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A (not-so) small adjustment in how our spaces work.
The library now sits closer to what’s happening in the Project Space, allowing reading and exhibitions to exist side by side.

Meanwhile, our Pangarang space continues its role through the Learning Atlas program, supporting learning and community-based activities.

Drop by when you have the time! Our ongoing show, Langgam, is running until 22 February. We are open Wed-Sun, 13:00-20:00.

A (not-so) small adjustment in how our spaces work.
The library now sits closer to what’s happening in the Project Space, allowing reading and exhibitions to exist side by side.

Meanwhile, our Pangarang space continues its role through the Learning Atlas program, supporting learning and community-based activities.

Drop by when you have the time! Our ongoing show, Langgam, is running until 22 February. We are open Wed-Sun, 13:00-20:00.

A (not-so) small adjustment in how our spaces work.
The library now sits closer to what’s happening in the Project Space, allowing reading and exhibitions to exist side by side.

Meanwhile, our Pangarang space continues its role through the Learning Atlas program, supporting learning and community-based activities.

Drop by when you have the time! Our ongoing show, Langgam, is running until 22 February. We are open Wed-Sun, 13:00-20:00.

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Menampilkan:
“In Loving Memory of the Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia

Indeks Project Space

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Menampilkan:
“In Loving Memory of the Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia

Indeks Project Space

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Menampilkan:
“In Loving Memory of the Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia

Indeks Project Space

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Immortality of our Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Dilanjutkan program pemutaran film “Sunshower” yang dihadiri oleh sutradara Micko Boanerges. Sunshower menggambarkan suasana tenang dan reflektif dari kehidupan sehari-hari di rumah kakek dan nenek melalui rangkaian gambar statis yang hening, di tengah gejolak pemilihan presiden Indonesia pada Februari 2024. Pemutaran “Sunshower” akan diawali dengan pemutaran film “Outside the Frame” dari sutradara sama. Bercerita tentang seorang pria yang mencari shot untuk film pendek berdurasi 5 menit sambil bercakap cakap dengan temannya di luar frame kamera.

Hari kedua ditutup dengan pemutaran film ORIKO-GUB, karya tugas akhir Kalyanarga Rizal: Seorang pria yang berpikir bahwa ia sedang dikejar-kejar oleh sosok balon??

Ketiga pemutaran akan dilengkapi dengan diskusi bersama para sutradaranya.

Menampilkan:
“In Loving Memory of the Immortality of our Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia
📍Indeks Project Space

“Outside the Frame”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia,2023
5 Menit, 23 Detik
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“Hujan Panas (Sunshower)”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia, 2024
60 menit
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“ORIKO-GUB!”
Kalyanarga Rizal
16.00 - 17.30
Produksi Indonesia, 2026
20 Menit, 12 Detik
dalam bahasa Indonesia
📍Ruang Sinesofia, Gedung 6 Universitas Katolik Parahyangan

LINK REGISTRASI :
https://bit.ly/DAY-2FFKKSINESOFIA2026

@mikoboanerges @amalaikapri @argorians

#ffkk #festivalfilmkecilkecilan #filmfe

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Immortality of our Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Dilanjutkan program pemutaran film “Sunshower” yang dihadiri oleh sutradara Micko Boanerges. Sunshower menggambarkan suasana tenang dan reflektif dari kehidupan sehari-hari di rumah kakek dan nenek melalui rangkaian gambar statis yang hening, di tengah gejolak pemilihan presiden Indonesia pada Februari 2024. Pemutaran “Sunshower” akan diawali dengan pemutaran film “Outside the Frame” dari sutradara sama. Bercerita tentang seorang pria yang mencari shot untuk film pendek berdurasi 5 menit sambil bercakap cakap dengan temannya di luar frame kamera.

Hari kedua ditutup dengan pemutaran film ORIKO-GUB, karya tugas akhir Kalyanarga Rizal: Seorang pria yang berpikir bahwa ia sedang dikejar-kejar oleh sosok balon??

Ketiga pemutaran akan dilengkapi dengan diskusi bersama para sutradaranya.

Menampilkan:
“In Loving Memory of the Immortality of our Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia
📍Indeks Project Space

“Outside the Frame”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia,2023
5 Menit, 23 Detik
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“Hujan Panas (Sunshower)”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia, 2024
60 menit
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“ORIKO-GUB!”
Kalyanarga Rizal
16.00 - 17.30
Produksi Indonesia, 2026
20 Menit, 12 Detik
dalam bahasa Indonesia
📍Ruang Sinesofia, Gedung 6 Universitas Katolik Parahyangan

LINK REGISTRASI :
https://bit.ly/DAY-2FFKKSINESOFIA2026

@mikoboanerges @amalaikapri @argorians

#ffkk #festivalfilmkecilkecilan #filmfe

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Immortality of our Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Dilanjutkan program pemutaran film “Sunshower” yang dihadiri oleh sutradara Micko Boanerges. Sunshower menggambarkan suasana tenang dan reflektif dari kehidupan sehari-hari di rumah kakek dan nenek melalui rangkaian gambar statis yang hening, di tengah gejolak pemilihan presiden Indonesia pada Februari 2024. Pemutaran “Sunshower” akan diawali dengan pemutaran film “Outside the Frame” dari sutradara sama. Bercerita tentang seorang pria yang mencari shot untuk film pendek berdurasi 5 menit sambil bercakap cakap dengan temannya di luar frame kamera.

Hari kedua ditutup dengan pemutaran film ORIKO-GUB, karya tugas akhir Kalyanarga Rizal: Seorang pria yang berpikir bahwa ia sedang dikejar-kejar oleh sosok balon??

Ketiga pemutaran akan dilengkapi dengan diskusi bersama para sutradaranya.

Menampilkan:
“In Loving Memory of the Immortality of our Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia
📍Indeks Project Space

“Outside the Frame”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia,2023
5 Menit, 23 Detik
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“Hujan Panas (Sunshower)”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia, 2024
60 menit
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“ORIKO-GUB!”
Kalyanarga Rizal
16.00 - 17.30
Produksi Indonesia, 2026
20 Menit, 12 Detik
dalam bahasa Indonesia
📍Ruang Sinesofia, Gedung 6 Universitas Katolik Parahyangan

LINK REGISTRASI :
https://bit.ly/DAY-2FFKKSINESOFIA2026

@mikoboanerges @amalaikapri @argorians

#ffkk #festivalfilmkecilkecilan #filmfe

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Immortality of our Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Dilanjutkan program pemutaran film “Sunshower” yang dihadiri oleh sutradara Micko Boanerges. Sunshower menggambarkan suasana tenang dan reflektif dari kehidupan sehari-hari di rumah kakek dan nenek melalui rangkaian gambar statis yang hening, di tengah gejolak pemilihan presiden Indonesia pada Februari 2024. Pemutaran “Sunshower” akan diawali dengan pemutaran film “Outside the Frame” dari sutradara sama. Bercerita tentang seorang pria yang mencari shot untuk film pendek berdurasi 5 menit sambil bercakap cakap dengan temannya di luar frame kamera.

Hari kedua ditutup dengan pemutaran film ORIKO-GUB, karya tugas akhir Kalyanarga Rizal: Seorang pria yang berpikir bahwa ia sedang dikejar-kejar oleh sosok balon??

Ketiga pemutaran akan dilengkapi dengan diskusi bersama para sutradaranya.

Menampilkan:
“In Loving Memory of the Immortality of our Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia
📍Indeks Project Space

“Outside the Frame”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia,2023
5 Menit, 23 Detik
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“Hujan Panas (Sunshower)”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia, 2024
60 menit
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“ORIKO-GUB!”
Kalyanarga Rizal
16.00 - 17.30
Produksi Indonesia, 2026
20 Menit, 12 Detik
dalam bahasa Indonesia
📍Ruang Sinesofia, Gedung 6 Universitas Katolik Parahyangan

LINK REGISTRASI :
https://bit.ly/DAY-2FFKKSINESOFIA2026

@mikoboanerges @amalaikapri @argorians

#ffkk #festivalfilmkecilkecilan #filmfe

Hari ke-2 - Sabtu, 23 Mei 2026

Hari kedua festival (23 Mei 2026) dimulai dengan pemutaran In Loving Memory of the Immortality of our Katabasis…karya Amalaika Priambodo, di Indeks Project Space. Film berdurasi 24 jam ini merupakan tugas akhir sarjananya di Integrated Arts UNPAR. Mengikuti 40 wawancara yang membahas rencana pemakaman, kilas balik sebelum meninggal, dan identitas yang terbangun oleh ingatan, dll. Apa yang akan terasa hilang saat mereka sudah pergi? Fragmen-fragmen apa yang tetap tertinggal? Film ini menjadi sebuah memorial bagi ingatan dan harapan masing-masing orang.

Dilanjutkan program pemutaran film “Sunshower” yang dihadiri oleh sutradara Micko Boanerges. Sunshower menggambarkan suasana tenang dan reflektif dari kehidupan sehari-hari di rumah kakek dan nenek melalui rangkaian gambar statis yang hening, di tengah gejolak pemilihan presiden Indonesia pada Februari 2024. Pemutaran “Sunshower” akan diawali dengan pemutaran film “Outside the Frame” dari sutradara sama. Bercerita tentang seorang pria yang mencari shot untuk film pendek berdurasi 5 menit sambil bercakap cakap dengan temannya di luar frame kamera.

Hari kedua ditutup dengan pemutaran film ORIKO-GUB, karya tugas akhir Kalyanarga Rizal: Seorang pria yang berpikir bahwa ia sedang dikejar-kejar oleh sosok balon??

Ketiga pemutaran akan dilengkapi dengan diskusi bersama para sutradaranya.

Menampilkan:
“In Loving Memory of the Immortality of our Katabasis…”
Amalaika Priambodo
Sabtu, 23 Mei, 13:00 - Minggu, 24 Mei, 13:00
Produksi Indonesia, 2026
24 Jam
Dalam Bahasa Indonesia
📍Indeks Project Space

“Outside the Frame”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia,2023
5 Menit, 23 Detik
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“Hujan Panas (Sunshower)”
Micko Boanerges
13:00 - 15:30
Produksi Indonesia, 2024
60 menit
dalam Bahasa Indonesia
📍Auditorium GEDUNG 11 UNPAR

“ORIKO-GUB!”
Kalyanarga Rizal
16.00 - 17.30
Produksi Indonesia, 2026
20 Menit, 12 Detik
dalam bahasa Indonesia
📍Ruang Sinesofia, Gedung 6 Universitas Katolik Parahyangan

LINK REGISTRASI :
https://bit.ly/DAY-2FFKKSINESOFIA2026

@mikoboanerges @amalaikapri @argorians

#ffkk #festivalfilmkecilkecilan #filmfe

Sinesofia menghadirkan Festival Film Kecil-Kecilan pada Mei 2026 sebagai rangkaian sesi pemutaran film untuk merefleksikan masa kita. Festival ini bermula dari aneka perjumpaan dan keinginan untuk bertukar gagasan. Bagi kami, film adalah cara berbagi imajinasi dan tumbuh bersama.

Pemutaran film, diskusi dan workshop akan dilakukan selama tiga hari, 22 Mei hingga 24 Mei 2026.

Menampilkan:
- "TJIDURIAN ‘19" - Lasja Fauzia Susatyo & M. Abduh Aziz / 2009 / dokumenter / 42'
- "In Loving Memory of the Immortality of our Katabasis…" - Amalaika Priambodo / 2026 / eksperimental
- "Sunshower" - Micko Boanerges / 2025 / dokumenter / 60'
- "Outside the Frame" - Micko Boanerges / 2023 / dokumenter/ 5'
- "ORIKO-GUB" - Kalyanarga Rizal / 2026 / 20'
- "Memories Burn" -Muhammad Yoga Iswara Darmawan / 2026 / eksperimental / 12'
- "Merpati yang Menari" - Aryo Sidqi, Mikhail Zidane & Nietzani Adama / 2026 / eksperimental / 21'
- "Selamat Datang Para Mesin" - M. Raihan Djailani / 2026 / eksperimental / 12'
- "Quarens" - Rizky Febrian, Antonius Michael & Balin Rafihaydar / 2026 / eksperimental / 12'

Acara dilaksanakantersebar di tiga tempat:
- Auditorium Gedung 11 UNPAR (Jl. Aceh No. 53, Bandung)
- Indeks Project Space (Jl. Pangampaan No. 37, Bandung)
- ⁠Ruang Sinesofia, Gedung 6 Fakultas Filsafat UNPAR (Jl. Nias No. 2, Bandung)

Sesi pemutaran "In Loving Memory of the Immortality of our Katabasis" merupakan program kolaborasi Sinesofia & Indeks.
Dan sesi pemutaran "Sunshower" merupakan program kolaborasi Sinesofia & Bahasinema.

✨New Masterclass Series✨

From Practice to Perspective is a series within Methods & Matters that explores the relationship between curatorial practice and the perspectives that emerge through it. Through conversations and hands-on activities, the series invites participants to reflect on how perspectives are shaped through practice, experience, and critical engagement.

For the program’s inception, Alia Swastika reflects on her curatorial practice over the past decade through the frameworks of decolonization, feminism, and local activism, spanning projects from local communities to international biennales. Day 1 will focus on feminism and local activism, while Day 2 will explore decolonization and the Global South.

Fri-Sat, 15-16 May 2026 | 15:30-19:00
Indeks Project Space, Jl. Pangampaan No. 37, Bandung.

Open for curators, writers, theorists, and art managers with a minimum of two years of experience and committed to attending the full session.

Register through the link in bio or via:
https://tinyurl.com/indeks-fptp-1

✨New Masterclass Series✨

From Practice to Perspective is a series within Methods & Matters that explores the relationship between curatorial practice and the perspectives that emerge through it. Through conversations and hands-on activities, the series invites participants to reflect on how perspectives are shaped through practice, experience, and critical engagement.

For the program’s inception, Alia Swastika reflects on her curatorial practice over the past decade through the frameworks of decolonization, feminism, and local activism, spanning projects from local communities to international biennales. Day 1 will focus on feminism and local activism, while Day 2 will explore decolonization and the Global South.

Fri-Sat, 15-16 May 2026 | 15:30-19:00
Indeks Project Space, Jl. Pangampaan No. 37, Bandung.

Open for curators, writers, theorists, and art managers with a minimum of two years of experience and committed to attending the full session.

Register through the link in bio or via:
https://tinyurl.com/indeks-fptp-1

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Bandung Notes 8

1 May 2026 • Soft Structures: The Artist-Parent Condition

Last Friday, we had the FGD with fellow parent-artists, complemented well with insights from children who chose the path of art making. Before starting the discussion, we watched Kidlat Tahimik’s Orbit 50: Letters to my Three Sons as a springboard on how creative process change for people who happen to have kids. (ive seen this before many years ago yet when I watched it again this time, I sobbed like a child!) “I am proud to say that I am a father first, and then a filmmaker. In that order” says Tatay Kidlat towards the end of the film, reflecting on why it took him years to finish a film.

What shifts when an artist becomes a parent isn’t just the schedule, it’s the entire interior landscape from which a work emerges. Art demands time, deep focus, and a genuine piece of yourself in everything you make. So does a child. And unlike a deadline, a child does not wait for the right moment (everybody saw it at UNPAR yesterday haha sorry po!)

Its no longer you and your art but a piece of your own flesh looking at you everyday searching for answers, demanding for your attention, and at the end of the day, nothing else really matters. The child comes first and you have to make way for it, and whether we admit it or not, the general structure isn’t ready to give you that freedom yet.

But it is exactly what this residency provided me, it welcomed my entire family with all that it entails, the tired child, the confused child, the stranger danger child yet here we are at the end of my residency with so much new things to digest, and to realize. I hope @indeks_id continue this, and hopefully more institutions will follow suit.

That this parenting struggle isn’t isolated in the parent-artist archetype, but in every labor stripped of safety nets. The parents who live with the same quiet dread, that what has been saved is one serious illness away from disappearing. Financial precarity is not the exclusive condition of the artist. It is the condition of many people who have chosen, or been placed in, work that the formal economy does not fully protect. And that my friends, is the bigger picture.

Waypoints and Crossings happening today!

Sampai jumpa di Studio Integrated Arts Gedung 11 UNPAR!

𝙒𝙖𝙮𝙥𝙤𝙞𝙣𝙩𝙨 & 𝘾𝙧𝙤𝙨𝙨𝙞𝙣𝙜𝙨: 𝙈𝙖𝙥𝙥𝙞𝙣𝙜 𝘼𝙧𝙩 𝙖𝙣𝙙 𝘾𝙤𝙣𝙩𝙚𝙭𝙩𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙄𝙣𝙙𝙤𝙣𝙚𝙨𝙞𝙖 𝙖𝙣𝙙 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨 is a collaborative timeline-mapping workshop developed by Bea Belen-Ferrer, Indeks, and Universitas Katolik Parahyangan. Bringing participants together to trace key movements and artistic formations, the session explores how visual cultures in both countries have evolved from modernism to the present, reflecting on parallels, differences, and moments of encounter.

Monday, 4 May 2026 | 14:00 WIB - end
Studio Integrated Arts, Gedung 11 UNPAR - Jl. Aceh No. 53, Bandung

——

𝘽𝙚𝙖 𝘽𝙚𝙡𝙚𝙣-𝙁𝙚𝙧𝙧𝙚𝙧 is a Philippine-based visual artist and cultural worker whose practice merges text and image as an archival exploration of memory, everyday life, and local narratives in Southeast Asia. Her residency is supported through a partnership between Ateneo Art Gallery and Indeks, as part of the Ateneo Art Awards 2025.

𝙈𝙚𝙩𝙝𝙤𝙙𝙨 & 𝙈𝙖𝙩𝙩𝙚𝙧𝙨 is a long-term initiative dedicated to capacity building within the arts ecosystem through workshops, masterclasses, internships, and other knowledge-sharing formats.

𝙒𝙖𝙮𝙥𝙤𝙞𝙣𝙩𝙨 & 𝘾𝙧𝙤𝙨𝙨𝙞𝙣𝙜𝙨: 𝙈𝙖𝙥𝙥𝙞𝙣𝙜 𝘼𝙧𝙩 𝙖𝙣𝙙 𝘾𝙤𝙣𝙩𝙚𝙭𝙩𝙨 𝘼𝙘𝙧𝙤𝙨𝙨 𝙄𝙣𝙙𝙤𝙣𝙚𝙨𝙞𝙖 𝙖𝙣𝙙 𝙩𝙝𝙚 𝙋𝙝𝙞𝙡𝙞𝙥𝙥𝙞𝙣𝙚𝙨 is a collaborative timeline-mapping workshop developed by Bea Belen-Ferrer, Indeks, and Universitas Katolik Parahyangan. Bringing participants together to trace key movements and artistic formations, the session explores how visual cultures in both countries have evolved from modernism to the present, reflecting on parallels, differences, and moments of encounter.

Monday, 4 May 2026 | 14:00 WIB - end
Studio Integrated Arts, Gedung 11 UNPAR - Jl. Aceh No. 53, Bandung

——

𝘽𝙚𝙖 𝘽𝙚𝙡𝙚𝙣-𝙁𝙚𝙧𝙧𝙚𝙧 is a Philippine-based visual artist and cultural worker whose practice merges text and image as an archival exploration of memory, everyday life, and local narratives in Southeast Asia. Her residency is supported through a partnership between Ateneo Art Gallery and Indeks, as part of the Ateneo Art Awards 2025.

𝙈𝙚𝙩𝙝𝙤𝙙𝙨 & 𝙈𝙖𝙩𝙩𝙚𝙧𝙨 is a long-term initiative dedicated to capacity building within the arts ecosystem through workshops, masterclasses, internships, and other knowledge-sharing formats.

“Soft Structures: The Artist-Parent Condition” considers how artistic practice is shaped by the conditions of care, attending to parenting as a form of labor that reorganizes time, attention, and modes of production. Rather than positioning parenthood in opposition to artistic work, the session approaches it as a generative framework through which new rhythms, constraints, and forms of knowledge emerge. Accompanied by a screening of Kidlat Tahimik’s Orbit 50: Letters to My Three Sons (1992), the discussion situates artist-parenthood within broader questions of visibility, support, and the infrastructures that sustain both life and practice. This session will be facilitated by Bea Belen-Ferrer.

Friday, 1 May 2026 - 10:30am onwards
Indeks Project Space, Jl. Pangampaan No. 37 Bandung

——

Bea Belen-Ferrer is a Philippine-based visual artist and cultural worker whose practice merges text and image as an archival exploration of memory, everyday life, and local narratives within Southeast Asia. Belen-Ferrer’s residency was made possible through a partnership between Ateneo Art Gallery and Indeks, as part of the Ateneo Art Awards 2025: Purita Kalaw-Ledesma Prizes in Art Criticism.

“Soft Structures: The Artist-Parent Condition” considers how artistic practice is shaped by the conditions of care, attending to parenting as a form of labor that reorganizes time, attention, and modes of production. Rather than positioning parenthood in opposition to artistic work, the session approaches it as a generative framework through which new rhythms, constraints, and forms of knowledge emerge. Accompanied by a screening of Kidlat Tahimik’s Orbit 50: Letters to My Three Sons (1992), the discussion situates artist-parenthood within broader questions of visibility, support, and the infrastructures that sustain both life and practice. This session will be facilitated by Bea Belen-Ferrer.

Friday, 1 May 2026 - 10:30am onwards
Indeks Project Space, Jl. Pangampaan No. 37 Bandung

——

Bea Belen-Ferrer is a Philippine-based visual artist and cultural worker whose practice merges text and image as an archival exploration of memory, everyday life, and local narratives within Southeast Asia. Belen-Ferrer’s residency was made possible through a partnership between Ateneo Art Gallery and Indeks, as part of the Ateneo Art Awards 2025: Purita Kalaw-Ledesma Prizes in Art Criticism.

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Throwback sesi workshop “Jadi Desainer Cilik Morning Moon” minggu lalu! Di sini aku ngajak adik-adik peserta workshop untuk berimajinasi dan bikin karakter versi mereka sendiri untuk tinggal di Morning Town! Aaaaah seru bangeeet prosesnya! Apalagi ngeliat hasil karyanya dan cerita di balik masing-masing karakternya ✨

Terima kasiiih untuk adik-adik yang udah ikut serta di workshop iniii! ❤️

#workshop #morningmoonstudios

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

Morning Moon
Pameran Tunggal oleh Alrezky Caesaria
Kurator: Maradita Sutantio

6 - 12 April 2026
Rabu—Minggu
13.00–20.00 WIB

Indeks Project Space,
Jl. Pangampaan No. 37, Bandung

—

“Morning Moon” menghadirkan dunia di mana identitas seniman tidak lagi tunggal, melainkan tersebar dalam sistem visual yang hidup—melalui karakter, pixel art, hingga simulasi studio fiktif. Pameran ini bukan sekadar menampilkan karya, tapi membuka cara kerja di baliknya, mengaburkan batas antara seni, desain, dan produksi, sekaligus mengajak kita mempertanyakan kembali: di era hari ini, apakah seniman masih individu, atau justru sebuah sistem yang terus berkembang?

Oleh: Mardiyyan Zaenudin

Telusuri lebih lanjut tentang pameran ini, tautan di bio!

#MorningMoon #Indeks #SeniHariIni

𝕄𝕠𝕣𝕟𝕚𝕟𝕘 𝕄𝕠𝕠𝕟
Solo Exhibition by Alrezky Caesaria
Curated by: Maradita Sutantio

Opening: 6 Mar 2026, at 17:00 WIB | Iftar will be provided
Indeks Project Space, Jl. Pangampaan No. 37, Bandung

Open to the public and no RSVP needed

—

Beginning with the pixel as the smallest unit of digital language, Alrezky Caesaria expands her long-standing exploration of the boundary between digital and physical space into a lived experience. Through this exhibition, she introduces 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 𝘔𝘰𝘰𝘯 𝘚𝘵𝘶𝘥𝘪𝘰—a fictional studio operating as a “real” business within an imagined world—where pixels are produced for actual clients, yet the structure that generates them exists only in narrative.

Positioning digital labor as artistic medium, the exhibition reflects on value, fiction, and production within contemporary economies. Can an imagined system generate real meaning? Morning Moon unfolds as both inquiry and invitation: a space where play and material presence converge.

——

Exhibition runs until 12 Apr 2026, opens Wed—Sun, 13:00–20:00 WIB

𝕄𝕠𝕣𝕟𝕚𝕟𝕘 𝕄𝕠𝕠𝕟
Solo Exhibition by Alrezky Caesaria
Curated by: Maradita Sutantio

Opening: 6 Mar 2026, at 17:00 WIB | Iftar will be provided
Indeks Project Space, Jl. Pangampaan No. 37, Bandung

Open to the public and no RSVP needed

—

Beginning with the pixel as the smallest unit of digital language, Alrezky Caesaria expands her long-standing exploration of the boundary between digital and physical space into a lived experience. Through this exhibition, she introduces 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 𝘔𝘰𝘰𝘯 𝘚𝘵𝘶𝘥𝘪𝘰—a fictional studio operating as a “real” business within an imagined world—where pixels are produced for actual clients, yet the structure that generates them exists only in narrative.

Positioning digital labor as artistic medium, the exhibition reflects on value, fiction, and production within contemporary economies. Can an imagined system generate real meaning? Morning Moon unfolds as both inquiry and invitation: a space where play and material presence converge.

——

Exhibition runs until 12 Apr 2026, opens Wed—Sun, 13:00–20:00 WIB

𝕄𝕠𝕣𝕟𝕚𝕟𝕘 𝕄𝕠𝕠𝕟
Solo Exhibition by Alrezky Caesaria
Curated by: Maradita Sutantio

Opening: 6 Mar 2026, at 17:00 WIB | Iftar will be provided
Indeks Project Space, Jl. Pangampaan No. 37, Bandung

Open to the public and no RSVP needed

—

Beginning with the pixel as the smallest unit of digital language, Alrezky Caesaria expands her long-standing exploration of the boundary between digital and physical space into a lived experience. Through this exhibition, she introduces 𝘔𝘰𝘳𝘯𝘪𝘯𝘨 𝘔𝘰𝘰𝘯 𝘚𝘵𝘶𝘥𝘪𝘰—a fictional studio operating as a “real” business within an imagined world—where pixels are produced for actual clients, yet the structure that generates them exists only in narrative.

Positioning digital labor as artistic medium, the exhibition reflects on value, fiction, and production within contemporary economies. Can an imagined system generate real meaning? Morning Moon unfolds as both inquiry and invitation: a space where play and material presence converge.

——

Exhibition runs until 12 Apr 2026, opens Wed—Sun, 13:00–20:00 WIB