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We are still coming to terms with the loss of our friend and community member Cris Derksen. This is a staggering loss for the Indigenous community, and the broader music and film communities where they were a beloved creative leader and collaborator. One of Cris's recent projects was the original score for the feature film AKI, directed by Darlene Naponse which premiered at last year's TIFF. Cris was so excited about this project, which tells the story of Darlene's community Atikameksheng Anishnawbek through music and moving images. The music they created is a gift to the community and the land, and an example of the fierce generosity and breathtaking talent Cris brought to all of their work. For those of us who had the good fortune to know Cris we are grateful to have been touched by their brilliance and beautiful spirit. ❤️
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Nous avons encore du mal à accepter la perte de notre ami et membre de la communauté, Cris Derksen. C'est une perte immense pour la communauté autochtone, ainsi que pour les milieux de la musique et du cinéma au sens large, où iel était un leader créatif et un collaborateur très apprécié. L'un des derniers projets de Cris était la bande originale du long métrage AKI, réalisé par Darlene Naponse, qui a été présenté en première au TIFF l'année dernière. Cris était tellement enthousiaste à l’idée de ce projet, qui raconte l’histoire de la communauté de Darlene, les Atikameksheng Anishnawbek, à travers la musique et l’image. La musique qu’iel a composée est un cadeau à la communauté et à la terre, et illustre la générosité farouche et le talent époustouflant que Cris apportait à tout son travail. Pour ceux d’entre nous qui avons eu la chance de connaître Cris, nous sommes reconnaissants d’avoir été touchés par son génie et sa belle âme. ❤️

📸 : taken by Red Works Photography at the 2024 Indigenous Fashion Arts Festival

The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.

📎 Link in bio
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Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.

📎 Lien dans la bio

The Production program for Features & TV Series closes on May 20, 2026. This program offers support to Indigenous screen-based creators in the production of a TV series or feature-length film.

📎 Link in bio
-
Le programme de production du BEA pour les longs métrages et les séries télévisées prend fin le 20 mai 2026. Ce programme offre un soutien aux créateurs autochtones du domaine de l'écran pour la production d'une série télévisée ou d'un long métrage.

📎 Lien dans la bio

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

From the panel to day at @marchedufilm , Arctic Storytelling and the New World Order. The panel highlighted Indigenous storytelling with a particular focus on the current geopolitical situation in the arctic, and how this different fundingssystems are supporting Indigenous films across boarders.

The panels was recorded and is available in Cinando with a MDF industry access.

Speakers: Emile Hertling Péronard, producer Ánoräk Film (Greenland), Jason Ryle, CEO, Arctic Indigenous Film Fund (AIFF)
Kerry Swanson, CEO, Indigenous Screen Office (ISO), Anne Lajla Utsi, Managing director, International Sámi Film Institute (ISFI).

Moderated by Melanie Nepinak Hadley, VP, Indigenous Screen Office.

The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.

This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.

📎 Link in bio
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Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.

Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.

📎 Lien dans la bio

The Marketing, Promotion, and Distribution program supports Indigenous screen-based companies in accessing markets and audiences for their short and feature films, tv and web series, and interactive and immersive projects.

This program has a rolling deadline until March 1, 2027, or until all funds have been allocated.

📎 Link in bio
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Le programme « Marketing, promotion et distribution » aide les sociétés autochtones du secteur audiovisuel à accéder aux marchés et au public pour leurs courts et longs métrages, leurs séries télévisées et web, ainsi que leurs projets interactifs et immersifs.

Les candidatures pour ce programme peuvent être déposées à tout moment jusqu'au 1er mars 2027 ou jusqu'à épuisement des fonds.

📎 Lien dans la bio

The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.

The projects are:

Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game

Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series

Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation

🔗 link in bio
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Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.

Les projets sont les suivants :

Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo

Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo

Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue

🔗 lien dans la bio

The ISO and the @cmf.fmc announce a $480,000.00 combined investment in three projects selected for funding through the ISO’s 2025-2026 Interactive and Immersive Program.

The projects are:

Project: Dàsa
Key Creatives: Amanda Strong, Métis
Format: Video game

Project: The Seven Dancers
Key Creatives: Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format: Video game series

Project: Waves of Buffalo
Key Creatives: Tasha Hubbard, Cree
Format: XR Installation

🔗 link in bio
-
Le Bureau de l’écran autochtone (BEA) et le Fonds des médias du Canada (FMC) annoncent un investissement combiné de 480 000 $ pour trois projets sélectionnés dans le cadre du programme interactif et immersif 2025-2026 du BEA.

Les projets sont les suivants :

Projet : Dàsa
Direction créative : Amanda Strong, Métisse
Format : Jeu vidéo

Projet : The Seven Dancers
Direction créative : Kahentawaks Tiewishaw-Poirier, Kanien’kehá:ka
Format : Série de jeux vidéo

Projet : Waves of Buffalo
Direction créative : Tasha Hubbard, Crie
Format : Installation en réalité étendue

🔗 lien dans la bio

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for impACT | Arctic Storytelling and the New World Order | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office.

What happens when Arctic nations collaborate directly across borders, languages, and colonial histories to build a shared screen ecosystem? Which new narratives emerge when the Arctic is not a backdrop, but a point of view? And, how can Indigenous cinema support larger political movements? Through the lens of Indigenous cinema, these representatives and institutions will highlight how Indigenous organisations are • Reframing the Arctic from object to author • Building circumpolar creative alliances • Asserting narrative sovereignty alongside political sovereignty • Positioning the North as a global force in storytelling, not a niche

🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online

A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO).

Come and listen and connect with us at Marché du Film! 💫

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Deadline reminder!

🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
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Rappel de la date limite !

🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio

Deadline reminder!

🗓️ The CMF Indigenous Predevelopment & Development program closes on May 13, 2026
🗓️ The CMF Indigenous Production program closes on May 13, 2026
🔗 link in bio
-
Rappel de la date limite !

🗓️ Le programme de pré-développement et développement autochtones du FMC prend fin le 13 mai 2026.
🗓️ Le programme de production autochtone du FMC prend fin le 13 mai 2026.
🔗 lien dans la bio

Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order  | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
 
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
 
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO). 
 
Come and listen and connect with us at Marché du Film! 💫

Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order  | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
 
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
 
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO). 
 
Come and listen and connect with us at Marché du Film! 💫

Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order  | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
 
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
 
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO). 
 
Come and listen and connect with us at Marché du Film! 💫

Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order  | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
 
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
 
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO). 
 
Come and listen and connect with us at Marché du Film! 💫

Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

Join us at Cannes and @marchedufilm for:
impACT | Arctic Storytelling and the New World Order  | A Panel Presented by International Sámi Film Institute & Indigenous Screen Office
 
🗓 May 14, 11:30–12:30
📍 Palais Stage (Palais -1) & Online
 
A conversation with Anne Lajla Utsi (ISFI), Kerry Swanson (ISO), Jason Ryle (AIFF), Emile Hertling Péronard (Ánorâk Film). Moderated by Melanie Nepinak Hadley (ISO). 
 
Come and listen and connect with us at Marché du Film! 💫

Photo from the ÁRRAN 360° project Ovias, by Ann Aurebekk.

#mdf26 #marchedufilm #indigenouscinema #arctic #cannes2026

May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
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Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.

May 5 is the national day of awareness for Missing and Murdered Indigenous Women, Girls, and 2SLGBTQIA+ People, also known as Red Dress Day. Join ISO in remembering and amplifying Indigenous voices as we stand with survivors, families, and advocates who call for change.
—
Le 5 mai est la journée nationale de sensibilisation aux femmes, filles et personnes 2SLGBTQIA+ autochtones disparues et assassinées, également connue sous le nom de « Red Dress Day » (Journée de la robe rouge). Joignez-vous au BEA pour honorer la mémoire des victimes et faire entendre la voix des communautés autochtones, aux côtés des survivantes, des familles et des défenseurs qui réclament un changement.

Watch our 2026-2027 Funding program changes webinar

The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca

🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027

Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca

🔗 lien dans la bio

Watch our 2026-2027 Funding program changes webinar

The ISO has recorded a webinar to provide our community with Funding Program updates! The team presents changes that impact all programs and individual programs. Have a question? Email us at funding@iso-bea.ca

🔗 link in bio
-
Regardez notre webinaire sur les changements apportés au programme de financement 2026-2027

Le BEA a enregistré un webinaire afin de faire le point sur les programmes de financement destinés à notre communauté ! L'équipe y présente les changements qui concernent l'ensemble des programmes ainsi que certains programmes spécifiques. Vous avez une question ? Écrivez-nous à l'adresse financement@iso-bea.ca

🔗 lien dans la bio

At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.

In theatres May 8!

Shot by @arthurmola

#attheplaceofghosts #brettenhannam

At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.

In theatres May 8!

Shot by @arthurmola

#attheplaceofghosts #brettenhannam

At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.

In theatres May 8!

Shot by @arthurmola

#attheplaceofghosts #brettenhannam

At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.

In theatres May 8!

Shot by @arthurmola

#attheplaceofghosts #brettenhannam

At the Toronto screening of At the Place of Ghosts (Sk+te’kmujue’katik) yesterday with director Bretten Hannam.

In theatres May 8!

Shot by @arthurmola

#attheplaceofghosts #brettenhannam

@aptn_ca, @radiocanada et le BEA sont ravis d’annoncer le projet choisi dans le cadre du programme visant à soutenir les créateur·trice·s autochtones dans la phase de pré-développement de leurs projets.

Le projet sélectionné est :

Uassat (documentaire – 52 minutes)
Créatrice: Lily Bellefleur
Province : Québec

Ainsi, Lily Bellefleur recevra un soutien adapté à son projet, dans le but de mener celui-ci à la phase du développement et ultimement, le cas échéant, à la production.

🔗 lien dans la bio