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ABOUT @andreapena__:
Andrea Peña is a Colombian-born, Montreal-based multidisciplinary artist renowned for her innovative fusion of choreography, design, and installation art. As the founder and artistic director of @apartists, she has developed a distinctive practice that interrogates the intersections of body, materiality, and identity within performative and spatial contexts. Rooted in her Musica indigenous heritage and drawing from her background in industrial design and in fashion, she creates immersive environments that challenge conventional notions of humanity, often exploring themes of vulnerability, resilience, and transformation.
Peña cultivates a collaborative and research-driven environment where dancers and designers converge to investigate new expressions of body and identity. Her creations dismantle traditional aesthetics, draw on hybridity, and engage with the universal themes of rebirth and resistance—ultimately transforming the stage into a dynamic space of radical imagination.
Her approach has earned her numerous awards for her conceptual creations, most recently the winner of the @chanelofficial Next Prize 2026, the Ballet BC Choreographer Award 2024, the first international choreographic co-production by @labiennale di Venezia 2023, @banffcentre’s Clifford E. Lee Choreography Award 2018 and the Hong Kong International Choreography Award 2018.

TOURING PRODUCTIONS:
BOGOTA (Photo 1 Felix Godbout Delavaud)
UAQUE in collab. with Edward Burtynsky & Alexander Shelley (Photo 2 Jeanne-tetrault)
REPLICA in collab. with Frédérique Rodier, Jean-Benoît Labrecque, Marco Curci & James Phillips (Photo 3 Jeanne-tetrault)

More info: DM me for contact

ABOUT @andreapena__:
Andrea Peña is a Colombian-born, Montreal-based multidisciplinary artist renowned for her innovative fusion of choreography, design, and installation art. As the founder and artistic director of @apartists, she has developed a distinctive practice that interrogates the intersections of body, materiality, and identity within performative and spatial contexts. Rooted in her Musica indigenous heritage and drawing from her background in industrial design and in fashion, she creates immersive environments that challenge conventional notions of humanity, often exploring themes of vulnerability, resilience, and transformation.
Peña cultivates a collaborative and research-driven environment where dancers and designers converge to investigate new expressions of body and identity. Her creations dismantle traditional aesthetics, draw on hybridity, and engage with the universal themes of rebirth and resistance—ultimately transforming the stage into a dynamic space of radical imagination.
Her approach has earned her numerous awards for her conceptual creations, most recently the winner of the @chanelofficial Next Prize 2026, the Ballet BC Choreographer Award 2024, the first international choreographic co-production by @labiennale di Venezia 2023, @banffcentre’s Clifford E. Lee Choreography Award 2018 and the Hong Kong International Choreography Award 2018.

TOURING PRODUCTIONS:
BOGOTA (Photo 1 Felix Godbout Delavaud)
UAQUE in collab. with Edward Burtynsky & Alexander Shelley (Photo 2 Jeanne-tetrault)
REPLICA in collab. with Frédérique Rodier, Jean-Benoît Labrecque, Marco Curci & James Phillips (Photo 3 Jeanne-tetrault)

More info: DM me for contact

ABOUT @andreapena__:
Andrea Peña is a Colombian-born, Montreal-based multidisciplinary artist renowned for her innovative fusion of choreography, design, and installation art. As the founder and artistic director of @apartists, she has developed a distinctive practice that interrogates the intersections of body, materiality, and identity within performative and spatial contexts. Rooted in her Musica indigenous heritage and drawing from her background in industrial design and in fashion, she creates immersive environments that challenge conventional notions of humanity, often exploring themes of vulnerability, resilience, and transformation.
Peña cultivates a collaborative and research-driven environment where dancers and designers converge to investigate new expressions of body and identity. Her creations dismantle traditional aesthetics, draw on hybridity, and engage with the universal themes of rebirth and resistance—ultimately transforming the stage into a dynamic space of radical imagination.
Her approach has earned her numerous awards for her conceptual creations, most recently the winner of the @chanelofficial Next Prize 2026, the Ballet BC Choreographer Award 2024, the first international choreographic co-production by @labiennale di Venezia 2023, @banffcentre’s Clifford E. Lee Choreography Award 2018 and the Hong Kong International Choreography Award 2018.

TOURING PRODUCTIONS:
BOGOTA (Photo 1 Felix Godbout Delavaud)
UAQUE in collab. with Edward Burtynsky & Alexander Shelley (Photo 2 Jeanne-tetrault)
REPLICA in collab. with Frédérique Rodier, Jean-Benoît Labrecque, Marco Curci & James Phillips (Photo 3 Jeanne-tetrault)

More info: DM me for contact

ABOUT @bullyache_:
BULLYACHE is an artist duo founded in 2021 by Courtney Deyn and Jacob Samuel. They make “live music videos” for the stage: choreographing, directing, and composing original works that merge music, avant-garde dance theatre, and pop culture spectacle. Think Pina Bausch cosplaying as Dua Lipa—ballroom meets noise, exhaustive dance training meets media theory, all distilled into radical, cutting-edge choreographic performance.
They are recent residents of the @barbicancentre, @studiowaynemcgregor, @brittenpearsarts and have created performances for Abbey Road, Wrap Records and Paris Fashion Week.

TOURING PRODUCTIONS:
WHO HURT YOU? (Photo 1 Dan John Lloyd)
A GOOD MAN IS HARD TO FIND (Photo 2 Andrea Avezzù)
THE FUTURE LASTS FOREVER (Photo 3 William De Val) - new upcoming production

More info: DM me for contact

ABOUT @bullyache_:
BULLYACHE is an artist duo founded in 2021 by Courtney Deyn and Jacob Samuel. They make “live music videos” for the stage: choreographing, directing, and composing original works that merge music, avant-garde dance theatre, and pop culture spectacle. Think Pina Bausch cosplaying as Dua Lipa—ballroom meets noise, exhaustive dance training meets media theory, all distilled into radical, cutting-edge choreographic performance.
They are recent residents of the @barbicancentre, @studiowaynemcgregor, @brittenpearsarts and have created performances for Abbey Road, Wrap Records and Paris Fashion Week.

TOURING PRODUCTIONS:
WHO HURT YOU? (Photo 1 Dan John Lloyd)
A GOOD MAN IS HARD TO FIND (Photo 2 Andrea Avezzù)
THE FUTURE LASTS FOREVER (Photo 3 William De Val) - new upcoming production

More info: DM me for contact

ABOUT @bullyache_:
BULLYACHE is an artist duo founded in 2021 by Courtney Deyn and Jacob Samuel. They make “live music videos” for the stage: choreographing, directing, and composing original works that merge music, avant-garde dance theatre, and pop culture spectacle. Think Pina Bausch cosplaying as Dua Lipa—ballroom meets noise, exhaustive dance training meets media theory, all distilled into radical, cutting-edge choreographic performance.
They are recent residents of the @barbicancentre, @studiowaynemcgregor, @brittenpearsarts and have created performances for Abbey Road, Wrap Records and Paris Fashion Week.

TOURING PRODUCTIONS:
WHO HURT YOU? (Photo 1 Dan John Lloyd)
A GOOD MAN IS HARD TO FIND (Photo 2 Andrea Avezzù)
THE FUTURE LASTS FOREVER (Photo 3 William De Val) - new upcoming production

More info: DM me for contact

ABOUT @brianbyca:
Brian Ca is a multidisciplinary artist based in Luxembourg, with a diverse body of work spanning choreography, performance, stage design, photography, video and visual arts. His transversal approach to art and his innovative blending of movement, visual aesthetics, and technology, create singular and thought-provoking productions that echoes to all types of audiences.
His research is based around themes of identity construction and the psycho-emotional factors tied to intimate and socio-cultural contexts, aiming to dismantle conformity and promote alterity and inclusivity. He prompts viewers to reflect on their own perceptions and experiences, fostering empathy and understanding.
In January 2024, Brian became Artist in Residence at @trois.cl - Maison pour la Danse de Luxembourg, marking the beginning of a prolific choreographic career with multiple productions premiering the same year. His hybrid works, designed for stage or performative spaces, seek to create multi-sensory experiences that push the boundaries of traditional performance at the intersection of poetry, psychology, and science.
Overall, Brian Ca’s artistic work is characterized by a multifaceted exploration of the human experience where art becomes a powerful tool for transformation — a catalyst for introspection, empathy, and social change. Through his unwavering commitment to authenticity and the celebration of diverse identities, underscored by a commitment to collaboration and social commentary, he composes richer and more inclusive artistic dialogues to create new forms of creation that transcend theater codes and contemporary art expectations. His creative endeavors invite audiences to collectively understand, to challenge preconceived notions and to embrace the profound beauty of human resilience

TOURING PRODUCTIONS:
SATELLITES (Photo 1 Dominique Weber - SKIN)
AKROAMA (Photo 2 Brian Ca)
PROXIMA - new production 2028

More info: DM me for contact

ABOUT @brianbyca:
Brian Ca is a multidisciplinary artist based in Luxembourg, with a diverse body of work spanning choreography, performance, stage design, photography, video and visual arts. His transversal approach to art and his innovative blending of movement, visual aesthetics, and technology, create singular and thought-provoking productions that echoes to all types of audiences.
His research is based around themes of identity construction and the psycho-emotional factors tied to intimate and socio-cultural contexts, aiming to dismantle conformity and promote alterity and inclusivity. He prompts viewers to reflect on their own perceptions and experiences, fostering empathy and understanding.
In January 2024, Brian became Artist in Residence at @trois.cl - Maison pour la Danse de Luxembourg, marking the beginning of a prolific choreographic career with multiple productions premiering the same year. His hybrid works, designed for stage or performative spaces, seek to create multi-sensory experiences that push the boundaries of traditional performance at the intersection of poetry, psychology, and science.
Overall, Brian Ca’s artistic work is characterized by a multifaceted exploration of the human experience where art becomes a powerful tool for transformation — a catalyst for introspection, empathy, and social change. Through his unwavering commitment to authenticity and the celebration of diverse identities, underscored by a commitment to collaboration and social commentary, he composes richer and more inclusive artistic dialogues to create new forms of creation that transcend theater codes and contemporary art expectations. His creative endeavors invite audiences to collectively understand, to challenge preconceived notions and to embrace the profound beauty of human resilience

TOURING PRODUCTIONS:
SATELLITES (Photo 1 Dominique Weber - SKIN)
AKROAMA (Photo 2 Brian Ca)
PROXIMA - new production 2028

More info: DM me for contact

7-9 May 2026 - @bullyache_
Four sold out performances of A Good Man Is Hard To Find at @sadlerswells_east.

Massively grateful to the artists, collaborators, crew, and audiences who backed this work and brought it to life. In a difficult climate for live performance, seeing bold and ambitious work connect with audiences like this means a great deal.

Proud to have been part of it.

CREDITS:
Direction and Choreography BULLYACHE (@courtney_my_real_name & @jacobfsamuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger @alexpodger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis @alastair_curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre @sadlers_wells, La Biennale di Venezia @labiennale , Les Brigittines, Playhouse for Movement – Brussels @lesbrigittines

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva @kamila_serkebay

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

7-9 May 2026 - @bullyache_
Four sold out performances of A Good Man Is Hard To Find at @sadlerswells_east.

Massively grateful to the artists, collaborators, crew, and audiences who backed this work and brought it to life. In a difficult climate for live performance, seeing bold and ambitious work connect with audiences like this means a great deal.

Proud to have been part of it.

CREDITS:
Direction and Choreography BULLYACHE (@courtney_my_real_name & @jacobfsamuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger @alexpodger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis @alastair_curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre @sadlers_wells, La Biennale di Venezia @labiennale , Les Brigittines, Playhouse for Movement – Brussels @lesbrigittines

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva @kamila_serkebay

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

7-9 May 2026 - @bullyache_
Four sold out performances of A Good Man Is Hard To Find at @sadlerswells_east.

Massively grateful to the artists, collaborators, crew, and audiences who backed this work and brought it to life. In a difficult climate for live performance, seeing bold and ambitious work connect with audiences like this means a great deal.

Proud to have been part of it.

CREDITS:
Direction and Choreography BULLYACHE (@courtney_my_real_name & @jacobfsamuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger @alexpodger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis @alastair_curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre @sadlers_wells, La Biennale di Venezia @labiennale , Les Brigittines, Playhouse for Movement – Brussels @lesbrigittines

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva @kamila_serkebay

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

7-9 May 2026 - @bullyache_
Four sold out performances of A Good Man Is Hard To Find at @sadlerswells_east.

Massively grateful to the artists, collaborators, crew, and audiences who backed this work and brought it to life. In a difficult climate for live performance, seeing bold and ambitious work connect with audiences like this means a great deal.

Proud to have been part of it.

CREDITS:
Direction and Choreography BULLYACHE (@courtney_my_real_name & @jacobfsamuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger @alexpodger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis @alastair_curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre @sadlers_wells, La Biennale di Venezia @labiennale , Les Brigittines, Playhouse for Movement – Brussels @lesbrigittines

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva @kamila_serkebay

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.09.2026 (Producing)
A GOOD MAN IS HARD TO FIND
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.09.2026 (Producing)
A GOOD MAN IS HARD TO FIND
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.08.2026 (Producing)
A GOOD MAN IS HARD TO FIND
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.08.2026 (Producing)
A GOOD MAN IS HARD TO FIND
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang @yang_fl_frank

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.07.2026 (Producing)
A GOOD MAN IS HARD TO FIND (London Premiere)
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

05.07.2026 (Producing)
A GOOD MAN IS HARD TO FIND (London Premiere)
By @bullyache_
At @sadlerswells_east

Direction and Choreography BULLYACHE (Courtney Deyn & Jacob Samuel)

Music BULLYACHE
Interpolation of Frank Schubert’s Ave Maria
Chamber Symphony, music by Dmitri Shostakovich’s String Quartet No. 8 in C minor, Op. 110. arranged by Rudolf Barshai.
The use of the music is given by permission of Boosey & Hawkes Music Publishers Limited.

Producer Flo Trioux
Production Manager Andy Downie
Rehearsal Director Lewis Walker @lewiswalker_x
Art Direction Sinisia @sinisaaaaa
Costume La Maskarade @lamaskarade
Lighting Bianca Peruzzi @trocadera_2000
Set Design TOR Studio @tor_tor_tor_studio
Set Build HS Design Studio

Performers
Courtney Deyn @courtney_my_real_name
Sam Dilkes @sam_dilkes
Oscar Jinghu Li @oscarjinghuli
Giacomo Luci @giacomoluci
Pierre Morrillon @pierreloupmorillon
Frank Yang

Live Musicians
Asher Allen @asherallen__
Jacob Samuel (off- stage)

Mentor Katie Mitchell
Opera Coach Sarah Tynan
Hypnotherapist Michele Occelli
Pyrotechnician Alex Podger
Piano & Arrangement Asher Allen (Ave Maria, Franz Schubert)
Outside Eye Alastair Curtis

Access Coordinator CompanyZe
Producing & Touring Assistant Cali Nice @niceiscali
Touring Production/Stage Manager Colin Everitt
Touring LX Manager/Relighter Alfie Sissons

Co Produced Unlimited, Sadlers Wells Theatre, La Biennale di Venezia, Les Brigittines, Playhouse for Movement – Brussels

Supported by Attenborough Centre of Creative Arts, Fiona Garratt, Kamila Serkebaeva

Special Thanks to Sir Wayne McGregor

Photo Andrea Avezzu

04.23.2026 (Line Producing & Tour Management)
We Caliban by @shobanajeyasinghdance
@sadlerswells_east

Concept, Choreography & Direction: Shobana Jeyasingh

Text Consultant: Priyamvada Gopal
Dramaturg: Uzma Hameed
Composer: Thierry Pécou (By arrangement with Schott Music, Mainz)
Sound Designer: Fred DeFaye
Set, Props & Costume Designer: Mayou Trikerioti
Video & Projection Designer: William Duke Lighting
Designer: Floriaan Ganzevoort

Dancers: @tanisha.addicott, @gabrielciulli, @_georgeorge_ , @olivermahar , @ondrakula , @tabbyosullivan_ , @raulr3inoso , @hollyvallis97

Executive Producer: Ghislaine Granger

TOURING TEAM
Rehearsal Director: @catarinasbac
Touring Line Producer & Company Manager: Flo Trioux
Touring Head of Lighting and Video: @rachelluff
Touring Head of Sound: Luis Gustavo Silva Navarro
Stage Manager: Sally McKenna

Photo: @foteiniphoto

04.22.2026 (Line Producing & Tour Management)
We Caliban by @shobanajeyasinghdance
@sadlerswells_east

Concept, Choreography & Direction: Shobana Jeyasingh

Text Consultant: Priyamvada Gopal
Dramaturg: Uzma Hameed
Composer: Thierry Pécou (By arrangement with Schott Music, Mainz)
Sound Designer: Fred DeFaye
Set, Props & Costume Designer: Mayou Trikerioti
Video & Projection Designer: William Duke Lighting
Designer: Floriaan Ganzevoort

Dancers: @tanisha.addicott, @gabrielciulli, @_georgeorge_ , @olivermahar , @ondrakula , @tabbyosullivan_ , @raulr3inoso , @hollyvallis97

Executive Producer: Ghislaine Granger

TOURING TEAM
Rehearsal Director: @catarinasbac
Touring Line Producer & Company Manager: Flo Trioux
Touring Head of Lighting and Video: @rachelluff
Touring Head of Sound: Luis Gustavo Silva Navarro
Stage Manager: Sally McKenna

Photo: @foteiniphoto

04.21.2026 (Line Producing & Tour Management)
We Caliban by @shobanajeyasinghdance
@sadlerswells_east

Concept, Choreography & Direction: Shobana Jeyasingh

Text Consultant: Priyamvada Gopal
Dramaturg: Uzma Hameed
Composer: Thierry Pécou (By arrangement with Schott Music, Mainz)
Sound Designer: Fred DeFaye
Set, Props & Costume Designer: Mayou Trikerioti
Video & Projection Designer: William Duke Lighting
Designer: Floriaan Ganzevoort

Dancers: @tanisha.addicott, @gabrielciulli, @_georgeorge_ , @olivermahar , @ondrakula , @tabbyosullivan_ , @raulr3inoso , @hollyvallis97

Executive Producer: Ghislaine Granger

TOURING TEAM
Rehearsal Director: @catarinasbac
Touring Line Producer & Company Manager: Flo Trioux
Touring Head of Lighting and Video: @rachelluff
Touring Head of Sound: Luis Gustavo Silva Navarro
Stage Manager: Sally McKenna

Photo: @foteiniphoto

04.11.2026 (P&T advisor)
STAR SPANGLED MANOR - PREMIERE
By @verbalanimalco @xlavvvy
At @triskelionarts (artist in residence)

Creation/Direction @xlavvvy
LX design: @connorsale
Set: Lavy in collaboration with Anna Wotring
Sound Design: Lavy
Audio Reactive Environment/Sound Design: Angel Burner
Costumes: @timosassen
Projection Design: @haleymorganmiller

Collaborators @thats_so_ragin, @m4rcuhz_ , @annalise_gehling, @mikaelachiplin and @kvnlvy

Tech Production: @annaissupercool
Audio: @paramax.wav

Pre show: @arewabasit

STAR SPANGLED MANOR is an interdisciplinary dance-theater work structured as a live laboratory for interrogating the colonialist ideology of “The American Dream.” Through dance theater, projection, set design, sound scoring, and bodily prosthetics, the piece navigates aesthetics of surveillance and rave culture to expose how systems of power shape collective consciousness. Framed through a queer lens, the body becomes a charged site of resistance, rupture, and transformation. The work traces the tension between order and chaos, revealing how stabilizing structures often expose their own contradictions. By staging this unraveling, it gestures toward the fragile veneer of national ideals and how quickly they fracture under pressure. Yet the piece does not end in dissolution; as chaos mounts and clarity emerges, it opens portals, moments that invite our participants to reconsider the architectures governing daily life and imagine the possibility of remaking, and collective futures beyond constraint.

Photo: @jonathanfahoury

04.10.2026 (P&T advisor)
STAR SPANGLED MANOR - PREMIERE
By @verbalanimalco @xlavvvy
At @triskelionarts (artist in residence)

Creation/Direction @xlavvvy
LX design: @connorsale
Set: Lavy in collaboration with Anna Wotring
Sound Design: Lavy
Audio Reactive Environment/Sound Design: Angel Burner
Costumes: @timosassen
Projection Design: @haleymorganmiller

Collaborators @thats_so_ragin, @m4rcuhz_ , @annalise_gehling, @mikaelachiplin and @kvnlvy

Tech Production: @annaissupercool
Audio: @paramax.wav

Pre show: @arewabasit

STAR SPANGLED MANOR is an interdisciplinary dance-theater work structured as a live laboratory for interrogating the colonialist ideology of “The American Dream.” Through dance theater, projection, set design, sound scoring, and bodily prosthetics, the piece navigates aesthetics of surveillance and rave culture to expose how systems of power shape collective consciousness. Framed through a queer lens, the body becomes a charged site of resistance, rupture, and transformation. The work traces the tension between order and chaos, revealing how stabilizing structures often expose their own contradictions. By staging this unraveling, it gestures toward the fragile veneer of national ideals and how quickly they fracture under pressure. Yet the piece does not end in dissolution; as chaos mounts and clarity emerges, it opens portals, moments that invite our participants to reconsider the architectures governing daily life and imagine the possibility of remaking, and collective futures beyond constraint.

Photo: @jonathanfahoury

04.10.2026 (P&T advisor)
STAR SPANGLED MANOR - PREMIERE
By @verbalanimalco @xlavvvy
At @triskelionarts (artist in residence)

Creation/Direction @xlavvvy
LX design: @connorsale
Set: Lavy in collaboration with Anna Wotring
Sound Design: Lavy
Audio Reactive Environment/Sound Design: Angel Burner
Costumes: @timosassen
Projection Design: @haleymorganmiller

Collaborators @thats_so_ragin, @m4rcuhz_ , @annalise_gehling, @mikaelachiplin and @kvnlvy

Tech Production: @annaissupercool
Audio: @paramax.wav

Pre show: @arewabasit

STAR SPANGLED MANOR is an interdisciplinary dance-theater work structured as a live laboratory for interrogating the colonialist ideology of “The American Dream.” Through dance theater, projection, set design, sound scoring, and bodily prosthetics, the piece navigates aesthetics of surveillance and rave culture to expose how systems of power shape collective consciousness. Framed through a queer lens, the body becomes a charged site of resistance, rupture, and transformation. The work traces the tension between order and chaos, revealing how stabilizing structures often expose their own contradictions. By staging this unraveling, it gestures toward the fragile veneer of national ideals and how quickly they fracture under pressure. Yet the piece does not end in dissolution; as chaos mounts and clarity emerges, it opens portals, moments that invite our participants to reconsider the architectures governing daily life and imagine the possibility of remaking, and collective futures beyond constraint.

Photo: @jonathanfahoury

04.10.2026 (P&T advisor)
STAR SPANGLED MANOR - PREMIERE
By @verbalanimalco @xlavvvy
At @triskelionarts (artist in residence)

Creation/Direction @xlavvvy
LX design: @connorsale
Set: Lavy in collaboration with Anna Wotring
Sound Design: Lavy
Audio Reactive Environment/Sound Design: Angel Burner
Costumes: @timosassen
Projection Design: @haleymorganmiller

Collaborators @thats_so_ragin, @m4rcuhz_ , @annalise_gehling, @mikaelachiplin and @kvnlvy

Tech Production: @annaissupercool
Audio: @paramax.wav

Pre show: @arewabasit

STAR SPANGLED MANOR is an interdisciplinary dance-theater work structured as a live laboratory for interrogating the colonialist ideology of “The American Dream.” Through dance theater, projection, set design, sound scoring, and bodily prosthetics, the piece navigates aesthetics of surveillance and rave culture to expose how systems of power shape collective consciousness. Framed through a queer lens, the body becomes a charged site of resistance, rupture, and transformation. The work traces the tension between order and chaos, revealing how stabilizing structures often expose their own contradictions. By staging this unraveling, it gestures toward the fragile veneer of national ideals and how quickly they fracture under pressure. Yet the piece does not end in dissolution; as chaos mounts and clarity emerges, it opens portals, moments that invite our participants to reconsider the architectures governing daily life and imagine the possibility of remaking, and collective futures beyond constraint.

Photo: @jonathanfahoury