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razzle dazzle 🍃

razzle dazzle 🍃

razzle dazzle 🍃

razzle dazzle 🍃

razzle dazzle 🍃

@dafyddjonesphotographer has been capturing images of the Cambridge May Balls since the ‘80s. Next week, he’s publishing them in a book. Read all about it in this weekend’s @fthtsi 💐✨

@dafyddjonesphotographer has been capturing images of the Cambridge May Balls since the ‘80s. Next week, he’s publishing them in a book. Read all about it in this weekend’s @fthtsi 💐✨

@dafyddjonesphotographer has been capturing images of the Cambridge May Balls since the ‘80s. Next week, he’s publishing them in a book. Read all about it in this weekend’s @fthtsi 💐✨

@dafyddjonesphotographer has been capturing images of the Cambridge May Balls since the ‘80s. Next week, he’s publishing them in a book. Read all about it in this weekend’s @fthtsi 💐✨

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@sarahvanrij 🎀

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Spring !!!!

Long live diners and long live waffles 🧇🍯

Loved writing about diner culture across the US and speaking to @phil.rosenthal @maxandhelens @agnesandsherman @hudson_diner @chickenfriedpalace and the team behind the upcoming #MondayDiner in Brooklyn cc @pastryschiff about why they remain such important institutions. Out this weekend in our super #SaintLaurent special

Thank you @jellison22 @rosiemayseed and special shout out @annapolons ✨✨✨

J’ADORE ❣️

J’ADORE ❣️

J’ADORE ❣️

J’ADORE ❣️

J’ADORE ❣️

J’ADORE ❣️

J’ADORE ❣️

It is #Nowruz today, the Persian New Year which coincides with the Spring Equinox. Thinking of my gorgeous Granny 🕊️ and all the people of Iran. Let there be light and an end to this madness. Everywhere. ✨

It is #Nowruz today, the Persian New Year which coincides with the Spring Equinox. Thinking of my gorgeous Granny 🕊️ and all the people of Iran. Let there be light and an end to this madness. Everywhere. ✨

Shōji Ueda’s portraits on the dunes

Shōji Ueda’s portraits on the dunes

Shōji Ueda’s portraits on the dunes

Shōji Ueda’s portraits on the dunes

As an editor at HTSI and a visual researcher, Inès’s eye was shaped long before working at a magazine. Summers in California, spent with her photographer godfather and painter godbrother, taught her how to see. One captured the world; the other reconstructed it. Between them, she absorbed composition, colour and learned how to observe.

Explore Inès Cross’s edit on The Salon.

Inès’s visual referencing began accidentally, a private stash of images and people that caught her imagination. She shared them on Instagram. People responded. What emerged is an online nook of thought provoking and refreshing visuals.

Her edit for SALON extends that instinct: an eclectic “higgledy-piggledy” collection of objects that come together to form a coherent space to retreat to. There’s no heavy explanation. Just a sharp eye and a willingness to place things side by side.

Explore Inès Cross’s edit on The Salon.

Inès’s visual referencing began accidentally, a private stash of images and people that caught her imagination. She shared them on Instagram. People responded. What emerged is an online nook of thought provoking and refreshing visuals.

Her edit for SALON extends that instinct: an eclectic “higgledy-piggledy” collection of objects that come together to form a coherent space to retreat to. There’s no heavy explanation. Just a sharp eye and a willingness to place things side by side.

Explore Inès Cross’s edit on The Salon.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.

An impossibly random collection of Greek chairs. And people sitting on them.