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The Year in Review, Day - Bangkok & Chiang Mai, Thailand
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Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
The Year in Review, Day - Bangkok & Chiang Mai, Thailand
.
Before I went, everyone told me I’d want to escape the hecticness of Bangkok within 2 days. I ended up spending almost three blissful weeks there, getting lost in this revolving labyrinth. It was like even the architecture was alive, and no place was the same for more than a few hours. I absolutely loved it. The sheer scale and chaos was unlike anything I’d ever seen.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
Excited to announce I’ll be exhibiting my work at @photomuensingen near Berne, Switzerland from 13-17 of May. I will be showcasing a series I’ve been working on for the past years. Titled Sundowners, it explores the mental disorientation that emerges at dusk—both a clinical condition and a wider cultural mood. A mix of abstracts, candid portraits and landscapes exploring the sun setting as a metaphor for a pre-apocalyptic world: a society alert to its own instability, suspended between awareness and collapse. The work aims to reflect ongoing crisis and economic decay, yet resist tragedy. Instead, it observes urban inhabitants as lucid, drifting figures—lost, attentive, and human—finding strange beauty and dignity in the act of falling.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
In close collaboration with @studio.archivio, I’m delighted to present my latest work: a study in fabric, memory, and motion—tracing the evolution of Stone Island through its most iconic materials as well as how they have aged over time. Using textures and elements that once inspired the original garments as visual anchors, we placed each piece in a dialogue with its roots. From glazed silk to experimental PVC, the materials shift with light, weather, and movement—captured through lenses that range from macro to landscape, from stillness to motion. The resulting imagery reveals the garments as living artefacts—technical, tactile, and steeped in story. A homage to one of the most visionary brands in menswear history.
Abstracts, Nature, December 2024
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The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
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The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
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The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Abstracts, Nature, December 2024
.
The last two months have been the darkest in history, with virtually no sun at all. Depressing, but also an opportunity to explore new things. In this case, bringing texture and detail to the monotone mess thats the Dutch winter.
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
Air Travel pt. I
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Amsterdam, Bangkok, Chiang Mai, Munich, Manilla, 2020-2024
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