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kevin
lighting designer | i make lights flash a lot
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
The crew absolutely outdid themselves at @RedRocks.
After months of planning, prep, and nonstop work behind the scenes, seeing the first show of the tour come to life was something special. Huge love to every single person who helped make this one happen.
Where are we seeing you next.
SF, LA, Sweden, or NYC? 👀
Touring Team
Tour Manager: James Nugent
Production Manager: Joshua Mierly
Lighting Director: Kevin Celestial
Visual Director: Gee Cheng “Asking Gee”
Photo/Video: Eddie Diaz
Lasers: Anthony Garcia
Production Assistant/ Carpenter: Jimmy Kleindienst
Management - The Shalizi Group
Media Team:
Director: Eddie Diaz
Producer: Anthony Chuang
Camera Operator: Jose Lomeli
Camera Operator: Will Robinson
Camera Operator: Zach Rawless
Production Assistant: Brian Lee
Production Assistant: Hazel Lee
Video Editor: Eddie Diaz
Socials Team: Daniel Bennett
Visual Content - Thundercode
Design: High Scream
Lighting/Video/Lasers/Backline/Rigging - LEC
SFX - JDLFX
Audio - Brown Note Production
Agency - CAA
Promoter - Live Nation
Venue - Red Rocks
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
A couple pics from this last weekend. Pretty happy with how it turned out. Massive thank you to the whole team for all the hard work making this happen. Can’t wait for future shows!
🚨RED ALERT🚨
-Live events employ over 12 million people.
-Live events contributes over $1 trillion annually to the US economy.
-95% of live events have been cancelled due to COVID-19.
-96% of companies have cut staff and/or wages.
-77% of people in the live events industry have lost 100% of their income, including 97% of 1099 workers.
.
On September 1st, 2020, #WeMakeEvents, a coalition of trade bodies, businesses, unions, and live events workers, will light up their venues, homes, and cities red in over 1,500 locations across North America to raise public and media awareness in support of the live events sector. Will you join us?
.
How to participate on 9/1
We need industry workers, venues, fans, and artists to all unite for the cause of saving the places we love.
Please contact your representatives at this link: https://wemakeevents.org/#action
.
Please post a red-tinted photo of your favorite live event to your social media with the following caption:
The live events we love may never recover from the pandemic, we need to take action! Take 2 minutes to contact your representatives here, and post a red photo of you at your favorite event, too: wemakeevents.org #WeMakeEvents #ExtendPUA
🚨RED ALERT🚨
-Live events employ over 12 million people.
-Live events contributes over $1 trillion annually to the US economy.
-95% of live events have been cancelled due to COVID-19.
-96% of companies have cut staff and/or wages.
-77% of people in the live events industry have lost 100% of their income, including 97% of 1099 workers.
.
On September 1st, 2020, #WeMakeEvents, a coalition of trade bodies, businesses, unions, and live events workers, will light up their venues, homes, and cities red in over 1,500 locations across North America to raise public and media awareness in support of the live events sector. Will you join us?
.
How to participate on 9/1
We need industry workers, venues, fans, and artists to all unite for the cause of saving the places we love.
Please contact your representatives at this link: https://wemakeevents.org/#action
.
Please post a red-tinted photo of your favorite live event to your social media with the following caption:
The live events we love may never recover from the pandemic, we need to take action! Take 2 minutes to contact your representatives here, and post a red photo of you at your favorite event, too: wemakeevents.org #WeMakeEvents #ExtendPUA
🚨RED ALERT🚨
-Live events employ over 12 million people.
-Live events contributes over $1 trillion annually to the US economy.
-95% of live events have been cancelled due to COVID-19.
-96% of companies have cut staff and/or wages.
-77% of people in the live events industry have lost 100% of their income, including 97% of 1099 workers.
.
On September 1st, 2020, #WeMakeEvents, a coalition of trade bodies, businesses, unions, and live events workers, will light up their venues, homes, and cities red in over 1,500 locations across North America to raise public and media awareness in support of the live events sector. Will you join us?
.
How to participate on 9/1
We need industry workers, venues, fans, and artists to all unite for the cause of saving the places we love.
Please contact your representatives at this link: https://wemakeevents.org/#action
.
Please post a red-tinted photo of your favorite live event to your social media with the following caption:
The live events we love may never recover from the pandemic, we need to take action! Take 2 minutes to contact your representatives here, and post a red photo of you at your favorite event, too: wemakeevents.org #WeMakeEvents #ExtendPUA
🚨RED ALERT🚨
-Live events employ over 12 million people.
-Live events contributes over $1 trillion annually to the US economy.
-95% of live events have been cancelled due to COVID-19.
-96% of companies have cut staff and/or wages.
-77% of people in the live events industry have lost 100% of their income, including 97% of 1099 workers.
.
On September 1st, 2020, #WeMakeEvents, a coalition of trade bodies, businesses, unions, and live events workers, will light up their venues, homes, and cities red in over 1,500 locations across North America to raise public and media awareness in support of the live events sector. Will you join us?
.
How to participate on 9/1
We need industry workers, venues, fans, and artists to all unite for the cause of saving the places we love.
Please contact your representatives at this link: https://wemakeevents.org/#action
.
Please post a red-tinted photo of your favorite live event to your social media with the following caption:
The live events we love may never recover from the pandemic, we need to take action! Take 2 minutes to contact your representatives here, and post a red photo of you at your favorite event, too: wemakeevents.org #WeMakeEvents #ExtendPUA
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Hey guys sorry that I’m really bad at posting what the hell I’m up to. I was lucky enough to be a lighting op for @alisonwonderland on behalf of @visualartform during the Lost My Mind tour.
This is probably hella cheesy but it was genuinely a fucking amazing experience for a million reasons and I’m really excited to see where the future will take me
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
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