Instagram Story Save
Free Save Instagram Story, Reels, Photo, Video, Highlights, IGTV online
k.jcaptures
Xanthus
ONLINE BY FORCE 😒
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
to my friends, your wish has come true, i’m posting on my grid. i hope you man are happy!
first + last frame - olympus, everything in between - nikon 🎞️
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
testing, testing 1..2…
first few slides are taken on my nikon (my second time using it, my first time using coloured film in it).
the rest, (ones with hella grain) taken on my olympus 🎞️ 🤓
“Talking People returns to shoreditch house with another exploration of what it is to enter into a
‘loving’ relationship, but this time there’s a twist. both characters have young children. so we’ll be asking what it is to be looking for love in the 21st century when you have a child and deep meaningful responsibilities at home.”
visual experiment 001 by me.
all the love to the team for showcase 💫
‘talking people’ campaign.
nemide + jordan go on stage tonight at shoreditch house.
precious ✨ elina : dream team.
‘talking people’ campaign.
nemide + jordan go on stage tonight at shoreditch house.
precious ✨ elina : dream team.
my latest work for the ‘talking people’ campaign.
nemide + jordan • next up at shoreditch house.
precious, elina • masterminds! grateful for you, magicmakers✨
my latest work for the ‘talking people’ campaign.
nemide + jordan • next up at shoreditch house.
precious, elina • masterminds! grateful for you, magicmakers✨
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
a few frames of a few faces depicting a few firsts:
i took my new camera out for the first time,
i shot on B&W film for the first time,
i developed my own film for the first time
- forever grateful + forever the student
6am in berlin 🎞️
yeah, i met ptv at 17, yeah vic complimented my frohawk and yeah i think i still have a signed poster somewhere…
6am in berlin 🎞️
yeah, i met ptv at 17, yeah vic complimented my frohawk and yeah i think i still have a signed poster somewhere…
6am in berlin 🎞️
yeah, i met ptv at 17, yeah vic complimented my frohawk and yeah i think i still have a signed poster somewhere…
Last digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Last digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Digitals of “Close-Up (2024)”, Deborah-Joyce Holman 16mm colour film transferred to 4K video, stereo sound
16:33 min
Actor: Tia Bannon
Producer: Tobi Kyeremateng & Priya Palak
Production Runner: KC Ugwu
Studio Assistant: Shantelle Palmer
Director of Photography: Adenike Oke
First Assistant Camera: Joshua Baylis
Clapper Loader: Vaimiti Lebrere
Gaffer: Chad Morris
Spark: Teriq Roberts
Production Designer: Elizabeth Anibaba
Art Assistant: Hannah Naomi
Editor: Deborah Joyce Holman
Colorist: Anibal Castaño
Sound Designer: Chad Orororo
Unit Stills: Xanthus 🤗
With special thanks to Alison Coplan, Digital Orchard, Emmyland, Focus Canning, Heinrich Dietz, KJ Abudu, Kodak and Marilena Rufeisen.
Close-Up is co-produced by Kunstverein Freiburg and Swiss Institute, New York, with the generous support from Pro Helvetia
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.