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BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

BAPTISED HEATHEN

Acrylic and Gouache 80 x 120

Go and sin no more.

#africanart #blackart #tribalart #kunst #abstraktekunst #künstler #contemporaryart #neoexpressionism #abstractart #abstractonfire #artlobster

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

YOUR AID IS KILLING US!

Acrylic, gauche and chalk on canvas

100 X 100 cm

IMF Loans has always been used to cripple so called "Third world countries " economy since the 1970s with the S.A.Ps (structureral adjustment program) . One of the rules was local currency devaluation, Making sure this countries never grow and stay dependent on the west. It's not really rocket science to know what this shark loans do ; but a complicit third world leader who hates his own people is the stuffthe western world's wet dreams are made of.
For example ,USAID and OECD, which at face value presents itself with a white saviour complex helping out poor countries , when in reality they seek to line the pockets of corrupt leaders and to fund terrorism and insecurity especially in regions like the sahel. These monies never affect the average citizens in any positive or meaningful way. AFRICA DOESN'T NEED LOANS AND AID WE NEED INTERNAL INVESTMENT AND VERTICAL TRADE BETWEEN EACHOTHER.

#illegalart #bigelephant #deonortega ##freeflow
##blackart #afroexpressionism
#neoexpressionism #africanart #abstractart #abstraktekunst

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

POWER OF ONLYFANS

100cm × 100cm Acrylic and spray paint on canvas.

How technology's dark side exploits our survival instincts, leaving us in between vulnerability and survival, it's not always about gratification if you look deeper.

#illegalart #africanart #freeflow #bigelephant
#Afrofuturism#abstractart#abstraktekunst #BlackSurrealism #BlackArtist#artcollector #neoexpressionism

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

Me and Dinga met for the first time and we skipped past the small talk and went straight to work on a piece he was already working on, Dinga tried to set boundaries but there's no boundaries how I work, later it was me trying to set boundaries for him because immediately he was in the flow there was no stopping, we kept going back and forthfor 8 hours until something felt just right, that's when we knew the piece was ready. Moral of the story step on toes.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

For a long time, black people not just in art but across various aspects of life in Germany have been overlooked , as if we don't exist, we are treated as if we are illegal so are our various forms of expression. We are not illegal, we are not invisible, we are here to stay, so is our art. They belong where ever we are.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

MAN FROM MANY MOTHERS

painting coming soon. Posting my sketches as a way to hold myself accountable to painting them no slacking.

In the Lab like Dexter fusing my style up. It all starts with a sketch obviously

#sketchbook #sketchbookdrawings✏️

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

NOSTALGIA

Pastel on wood

. I get lost in the process and get done with a piece before I remember I didn't record anything. In out of motion and it's a distraction but I'm learning to get a bit comfortable with it.

LIFE'S TOO SHORT FOR CHOPSTICKS

Had athree month block that I thought can never happen to me. Got this crazy surge of ideas now find myself drawing everywhere.

LIFE'S TOO SHORT FOR CHOPSTICKS

Had athree month block that I thought can never happen to me. Got this crazy surge of ideas now find myself drawing everywhere.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

WHERE'S THE UBUNTU?

Canvas painting in the works.

NUN JUICE 🧃

NUN JUICE 🧃

NUN JUICE 🧃

NUN JUICE 🧃