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As part of International Museum Day, we hosted a special walk-through of the War & Peace Gallery led by Dr. Giles Tillotson.

The evening moved through uniforms, photographs, archival material, and personal histories connected to Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh. Along the way, conversations opened up around their military journeys, lesser-known stories, moments from Jaipur’s history, and the many narratives preserved within the gallery itself. It was a wonderful few hours spent exchanging stories, observations, and conversations.

Thank you to everyone who joined us at Jaigarh!

As part of International Museum Day, we hosted a special walk-through of the War & Peace Gallery led by Dr. Giles Tillotson.

The evening moved through uniforms, photographs, archival material, and personal histories connected to Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh. Along the way, conversations opened up around their military journeys, lesser-known stories, moments from Jaipur’s history, and the many narratives preserved within the gallery itself. It was a wonderful few hours spent exchanging stories, observations, and conversations.

Thank you to everyone who joined us at Jaigarh!

As part of International Museum Day, we hosted a special walk-through of the War & Peace Gallery led by Dr. Giles Tillotson.

The evening moved through uniforms, photographs, archival material, and personal histories connected to Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh. Along the way, conversations opened up around their military journeys, lesser-known stories, moments from Jaipur’s history, and the many narratives preserved within the gallery itself. It was a wonderful few hours spent exchanging stories, observations, and conversations.

Thank you to everyone who joined us at Jaigarh!

As part of International Museum Day, we hosted a special walk-through of the War & Peace Gallery led by Dr. Giles Tillotson.

The evening moved through uniforms, photographs, archival material, and personal histories connected to Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh. Along the way, conversations opened up around their military journeys, lesser-known stories, moments from Jaipur’s history, and the many narratives preserved within the gallery itself. It was a wonderful few hours spent exchanging stories, observations, and conversations.

Thank you to everyone who joined us at Jaigarh!

As part of International Museum Day, we hosted a special walk-through of the War & Peace Gallery led by Dr. Giles Tillotson.

The evening moved through uniforms, photographs, archival material, and personal histories connected to Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh. Along the way, conversations opened up around their military journeys, lesser-known stories, moments from Jaipur’s history, and the many narratives preserved within the gallery itself. It was a wonderful few hours spent exchanging stories, observations, and conversations.

Thank you to everyone who joined us at Jaigarh!

The more time you spend at Jaigarh, the more there is to discover through its architecture, landscape, and surrounding ecology.

As part of the International Day for Biological Diversity, we are organising Fort, Flora & Frames, a special Chitra Tahal in collaboration with Jaipur Photographers’ Club (@jaipurphotographersclub). Join us for a Sunday morning photography walk exploring Jaigarh through its architecture, natural landscape, and the many details that make the fort such a unique space to experience and photograph.

Register via the link in our bio.

*Participants are requested to carry their own photography equipment and a water bottle to support waste reduction within the heritage site.

Where: Jaigarh
When: Sunday, May 24, 2026
Time: 6:30 AM onwards
Registration: As seats are limited, registration will be on a first-come, first-served basis.

The more time you spend at Jaigarh, the more there is to discover through its architecture, landscape, and surrounding ecology.

As part of the International Day for Biological Diversity, we are organising Fort, Flora & Frames, a special Chitra Tahal in collaboration with Jaipur Photographers’ Club (@jaipurphotographersclub). Join us for a Sunday morning photography walk exploring Jaigarh through its architecture, natural landscape, and the many details that make the fort such a unique space to experience and photograph.

Register via the link in our bio.

*Participants are requested to carry their own photography equipment and a water bottle to support waste reduction within the heritage site.

Where: Jaigarh
When: Sunday, May 24, 2026
Time: 6:30 AM onwards
Registration: As seats are limited, registration will be on a first-come, first-served basis.

Jaigarh stands closely tied to many chapters of Jaipur’s history. Through its galleries, temples, courtyards, armouries, and surviving spaces, the fort still holds stories of Jaipur’s past in ways that can be seen, walked through, and experienced.

This International Museum Day, we celebrate the importance of preserving these spaces, where history continues to remain part of the present and shape the way it is experienced today.

Jaigarh has long stood at the centre of Jaipur’s military history, preserving stories of warfare, diplomacy, and royal legacy across generations. One such narrative unfolds through the War & Peace Gallery.

On the occasion of International Museum Day, join us for a special guided walk-through of the gallery led by Dr. Giles Tillotson. Through uniforms, photographs, archival material, and personal histories, the gallery traces the military and diplomatic journeys of Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh, offering insight into Jaipur’s royal legacy and its connections with wider global histories.

Register via the link in our bio.
Where: Jaigarh
When: Sunday, May 17, 2026
Time: 5:00 PM onwards
Registration: This walk is open to all and there is no registration fee.
Parking: Available at Tanka Chowk

Jaigarh has long stood at the centre of Jaipur’s military history, preserving stories of warfare, diplomacy, and royal legacy across generations. One such narrative unfolds through the War & Peace Gallery.

On the occasion of International Museum Day, join us for a special guided walk-through of the gallery led by Dr. Giles Tillotson. Through uniforms, photographs, archival material, and personal histories, the gallery traces the military and diplomatic journeys of Maharaja Sawai Man Singh II and His Highness Brigadier Maharaja Sawai Bhawani Singh, offering insight into Jaipur’s royal legacy and its connections with wider global histories.

Register via the link in our bio.
Where: Jaigarh
When: Sunday, May 17, 2026
Time: 5:00 PM onwards
Registration: This walk is open to all and there is no registration fee.
Parking: Available at Tanka Chowk

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues to undergo extensive conservation, with Vijaygarhi as the latest focus.

Once used as an armoury, Vijaygarhi has long been an important part of the fort and now houses The Sculpture Park, where visitors can engage with works by contemporary artists. As part of the restoration, the front panel has been lime plastered, with old layers removed and replaced to bring it closer to its original form. New signboards are also being added to help visitors navigate the space.

This work is part of a broader conservation initiative at Jaigarh, ensuring the fort’s historic structures are safeguarded for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

Jaigarh continues its ongoing conservation work, with Lalit Mandir now under restoration.

Lalit Mandir is a double-storeyed structure built in traditional Rajput architecture. The work here involves carefully removing old surface layers, followed by fresh lime plaster to bring the surfaces closer to their original finish. These efforts aim to bring back the character of the space while respecting its historic fabric.

This is part of a wider conservation initiative at Jaigarh, focused on preserving the fort’s architectural heritage for the future.

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan of Jaigarh, Jaipur

Jaigarh is often experienced through isolated attractions like the Jaivana cannon, leaving its deeper systems unexplored.

This project reimagines the visitor journey shifting from passive viewing to active engagement. By revealing hidden processes like the cannon foundry through spatial storytelling, the experience becomes immersive, layered, and meaningful.

The aim is not just to inform visitors, but to transform how they understand and connect with heritage.

The work is being carried out under the guidance of Dr. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji). This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student name: Sanika Puntambekar
@chccept @mcr_cept @jaigarh

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

Laxmi Vilas at Jaigarh takes its name from Laxmi, the goddess of prosperity, reflecting the splendour of the Maharaja’s palace.

Set around a large courtyard measuring 56 by 37 metres, it opens into a columned hall with twin fluted marble columns. Opposite the hall is an enclosed pavilion, once used for cultural performances, while the courtyard hosted ceremonial gatherings. The hall also functioned as a royal drawing room, and to the north lies a Turkish bath complex with marble-lined chambers.

A space layered with detail, there is much here for a visitor to notice.

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

DRP: Conservation Management Plan for Jaigarh,Jaipur
Is Jaigarh Fort just a military garrison, or something more?Our study reads it as a "Knowledge Palimpsest" a living archive of human intelligence. This study compares the importance of condition mapping and significance mapping to understand importance of heritage structures beyond materiality.

The work is being carried out under the guidance of Prof. Jigna Desai (@jignadesai42) and Prof. Riyaz Tayyibji (@riyaztayyibji).This study is supported by the Center for Heritage Conservation (CHC), CRDF, and the Jaigarh Public Charitable Trust (JPCT).

Student: Raj Sompura
@chccept @mcr_cept @jaigarh

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

Kal Bhairav is an important deity at Jaigarh, long regarded as the guardian of the fort. Within this temple, the Ala-gila, a traditional Indian wall painting technique, adds a distinct depth to the space.

The Mandir uses this technique where natural pigments are applied onto freshly laid lime plaster and worked into the surface by local craftsmen. The walls are then polished to a marble-like sheen, sometimes with touches of gold leaf, so the colour becomes part of the wall itself rather than sitting on top of it. Behind the idol, a motif-based painting continues this tradition, with floral and geometric patterns bringing rhythm to the inner shrine.

It is this attention to craft and detail that makes Jaigarh’s sacred spaces just as significant as the rest of its architecture.

The final day of the Lime Plaster Workshop came to a thoughtful close at Jaigarh.

We began with an exploration of the Araish technique, followed by an understanding of its connection with fresco work. Over the course of the day, everyone in the workshop began to see how these traditional finishes fit into the broader understanding of heritage conservation. The workshop came to a close with a certificate distribution and a closing session, bringing three days of learning and curiosity to an end.

Thank you to everyone who participated and made this experience so engaging.

Day 2 of the Lime Plaster Workshop began with a walk through Jaigarh’s historic spaces, setting the tone for the day.

As the workshop proceeded further, we moved into hands-on work with the second layer of lime plaster and Khameera application, along with interesting conversations around living heritage and why these practices still matter today.

With day 2 behind us, we look forward to what the final day brings tomorrow