julia shammas holter
music

my new song “‘The Laugh Is in the Eyes” came out of the Something in the Room She Moves writing sessions. there’s a loopy restlessness, a rhythmic 5ness alongside a 4/a circle and a square, and a lot of purple flowers
Thank you to the inspiring musicians who made this song with me
@beth_goodfellow —drums, percussion
@devra_hoff —fretless bass
Julia Holter – keyboards/synthesizers, voice
@chrisspeed11 —clarinet
@tashiwada —synthesizer
Produced and Arranged by Julia Holter
Co-produced and Engineered by @kennethjohngilmore
Mixed by Kenny Gilmore at Kiki’s Garage
Additional Engineering by Julia Holter
Assistant Engineered by @tyler_karmen
Recorded at @64sound and Julia’s studio, Los Angeles
Mastered by @heba_kadry , NYC
Cover photo by @camille_blake
Cover design by @mistermrbcooper

I have a new recording “XXXVI” out now on one of two beautiful new compilations by @tuneforkstudios & @beirutsynthcenter to help raise funds for those displaced by Israeli attacks on Lebanon: Land 02 + Land 03: Two compilations for the displaced in Lebanon (sisters to Land 01 from 2025, for which I also contributed a track).
“XXXVI” is inspired by Etel Adnan’s “The Arab Apocalypse”, an excerpt which I am posting below. Thanks to dear @dicky_bahto for contributing oud to the track, and thanks again to @juliasabra for the invitation to contribute.
LAND 02 + LAND 03 are out now! 100% of sales will be given to @beit.aam , who are providing basic needs to the displaced in shelters, and other local grassroots initiatives in Beirut and the South. The albums feature unreleased music by artists from/in Lebanon and around the world who are part of the wider community of Tunefork Studios Beirut Synth Center. They are sold exclusively on Bandcamp, along with LAND 01, the first volume published in January 2025 during the last war and displacement crisis. The 3 volumes are available as a bundle at a discount.
Art by Carla Aouad. Design by Josette ‘Zooz’ Khalil. Mastering (of most tracks unless stated otherwise) by Lopazz at mixmastering.de in Germany.
Link in bio
~~~~~~~
Etel Adnan “XXXVI” (from “The Arab Apocalypse”)
In the dark irritation of the eyes there is a snake hiding
In the exhalations of Americans there is a crumbling empire
In the foul waters of the rivers there are Palestinians
OUT OUT of its borders pain has a leash on its neck
In the wheat stalks there are insects vaccinated against bread
In the Arabian boats there are sharks shaken with laughter
In the camel’s belly there are blind highways
OUT OUT of TIME there is spring’s shattered hope
In the deluge on our plains there are no rains but stones

I have a new recording “XXXVI” out now on one of two beautiful new compilations by @tuneforkstudios & @beirutsynthcenter to help raise funds for those displaced by Israeli attacks on Lebanon: Land 02 + Land 03: Two compilations for the displaced in Lebanon (sisters to Land 01 from 2025, for which I also contributed a track).
“XXXVI” is inspired by Etel Adnan’s “The Arab Apocalypse”, an excerpt which I am posting below. Thanks to dear @dicky_bahto for contributing oud to the track, and thanks again to @juliasabra for the invitation to contribute.
LAND 02 + LAND 03 are out now! 100% of sales will be given to @beit.aam , who are providing basic needs to the displaced in shelters, and other local grassroots initiatives in Beirut and the South. The albums feature unreleased music by artists from/in Lebanon and around the world who are part of the wider community of Tunefork Studios Beirut Synth Center. They are sold exclusively on Bandcamp, along with LAND 01, the first volume published in January 2025 during the last war and displacement crisis. The 3 volumes are available as a bundle at a discount.
Art by Carla Aouad. Design by Josette ‘Zooz’ Khalil. Mastering (of most tracks unless stated otherwise) by Lopazz at mixmastering.de in Germany.
Link in bio
~~~~~~~
Etel Adnan “XXXVI” (from “The Arab Apocalypse”)
In the dark irritation of the eyes there is a snake hiding
In the exhalations of Americans there is a crumbling empire
In the foul waters of the rivers there are Palestinians
OUT OUT of its borders pain has a leash on its neck
In the wheat stalks there are insects vaccinated against bread
In the Arabian boats there are sharks shaken with laughter
In the camel’s belly there are blind highways
OUT OUT of TIME there is spring’s shattered hope
In the deluge on our plains there are no rains but stones

I have a new recording “XXXVI” out now on one of two beautiful new compilations by @tuneforkstudios & @beirutsynthcenter to help raise funds for those displaced by Israeli attacks on Lebanon: Land 02 + Land 03: Two compilations for the displaced in Lebanon (sisters to Land 01 from 2025, for which I also contributed a track).
“XXXVI” is inspired by Etel Adnan’s “The Arab Apocalypse”, an excerpt which I am posting below. Thanks to dear @dicky_bahto for contributing oud to the track, and thanks again to @juliasabra for the invitation to contribute.
LAND 02 + LAND 03 are out now! 100% of sales will be given to @beit.aam , who are providing basic needs to the displaced in shelters, and other local grassroots initiatives in Beirut and the South. The albums feature unreleased music by artists from/in Lebanon and around the world who are part of the wider community of Tunefork Studios Beirut Synth Center. They are sold exclusively on Bandcamp, along with LAND 01, the first volume published in January 2025 during the last war and displacement crisis. The 3 volumes are available as a bundle at a discount.
Art by Carla Aouad. Design by Josette ‘Zooz’ Khalil. Mastering (of most tracks unless stated otherwise) by Lopazz at mixmastering.de in Germany.
Link in bio
~~~~~~~
Etel Adnan “XXXVI” (from “The Arab Apocalypse”)
In the dark irritation of the eyes there is a snake hiding
In the exhalations of Americans there is a crumbling empire
In the foul waters of the rivers there are Palestinians
OUT OUT of its borders pain has a leash on its neck
In the wheat stalks there are insects vaccinated against bread
In the Arabian boats there are sharks shaken with laughter
In the camel’s belly there are blind highways
OUT OUT of TIME there is spring’s shattered hope
In the deluge on our plains there are no rains but stones

musicians can sign the letter at https://musiciansforpalestine.net ❤️ @musicians4palestine

musicians can sign the letter at https://musiciansforpalestine.net ❤️ @musicians4palestine

musicians can sign the letter at https://musiciansforpalestine.net ❤️ @musicians4palestine

musicians can sign the letter at https://musiciansforpalestine.net ❤️ @musicians4palestine

Christina Quarles’ @cequarles “The Ground Grows Black” is a beautiful show and I just found out there’s only one more day of it (today) @hauserwirthlosangeles . I love to look at her paintings up close bc the details are so crazy and feel like pieces in of themselves. if you don’t already know her work, which you might bc a lot of people do, her paintings are magical mazes of humanlike forms and geometrical shapes and bright colors, no idea how it comes together but that is the fun of it, improvised painted gestures and meticulous stenciling. the new series of charcoal pieces are particularly moving, built on erasure, and there is a theme of ash in the show, as a result of Christina and her family losing their home and entire neighborhood to the fires last year.
Christina and I became friends as little kids and so I’ve been seeing her amazing drawings for a long time, even back then she was drawing so much. she kindly lent her incredible painting “Wrestlin’” to be used as the cover for my record “Something in the Room She Moves”. Lots of love to Christina and her family <3 (apologies my terrible art photography lol)

Christina Quarles’ @cequarles “The Ground Grows Black” is a beautiful show and I just found out there’s only one more day of it (today) @hauserwirthlosangeles . I love to look at her paintings up close bc the details are so crazy and feel like pieces in of themselves. if you don’t already know her work, which you might bc a lot of people do, her paintings are magical mazes of humanlike forms and geometrical shapes and bright colors, no idea how it comes together but that is the fun of it, improvised painted gestures and meticulous stenciling. the new series of charcoal pieces are particularly moving, built on erasure, and there is a theme of ash in the show, as a result of Christina and her family losing their home and entire neighborhood to the fires last year.
Christina and I became friends as little kids and so I’ve been seeing her amazing drawings for a long time, even back then she was drawing so much. she kindly lent her incredible painting “Wrestlin’” to be used as the cover for my record “Something in the Room She Moves”. Lots of love to Christina and her family <3 (apologies my terrible art photography lol)

Christina Quarles’ @cequarles “The Ground Grows Black” is a beautiful show and I just found out there’s only one more day of it (today) @hauserwirthlosangeles . I love to look at her paintings up close bc the details are so crazy and feel like pieces in of themselves. if you don’t already know her work, which you might bc a lot of people do, her paintings are magical mazes of humanlike forms and geometrical shapes and bright colors, no idea how it comes together but that is the fun of it, improvised painted gestures and meticulous stenciling. the new series of charcoal pieces are particularly moving, built on erasure, and there is a theme of ash in the show, as a result of Christina and her family losing their home and entire neighborhood to the fires last year.
Christina and I became friends as little kids and so I’ve been seeing her amazing drawings for a long time, even back then she was drawing so much. she kindly lent her incredible painting “Wrestlin’” to be used as the cover for my record “Something in the Room She Moves”. Lots of love to Christina and her family <3 (apologies my terrible art photography lol)

Christina Quarles’ @cequarles “The Ground Grows Black” is a beautiful show and I just found out there’s only one more day of it (today) @hauserwirthlosangeles . I love to look at her paintings up close bc the details are so crazy and feel like pieces in of themselves. if you don’t already know her work, which you might bc a lot of people do, her paintings are magical mazes of humanlike forms and geometrical shapes and bright colors, no idea how it comes together but that is the fun of it, improvised painted gestures and meticulous stenciling. the new series of charcoal pieces are particularly moving, built on erasure, and there is a theme of ash in the show, as a result of Christina and her family losing their home and entire neighborhood to the fires last year.
Christina and I became friends as little kids and so I’ve been seeing her amazing drawings for a long time, even back then she was drawing so much. she kindly lent her incredible painting “Wrestlin’” to be used as the cover for my record “Something in the Room She Moves”. Lots of love to Christina and her family <3 (apologies my terrible art photography lol)

Christina Quarles’ @cequarles “The Ground Grows Black” is a beautiful show and I just found out there’s only one more day of it (today) @hauserwirthlosangeles . I love to look at her paintings up close bc the details are so crazy and feel like pieces in of themselves. if you don’t already know her work, which you might bc a lot of people do, her paintings are magical mazes of humanlike forms and geometrical shapes and bright colors, no idea how it comes together but that is the fun of it, improvised painted gestures and meticulous stenciling. the new series of charcoal pieces are particularly moving, built on erasure, and there is a theme of ash in the show, as a result of Christina and her family losing their home and entire neighborhood to the fires last year.
Christina and I became friends as little kids and so I’ve been seeing her amazing drawings for a long time, even back then she was drawing so much. she kindly lent her incredible painting “Wrestlin’” to be used as the cover for my record “Something in the Room She Moves”. Lots of love to Christina and her family <3 (apologies my terrible art photography lol)

Los Angeles! Playing new and recent music of mine with @juliaholter and Andrew McIntosh (@septimalcomma) this Friday @2220arts
I’ve been delving back into just intonation lately, approaching it with fresh ears and tools. Feels new and magic sonically 𖡼.𖤣𖥧𖡼.𖤣𖥧
Presented by @latebreakfastla and sharing the night with @byronwestbrook
First photo courtesy of my daughter 🦌
Second photo by @dicky_bahto

Los Angeles! Playing new and recent music of mine with @juliaholter and Andrew McIntosh (@septimalcomma) this Friday @2220arts
I’ve been delving back into just intonation lately, approaching it with fresh ears and tools. Feels new and magic sonically 𖡼.𖤣𖥧𖡼.𖤣𖥧
Presented by @latebreakfastla and sharing the night with @byronwestbrook
First photo courtesy of my daughter 🦌
Second photo by @dicky_bahto

Los Angeles! Playing new and recent music of mine with @juliaholter and Andrew McIntosh (@septimalcomma) this Friday @2220arts
I’ve been delving back into just intonation lately, approaching it with fresh ears and tools. Feels new and magic sonically 𖡼.𖤣𖥧𖡼.𖤣𖥧
Presented by @latebreakfastla and sharing the night with @byronwestbrook
First photo courtesy of my daughter 🦌
Second photo by @dicky_bahto
Los Angeles! Playing new and recent music of mine with @juliaholter and Andrew McIntosh (@septimalcomma) this Friday @2220arts
I’ve been delving back into just intonation lately, approaching it with fresh ears and tools. Feels new and magic sonically 𖡼.𖤣𖥧𖡼.𖤣𖥧
Presented by @latebreakfastla and sharing the night with @byronwestbrook
First photo courtesy of my daughter 🦌
Second photo by @dicky_bahto
A reminder about the LAND 03 compilation I am a part of that I wrote a piece specifically for—I have been listening to both LAND 02 and LAND 03 in the car a lot since their release— they are for a crucial cause organized by @tuneforkstudios supporting grassroots initiatives like @beit.aam to raise funds for those displaced in Lebanon, but also these are beautiful collections of music that deserve your ears.
Right now, as you may know, the Israeli military is demolishing entire villages in Lebanon, so we see headlines like “Israeli Strike Kills Infant Girl During Her Father’s Funeral in Lebanon”.
If you’re in the US, the Senate is voting this week on Joint Resolutions of Disapproval which would block hundreds of millions of dollars of massive bombs from being dropped on innocent people in Palestine, Lebanon, and Iran—tell your senators to vote yes by texting NOWEAPONS to (877)829-8228

It’s a @danforglendale fundraiser!
Join me and friends @marcmaron, @blakemills, @vanessagcomedy, @juliaholter, and @solomongeorgio for a humongous night of comedy and music on 5/3 as we support Dan Brotman for Glendale City Council. Have a laugh and have a dance for a good cause.
Tickets are available now at the link in bio!
It’s a @danforglendale fundraiser!
Join me and friends @marcmaron, @blakemills, @vanessagcomedy, @juliaholter, and @solomongeorgio for a humongous night of comedy and music on 5/3 as we support Dan Brotman for Glendale City Council. Have a laugh and have a dance for a good cause.
Tickets are available now at the link in bio!

Hometown outing in LA on Friday, April 24, presented by @latebreakfastla at @2220arts, sharing the night with friend @byronwestbrook. I’ll be joined by @juliaholter and Andrew McIntosh (@septimalcomma) playing new and recent music 🌷
https://dice.fm/event/dkmrgv-byron-westbrook-tashi-wada-24th-apr-2220-arts-archives-los-angeles-tickets
Photos 1/2 by @dicky_bahto

Hometown outing in LA on Friday, April 24, presented by @latebreakfastla at @2220arts, sharing the night with friend @byronwestbrook. I’ll be joined by @juliaholter and Andrew McIntosh (@septimalcomma) playing new and recent music 🌷
https://dice.fm/event/dkmrgv-byron-westbrook-tashi-wada-24th-apr-2220-arts-archives-los-angeles-tickets
Photos 1/2 by @dicky_bahto
Hometown outing in LA on Friday, April 24, presented by @latebreakfastla at @2220arts, sharing the night with friend @byronwestbrook. I’ll be joined by @juliaholter and Andrew McIntosh (@septimalcomma) playing new and recent music 🌷
https://dice.fm/event/dkmrgv-byron-westbrook-tashi-wada-24th-apr-2220-arts-archives-los-angeles-tickets
Photos 1/2 by @dicky_bahto

I am honoured to share that, Arriving on May 29th, ‘Opvs Novum: A Requiem Reworked’ :
a carefully chosen circle of kindred spirits dismantling ‘A Requiem’.
Julia Holter’s rework of ‘Thou Art Mortal’ is out now. 🖤
It takes a collective energy to bring anything to life, and some of my favourite artists came together to bring their own beautifully unique energy to reinvent ‘A Requiem’. It means so much to bring them all together, and I am infinitely humbled by their transcendental creations.
On vinyl for preorder now. the 1st 100 orders comes with a short story written and illustrated by me. (!)
Eternal thank you and love:
@juliaholter @klaralewis @saintetienneofficial @floraytw @gazelletwin @sarahsson_ @mercury_tracer @smote666 @malmallinder @dania_paralaxe
1. Bandorai (Klara Lewis Rework)
2. Platinum (Saint Etienne Rework)
3. Second Spring (Flora Yin-Wong Rework)
4. Sleep (Gazelle Twin & PRIZMA9 Rework)
5. A Requiem (Midwife Rework)
6. Anchor Us To Seabed Floor (Sarahsson Rework)
7. Red Dove (Smote Rework)
8. Caro (Stephen Mallinder Rework)
9. Torc (Dania Rework)
10. Thou Art Mortal (Julia Holter Rework)
@onelittleindierecords

I am honoured to share that, Arriving on May 29th, ‘Opvs Novum: A Requiem Reworked’ :
a carefully chosen circle of kindred spirits dismantling ‘A Requiem’.
Julia Holter’s rework of ‘Thou Art Mortal’ is out now. 🖤
It takes a collective energy to bring anything to life, and some of my favourite artists came together to bring their own beautifully unique energy to reinvent ‘A Requiem’. It means so much to bring them all together, and I am infinitely humbled by their transcendental creations.
On vinyl for preorder now. the 1st 100 orders comes with a short story written and illustrated by me. (!)
Eternal thank you and love:
@juliaholter @klaralewis @saintetienneofficial @floraytw @gazelletwin @sarahsson_ @mercury_tracer @smote666 @malmallinder @dania_paralaxe
1. Bandorai (Klara Lewis Rework)
2. Platinum (Saint Etienne Rework)
3. Second Spring (Flora Yin-Wong Rework)
4. Sleep (Gazelle Twin & PRIZMA9 Rework)
5. A Requiem (Midwife Rework)
6. Anchor Us To Seabed Floor (Sarahsson Rework)
7. Red Dove (Smote Rework)
8. Caro (Stephen Mallinder Rework)
9. Torc (Dania Rework)
10. Thou Art Mortal (Julia Holter Rework)
@onelittleindierecords
I am honoured to share that, Arriving on May 29th, ‘Opvs Novum: A Requiem Reworked’ :
a carefully chosen circle of kindred spirits dismantling ‘A Requiem’.
Julia Holter’s rework of ‘Thou Art Mortal’ is out now. 🖤
It takes a collective energy to bring anything to life, and some of my favourite artists came together to bring their own beautifully unique energy to reinvent ‘A Requiem’. It means so much to bring them all together, and I am infinitely humbled by their transcendental creations.
On vinyl for preorder now. the 1st 100 orders comes with a short story written and illustrated by me. (!)
Eternal thank you and love:
@juliaholter @klaralewis @saintetienneofficial @floraytw @gazelletwin @sarahsson_ @mercury_tracer @smote666 @malmallinder @dania_paralaxe
1. Bandorai (Klara Lewis Rework)
2. Platinum (Saint Etienne Rework)
3. Second Spring (Flora Yin-Wong Rework)
4. Sleep (Gazelle Twin & PRIZMA9 Rework)
5. A Requiem (Midwife Rework)
6. Anchor Us To Seabed Floor (Sarahsson Rework)
7. Red Dove (Smote Rework)
8. Caro (Stephen Mallinder Rework)
9. Torc (Dania Rework)
10. Thou Art Mortal (Julia Holter Rework)
@onelittleindierecords

I am honoured to share that, Arriving on May 29th, ‘Opvs Novum: A Requiem Reworked’ :
a carefully chosen circle of kindred spirits dismantling ‘A Requiem’.
Julia Holter’s rework of ‘Thou Art Mortal’ is out now. 🖤
It takes a collective energy to bring anything to life, and some of my favourite artists came together to bring their own beautifully unique energy to reinvent ‘A Requiem’. It means so much to bring them all together, and I am infinitely humbled by their transcendental creations.
On vinyl for preorder now. the 1st 100 orders comes with a short story written and illustrated by me. (!)
Eternal thank you and love:
@juliaholter @klaralewis @saintetienneofficial @floraytw @gazelletwin @sarahsson_ @mercury_tracer @smote666 @malmallinder @dania_paralaxe
1. Bandorai (Klara Lewis Rework)
2. Platinum (Saint Etienne Rework)
3. Second Spring (Flora Yin-Wong Rework)
4. Sleep (Gazelle Twin & PRIZMA9 Rework)
5. A Requiem (Midwife Rework)
6. Anchor Us To Seabed Floor (Sarahsson Rework)
7. Red Dove (Smote Rework)
8. Caro (Stephen Mallinder Rework)
9. Torc (Dania Rework)
10. Thou Art Mortal (Julia Holter Rework)
@onelittleindierecords

I am honoured to share that, Arriving on May 29th, ‘Opvs Novum: A Requiem Reworked’ :
a carefully chosen circle of kindred spirits dismantling ‘A Requiem’.
Julia Holter’s rework of ‘Thou Art Mortal’ is out now. 🖤
It takes a collective energy to bring anything to life, and some of my favourite artists came together to bring their own beautifully unique energy to reinvent ‘A Requiem’. It means so much to bring them all together, and I am infinitely humbled by their transcendental creations.
On vinyl for preorder now. the 1st 100 orders comes with a short story written and illustrated by me. (!)
Eternal thank you and love:
@juliaholter @klaralewis @saintetienneofficial @floraytw @gazelletwin @sarahsson_ @mercury_tracer @smote666 @malmallinder @dania_paralaxe
1. Bandorai (Klara Lewis Rework)
2. Platinum (Saint Etienne Rework)
3. Second Spring (Flora Yin-Wong Rework)
4. Sleep (Gazelle Twin & PRIZMA9 Rework)
5. A Requiem (Midwife Rework)
6. Anchor Us To Seabed Floor (Sarahsson Rework)
7. Red Dove (Smote Rework)
8. Caro (Stephen Mallinder Rework)
9. Torc (Dania Rework)
10. Thou Art Mortal (Julia Holter Rework)
@onelittleindierecords

tonight in LA somehow singing Dido’s Lament and a new string ensemble arrangement i made of my song Materia with @wildup @calartsredcat alongside crazy harpsichord+stringy pieces by Jean-Féry Rebel and Alfred Schnittke
Program
REBEL Les Élémens
Julia HOLTER Materia (new arrangement for Wild Up)
feat. Julia Holter
PURCELL Dido’s Lament
feat. Julia Holter
Intermission
SCHNITTKE Concerto Grosso No. 1
Adrianne Pope and Andrew McIntosh violins
Vicki Ray prepared piano and harpsichord
Details
Location
REDCAT
631 W 2nd St, Los Angeles, CA 90012
Date
Saturday, March 7, 2026
Time
Event starts at 8pm
Musicians
Christopher Rountree conductor
Andrew McIntosh viola
Mona Tian violin
Caitlin Kelley violin
Kate Outterbridge violin
Adrianne Pope violin
Andrew Tholl violin
Ji Young An violin
Rachel Iba violin
Emily Call violin
Linnea Powell viola
Diana Wade viola
Jonah Sirota viola
Mia Barcia-Colombo cello
Derek Stein cello
Stephen Pfeifer bass
Rachel Beetz flute
Rachel Mellis flute
Vicki Ray Harpsichord / Prepared Piano
Riya Lakshman violin
Débora Silva violin
Violet Battaglia violin
Sören Lesher cello
Devon Thrumston cello
Sarah Thornblade violin
Maya Irizarry-Lambright violin
Carson Rick viola
Marlon Martinez bass
with Julia Holter, voice

tonight in LA somehow singing Dido’s Lament and a new string ensemble arrangement i made of my song Materia with @wildup @calartsredcat alongside crazy harpsichord+stringy pieces by Jean-Féry Rebel and Alfred Schnittke
Program
REBEL Les Élémens
Julia HOLTER Materia (new arrangement for Wild Up)
feat. Julia Holter
PURCELL Dido’s Lament
feat. Julia Holter
Intermission
SCHNITTKE Concerto Grosso No. 1
Adrianne Pope and Andrew McIntosh violins
Vicki Ray prepared piano and harpsichord
Details
Location
REDCAT
631 W 2nd St, Los Angeles, CA 90012
Date
Saturday, March 7, 2026
Time
Event starts at 8pm
Musicians
Christopher Rountree conductor
Andrew McIntosh viola
Mona Tian violin
Caitlin Kelley violin
Kate Outterbridge violin
Adrianne Pope violin
Andrew Tholl violin
Ji Young An violin
Rachel Iba violin
Emily Call violin
Linnea Powell viola
Diana Wade viola
Jonah Sirota viola
Mia Barcia-Colombo cello
Derek Stein cello
Stephen Pfeifer bass
Rachel Beetz flute
Rachel Mellis flute
Vicki Ray Harpsichord / Prepared Piano
Riya Lakshman violin
Débora Silva violin
Violet Battaglia violin
Sören Lesher cello
Devon Thrumston cello
Sarah Thornblade violin
Maya Irizarry-Lambright violin
Carson Rick viola
Marlon Martinez bass
with Julia Holter, voice
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