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See you next Tuesday in New York — ‘The Hammer’ featuring work by Rita Ackermann, Marcel Broodthaers, John Kelleher, Daniel Licht and UK based duo City Girls will open alongside a solo presentation, ‘New Dress’ by London based Jack Greeley-Ward, exhibiting for the first time in the US.

Join us at 175 Canal Street from 6-8pm on Tuesday May 12th.

Both exhibitions will remain on view thru 25 May at the same location.

See you next Tuesday in New York — ‘The Hammer’ featuring work by Rita Ackermann, Marcel Broodthaers, John Kelleher, Daniel Licht and UK based duo City Girls will open alongside a solo presentation, ‘New Dress’ by London based Jack Greeley-Ward, exhibiting for the first time in the US.

Join us at 175 Canal Street from 6-8pm on Tuesday May 12th.

Both exhibitions will remain on view thru 25 May at the same location.

Back to Hollywood @amity_nyc

25 Feb - 2 March, 2026

1] Cameron, ‘Man With Sphere’, 1963
Oil on parchment, on canvas laid on board

Back to Hollywood @amity_nyc

25 Feb - 2 March, 2026

1] Cameron, ‘Man With Sphere’, 1963
Oil on parchment, on canvas laid on board

Now on view in New York —

‘Attrition’ plays on the idea that degradation of systems or forms assumes collapse. The exhibition and artists on view are linked through explorations of reanimation.

Featuring work by Patrick Caroll, Christopher Gambino, Brittany Adeline King, Sarah Lucas, Artem Nanushyan, Paul Sietsema & Willa Wasserman.

On view through 21 November, with thanks to Gladstone Gallery, Matthew Marks Gallery and those that have continued to visit and support these projects to date. Email jed@amity.biz to visit or stay tuned for documentation.

Rita Ackermann’s ‘How the West Was Won’ works (2023) extend the layered visual language of her recent paintings into printmaking through an ambitious process of multi-pass screenprinting and collage. Produced as 20- and 25-color screenprints with collage elements mounted on museum board and Saunders watercolor paper, the works translate Ackermann’s characteristic accumulations of erasure, gesture, fragmentation, and partially dissolved figuration into richly layered images.

The compositions feature images of John Wayne alongside the female figures that have recurred throughout Ackermann’s practice since her earliest works, folding together mythic Americana and her longstanding exploration of identity, projection, and instability. Wayne’s presence carries a particular significance within the series: he was known for insisting on filming scenes in a single take, embracing the possibility that the final image might remain contingent, imperfect, or unresolved. Ackermann draws on this notion of commitment to chance as both a conceptual and material strategy, allowing accident, interruption, and accumulation to remain visible within the works themselves.

Rita Ackermann’s ‘How the West Was Won 1’ & ‘How the West Was Won 2’, 2023 were printed by Keigo Prints Inc., and published by Hauser & Wirth Editions. The work is on view as part of ‘The Hammer’ through May 25th at 175 Canal Street.

Rita Ackermann’s ‘How the West Was Won’ works (2023) extend the layered visual language of her recent paintings into printmaking through an ambitious process of multi-pass screenprinting and collage. Produced as 20- and 25-color screenprints with collage elements mounted on museum board and Saunders watercolor paper, the works translate Ackermann’s characteristic accumulations of erasure, gesture, fragmentation, and partially dissolved figuration into richly layered images.

The compositions feature images of John Wayne alongside the female figures that have recurred throughout Ackermann’s practice since her earliest works, folding together mythic Americana and her longstanding exploration of identity, projection, and instability. Wayne’s presence carries a particular significance within the series: he was known for insisting on filming scenes in a single take, embracing the possibility that the final image might remain contingent, imperfect, or unresolved. Ackermann draws on this notion of commitment to chance as both a conceptual and material strategy, allowing accident, interruption, and accumulation to remain visible within the works themselves.

Rita Ackermann’s ‘How the West Was Won 1’ & ‘How the West Was Won 2’, 2023 were printed by Keigo Prints Inc., and published by Hauser & Wirth Editions. The work is on view as part of ‘The Hammer’ through May 25th at 175 Canal Street.

Rita Ackermann’s ‘How the West Was Won’ works (2023) extend the layered visual language of her recent paintings into printmaking through an ambitious process of multi-pass screenprinting and collage. Produced as 20- and 25-color screenprints with collage elements mounted on museum board and Saunders watercolor paper, the works translate Ackermann’s characteristic accumulations of erasure, gesture, fragmentation, and partially dissolved figuration into richly layered images.

The compositions feature images of John Wayne alongside the female figures that have recurred throughout Ackermann’s practice since her earliest works, folding together mythic Americana and her longstanding exploration of identity, projection, and instability. Wayne’s presence carries a particular significance within the series: he was known for insisting on filming scenes in a single take, embracing the possibility that the final image might remain contingent, imperfect, or unresolved. Ackermann draws on this notion of commitment to chance as both a conceptual and material strategy, allowing accident, interruption, and accumulation to remain visible within the works themselves.

Rita Ackermann’s ‘How the West Was Won 1’ & ‘How the West Was Won 2’, 2023 were printed by Keigo Prints Inc., and published by Hauser & Wirth Editions. The work is on view as part of ‘The Hammer’ through May 25th at 175 Canal Street.

I’ve been tilling you @amity_nyc

‘The Hammer’ and ‘New Dress’ are on view this week at 175 Canal Street 🌾 Thank you to official portraitist @luisa_opalesky

Get Carried away core

Jack Greeley-Ward ‘New Dress’ relaunch tonight, 6-8pm, 175 Canal St 🫵

‘New Dress’ and it’s completely different but it’s also still…

Join us again tomorrow evening, Saturday 16 May from 6p for a re-opening of Jack Greeley-Ward’s exhibition, now with all large paintings through US customs.

175 Canal Street, Floor 4, on view through May 25th alongside group exhibition, ‘The Hammer’

Pictured: Jack Greeley-Ward, ‘a state of tranquil’, 2025
Oil and pastel on unstretched canvas, 39 x 63 inches

Text by Victoria Chang

‘New Dress’ and it’s completely different but it’s also still…

Join us again tomorrow evening, Saturday 16 May from 6p for a re-opening of Jack Greeley-Ward’s exhibition, now with all large paintings through US customs.

175 Canal Street, Floor 4, on view through May 25th alongside group exhibition, ‘The Hammer’

Pictured: Jack Greeley-Ward, ‘a state of tranquil’, 2025
Oil and pastel on unstretched canvas, 39 x 63 inches

Text by Victoria Chang

‘New Dress’ and it’s completely different but it’s also still…

Join us again tomorrow evening, Saturday 16 May from 6p for a re-opening of Jack Greeley-Ward’s exhibition, now with all large paintings through US customs.

175 Canal Street, Floor 4, on view through May 25th alongside group exhibition, ‘The Hammer’

Pictured: Jack Greeley-Ward, ‘a state of tranquil’, 2025
Oil and pastel on unstretched canvas, 39 x 63 inches

Text by Victoria Chang

‘The Hammer’, a group exhibition featuring works by Rita Ackermann, Marcel Broodthaers, Daniel Licht, John Kelleher, —presenting work in the United States for the first time—and the UK-based duo City Girls, opens tomorrow night in New York.

Join us at 175 Canal St. from 6-8pm

Pictured:
John Kelleher, Standing on Strings, 2024
Oil in canvas, 150 x 200 cm

Big mom guy 🧑🏻‍🍼🤙 HMD

Big mom guy 🧑🏻‍🍼🤙 HMD

Big mom guy 🧑🏻‍🍼🤙 HMD

Big mom guy 🧑🏻‍🍼🤙 HMD

Big mom guy 🧑🏻‍🍼🤙 HMD

Wigs you can’t pronounce in shoes you’ve never heard of, down

Hbd diva, muse to many

1] Issy Wood ‘Jed’s neighbor Nate’, 2025 in progress
2] Jewish charms, artist unknown

Hbd diva, muse to many

1] Issy Wood ‘Jed’s neighbor Nate’, 2025 in progress
2] Jewish charms, artist unknown