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“Nature Morte, 1982-1988” is reviewed by Paul Sietsema in his piece “Generational Loss: Paul Sietsema on “Nature Morte, 1982-1988” At Ehrlich Steinberg, Los Angeles” for Texte Zur Kunst.

@textezurkunst

“Nature Morte, 1982-1988” is reviewed by Paul Sietsema in his piece “Generational Loss: Paul Sietsema on “Nature Morte, 1982-1988” At Ehrlich Steinberg, Los Angeles” for Texte Zur Kunst.

@textezurkunst

Images of TJ Shin’s solo exhibition “Delta” are now online. The exhibition continues until June 11 2026.

@t_j_shin #tjshin

Photos: Evan Walsh

Images of TJ Shin’s solo exhibition “Delta” are now online. The exhibition continues until June 11 2026.

@t_j_shin #tjshin

Photos: Evan Walsh

Images of TJ Shin’s solo exhibition “Delta” are now online. The exhibition continues until June 11 2026.

@t_j_shin #tjshin

Photos: Evan Walsh

Coleman Collins’ “Passage (la modernité est le transitoire, le fugitif, le contingent)” and Joel Otterson’s “Flesh Cup 2” are included in the 47th annual Venice Family Clinic Art Exhibition + Auction which is now open until May 17 2026.

Venice Family Clinic provides comprehensive health care to people in need regardless of their ability to pay or personal circumstances. 87% of the Clinic’s patients live under the federal poverty level and 11% are experiencing homelessness. Proceeds from this event directly benefit the Clinic and the 45,000+ people across the Westside of Los Angeles, Inglewood, the South Bay and everywhere in between.

The works are viewable in-person at the Venice Art Walk Gallery, 910 Abbot Kinney, Venice, CA, 11am-6pm daily. ⁠

Coleman Collins
Passage (la modernité est le transitoire, le fugitif, le contingent), 2025
Engineered wood, UV print on Dibond, graphite
30 x 40 in. (76.2 x 101.6 cm)
Photo: Evan Walsh

Joel Otterson
Flesh Cup 2, 2012
Enamel on blown glass
11.25 x 3.5 x 3.5 in.

@venicefamilyclinic

Coleman Collins’ “Passage (la modernité est le transitoire, le fugitif, le contingent)” and Joel Otterson’s “Flesh Cup 2” are included in the 47th annual Venice Family Clinic Art Exhibition + Auction which is now open until May 17 2026.

Venice Family Clinic provides comprehensive health care to people in need regardless of their ability to pay or personal circumstances. 87% of the Clinic’s patients live under the federal poverty level and 11% are experiencing homelessness. Proceeds from this event directly benefit the Clinic and the 45,000+ people across the Westside of Los Angeles, Inglewood, the South Bay and everywhere in between.

The works are viewable in-person at the Venice Art Walk Gallery, 910 Abbot Kinney, Venice, CA, 11am-6pm daily. ⁠

Coleman Collins
Passage (la modernité est le transitoire, le fugitif, le contingent), 2025
Engineered wood, UV print on Dibond, graphite
30 x 40 in. (76.2 x 101.6 cm)
Photo: Evan Walsh

Joel Otterson
Flesh Cup 2, 2012
Enamel on blown glass
11.25 x 3.5 x 3.5 in.

@venicefamilyclinic

Joel Otterson’s 2018 sculpture “Voluptuous Desire” is part of Sculpture Milwaukee’s exhibition “Actual Fractals, Act III” until June 1 2026. The piece is on view at Milwaukee Symphony Orchestra.

Joel Otterson
Voluptuous Desire, 2018
Iron, brass, 24K gold
73 x 43 x 36 in.
Courtesy of the Kohler Company

@otterjoel #joelotterson

“Voluptuous Desire” was created during Otterson’s 2018 Arts/Industry residency at John Michael Kohler Arts Center. Since 1974, the Arts/Industry residency program continues to be a collaboration between the John Michael Kohler Arts Center and Kohler Co., which offers emerging and established artists the opportunity to create work using industrial processes and materials inside the Kohler Co. Factory. 

@milwsymphorch
@sculpturemilwaukee

Photo: Michael Lagerman

TJ Shin’s solo exhibition “Delta” opens tonight 5-7pm, comprising a multi-channel video installation, drawings, and a newly commissioned text by writer and professor Sunny Xiang.

@t_j_shin #tjshin

“Delta” continues until June 11 2026.

Photo: Evan Walsh

TJ Shin’s solo exhibition “Delta” opens tonight 5-7pm, comprising a multi-channel video installation, drawings, and a newly commissioned text by writer and professor Sunny Xiang.

@t_j_shin #tjshin

“Delta” continues until June 11 2026.

Photo: Evan Walsh

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

Our solo presentation with Emi Mizukami at this year’s edition of miart in Milan is featured in Observer, FAD Magazine, and Artribune.

@mizukamiiii #emimizukami

The articles are “The Best New Discoveries of Milan Art Week 2026” by Elisa Carollo in Observer, “miart 2026 and the Power of Progression: Six Artists That Stood Out” by Mark Westall in FAD Magazine, and “Come è andata la fiera miart 2026 per la gallerie?” by Cristina Masturzo in Artribune.

@elisartgal @observer
@markhayeswestall @worldoffad
@cristina.masturzo @artribune

@attiliaff
@miartmilano

Photos: The Knack Studio

TJ Shin’s solo exhibition “Delta” opens next Friday May 1 5-7pm, comprising a multi-channel video installation, drawings, and a newly commissioned text by writer and professor Sunny Xiang. 

Taking place across the gallery’s upper rooms, the installation stages a modified version of the Prisoner’s Dilemma, a concept in game theory developed by the RAND Corporation in 1950, in which two participants repeatedly choose between cooperation and defection for collective or individual gain. For this, Shin recruited sixteen participants identifying as Asian American Pacific Islander through a Craigslist advertisement, pairing them to play one of eight games from a deck of twenty prompts devised by the artist. The prompts relate to finance, legality, politics, and information exchange, with a shared prize pool at stake. Each monitor displays a single participant; across the three rooms, footage is continuously reconfigured using three distinct randomizers, decoupling participants from the game contexts in which they were originally recorded. “Delta” reconceives the finite measurements of the game-theoretical model as a space of contingency, foregrounding the terms through which social and racial meaning become assigned and contested.

@t_j_shin #tjshin

The exhibition continues until June 11 2026.

Juliana Halpert’s solo presentation at Parloir in Brussels continues until Sunday April 26 2026.

Halpert is an artist, writer, and editor. Her practice explores dynamics of power and desire inherent in taking and showing pictures. Questions of access and trespass predominate photographs of particular places and people; less conventional modes of display draw attention to the oft-changing ways that images are circulated, seen, and labeled fine art.

@julianahalpert #julianahalpert

Juliana Halpert
Tabitha black and white, 2026
Silver gelatin prints, artist frame
28 x 37.5 in. (71 x 95 cm)

Juliana Halpert’s solo presentation at Parloir in Brussels continues until Sunday April 26 2026.

Halpert is an artist, writer, and editor. Her practice explores dynamics of power and desire inherent in taking and showing pictures. Questions of access and trespass predominate photographs of particular places and people; less conventional modes of display draw attention to the oft-changing ways that images are circulated, seen, and labeled fine art.

@julianahalpert #julianahalpert

Juliana Halpert
Tabitha black and white, 2026
Silver gelatin prints, artist frame
28 x 37.5 in. (71 x 95 cm)

Juliana Halpert’s solo presentation at Parloir in Brussels continues until Sunday April 26 2026.

Halpert is an artist, writer, and editor. Her practice explores dynamics of power and desire inherent in taking and showing pictures. Questions of access and trespass predominate photographs of particular places and people; less conventional modes of display draw attention to the oft-changing ways that images are circulated, seen, and labeled fine art.

@julianahalpert #julianahalpert

Juliana Halpert
Tabitha black and white, 2026
Silver gelatin prints, artist frame
28 x 37.5 in. (71 x 95 cm)

Juliana Halpert’s solo presentation at Parloir in Brussels continues until Sunday April 26 2026.

Halpert is an artist, writer, and editor. Her practice explores dynamics of power and desire inherent in taking and showing pictures. Questions of access and trespass predominate photographs of particular places and people; less conventional modes of display draw attention to the oft-changing ways that images are circulated, seen, and labeled fine art.

@julianahalpert #julianahalpert

Juliana Halpert
Tabitha black and white, 2026
Silver gelatin prints, artist frame
28 x 37.5 in. (71 x 95 cm)

Our solo presentation with Los Angeles-based artist and writer Juliana Halpert opens tomorrow at Parloir in Brussels from 4-9pm.

@julianahalpert #julianahalpert

Parloir is a series of projects initiated by Gauli Zitter, bringing together contemporary art galleries through exhibitions, salons, and fairs in unusual contexts.

Participating galleries:
- 4649 (Tokyo)
- BEIGE (Brussels)
- Conradi (Hamburg)
- Edouard Montassut (Paris)
- Ehrlich Steinberg (Los Angeles)
- Eli Kerr (Montreal)
- Final Hot Desert (London)
- Gauli Zitter (Brussels)
- KIN (Brussels)
- Khoshbakht (Cologne)
- Sophie Tappeiner (Vienna)

Parloir takes place from April 22-26 2026 at Rue d’Arlon 104, 1040 Brussels, BE.

@gauli_zitter
@_parloir_

Julia Wachtel
Cartoon/Cartoon, 1984
Oil on canvas
36 x 36 in. (91.5 x 91.5 cm)

@juliawachtel #juliawachtel

Included in “Nature Morte, 1982-1988” on view until April 18 2026.

Photos: Evan Walsh

Julia Wachtel
Cartoon/Cartoon, 1984
Oil on canvas
36 x 36 in. (91.5 x 91.5 cm)

@juliawachtel #juliawachtel

Included in “Nature Morte, 1982-1988” on view until April 18 2026.

Photos: Evan Walsh

Our solo presentation with Emi Mizukami at miart in Milan opens today.

@mizukamiiii #emimizukami
@miartmilano

miart takes place April 16 - 19 2026 at Piazzale Carlo Magno, 1, 20149 Milano MI, Italy.

Photo: The Knack Studio

Alan Belcher
Tariff, 1987
Color photograph, wood, nails
5.25 x 5.75 x 5.5 in. (13.3 x 14.6 x 14.0 cm)

Alan Belcher
Canadian Softwood, 1986
Color photograph, wood, nails
7.25 x 20.25 x 7.5 in. (18.4 x 51.4 x 19.1 cm)

@balanelcher #alanbelcher

Included in “Nature Morte, 1982-1988” on view until April 18 2026.

Photos: Evan Walsh

Alan Belcher
Tariff, 1987
Color photograph, wood, nails
5.25 x 5.75 x 5.5 in. (13.3 x 14.6 x 14.0 cm)

Alan Belcher
Canadian Softwood, 1986
Color photograph, wood, nails
7.25 x 20.25 x 7.5 in. (18.4 x 51.4 x 19.1 cm)

@balanelcher #alanbelcher

Included in “Nature Morte, 1982-1988” on view until April 18 2026.

Photos: Evan Walsh

Alan Belcher
Tariff, 1987
Color photograph, wood, nails
5.25 x 5.75 x 5.5 in. (13.3 x 14.6 x 14.0 cm)

Alan Belcher
Canadian Softwood, 1986
Color photograph, wood, nails
7.25 x 20.25 x 7.5 in. (18.4 x 51.4 x 19.1 cm)

@balanelcher #alanbelcher

Included in “Nature Morte, 1982-1988” on view until April 18 2026.

Photos: Evan Walsh