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The dark, elegant charm of goth is back — or did it never leave us? 🕷️

We caught up with no other than Erykah Badu straight after her signature Monday Ceremony conducted live at Berlin’s Reethaus together with @kalkul.xyz

Tune is as @whtnywei talks to Badu about sound as healing, working with The Alchemist, and finding spiritual balance between birth, death, and creation.

Thanks for joining us🤍

For this edition of our Ask the... series, we sat down with Club Manager Zoe Uellendahl and PR Lead Caitlin Russell, the women behind two of Berlin’s most beloved venues, @else_klub and @renate.berlin, to talk about what it really takes to run a club.

From “eight day” work weeks to uplifting local artists and keeping a finger on the pulse of the scene, they break down the hustle, the rewards, and everything no one tells you about their role.

Thank you for joining ❤️

#clubculture #berlinclubs #electronicmusic #berlinnightlife #techno

In this episode of #inResidence, we sit down with @dorianelectra to talk about the through line from high school video projects to now, why irony is always a gateway into sincerity and how covering other people’s songs helped them find their own voice again.

Thanks for joining 🤍

#inresidence #dorianelectra #electronicmusic #fedora

Footwork’s history shows a symbiotic relationship between dancers and DJs.

#chicago #housemusic #underground #dance

@___k.a.s.i___ is a modular artist and electronic music producer currently studying at Catalyst – Institute for Creative Arts & Technology, where she explores the depths of Serge modular synthesis. In this #TechTalk, she breaks down her additive approach to sound design.

Link to the full EB.TV episode in stories & bio 🔗

#modularsynthesis #sergemodular #sounddesign #electronicmusic

This is car culture, sound system culture and diaspora culture colliding.

Rooted in Dominican barrios, carried through migration and reassembled in cities like NYC, this scene sits somewhere between street party, sound clash and mechanical obsession.

#dominicanaudiocarculture #audiocarculture #needforspeed #transformers #soundsystem

For this edition of our Ask the ... series, we sat down with the Art Directors Laurens von Oswald from @berlinatonal and @matschulz from @unsoundfestival to talk about what it really means to shape a festival’s vision.

Ahead of The Infinite Now, their collaborative 30-hour duration event this weekend, learn about their hard-earned lessons and everything no one tells you about the job.
For the full deep-dive on their process, read the article ‘Inside the Mind of a Music Curator’ by editor-at-large @whtnywei on our website 🔗 link in bio & our story.

#unsound #atonal #electronicmusic #experimentalmusic #festivalprogramming

Discogs carries a cultural weight that far exceeds its seemingly simple ‘vinyl marketplace’ purpose.

For more than 25 years, the platform has organically preserved information about niche music culture: forgotten imprints, regional scenes, and DIY labels that would’ve otherwise vanished without a trace 💖

#vinylculture #vinylcommunity #recordcollection

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

The early 2000s were the golden days of the genre tech house.

It was that London after hours sweet spot where house and techno had a baby, and DJs were basically scientists: tight drum programming, dubby stabs, pressure bass, and edits that blurred the line between “underground tool” and “crowd pleaser.”

Tech house wasn’t just a sound, it was a whole ecosystem of parties, residents, and labels shaping what “dancefloor functionality” meant in the post 90s era.

#techhouse #electronicmusic #techno #dance

In this episode of #inResidence, we sit down with @uberkikz to talk about the „Octopus“ nickname that somehow followed her from her teenage years to the decks, her love for Neue Deutsche Welle, and why having her best friends on the dancefloor is her ultimate safety net.

With a new label and fresh productions on the horizon, we explore her commitment to structural change and the artistic vision that keeps her moving forward.

#inresidence #uberkikz #techno #222

Do you recognize this French House tune?

New #BlindTest on French House just dropped for you dear ID hunters, come guess with us on EB.TV via 🔗 in bio and stories.

#trackid #frenchhouse #electronicmusic