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jcarroza
Jeremias C.
Photographer & Visual researcher.
Documentary, performing arts and unit still photography (foto fija).
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
After many years of resisting life’s call for change, last October I finally began revisiting my entire photo archive (over 26,000 images). By March, I had narrowed it down to around 1,000 photos. After a second rigorous edit, I printed 600 of them. From there, I began the slow, hands-on process of selecting, sequencing, and grouping the work—looking at it with new eyes, trying to make sense of it all.
In June, I started building and designing my new website, and today, I’m proud (and a bit nervous) to finally share it with you.
A heartfelt thank you to the few people who encouraged me throughout this journey and have helped me with the design, giving me opinions, etc. It’s been painful at times, but also incredibly revealing. That said, the real work begins now.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
A night where the celebration belonged to (almost) everyone.
More photos from last January in Extremadura.
During this year, I’ve been commissioned to create the different posters for @sonsalparc - here’s the first one, which is happening on the 23rd of may. If you happen to be in Girona that day I strongly recommended you to come!
Exciting to see what we can come up with for the next ones 😍
During this year, I’ve been commissioned to create the different posters for @sonsalparc - here’s the first one, which is happening on the 23rd of may. If you happen to be in Girona that day I strongly recommended you to come!
Exciting to see what we can come up with for the next ones 😍
A few photos (ordered as I took them) from a couple of weeks ago in Madrid. Very quick visit on my way to Extremadura.
A few photos (ordered as I took them) from a couple of weeks ago in Madrid. Very quick visit on my way to Extremadura.
A few photos (ordered as I took them) from a couple of weeks ago in Madrid. Very quick visit on my way to Extremadura.
A few photos (ordered as I took them) from a couple of weeks ago in Madrid. Very quick visit on my way to Extremadura.
A few photos (ordered as I took them) from a couple of weeks ago in Madrid. Very quick visit on my way to Extremadura.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Some more photos from back in January this year, part of an upcoming project about what it means for a city to become commercially relevant. South west Spain.
Third day in a raw raining in the afternoon. And third day in a raw I come out after the rain, looking at how nature does its thing during this hectic time of the year.
The garden is blooming!
Y mis ganas de currar/crear, también.
Third day in a raw raining in the afternoon. And third day in a raw I come out after the rain, looking at how nature does its thing during this hectic time of the year.
The garden is blooming!
Y mis ganas de currar/crear, también.
Third day in a raw raining in the afternoon. And third day in a raw I come out after the rain, looking at how nature does its thing during this hectic time of the year.
The garden is blooming!
Y mis ganas de currar/crear, también.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Hace un par de semanas tuve la oportunidad de cumplir una de esas cosas que llevaba mucho tiempo queriendo hacer: entrar en un teatro y documentar lo que pasa dentro de él. Además, qué mejor oportunidad que hacerlo bien cerca de casa en el @teatre_gi . Muy agradecido 🙏🏼 y con muchas ganas de volver a repetir.
Symphony of Horror, de Sara Manubens y Norma Pérez. symphony_of_horror
////
A couple of weeks ago I had the opportunity to do something I’d been wanting to do for a while: to go inside a theatre and photograph what lives there. It finally happened at @teatre_gi , my local theatre. Very grateful for the opportunity and already looking forward to do it again soon.
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
Some of the flowers currently in show in my garden as of today 9th April 2026. Still plenty more to come but I had some time to kill this evening… so I grabbed the camera 🤷🏻♂️
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
A bit slow uploading projects… 🙈 but:
In November 2025, I was commissioned by @kinotico.es to photograph fourteen roundtables (Mesas redondas de Kinótico). The project included portraits featuring nearly one hundred professionals from the Spanish film industry. I was also on set documenting and capturing behind the scenes moments.
This is only a selection of images, for the rest head to Kinótico’s website.
ESP:
El pasado noviembre de 2025, tuve el privilegio de poder cubrir las Mesas Redondas de @kinotico.es , catorce mesas con casi cien personas de la industria del cine y series Española. El encargo incluía retratos individuales de cada invitado/a y capturar momentos de la grabación (behind the scenes).
Estas fotos son solo una selección, para verlas todas visitad la web de Kinótico.
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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