𝗮 • 𝟮𝟬𝟮𝟯 • 𝟵𝟱 𝗺𝗶𝗻. • 𝟭𝟲𝗺𝗺 & 𝗩𝗶𝗱𝗲𝗼
<< This film in three parts explores traditions in rural Albania and the role of women in society. The project begins by describing the filmmaker’s relationship to the country and an unwanted personal sacrifice which solidifies this connection. The film moves into a poetic portrayal of village life and the roles of women in society and concludes with a video piece, revealing the villagers active participation in their own depiction. >>

📍𝗢𝗡𝗟𝗜𝗡𝗘 𝗪𝗢𝗥𝗟𝗗𝗪𝗜𝗗𝗘 in English + en Español 💚

➡️ 𝗗𝗔𝗙𝗜𝗟𝗠𝗦.𝗖𝗢𝗠 ✨ 𝗟𝗜𝗡𝗞 𝗜𝗡 𝗕𝗜𝗢 ✨

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#threesparksfilm #naomiuman #documentaryfilm #dafilms #kinorebelde

𝗜𝗧𝗔𝗟𝗬 ✨ We are very happy to show our films again at the beautiful 𝗨𝗻𝗔𝗿𝗰𝗵𝗶𝘃𝗲 𝗙𝗼𝘂𝗻𝗱 𝗙𝗼𝗼𝘁𝗮𝗴𝗲 𝗙𝗲𝘀𝘁 • @unarchivefest ✨ In this edition 𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪 by 𝗖𝗲𝗹𝗲𝘀𝘁𝗲 𝗥𝗼𝗷𝗮𝘀 𝗠𝘂𝗴𝗶𝗰𝗮 • @celeste.purpura and 𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘 by 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 • @gabstem
are part of the International Competition.

𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪
🎟️ 𝟮𝟵.𝟬𝟱 • 𝟱:𝟯𝟬𝗽𝗺
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘
🎟️ 𝟯𝟬.𝟬𝟱 • 𝟭𝟮:𝟬𝟬𝗽𝗺
+ 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 💥
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

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@archivioaamod
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#foundfootage #unarchivefoundfootagefest #celesterojasmugica #gabriellestemmer #kinorebelde

𝗜𝗧𝗔𝗟𝗬 ✨ We are very happy to show our films again at the beautiful 𝗨𝗻𝗔𝗿𝗰𝗵𝗶𝘃𝗲 𝗙𝗼𝘂𝗻𝗱 𝗙𝗼𝗼𝘁𝗮𝗴𝗲 𝗙𝗲𝘀𝘁 • @unarchivefest ✨ In this edition 𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪 by 𝗖𝗲𝗹𝗲𝘀𝘁𝗲 𝗥𝗼𝗷𝗮𝘀 𝗠𝘂𝗴𝗶𝗰𝗮 • @celeste.purpura and 𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘 by 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 • @gabstem
are part of the International Competition.

𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪
🎟️ 𝟮𝟵.𝟬𝟱 • 𝟱:𝟯𝟬𝗽𝗺
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘
🎟️ 𝟯𝟬.𝟬𝟱 • 𝟭𝟮:𝟬𝟬𝗽𝗺
+ 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 💥
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

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@archivioaamod
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#foundfootage #unarchivefoundfootagefest #celesterojasmugica #gabriellestemmer #kinorebelde

𝗜𝗧𝗔𝗟𝗬 ✨ We are very happy to show our films again at the beautiful 𝗨𝗻𝗔𝗿𝗰𝗵𝗶𝘃𝗲 𝗙𝗼𝘂𝗻𝗱 𝗙𝗼𝗼𝘁𝗮𝗴𝗲 𝗙𝗲𝘀𝘁 • @unarchivefest ✨ In this edition 𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪 by 𝗖𝗲𝗹𝗲𝘀𝘁𝗲 𝗥𝗼𝗷𝗮𝘀 𝗠𝘂𝗴𝗶𝗰𝗮 • @celeste.purpura and 𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘 by 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 • @gabstem
are part of the International Competition.

𝗔𝗡 𝗢𝗦𝗖𝗜𝗟𝗟𝗔𝗧𝗜𝗡𝗚 𝗦𝗛𝗔𝗗𝗢𝗪
🎟️ 𝟮𝟵.𝟬𝟱 • 𝟱:𝟯𝟬𝗽𝗺
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

𝗧𝗛𝗘 𝗦𝗧𝗥𝗜𝗞𝗘
🎟️ 𝟯𝟬.𝟬𝟱 • 𝟭𝟮:𝟬𝟬𝗽𝗺
+ 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗹𝗲 𝗦𝘁𝗲𝗺𝗺𝗲𝗿 💥
📍𝗜𝗻𝘁𝗿𝗮𝘀𝘁𝗲𝘃𝗲𝗿𝗲 𝗖𝗶𝗻𝗲𝗺𝗮, Roma

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@archivioaamod
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#foundfootage #unarchivefoundfootagefest #celesterojasmugica #gabriellestemmer #kinorebelde

📸 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u , 𝗰𝗼-𝘄𝗿𝗶𝘁𝗲𝗱 𝗮𝗻𝗱 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 by 𝗘𝗱𝗱𝗶𝗲 𝗬𝘂𝗸𝘂𝗻 𝗟𝗼𝗻𝗴 • @wixsongosh_ 𝗵𝗮𝗱 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘄𝗼𝗿𝗹𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗮𝘁 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel 💥 Thanks Nikita Thévoz • @nktatvo for this amazing portrait!

Thanks VdR ❤️ 𝗪𝗲 𝗵𝗮𝗱 𝗳𝘂𝗻!

New screenings coming soon.

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#yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde

📸 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u , 𝗰𝗼-𝘄𝗿𝗶𝘁𝗲𝗱 𝗮𝗻𝗱 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 by 𝗘𝗱𝗱𝗶𝗲 𝗬𝘂𝗸𝘂𝗻 𝗟𝗼𝗻𝗴 • @wixsongosh_ 𝗵𝗮𝗱 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘄𝗼𝗿𝗹𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗮𝘁 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel 💥 Thanks Nikita Thévoz • @nktatvo for this amazing portrait!

Thanks VdR ❤️ 𝗪𝗲 𝗵𝗮𝗱 𝗳𝘂𝗻!

New screenings coming soon.

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#yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde

📸 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u , 𝗰𝗼-𝘄𝗿𝗶𝘁𝗲𝗱 𝗮𝗻𝗱 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 by 𝗘𝗱𝗱𝗶𝗲 𝗬𝘂𝗸𝘂𝗻 𝗟𝗼𝗻𝗴 • @wixsongosh_ 𝗵𝗮𝗱 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘄𝗼𝗿𝗹𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗮𝘁 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel 💥 Thanks Nikita Thévoz • @nktatvo for this amazing portrait!

Thanks VdR ❤️ 𝗪𝗲 𝗵𝗮𝗱 𝗳𝘂𝗻!

New screenings coming soon.

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#yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde

📸 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u , 𝗰𝗼-𝘄𝗿𝗶𝘁𝗲𝗱 𝗮𝗻𝗱 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 by 𝗘𝗱𝗱𝗶𝗲 𝗬𝘂𝗸𝘂𝗻 𝗟𝗼𝗻𝗴 • @wixsongosh_ 𝗵𝗮𝗱 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘄𝗼𝗿𝗹𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗮𝘁 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel 💥 Thanks Nikita Thévoz • @nktatvo for this amazing portrait!

Thanks VdR ❤️ 𝗪𝗲 𝗵𝗮𝗱 𝗳𝘂𝗻!

New screenings coming soon.

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#yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde

📸 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u , 𝗰𝗼-𝘄𝗿𝗶𝘁𝗲𝗱 𝗮𝗻𝗱 𝗰𝗼-𝗽𝗿𝗼𝗱𝘂𝗰𝗲𝗱 by 𝗘𝗱𝗱𝗶𝗲 𝗬𝘂𝗸𝘂𝗻 𝗟𝗼𝗻𝗴 • @wixsongosh_ 𝗵𝗮𝗱 𝗮 𝗯𝗲𝗮𝘂𝘁𝗶𝗳𝘂𝗹 𝘄𝗼𝗿𝗹𝗱 𝗽𝗿𝗲𝗺𝗶𝗲𝗿𝗲 𝗮𝘁 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel 💥 Thanks Nikita Thévoz • @nktatvo for this amazing portrait!

Thanks VdR ❤️ 𝗪𝗲 𝗵𝗮𝗱 𝗳𝘂𝗻!

New screenings coming soon.

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#yourcityshortfilm #tingsu #visionsdureel2026 #lightcone_officiel #kinorebelde

𝗡𝗬𝗢𝗡 ✨𝗪𝗼𝗿𝗹𝗱 𝗣𝗿𝗲𝗺𝗶𝗲𝗿𝗲 of 𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 the second short film by 𝗧𝗶𝗻𝗴 𝗦𝘂 • @tingsu_u will be presented next Thursday as part of the 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹. 𝗠𝗲𝗱𝗶𝘂𝗺 𝗟𝗲𝗻𝗴𝘁𝗵 & 𝗦𝗵𝗼𝗿𝘁 𝗙𝗶𝗹𝗺 𝗖𝗼𝗺𝗽𝗲𝘁𝗶𝘁𝗶𝗼𝗻 of 𝗩𝗶𝘀𝗶𝗼𝗻𝘀 𝗱𝘂 𝗥é𝗲𝗹 • @visionsdureel ✨

🎟️ 𝟮𝟯.𝟬𝟴 • 𝟮𝟬:𝟯𝟬 + 𝗤&𝗔 with Ting Su and Eddie Yukun Long • @wixsongosh_
📍𝗨𝘀𝗶𝗻𝗲 à 𝗚𝗮𝘇

🎟️ 𝟮𝟱.𝟬𝟰 • 𝟭𝟭:𝟯𝟬
📍𝗖𝗮𝗽𝗶𝘁𝗼𝗹𝗲 𝗟𝗲𝗼𝗻𝗲

𝗬𝗢𝗨𝗥 𝗖𝗜𝗧𝗬 • 𝗧𝗶𝗻𝗴 𝗦𝘂 • 𝗨𝗻𝗶𝘁𝗲𝗱 𝗦𝘁𝗮𝘁𝗲𝘀, 𝗖𝗵𝗶𝗻𝗮, 𝗙𝗿𝗮𝗻𝗰𝗲 • 𝟮𝟬𝟮𝟲 • 𝟭𝟰 𝗺𝗶𝗻. • 𝟭𝟲𝗺𝗺, 𝗦𝘂𝗽𝗲𝗿 𝟴𝗺𝗺, 𝗧𝗵𝗲𝗿𝗺𝗮𝗹 𝗜𝗺𝗮𝗴𝗶𝗻𝗴
A fragmented memoir-diary disguised as a disaster film. What begins as a mundane phone call slowly unravels into a storm of uncertainty. Between Shenzhen and New York, cities built by migration and constant change: two queer voices, a river of analog film and thermal imagery. A film that builds and collapses around the small lives caught in the unease of the present.

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#tingsu #yourcityshortfilm #visionsdureel2026 #experimentalshortfilm #kinorebelde

𝗣𝗔𝗠𝗣𝗟𝗢𝗡𝗔 🌿 𝗪𝗼𝗿𝗹𝗱 𝗮𝗻𝗱 𝗡𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗣𝗿𝗲𝗺𝗶𝗲𝗿𝗲 for 𝗩𝗘𝗚𝗘𝗧𝗔𝗥𝗘 by 𝗔𝗱𝗿𝗶à 𝗘𝘅𝗽ò𝘀𝗶𝘁-𝗚𝗼𝘆 • @adriaexpositgoy as part of the 𝗢𝗳𝗳𝗶𝗰𝗶𝗮𝗹 𝗦𝗲𝗰𝘁𝗶𝗼𝗻 of 𝗣𝘂𝗻𝘁𝗼 𝗱𝗲 𝗩𝗶𝘀𝘁𝗮 𝗜𝗻𝘁𝗲𝗿𝗻𝗮𝘁𝗶𝗼𝗻𝗮𝗹 𝗗𝗼𝗰𝘂𝗺𝗲𝗻𝘁𝗮𝗿𝘆 𝗙𝗶𝗹𝗺 𝗙𝗲𝘀𝘁𝗶𝘃𝗮𝗹 • @puntodevistafestival 🌿

𝗗𝗔𝗧𝗘𝗦!
🎟️ 𝟮𝟯.𝟬𝟰 • 𝟭𝟬:𝟬𝟬
📍𝗔𝘂𝗱𝗶𝘁𝗼𝗿𝗶𝗼 𝗕𝗮𝗹𝘂𝗮𝗿𝘁𝗲. 𝗦𝗮𝗹𝗮 𝗖á𝗺𝗮𝗿𝗮

🎟️𝟮𝟰:𝟬𝟰 • 𝟭𝟲:𝟬𝟬 + 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗔𝗱𝗿𝗶à 𝗘𝘅𝗽ò𝘀𝗶𝘁-𝗚𝗼𝘆
📍𝗔𝘂𝗱𝗶𝘁𝗼𝗿𝗶𝗼 𝗕𝗮𝗹𝘂𝗮𝗿𝘁𝗲. 𝗦𝗮𝗹𝗮 𝗖á𝗺𝗮𝗿𝗮

𝗩𝗘𝗚𝗘𝗧𝗔𝗥𝗘 • 𝗔𝗱𝗿𝗶à 𝗘𝘅𝗽ò𝘀𝗶𝘁-𝗚𝗼𝘆 • 𝟭𝟰 𝗺𝗶𝗻. • 𝟮𝟬𝟮𝟲 • 𝗦𝗽𝗮𝗶𝗻 • 𝟭𝟲 𝗺𝗺.
"A beech tree suffering from a strange form of anorexia carves a diary into its own bark. In a world unsettled by climate collapse, its fragile body becomes a mirror of our struggle to adapt. As the seasons pass, the film drifts through the tension between holding on and letting go, searching for a way to live when both the world and the self, feel unstable. A quiet fable where human and vegetal wounds echo one another."

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#adriaexpositgoy #vegetareshortfilm #worldpremiere #puntodevistafestival #kinorebelde