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fepco_
Fepco
⚡
François Vallet
Cinécreatis Lyon
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Harold ( 2025) avec@youb_nyros réalisé par @chloe.trpler
1 AD: @eve.canonge
DP & Colorist : 👋
Cadre : @leo_gchc
Electro : @antonin.ftn
Montage: @hugo_mugnier
Compositeur: @emilianortiz_composer
Voix Off: Dominique Auger
Mixeur: @leo_gchc
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
Documentaire Lâme ( 2024 ) avec @ambre_perrier_
réalisé par @coralaiiii
Directrice de Production:@adeih_
DP & Colorist : 👋
1er Assistante Caméra: @lait.demi
Régisseur: @nolann__adr
Monteur, Ingénieur du Son: @hugo_mugnier
@lackaff_production
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
"The film excerpt chosen is from the bathroom scene in the movie Sin City. Specifically, we chose the master shot of the scene (the image submitted to the contest) for several reasons: First, the film meant something to the group and possessed that distinctive atmosphere, derived from the graphic novel, which motivated us all. Furthermore, the specific and imposing master shot we chose to submit was available on ShotDeck.
"The film, including this scene, had a unique characteristic: it was shot entirely on green screen with only the actors and a few props. The set, therefore, had never actually existed, and this was an opportunity to bring a piece of Sin City into the physical world (which led to a few surprises later on)."
ShotDeck annually awards prizes, including for Grand Prize, Runner-Up and Honorable Mention winners, across multiple categories, including Best Production Design, Most Difficult Lighting, Best Team Effort, Best Family Recreation, and Best Hair & Make-Up.
We hear from François Vallet about how he recreated a scene from Sin City, which saw him win Grand Prize in the Best Production Design category - head to our website for more.
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
SOLEIL BRETON - 07 2024
14 plans, 4 séquences au Plateau de Penhors
Musique :
1; Alaska, Sofiane Pamart
2; Chicago, SP
3; San fransico, SP
4; San fransico, SP
Prakticar 2.8 29mm - A7III
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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