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Introduserer avgangsstudentene på Fashion Brand Communication, og merkene de jobber med 🌟

Studentene har snart gjennomført to år ved ESMOD Oslo og nærmer seg nå innleveringen av sin avsluttende oppgave. Gjennom hele det siste semesteret har de fordypet seg i profesjonaliseringsoppgaven, hvor de arbeider med et selvvalgt merke og gjennomfører en produktutvikling eller utvikler en collaboration.

Det er her kreativitet møter bransje, og visjoner blir til konkrete resultater ✨

Vi gleder oss enormt til å se hva de presenterer for bransjejuryen og viser frem under avslutningsutstillingen -dette vil du ikke gå glipp av 👏🏼

#esmodoslo #esmod #esmodavgang26 #classof2026 @kristiania

Introduserer avgangsstudentene på Fashion Brand Communication, og merkene de jobber med 🌟

Studentene har snart gjennomført to år ved ESMOD Oslo og nærmer seg nå innleveringen av sin avsluttende oppgave. Gjennom hele det siste semesteret har de fordypet seg i profesjonaliseringsoppgaven, hvor de arbeider med et selvvalgt merke og gjennomfører en produktutvikling eller utvikler en collaboration.

Det er her kreativitet møter bransje, og visjoner blir til konkrete resultater ✨

Vi gleder oss enormt til å se hva de presenterer for bransjejuryen og viser frem under avslutningsutstillingen -dette vil du ikke gå glipp av 👏🏼

Ikke avbildet:
@victoriafjortoft
@marielseeberg

#esmodoslo #esmod #esmodavgang26 #classof2026 @kristiania

Introduserer avgangsstudentene på Fashion Brand Communication, og merkene de jobber med 🌟

Studentene har snart gjennomført to år ved ESMOD Oslo og nærmer seg nå innleveringen av sin avsluttende oppgave. Gjennom hele det siste semesteret har de fordypet seg i profesjonaliseringsoppgaven, hvor de arbeider med et selvvalgt merke og gjennomfører en produktutvikling eller utvikler en collaboration.

Det er her kreativitet møter bransje, og visjoner blir til konkrete resultater ✨

Vi gleder oss enormt til å se hva de presenterer for bransjejuryen og viser frem under avslutningsutstillingen -dette vil du ikke gå glipp av 👏🏼

Ikke avbildet:
@lisa_hverven
@erlewlunde

#esmodoslo #esmod #esmodavgang26 #classof2026 @kristiania

Introduserer avgangsstudentene på Fashion Brand Communication, og merkene de jobber med 🌟

Studentene har snart gjennomført to år ved ESMOD Oslo og nærmer seg nå innleveringen av sin avsluttende oppgave. Gjennom hele det siste semesteret har de fordypet seg i profesjonaliseringsoppgaven, hvor de arbeider med et selvvalgt merke og gjennomfører en produktutvikling eller utvikler en collaboration.

Det er her kreativitet møter bransje, og visjoner blir til konkrete resultater ✨

Vi gleder oss enormt til å se hva de presenterer for bransjejuryen og viser frem under avslutningsutstillingen -dette vil du ikke gå glipp av 👏🏼

Ikke avbildet:
@thea.wold
@sarakrokaas
@sarahegrondahl

#esmodoslo #esmod #esmodavgang26 #classof2026 @kristiania

Introduserer avgangsstudentene på Fashion Brand Communication, og merkene de jobber med 🌟

Studentene har snart gjennomført to år ved ESMOD Oslo og nærmer seg nå innleveringen av sin avsluttende oppgave. Gjennom hele det siste semesteret har de fordypet seg i profesjonaliseringsoppgaven, hvor de arbeider med et selvvalgt merke og gjennomfører en produktutvikling eller utvikler en collaboration.

Det er her kreativitet møter bransje, og visjoner blir til konkrete resultater ✨

Vi gleder oss enormt til å se hva de presenterer for bransjejuryen og viser frem under avslutningsutstillingen -dette vil du ikke gå glipp av 👏🏼

Ikke avbildet:
@emblalindebrekke
@rijonaqerimi
@hedda.olaussen

#esmodoslo #esmod #esmodavgang26 #classof2026 @kristiania

SAVE THE DATE 28/5❗️

Fashion Brand Communication holder sin avgangsutstilling 28.mai i Kirkegata 23-25, Atrium, 1.etg📍

Håper vi ses🌟

#esmodavgang26 #esmodoslo #esmod
@hkristiania

SAVE THE DATE 28/5❗️

Fashion Brand Communication holder sin avgangsutstilling 28.mai i Kirkegata 23-25, Atrium, 1.etg📍

Håper vi ses🌟

#esmodavgang26 #esmodoslo #esmod
@hkristiania

SAVE THE DATE 28/5❗️

Fashion Brand Communication holder sin avgangsutstilling 28.mai i Kirkegata 23-25, Atrium, 1.etg📍

Håper vi ses🌟

#esmodavgang26 #esmodoslo #esmod
@hkristiania

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

🇺🇸At The Glasshouse in New York City, Global Fashion Fusion emerges as a meeting point between two visions of fashion, brought together by @LIM College and ESMOD France, both part of the Japan Educational Foundation (JEF) network.

Conceived and produced entirely by LIM students, the show becomes a space for dialogue, where French creative precision meets a New York approach grounded in market realities. Here, creation meets strategy, in a subtle balance between artistic expression and an understanding of commercial challenges.

At the heart of this dynamic, twelve recent graduates from ESMOD France present collections conceived as personal narratives. The silhouettes explore tensions between fluidity and structure, between textile experimentation and the rigor of pattern making. In parallel, the work of LIM College students,responsible for production and staging, frames and elevates these creations within a professional context.

In this encounter, more than a runway show, a true ecosystem takes shape. The collections come to life in a setting where every detail, from casting to scenography, engages in dialogue with the garments themselves. Global Fashion Fusion becomes a suspended moment in time, where two institutions, two cultures, and two approaches intertwine to build a shared vision, both refined and forward-thinking.

📸 Runway Photos : Sean Zanni/Getty Images

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Felicia Augestad Lidre | @augelid

«GREED.
A modern fairytale rooted in Norwegian folk costume, heritage and craft.

Huldra,
wanders tailless through the ash of a burning forest.
Nøkken,
his music silenced, drowns in oil-filled waters.

Our once thriving landscapes, now burning, flooded, stripped bare. Traded for profit, consumed without consequence.

GREED places our mythical creatures into a world ravaged by exploitation and environmental destruction, forcing us to face the consequences of our own gluttony.

Our silver. Our inheritance.
It melts and drips down garments in the heat of the burning forest.
Huldra’s fragile tail, folded and draped in delicate silk, has been torn away and stolen - a brutal symbol of what we feel entitled to take.
Oil soaks into forest floors and open waters, seeping through seams and hems.

A visual punch in the face.
A protest against fast fashion.
A desperate wish to look back - to reclaim the values we have traded away.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Rebekka Syversen | @house_of_meldroy

«It started with chaos and a question.
Why are we so driven by comfort, pleasure, and desire?

After a wisdom tooth surgery, I became obsessed with pain. That this necessary
trauma and the pain inflicted in order to prevent future suffering. It was both healing and
destruction at once.

Around the same time, I encountered Marina Abramović’s Rhythm 0 (1974), where she
allowed the audience to do whatever they wanted to her. What began gently escalated into
violence. The beginning of consumption. What appears soft and harmless can quickly
become invasive, even violent. The collection explores this parasitic nature within human
behavior, the way we use others, emotionally and physically, in order to sustain ourselves.
The same instinct extends beyond human relationships and into our treatment of nature:
extracting, consuming, and reshaping it for personal growth, without regard for consequence. This was the starting point for ”A Kiss is the Beginning of Cannibalism”.

We begin gently.
Then we take more.
Until connection turns into consumption.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Rebekka Syversen | @house_of_meldroy

«It started with chaos and a question.
Why are we so driven by comfort, pleasure, and desire?

After a wisdom tooth surgery, I became obsessed with pain. That this necessary
trauma and the pain inflicted in order to prevent future suffering. It was both healing and
destruction at once.

Around the same time, I encountered Marina Abramović’s Rhythm 0 (1974), where she
allowed the audience to do whatever they wanted to her. What began gently escalated into
violence. The beginning of consumption. What appears soft and harmless can quickly
become invasive, even violent. The collection explores this parasitic nature within human
behavior, the way we use others, emotionally and physically, in order to sustain ourselves.
The same instinct extends beyond human relationships and into our treatment of nature:
extracting, consuming, and reshaping it for personal growth, without regard for consequence. This was the starting point for ”A Kiss is the Beginning of Cannibalism”.

We begin gently.
Then we take more.
Until connection turns into consumption.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Rebekka Syversen | @house_of_meldroy

«It started with chaos and a question.
Why are we so driven by comfort, pleasure, and desire?

After a wisdom tooth surgery, I became obsessed with pain. That this necessary
trauma and the pain inflicted in order to prevent future suffering. It was both healing and
destruction at once.

Around the same time, I encountered Marina Abramović’s Rhythm 0 (1974), where she
allowed the audience to do whatever they wanted to her. What began gently escalated into
violence. The beginning of consumption. What appears soft and harmless can quickly
become invasive, even violent. The collection explores this parasitic nature within human
behavior, the way we use others, emotionally and physically, in order to sustain ourselves.
The same instinct extends beyond human relationships and into our treatment of nature:
extracting, consuming, and reshaping it for personal growth, without regard for consequence. This was the starting point for ”A Kiss is the Beginning of Cannibalism”.

We begin gently.
Then we take more.
Until connection turns into consumption.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Rebekka Syversen | @house_of_meldroy

«It started with chaos and a question.
Why are we so driven by comfort, pleasure, and desire?

After a wisdom tooth surgery, I became obsessed with pain. That this necessary
trauma and the pain inflicted in order to prevent future suffering. It was both healing and
destruction at once.

Around the same time, I encountered Marina Abramović’s Rhythm 0 (1974), where she
allowed the audience to do whatever they wanted to her. What began gently escalated into
violence. The beginning of consumption. What appears soft and harmless can quickly
become invasive, even violent. The collection explores this parasitic nature within human
behavior, the way we use others, emotionally and physically, in order to sustain ourselves.
The same instinct extends beyond human relationships and into our treatment of nature:
extracting, consuming, and reshaping it for personal growth, without regard for consequence. This was the starting point for ”A Kiss is the Beginning of Cannibalism”.

We begin gently.
Then we take more.
Until connection turns into consumption.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Rebekka Syversen | @house_of_meldroy

«It started with chaos and a question.
Why are we so driven by comfort, pleasure, and desire?

After a wisdom tooth surgery, I became obsessed with pain. That this necessary
trauma and the pain inflicted in order to prevent future suffering. It was both healing and
destruction at once.

Around the same time, I encountered Marina Abramović’s Rhythm 0 (1974), where she
allowed the audience to do whatever they wanted to her. What began gently escalated into
violence. The beginning of consumption. What appears soft and harmless can quickly
become invasive, even violent. The collection explores this parasitic nature within human
behavior, the way we use others, emotionally and physically, in order to sustain ourselves.
The same instinct extends beyond human relationships and into our treatment of nature:
extracting, consuming, and reshaping it for personal growth, without regard for consequence. This was the starting point for ”A Kiss is the Beginning of Cannibalism”.

We begin gently.
Then we take more.
Until connection turns into consumption.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Hannah Lia | halianorway @hannahlia

«Halia is a fashion brand built on creativity, human connection and self-expression, where
playful elements meet an elegant and refined aesthetic.

This collection is inspired by the feeling of gathering around a table.
The joy, memories and closeness it creates. Through a cookbook-based concept, it brings
together the freshness of superfood with the warmth and soul of Greek cuisine.

Silhouettes, colors and textures are inspired by ingredients found in the recipes, such as
lemon, artichoke, romano lettuce and green pepper, creating expressive, tactile pieces with a
playful yet grounded feel.

Working with materials connected to the food industry, such as banana fiber, orange peel,
pineapple fiber and bio-based elements, the collection reflects a more future-oriented and
conscious way of creating.

A spectrum of flavors and emotions, served as a wardrobe.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Juliane Berglund Andersen | @julianethelabel

«JULIANE designer for kvinnen som verdsetter håndverk, emosjonell dybde og tidløs eleganse. Brandet er bygget på tre kjerneverdier: håndverk, omsorg og kontinuitet. Inspirert av sterke kvinner og en kreativ oppvekst, springer den første kolleksjonen ut av nettopp dette. FRAMVINDA SS26 utforsker spenningen mellom fremdrift og tilstedeværelse — hvordan styrke kan ligge i sårbarhet, og hvordan bevegelse kan romme stillhet. Kolleksjonen oppstår i øyeblikket hun stanser ved kysten, når byens rytme stilner og kun havets rolige åndedrag gjenstår. FRAMVINDA formidler følelsen av å trekke pusten bevisst — som for første gang.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Emma Kjerstine Martinsen Walle | @emmawallee @zet.couture

«ZET is the brand where fabric comes alive. We create garments that give the human body motion beyond its natural abilities. The brand was born from the thought I never let go of, the desire to merge the precision of technology with the emotion of fashion. Through electric circuits and 3D printing, we create pieces that breathe, react and live between human and machine.

Our collections are built from core to cosmos - from the ocean floor to the stratosphere. In this collection we find ourselves where zet equals zero - The Surface Collection. Motion and movement takes inspiration from the Betta Fish, while the structures, fabrics and colours are inspired by the fish’s habitat and looks.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Emma Kjerstine Martinsen Walle | @emmawallee @zet.couture

«ZET is the brand where fabric comes alive. We create garments that give the human body motion beyond its natural abilities. The brand was born from the thought I never let go of, the desire to merge the precision of technology with the emotion of fashion. Through electric circuits and 3D printing, we create pieces that breathe, react and live between human and machine.

Our collections are built from core to cosmos - from the ocean floor to the stratosphere. In this collection we find ourselves where zet equals zero - The Surface Collection. Motion and movement takes inspiration from the Betta Fish, while the structures, fabrics and colours are inspired by the fish’s habitat and looks.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Emma Kjerstine Martinsen Walle | @emmawallee @zet.couture

«ZET is the brand where fabric comes alive. We create garments that give the human body motion beyond its natural abilities. The brand was born from the thought I never let go of, the desire to merge the precision of technology with the emotion of fashion. Through electric circuits and 3D printing, we create pieces that breathe, react and live between human and machine.

Our collections are built from core to cosmos - from the ocean floor to the stratosphere. In this collection we find ourselves where zet equals zero - The Surface Collection. Motion and movement takes inspiration from the Betta Fish, while the structures, fabrics and colours are inspired by the fish’s habitat and looks.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Emma Kjerstine Martinsen Walle | @emmawallee @zet.couture

«ZET is the brand where fabric comes alive. We create garments that give the human body motion beyond its natural abilities. The brand was born from the thought I never let go of, the desire to merge the precision of technology with the emotion of fashion. Through electric circuits and 3D printing, we create pieces that breathe, react and live between human and machine.

Our collections are built from core to cosmos - from the ocean floor to the stratosphere. In this collection we find ourselves where zet equals zero - The Surface Collection. Motion and movement takes inspiration from the Betta Fish, while the structures, fabrics and colours are inspired by the fish’s habitat and looks.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania

Introduserer avgangsstudentene på Motedesign og modellør 2026.

Emma Kjerstine Martinsen Walle | @emmawallee @zet.couture

«ZET is the brand where fabric comes alive. We create garments that give the human body motion beyond its natural abilities. The brand was born from the thought I never let go of, the desire to merge the precision of technology with the emotion of fashion. Through electric circuits and 3D printing, we create pieces that breathe, react and live between human and machine.

Our collections are built from core to cosmos - from the ocean floor to the stratosphere. In this collection we find ourselves where zet equals zero - The Surface Collection. Motion and movement takes inspiration from the Betta Fish, while the structures, fabrics and colours are inspired by the fish’s habitat and looks.»

Foto: Stina Færden @stina_faerden

#esmodoslo #esmodavgang26 #esmod
@hkristiania