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Another work from The Opening series, reflecting on grief and the wound as a site of transformation.
For this series, I employed traditional Japanese Nui Shibori techniques, which honor imperfection, incompleteness, and the natural flow of life’s elements. The patterns created embody balance, rhythm, and movement—symbolizing life’s unpredictable, textured experiences.
In Japanese tradition, cloth and dyeing transcend mere craft—they connect the maker with ki (気), the life force, and the invisible flows of nature. This spiritual dimension transforms textile works into vessels of memory and healing, carrying stories of resilience and renewal.

"The Turning" - plant dyes on silk, size 115x140 cm

#art #artist #textileart #textiles #plantdyes #plantcolors #silk #contemporsryart #contemporarypaintings #contemporarytextiles

Another work from The Opening series, reflecting on grief and the wound as a site of transformation.
For this series, I employed traditional Japanese Nui Shibori techniques, which honor imperfection, incompleteness, and the natural flow of life’s elements. The patterns created embody balance, rhythm, and movement—symbolizing life’s unpredictable, textured experiences.
In Japanese tradition, cloth and dyeing transcend mere craft—they connect the maker with ki (気), the life force, and the invisible flows of nature. This spiritual dimension transforms textile works into vessels of memory and healing, carrying stories of resilience and renewal.

"The Turning" - plant dyes on silk, size 115x140 cm

#art #artist #textileart #textiles #plantdyes #plantcolors #silk #contemporsryart #contemporarypaintings #contemporarytextiles

Another work from The Opening series, reflecting on grief and the wound as a site of transformation.
For this series, I employed traditional Japanese Nui Shibori techniques, which honor imperfection, incompleteness, and the natural flow of life’s elements. The patterns created embody balance, rhythm, and movement—symbolizing life’s unpredictable, textured experiences.
In Japanese tradition, cloth and dyeing transcend mere craft—they connect the maker with ki (気), the life force, and the invisible flows of nature. This spiritual dimension transforms textile works into vessels of memory and healing, carrying stories of resilience and renewal.

"The Turning" - plant dyes on silk, size 115x140 cm

#art #artist #textileart #textiles #plantdyes #plantcolors #silk #contemporsryart #contemporarypaintings #contemporarytextiles

Another work from The Opening series, reflecting on grief and the wound as a site of transformation.
For this series, I employed traditional Japanese Nui Shibori techniques, which honor imperfection, incompleteness, and the natural flow of life’s elements. The patterns created embody balance, rhythm, and movement—symbolizing life’s unpredictable, textured experiences.
In Japanese tradition, cloth and dyeing transcend mere craft—they connect the maker with ki (気), the life force, and the invisible flows of nature. This spiritual dimension transforms textile works into vessels of memory and healing, carrying stories of resilience and renewal.

"The Turning" - plant dyes on silk, size 115x140 cm

#art #artist #textileart #textiles #plantdyes #plantcolors #silk #contemporsryart #contemporarypaintings #contemporarytextiles

Ewelina Skowrońska | @ewelello

// „Elixir Hope” z serii „Dreaming the Remedy”, 2025
barwniki roślinne na jedwabiu: bruszyna, rezeda, rumianek, krwawnik, marzanna barwierska, modrzejec kampechiański
220x200 cm

„Elixir Hope” to praca Eweliny Skowrońskiej z serii “Dreaming the Remedy”, w której artystka odwołuje się do tradycji talizmanów i roślinnych mikstur o właściwościach ochronnych i uzdrawiających. Tkanina została barwiona naturalnymi pigmentami pozyskanymi m.in. z krwawnika, rumianku i marzanny barwiarskiej — roślin kojarzonych z leczeniem i regeneracją.

Projekt powstał jako refleksja nad współczesnym doświadczeniem niepewności oraz potrzebą odnalezienia nadziei — zarówno indywidualnie, jak i wspólnotowo. Materiał, kolor i proces barwienia stają się tu symbolicznym zapisem powolnego procesu gojenia i odzyskiwania równowagi.

[ENG]

// From the series “Dreaming the Remedy”, Elixir Hope 2025
plant dyes on silk: alder buckthorn, weld, chamomile, yarrow, madder, logwood
220 × 200 cm

“Elixir Hope” is a work by Ewelina Skowrońska from the series Dreaming the Remedy, in which the artist draws on the tradition of talismans and plant-based mixtures associated with protection and healing. The textile was dyed with natural pigments derived, among others, from yarrow, chamomile, and madder — plants commonly linked to treatment and regeneration.

The project emerged as a reflection on contemporary experiences of uncertainty and the need to rediscover hope, both individually and collectively. The material, color, and dyeing process become a symbolic record of a slow process of healing and regaining balance.

#ewelinaskowronska

fot. Bartosz Górka

•

◽Po Horyzont / To The Horizon
📆 5/02 - 21/03/2026
◽kuratorka / curator: Zofia Małysa-Janczy @zosia_janczy

• Julia Ciunowicz
• Sonia Górecka & Matteo Bettini
• Barbara Janczak
• Łukasz Horbów
• Magdalena Lazar
• Ewelina Skowrońska
• Angelika Stefaniak
• Janina Tworek-Pierzgalska

Ewelina Skowrońska | @ewelello

// „Elixir Hope” z serii „Dreaming the Remedy”, 2025
barwniki roślinne na jedwabiu: bruszyna, rezeda, rumianek, krwawnik, marzanna barwierska, modrzejec kampechiański
220x200 cm

„Elixir Hope” to praca Eweliny Skowrońskiej z serii “Dreaming the Remedy”, w której artystka odwołuje się do tradycji talizmanów i roślinnych mikstur o właściwościach ochronnych i uzdrawiających. Tkanina została barwiona naturalnymi pigmentami pozyskanymi m.in. z krwawnika, rumianku i marzanny barwiarskiej — roślin kojarzonych z leczeniem i regeneracją.

Projekt powstał jako refleksja nad współczesnym doświadczeniem niepewności oraz potrzebą odnalezienia nadziei — zarówno indywidualnie, jak i wspólnotowo. Materiał, kolor i proces barwienia stają się tu symbolicznym zapisem powolnego procesu gojenia i odzyskiwania równowagi.

[ENG]

// From the series “Dreaming the Remedy”, Elixir Hope 2025
plant dyes on silk: alder buckthorn, weld, chamomile, yarrow, madder, logwood
220 × 200 cm

“Elixir Hope” is a work by Ewelina Skowrońska from the series Dreaming the Remedy, in which the artist draws on the tradition of talismans and plant-based mixtures associated with protection and healing. The textile was dyed with natural pigments derived, among others, from yarrow, chamomile, and madder — plants commonly linked to treatment and regeneration.

The project emerged as a reflection on contemporary experiences of uncertainty and the need to rediscover hope, both individually and collectively. The material, color, and dyeing process become a symbolic record of a slow process of healing and regaining balance.

#ewelinaskowronska

fot. Bartosz Górka

•

◽Po Horyzont / To The Horizon
📆 5/02 - 21/03/2026
◽kuratorka / curator: Zofia Małysa-Janczy @zosia_janczy

• Julia Ciunowicz
• Sonia Górecka & Matteo Bettini
• Barbara Janczak
• Łukasz Horbów
• Magdalena Lazar
• Ewelina Skowrońska
• Angelika Stefaniak
• Janina Tworek-Pierzgalska

Ewelina Skowrońska | @ewelello

// „Elixir Hope” z serii „Dreaming the Remedy”, 2025
barwniki roślinne na jedwabiu: bruszyna, rezeda, rumianek, krwawnik, marzanna barwierska, modrzejec kampechiański
220x200 cm

„Elixir Hope” to praca Eweliny Skowrońskiej z serii “Dreaming the Remedy”, w której artystka odwołuje się do tradycji talizmanów i roślinnych mikstur o właściwościach ochronnych i uzdrawiających. Tkanina została barwiona naturalnymi pigmentami pozyskanymi m.in. z krwawnika, rumianku i marzanny barwiarskiej — roślin kojarzonych z leczeniem i regeneracją.

Projekt powstał jako refleksja nad współczesnym doświadczeniem niepewności oraz potrzebą odnalezienia nadziei — zarówno indywidualnie, jak i wspólnotowo. Materiał, kolor i proces barwienia stają się tu symbolicznym zapisem powolnego procesu gojenia i odzyskiwania równowagi.

[ENG]

// From the series “Dreaming the Remedy”, Elixir Hope 2025
plant dyes on silk: alder buckthorn, weld, chamomile, yarrow, madder, logwood
220 × 200 cm

“Elixir Hope” is a work by Ewelina Skowrońska from the series Dreaming the Remedy, in which the artist draws on the tradition of talismans and plant-based mixtures associated with protection and healing. The textile was dyed with natural pigments derived, among others, from yarrow, chamomile, and madder — plants commonly linked to treatment and regeneration.

The project emerged as a reflection on contemporary experiences of uncertainty and the need to rediscover hope, both individually and collectively. The material, color, and dyeing process become a symbolic record of a slow process of healing and regaining balance.

#ewelinaskowronska

fot. Bartosz Górka

•

◽Po Horyzont / To The Horizon
📆 5/02 - 21/03/2026
◽kuratorka / curator: Zofia Małysa-Janczy @zosia_janczy

• Julia Ciunowicz
• Sonia Górecka & Matteo Bettini
• Barbara Janczak
• Łukasz Horbów
• Magdalena Lazar
• Ewelina Skowrońska
• Angelika Stefaniak
• Janina Tworek-Pierzgalska

Ewelina Skowrońska | @ewelello

// „Elixir Hope” z serii „Dreaming the Remedy”, 2025
barwniki roślinne na jedwabiu: bruszyna, rezeda, rumianek, krwawnik, marzanna barwierska, modrzejec kampechiański
220x200 cm

„Elixir Hope” to praca Eweliny Skowrońskiej z serii “Dreaming the Remedy”, w której artystka odwołuje się do tradycji talizmanów i roślinnych mikstur o właściwościach ochronnych i uzdrawiających. Tkanina została barwiona naturalnymi pigmentami pozyskanymi m.in. z krwawnika, rumianku i marzanny barwiarskiej — roślin kojarzonych z leczeniem i regeneracją.

Projekt powstał jako refleksja nad współczesnym doświadczeniem niepewności oraz potrzebą odnalezienia nadziei — zarówno indywidualnie, jak i wspólnotowo. Materiał, kolor i proces barwienia stają się tu symbolicznym zapisem powolnego procesu gojenia i odzyskiwania równowagi.

[ENG]

// From the series “Dreaming the Remedy”, Elixir Hope 2025
plant dyes on silk: alder buckthorn, weld, chamomile, yarrow, madder, logwood
220 × 200 cm

“Elixir Hope” is a work by Ewelina Skowrońska from the series Dreaming the Remedy, in which the artist draws on the tradition of talismans and plant-based mixtures associated with protection and healing. The textile was dyed with natural pigments derived, among others, from yarrow, chamomile, and madder — plants commonly linked to treatment and regeneration.

The project emerged as a reflection on contemporary experiences of uncertainty and the need to rediscover hope, both individually and collectively. The material, color, and dyeing process become a symbolic record of a slow process of healing and regaining balance.

#ewelinaskowronska

fot. Bartosz Górka

•

◽Po Horyzont / To The Horizon
📆 5/02 - 21/03/2026
◽kuratorka / curator: Zofia Małysa-Janczy @zosia_janczy

• Julia Ciunowicz
• Sonia Górecka & Matteo Bettini
• Barbara Janczak
• Łukasz Horbów
• Magdalena Lazar
• Ewelina Skowrońska
• Angelika Stefaniak
• Janina Tworek-Pierzgalska

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

Wow — thank you to everyone who showed up in such amazing numbers for “Analogue”! 🌿✨ Huge love to @s_elson for the beautiful curation and to @hyphacurates / @hyphastudios for hosting us.

I’ll be hanging out at the gallery this Saturday for the curator’s tour, chatting all things behind-the-scenes — my inspirations, the process, and (of course!) the plants that helped bring the two fabrics to life 🌱🧵

Come by this Saturday March 1st, between 1–3 pm, say hi, ask questions, and let’s talk art and plants. Can’t wait to see you there!

#art #exhibition #textileart #plantdyes

New Substact text about darkness, research into the color black, and the inspiration behind my latest body of work "Tenderness" series.

"The first time I put my hands into the dye bath after my mother died, I did not know what I was looking for. Before, in my work, the bright colours of cochineal, sappanwood, and weld carried their own kind of light. But what I felt inside now was darkness. I looked at the shelf in my studio filled with iron, tannins, and common yarrow I had gathered near my mother’s home while she was still alive. I thought that perhaps this time I would stop trying to move around darkness and work inside it instead."

This piece is about what happened next — about natural black, why it is the most difficult colour to achieve with plant dyes, and what the dye bath taught me about grief.

Link in bio and here https://ewelinaskowronska.substack.com/p/black-that-is-never-black

Let me know your thoughts :-)

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

Lately I have been sharing my newest works that touch on personal experience of loss, and the process of healing that can emerge from working with plants and textiles. It is interesting to remember how across cultures and centuries, textiles have been used in mourning rituals. They give meaning and structure to things that feel impossible to process.

The act of making with your hands has always been a way humans move through grief. There's something I find deeply true: the repetitive, rhythmic work of making, stitching endless shibori patterns, the pulling of thread, the folding of fabric, it all creates a kind of meditative state. It slows you down enough to feel, and to begin to process.

For me, working with plants and natural materials adds another layer. Things that grow, decay, and leave traces. Impermanence made visible.

I didn't set out to make work about grief but somehow, making has always been how I find my way through things.

📸 @angelinstas

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

"Ocean of Sorrow" raw silk hand dyes with plant pigments. On view until May 23rd as a part "Immemorial" exhibition curated by @karolinkadworska for @hyphastudios

The Last Goodbye is part of a series of five works made during a time of personal loss.

In this series I was exploring darkness and the unknown, as well as researching the color black. Black is one of the most difficult colours to achieve with natural dyes. Unlike synthetic black, which is a single step, natural black is always built — layered, negotiated, accumulated. This is partly why it carries such weight as a colour. It cannot be faked or rushed. It is accumulated, lived through.

Grief moves in a similar way. It passes through, alters, settles, shifts again. Nothing remains quite as it was.

The Last Goodbye, raw silk hand dyed with plant dyes, 160x110cm

The Last Goodbye is part of a series of five works made during a time of personal loss.

In this series I was exploring darkness and the unknown, as well as researching the color black. Black is one of the most difficult colours to achieve with natural dyes. Unlike synthetic black, which is a single step, natural black is always built — layered, negotiated, accumulated. This is partly why it carries such weight as a colour. It cannot be faked or rushed. It is accumulated, lived through.

Grief moves in a similar way. It passes through, alters, settles, shifts again. Nothing remains quite as it was.

The Last Goodbye, raw silk hand dyed with plant dyes, 160x110cm

The Last Goodbye is part of a series of five works made during a time of personal loss.

In this series I was exploring darkness and the unknown, as well as researching the color black. Black is one of the most difficult colours to achieve with natural dyes. Unlike synthetic black, which is a single step, natural black is always built — layered, negotiated, accumulated. This is partly why it carries such weight as a colour. It cannot be faked or rushed. It is accumulated, lived through.

Grief moves in a similar way. It passes through, alters, settles, shifts again. Nothing remains quite as it was.

The Last Goodbye, raw silk hand dyed with plant dyes, 160x110cm

The Last Goodbye is part of a series of five works made during a time of personal loss.

In this series I was exploring darkness and the unknown, as well as researching the color black. Black is one of the most difficult colours to achieve with natural dyes. Unlike synthetic black, which is a single step, natural black is always built — layered, negotiated, accumulated. This is partly why it carries such weight as a colour. It cannot be faked or rushed. It is accumulated, lived through.

Grief moves in a similar way. It passes through, alters, settles, shifts again. Nothing remains quite as it was.

The Last Goodbye, raw silk hand dyed with plant dyes, 160x110cm

I recently started a Substack - because I felt I wanted to share a little more with you about my thoughts, process, and the thinking behind my work.

I know that in this fast-paced world, images with faces get the most attention 😝 But I still believe some of us like to read, and to go a little deeper into what happens behind the scenes.

This post is about impermanence - something I have been reflecting on a great deal lately, both in the studio and in life. I'd love for you to check it out and let me know your thoughts 🙃😍

Link in bio 🌿Photo by @angelinstas

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

🎥 More BTS from our (UN)SEEN Artist Talk & Panel and Women's Roundtable last week 👏💖

📌 @hyphastudios

“(UN)SEEN” Exhibition
Curated by Zoë Goetzmann

✨ Artist Panel & Talk Moderators:
Alejandra Sanchez Mack (@alejandrasanchezmack) + photo & video content 📸🎬 & Ewelina Skowronska (@ewelello)

✨ Women's Roundtable Moderator Editorial Stylist Megan McClelland (@meg_mcclelland)

🎬 Full version available on YouTube (coming soon 🔜)

👏 A big thank you to everyone who attended either or both events 💬🎨

🗓️ Exhibition Dates: 10 April – 16 May 2026
🕕 Opening Hours: Tuesday–Saturday, 11am–7pm (closed 2:15–3pm)
📍 Hypha x Eastern City Studios, 130 Fenchurch Street, London EC3M 5LY

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, @co_re.london

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Beautiful show (Un)Seen curated by amazing @byzoesera for @hyphastudios is in a full swing :) Don't miss out the opportunity to see the works of female and non-binary artists from London :) open until May 16th :)

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Last Thursday, together with @s.e.e.anew artists, we opened the group show Immemorial, curated by @karolinkadworska ✨
It’s been such a joy working with you all—I’m proud of our Slavic power 💫

The show is open until May 23rd, with lots of additional events happening along the way, so swing by @hyphastudios to see the work of these amazing artists.
More photos coming soon!

📍 Hypha HQ, Unit 3, Euston Tower, 286 Euston Road, NW1 3AS
Open: 24 April – 23 May 2026, Thursday–Sunday, 12–6pm

Artist Talk & Panel: "(UN)SEEN" 🗣️🎨🎙️

💬 Join curator Zoë Goetzmann (@byzoesera) and participating artists for a panel discussion exploring the ideas and material approaches underpinning (UN)SEEN.

The conversation will focus on abstraction as a contemporary artistic language, examining how artists engage with gesture, perception, and material process.

Bringing together artists working across painting and interdisciplinary practices, the panel will offer insight into individual approaches while addressing broader questions around visibility, ambiguity, and the evolving role of abstraction within contemporary art.

✨ Event Details:

Artist's Talk & Panel
🎤Moderator: (UN)SEEN Artist Ewelina Skowronska (@ewelello) & Curator Alejandra Sanchez Mack (@alejandrasanchezmack)
🗓️ Saturday 25 April 2026 3-5pm
📍Hypha x Eastern City Studios, 130 Fenchurch Street,
London ECЗМ 5LY
🎟️ RSVP (Link in Bio - with suggested donations)

Exhibition Dates: 10 April - 16 May 2026
Opening Hours: Tuesday-Saturday, 11am-7pm (closed
2:15-3pm)

(UN)SEEN is presented in partnership with @avivainvestors, @easterncityldn, and @co_re.london