Instagram Story Save

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

This time last year in April 2025 @expo2025japan had been open for just one week! Looking back on one of our larger projects of last year...

High Res delivered the projection, lighting, and audio systems for @irelandatexpo , in collaboration with @jrdisplays.ie , @irishforeignministry , @opwireland, @nationalmuseumireland, and @nationalconcerthall.

Across the Pavilion’s three exhibition spaces, we provided creative and exhibition lighting for displays and curated objects, as well as coordinated projection, lighting design, and 5.1 surround sound for An Talamh / The Plain, a specially commissioned film and soundscape by artist @marianne_keating with an original score by Caoimhín Ó Raghallaigh.
The audio system was designed by John Vickers of sound_design_ire and delivered by @jasonfallon_ols of One Louder Sound.
We also integrated flexible content playback options to support the DFA’s wide range of events throughout their Expo programme. High Res’ @markgalione designed lighting looks, programmed by Josefine Danielsson, for live performances by the Expo Players and other daily events within the Pavilion.
Epson projectors provided by @prgjapan and @disguise_one servers provided by @bylexconceptdesigncontrol , allowed various video set ups to be programmed by @kjellrijntjes and @ama.on.set for ‘Ellipse 3’; the multimedia space.
Chip Devitt was chief QLab network programmer, and all round solutions magician, integrating QLab, Brightsign players and even carpentry.
Edu Prado was onsite sound engineer setting everything audio up, and keeping musical performances, presentations and events sounding perfect for the opening few weeks of Expo.
High Res’ 3D modelling preparation, design, and CAD was executed by Reinaldo Lelis.

We can’t fit everything we want to say about this here! So more info, and most importantly - thank yous! - in comment below.

#OsakaExpo2025 #IrelandAtExpo #Expo2025 #LightingDesign #Projection

Last week's 'Fright Night' on @dwtsirl saw @karendwts back on the dance floor for the pro dance, and we loved it!
We’re all ready and looking forward to team dances tonight, with the ‘boy bands’ and ‘girl bands’ theme! Tune in at 6:30pm @rteone !

Pro Dancers:
@alexxvlad
@robert_rowinski_
@cutlerjm
@ariannafavaro
@beccascottxx
@leonardolini
@kyleevincent
@stephenvincent17
@la_nolan
@daniela_roze
@ervinas_m
@maciej_zieba

Choreography Team:
Head Choreographer - Lilia Kopylova @liliakopylova1
Choreographers - Neil O'Brien @neilobriendance & Joshua Keefe @joshuakeefedancer

#dwtsirl #LightingDesign #TvLighting #LightingAndVideo #LED #Projection #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Some BTS from rehearsals and programming of the tribute performance dedicated to Julian Benson last week on @dwtsirl (see previous post for full performance ➡️ )

#CaptainSparkle #LightingDesign #Projection #LED #HighRes

Last week was 'Dedicated Dance Week' on @dwtsirl , and we got to be part of a beautiful dedication to former judge Julian Benson, who sadly passed away last year.
The tribute started out with clips of Julian projected onto gauze, in front of some of his iconic bejewelled jackets on stage, before the #dwtsirl pro dancers took to the floor to ‘Last Dance’ by Donna Summer.
The Pros:
@alexxvlad @robert_rowinski_ @cutlerjm @ariannafavaro @beccascottxx @leonardolini @kyleevincent @stephenvincent17 @la_nolan @daniela_roze @ervinas_m @maciej_zieba

#CaptainSparkle #LightingDesign #TVLighting #LightingAndVideo #LED #Projection #HighRes

Movie Week magic on @dwtsirl !
It was a thrill to help bring the show to life last week with lighting, projection and stunning graphics from @jp.motiongraphics on new LED screens, alongside the incredible dancers & celebs, creative, choreography, production design, costume, and hair & makeup teams.
Next up is Country Week this Sunday on RTÉ One 🤠

@shinawil_ltd
Lighting Designer - @peter_canning
Lighting Programmer - @sonyafossett
Spots Programmer – Josefine Danielsson
Media Server Programmer - @luis.mirage
Media Server Technician - @ama.on.set
Screen & Floor Graphics - JP Motion @jp.motiongraphics
LED Screen Technician - @matt_deanelx
Screens & Projection - @roevisualeurope & @panasonicvisual supplied by High Res & @fbr_europe
Servers - @disguise_one supplied by High Res & @bylexconceptdesigncontrol
Lights - @psiproduction
Director - Richard Valentine
Executive Producers - @shinawillarry & Eugenia Cooney @ginny_cooney
Series Producers - @ailbhemaher & @adammcgarrybyrne
Production Designer - Fiona Cunningham @pov_fi
Art Director - Ronán Duffy @ronduffy
Costume Designers - Cherie White @c_l_white , @shaunaeward
H&MU - @marydrummondmakeup & @carolannmcguirk and their teams
Creative & Concept;
Creative Director - Darren Bennett @darrenandlilia
Associate Creative Producer – Ivana Ostrowski @ivanaostrowski

Choreography Team:
Head Choreographer - Lilia Kopylova @liliakopylova1
Choreographers - Joshua Keefe @joshuakeefedancer & Neil O'Brien @neilobriendance

#dwtsirl #LightingDesign #TVLighting #LightingAndVideo #LED #Projection #HighRes

We loved how fun and colourful the pro dance was for Movie Week this week! All things K-Pop Demon Hunters @kpopdemonhuntersnetflix , the pro dancers were joined by @westsideperformingarts for the performance.

#dwtsirl Pro dancers:
@alexxvlad @robert_rowinski_ @cutlerjm @ariannafavaro @beccascottxx @leonardolini @kyleevincent @stephenvincent17 @la_nolan @daniela_roze @ervinas_m @maciej_zieba

#HighResLighting #LightingDesign #TVLighting #LightingAndVideo #LED #Projection #HighRes

How is it the final show this Sunday!? Equal parts excited for the final, and sad it will all be over for another year.
Look at these amazing dances from last weeks @dwtsirl ! - the finalists @kayleigh_trappe & @ervinas_m , @jack_woolley_oly & @alexxvlad , @rhysmcc1 & @la_nolan and dannyocarroll & @salome_chachuaa - best of luck this weekend!

@shinawil_ltd
Lighting Designer - @peter_canning
Lighting Programmer - @sonyafossett
Media Server Programmer - @luis.mirage
Content/Screen Graphics - JP Motion @jp.motiongraphics
LED Screen Technician - @matt_deanelx
Screens - @roevisual supplied by High Res & @fbr_europe
Servers - @disguise_one supplied by High Res & @bylexconceptdesigncontrol
Lights - @cine_electric_ltd
Director - Richard Valentine
Executive Producers - @shinawillarry & Eugenia Cooney @ginny_cooney
Series Producers - @ailbhemaher & @adammcgarrybyrne
Production Designer - Fiona Cunningham @pov_fi
Art Director - @noelmcentee
Costume Designers - Cherie White @c_l_white , @shaunaeward
Creative & Concept;
Creative Director - Darren Bennett @darrenandlilia
Assistant Creative Producer – Ivana Ostrowski @ivanaostrowski

Choreography Team:
Head Choreographer - Lilia Kopylova @liliakopylova1
Choreographer - Joshua Keefe @joshuakeefedancer
Assistant Choreographer - Neil O'Brien @neilobriendance

#dwtsirl #thefinal #lightingdesign #tvlighting #lightingandvideo #led #projection #highres

Ahead of the @dwtsirl Semi-Final this Sunday we tried to pick some of our favourite dance looks from the celebs and their pro partners over the past nine episodes!
(It was very hard to narrow down, there were so many great looks to choose from! ...and there will probably be more favourites videos to follow!)
We're loving the #UnrealEngine generated graphics on our upgraded Roe V4ST LED screens this year!

@shinawil_ltd
Lighting Designer - @peter_canning
Lighting Programmer - @sonyafossett
Media Server Programmer - @luis.mirage
Content/Screen Graphics - JP Motion @jp.motiongraphics
LED Screen Technician - @matt_deanelx
Screens - @roevisual supplied by High Res & @fbr_europe
Servers - @disguise_one supplied by High Res & @bylexconceptdesigncontrol
Lights - @cine_electric_ltd
Director - Richard Valentine
Executive Producers - @shinawillarry & Eugenia Cooney @ginny_cooney
Series Producers - @ailbhemaher & @adammcgarrybyrne
Production Designer - Fiona Cunningham @pov_fi
Art Director - @noelmcentee
Costume Designers - Cherie White @c_l_white , @shaunaeward
Creative & Concept;
Creative Director - Darren Bennett @darrenandlilia
Assistant Creative Producer – Ivana Ostrowski @ivanaostrowski

Choreography Team:
Head Choreographer - Lilia Kopylova @liliakopylova1
Choreographer - Joshua Keefe @joshuakeefedancer
Assistant Choreographer - Neil O'Brien @neilobriendance

#dwtsirl #lightingdesign #tvlighting #lightingandvideo #led #projection #highres

Kicked off the New Year with series 8 @dwtsirl first show last night!
A busy few weeks in the lead up, but with a successful upgrade of the show’s video system to @roevisual Vanish 4ST panels and @disguise_one servers, we couldn’t be happier! Huge thank you to our hardworking team, and to our suppliers, and looking forward to a great ten weeks of the show to come!

@shinawil_ltd
@rteone

#dwtsirl #LightingDesign #TVLighting #LightingAndVideo #LED #projection #HighRes

Kicked off the New Year with series 8 @dwtsirl first show last night!
A busy few weeks in the lead up, but with a successful upgrade of the show’s video system to @roevisual Vanish 4ST panels and @disguise_one servers, we couldn’t be happier! Huge thank you to our hardworking team, and to our suppliers, and looking forward to a great ten weeks of the show to come!

@shinawil_ltd
@rteone

#dwtsirl #LightingDesign #TVLighting #LightingAndVideo #LED #projection #HighRes

Kicked off the New Year with series 8 @dwtsirl first show last night!
A busy few weeks in the lead up, but with a successful upgrade of the show’s video system to @roevisual Vanish 4ST panels and @disguise_one servers, we couldn’t be happier! Huge thank you to our hardworking team, and to our suppliers, and looking forward to a great ten weeks of the show to come!

@shinawil_ltd
@rteone

#dwtsirl #LightingDesign #TVLighting #LightingAndVideo #LED #projection #HighRes

Kicked off the New Year with series 8 @dwtsirl first show last night!
A busy few weeks in the lead up, but with a successful upgrade of the show’s video system to @roevisual Vanish 4ST panels and @disguise_one servers, we couldn’t be happier! Huge thank you to our hardworking team, and to our suppliers, and looking forward to a great ten weeks of the show to come!

@shinawil_ltd
@rteone

#dwtsirl #LightingDesign #TVLighting #LightingAndVideo #LED #projection #HighRes

Wishing everyone a very Happy Christmas and festive break from all of us at High Res! 🎄

Huge thank you to all of our hard working crew, all of our clients, suppliers, our collaborators and friends for another great year.
See you in 2025!

#lighting #lightingdesign #virtualproduction #filmandtv #HighRes #Ireland

Cooking up a storm, for a new @biggerstage Next Level Chef territory, Spain!

Another great project completed with the always exemplary work of our excellent crew!
Thank you everyone!

#lighting #TVLighting #LightingDesign #HighRes #Ireland

📸 thanks!: @matt_deanelx , @luis.mirage , @sonyafossett , Josefine Danielsson

Cooking up a storm, for a new @biggerstage Next Level Chef territory, Spain!

Another great project completed with the always exemplary work of our excellent crew!
Thank you everyone!

#lighting #TVLighting #LightingDesign #HighRes #Ireland

📸 thanks!: @matt_deanelx , @luis.mirage , @sonyafossett , Josefine Danielsson

Cooking up a storm, for a new @biggerstage Next Level Chef territory, Spain!

Another great project completed with the always exemplary work of our excellent crew!
Thank you everyone!

#lighting #TVLighting #LightingDesign #HighRes #Ireland

📸 thanks!: @matt_deanelx , @luis.mirage , @sonyafossett , Josefine Danielsson

Cooking up a storm, for a new @biggerstage Next Level Chef territory, Spain!

Another great project completed with the always exemplary work of our excellent crew!
Thank you everyone!

#lighting #TVLighting #LightingDesign #HighRes #Ireland

📸 thanks!: @matt_deanelx , @luis.mirage , @sonyafossett , Josefine Danielsson

Cooking up a storm, for a new @biggerstage Next Level Chef territory, Spain!

Another great project completed with the always exemplary work of our excellent crew!
Thank you everyone!

#lighting #TVLighting #LightingDesign #HighRes #Ireland

📸 thanks!: @matt_deanelx , @luis.mirage , @sonyafossett , Josefine Danielsson

Love the reel @gardinerbrothers !
Our lighting designer @markgalione had a great time working with you, and all of the other people involved - big thanks to @deniseflynn , @jbeireland and @kieran_kcls

#LightingDesign #EventLighting #HighRes #Ireland

#Repost @gardinerbrothers
・・・
High Energy Highlights from our performance at Rise25 @mozilla !

We hope you enjoy! 🔥🕺

#gardinerbrothers #dance #reels #entertainers #performers #Rise25 #Mozilla

Additional dancers: @ruairi_lee12 @gracehannon04 @colmbrien @adilynch @catherine.tolan