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Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

Today is the final day of my show @marytwo.one

Thank you @jackpryce & @elviraelvirabaettig 🧡🧡

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

i guess at that age you’re more resilient even if the ambulance takes a while my child would make it, 2026
Archival pigment print, UV print on museum glass, coloured lighting gel, tape, 46 × 26 cm

Photos @exhibitiondocumentation

HOME SCREEN is open for two more Saturdays @marytwo.one (ends 28 March)

[…] The installation’s props of assembled lamps and screens are generically familiar: objects without a distinctive design identity, mass-produced to artificially determine the ambience of interior spaces. Here, they are staged precisely as such, asserting their presence and claiming theatricality through a calibrated sonic and visual choreography of on-and-off switching, punctuated by sudden yet charmingly melodic synth keys that divide the installation into chapters. A roaming spotlight screens and frames every detail, and as elements of the scenery are alternately assigned the performing roles, shared notions of singular personality and perspective are disrupted. (Excerpt from text written by Monica Unser @unseremonica)

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball

i‘m watching the go-kart session in classroom three and all the parents and kids are cheering, 2026
Archival pigment print, coloured lighting gel, 46 × 26 cm

Photos by Julian Blum @exhibitiondocumentation

HOME SCREEN is open for two more Saturdays @marytwo.one (ends 28 March)

[…] The installation’s props of assembled lamps and screens are generically familiar: objects without a distinctive design identity, mass-produced to artificially determine the ambience of interior spaces. Here, they are staged precisely as such, asserting their presence and claiming theatricality through a calibrated sonic and visual choreography of on-and-off switching, punctuated by sudden yet charmingly melodic synth keys that divide the installation into chapters. A roaming spotlight screens and frames every detail, and as elements of the scenery are alternately assigned the performing roles, shared notions of singular personality and perspective are disrupted. (Excerpt from text written by Monica Unser @unseremonica)

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball

i‘m watching the go-kart session in classroom three and all the parents and kids are cheering, 2026
Archival pigment print, coloured lighting gel, 46 × 26 cm

Photos by Julian Blum @exhibitiondocumentation

HOME SCREEN is open for two more Saturdays @marytwo.one (ends 28 March)

[…] The installation’s props of assembled lamps and screens are generically familiar: objects without a distinctive design identity, mass-produced to artificially determine the ambience of interior spaces. Here, they are staged precisely as such, asserting their presence and claiming theatricality through a calibrated sonic and visual choreography of on-and-off switching, punctuated by sudden yet charmingly melodic synth keys that divide the installation into chapters. A roaming spotlight screens and frames every detail, and as elements of the scenery are alternately assigned the performing roles, shared notions of singular personality and perspective are disrupted. (Excerpt from text written by Monica Unser @unseremonica)

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball

i‘m watching the go-kart session in classroom three and all the parents and kids are cheering, 2026
Archival pigment print, coloured lighting gel, 46 × 26 cm

Photos by Julian Blum @exhibitiondocumentation

HOME SCREEN is open for two more Saturdays @marytwo.one (ends 28 March)

[…] The installation’s props of assembled lamps and screens are generically familiar: objects without a distinctive design identity, mass-produced to artificially determine the ambience of interior spaces. Here, they are staged precisely as such, asserting their presence and claiming theatricality through a calibrated sonic and visual choreography of on-and-off switching, punctuated by sudden yet charmingly melodic synth keys that divide the installation into chapters. A roaming spotlight screens and frames every detail, and as elements of the scenery are alternately assigned the performing roles, shared notions of singular personality and perspective are disrupted. (Excerpt from text written by Monica Unser @unseremonica)

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball

i‘m watching the go-kart session in classroom three and all the parents and kids are cheering, 2026
Archival pigment print, coloured lighting gel, 46 × 26 cm

Photos by Julian Blum @exhibitiondocumentation

HOME SCREEN is open for two more Saturdays @marytwo.one (ends 28 March)

[…] The installation’s props of assembled lamps and screens are generically familiar: objects without a distinctive design identity, mass-produced to artificially determine the ambience of interior spaces. Here, they are staged precisely as such, asserting their presence and claiming theatricality through a calibrated sonic and visual choreography of on-and-off switching, punctuated by sudden yet charmingly melodic synth keys that divide the installation into chapters. A roaming spotlight screens and frames every detail, and as elements of the scenery are alternately assigned the performing roles, shared notions of singular personality and perspective are disrupted. (Excerpt from text written by Monica Unser @unseremonica)

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball

i‘m watching the go-kart session in classroom three and all the parents and kids are cheering, 2026
Archival pigment print, coloured lighting gel, 46 × 26 cm

Photos by Julian Blum @exhibitiondocumentation

HOME SCREEN @marytwo.one is on until 28 March. Open again this Saturday 1-6pm

Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

With a text by Monica Unser @unseremonica <3

Photo/video @exhibitiondocumentation

HOME SCREEN @marytwo.one is on until 28 March. Open again this Saturday 1-6pm

Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

With a text by Monica Unser @unseremonica <3

Photo/video @exhibitiondocumentation

HOME SCREEN @marytwo.one is on until 28 March. Open again this Saturday 1-6pm

Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

With a text by Monica Unser @unseremonica <3

Photo/video @exhibitiondocumentation

HOME SCREEN @marytwo.one is on until 28 March. Open again this Saturday 1-6pm

Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

With a text by Monica Unser @unseremonica <3

Photo/video @exhibitiondocumentation

One of three photography works forming part of the installation HOME SCREEN. The frames are intermittently (spot-)lit by a projection, in sync with the music.

‘the window in the toilet stall is open and i see two kids in the courtyard eating tesco sandwiches’, 2026

Archival pigment print, UV print and vinyl on museum glass, tape, finger prints, 46 × 50.5 cm

HOME SCREEN at @marytwo.one is on until 28 March. Open every Saturday 1-6pm and by appointment.

Photo / video by @exhibitiondocumentation

One of three photography works forming part of the installation HOME SCREEN. The frames are intermittently (spot-)lit by a projection, in sync with the music.

‘the window in the toilet stall is open and i see two kids in the courtyard eating tesco sandwiches’, 2026

Archival pigment print, UV print and vinyl on museum glass, tape, finger prints, 46 × 50.5 cm

HOME SCREEN at @marytwo.one is on until 28 March. Open every Saturday 1-6pm and by appointment.

Photo / video by @exhibitiondocumentation

One of three photography works forming part of the installation HOME SCREEN. The frames are intermittently (spot-)lit by a projection, in sync with the music.

‘the window in the toilet stall is open and i see two kids in the courtyard eating tesco sandwiches’, 2026

Archival pigment print, UV print and vinyl on museum glass, tape, finger prints, 46 × 50.5 cm

HOME SCREEN at @marytwo.one is on until 28 March. Open every Saturday 1-6pm and by appointment.

Photo / video by @exhibitiondocumentation

One of three photography works forming part of the installation HOME SCREEN. The frames are intermittently (spot-)lit by a projection, in sync with the music.

‘the window in the toilet stall is open and i see two kids in the courtyard eating tesco sandwiches’, 2026

Archival pigment print, UV print and vinyl on museum glass, tape, finger prints, 46 × 50.5 cm

HOME SCREEN at @marytwo.one is on until 28 March. Open every Saturday 1-6pm and by appointment.

Photo / video by @exhibitiondocumentation

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
I am staying at the Baxpax Hostel / next to Görlitzer Bahnhof station / in Kreuzberg.
…
For Daria Blum, repeated return to the Baxpax Hostel lobby frames it as an early rehearsal space for performance. Rather than positioning the narrator at a safe distance, she implicates herself in these encounters, foregrounding the discomfort associated with them. She moves between personas, Daphne, Dahlia, Daisy, whose near-homophonic names underscore their status as splinters of a single self. Blum stages the self as fractured and negotiated, not unified. These figures desire each other, betray each other, copy each other, and harm each other.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
I am staying at the Baxpax Hostel / next to Görlitzer Bahnhof station / in Kreuzberg.
…
For Daria Blum, repeated return to the Baxpax Hostel lobby frames it as an early rehearsal space for performance. Rather than positioning the narrator at a safe distance, she implicates herself in these encounters, foregrounding the discomfort associated with them. She moves between personas, Daphne, Dahlia, Daisy, whose near-homophonic names underscore their status as splinters of a single self. Blum stages the self as fractured and negotiated, not unified. These figures desire each other, betray each other, copy each other, and harm each other.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
I am staying at the Baxpax Hostel / next to Görlitzer Bahnhof station / in Kreuzberg.
…
For Daria Blum, repeated return to the Baxpax Hostel lobby frames it as an early rehearsal space for performance. Rather than positioning the narrator at a safe distance, she implicates herself in these encounters, foregrounding the discomfort associated with them. She moves between personas, Daphne, Dahlia, Daisy, whose near-homophonic names underscore their status as splinters of a single self. Blum stages the self as fractured and negotiated, not unified. These figures desire each other, betray each other, copy each other, and harm each other.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
I am staying at the Baxpax Hostel / next to Görlitzer Bahnhof station / in Kreuzberg.
…
For Daria Blum, repeated return to the Baxpax Hostel lobby frames it as an early rehearsal space for performance. Rather than positioning the narrator at a safe distance, she implicates herself in these encounters, foregrounding the discomfort associated with them. She moves between personas, Daphne, Dahlia, Daisy, whose near-homophonic names underscore their status as splinters of a single self. Blum stages the self as fractured and negotiated, not unified. These figures desire each other, betray each other, copy each other, and harm each other.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
In 'I’m So Disappointed In You', the city of Berlin presents itself through a string of encounters and relationships, set against the backdrops of hostel lobbies, clubs, waiting rooms, or in random apartments, all temporary interiors where people circulate, linger and collide. These are spaces where one might attempt to find belonging, unaware in that moment of their transitory nature. Interiors, where intimacy is improvised, spaces marked by youthful anxieties, which, in the context of Daria Blum’s work, are framed as states of heightened sensitivity, open to attachment, disappointment, and misrecognition. We meet people who speak too loudly, misread social cues, overshare, or collapse the expected scripts of interaction.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
In 'I’m So Disappointed In You', the city of Berlin presents itself through a string of encounters and relationships, set against the backdrops of hostel lobbies, clubs, waiting rooms, or in random apartments, all temporary interiors where people circulate, linger and collide. These are spaces where one might attempt to find belonging, unaware in that moment of their transitory nature. Interiors, where intimacy is improvised, spaces marked by youthful anxieties, which, in the context of Daria Blum’s work, are framed as states of heightened sensitivity, open to attachment, disappointment, and misrecognition. We meet people who speak too loudly, misread social cues, overshare, or collapse the expected scripts of interaction.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
In 'I’m So Disappointed In You', the city of Berlin presents itself through a string of encounters and relationships, set against the backdrops of hostel lobbies, clubs, waiting rooms, or in random apartments, all temporary interiors where people circulate, linger and collide. These are spaces where one might attempt to find belonging, unaware in that moment of their transitory nature. Interiors, where intimacy is improvised, spaces marked by youthful anxieties, which, in the context of Daria Blum’s work, are framed as states of heightened sensitivity, open to attachment, disappointment, and misrecognition. We meet people who speak too loudly, misread social cues, overshare, or collapse the expected scripts of interaction.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
In 'I’m So Disappointed In You', the city of Berlin presents itself through a string of encounters and relationships, set against the backdrops of hostel lobbies, clubs, waiting rooms, or in random apartments, all temporary interiors where people circulate, linger and collide. These are spaces where one might attempt to find belonging, unaware in that moment of their transitory nature. Interiors, where intimacy is improvised, spaces marked by youthful anxieties, which, in the context of Daria Blum’s work, are framed as states of heightened sensitivity, open to attachment, disappointment, and misrecognition. We meet people who speak too loudly, misread social cues, overshare, or collapse the expected scripts of interaction.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

…
In 'I’m So Disappointed In You', the city of Berlin presents itself through a string of encounters and relationships, set against the backdrops of hostel lobbies, clubs, waiting rooms, or in random apartments, all temporary interiors where people circulate, linger and collide. These are spaces where one might attempt to find belonging, unaware in that moment of their transitory nature. Interiors, where intimacy is improvised, spaces marked by youthful anxieties, which, in the context of Daria Blum’s work, are framed as states of heightened sensitivity, open to attachment, disappointment, and misrecognition. We meet people who speak too loudly, misread social cues, overshare, or collapse the expected scripts of interaction.
…
Excerpt of a text by TA

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

•
Redux II: I'm So Disappointed In You
Daria Blum

Performed on Saturday, 24. January
Full documentation on our website

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance received its Swiss premiere at Halmet.

Photos by Alice Speller

With great support by
Kanton Zürich Fachstelle Kultur, Stadt Zürich Kultur, Pro Helvetia, Casimir Eigensatz Stiftung, Rentshop

Thank you to everyone who came to the opening of HOME SCREEN last week :) the show is on at @marytwo.one until 28 March. With a text by Monica Unser @unseremonica

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

Open every Saturday 1-6pm and by appointment

Photos by @exhibitiondocumentation

Thank you to everyone who came to the opening of HOME SCREEN last week :) the show is on at @marytwo.one until 28 March. With a text by Monica Unser @unseremonica

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

Open every Saturday 1-6pm and by appointment

Photos by @exhibitiondocumentation

Thank you to everyone who came to the opening of HOME SCREEN last week :) the show is on at @marytwo.one until 28 March. With a text by Monica Unser @unseremonica

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

Open every Saturday 1-6pm and by appointment

Photos by @exhibitiondocumentation

Thank you to everyone who came to the opening of HOME SCREEN last week :) the show is on at @marytwo.one until 28 March. With a text by Monica Unser @unseremonica

HOME SCREEN, 2026
Programmed video, sound and light script, 20 IKEA TÅGARP lamps, 3 BOTEX DMX-Switchpacks, disco ball, loop

Open every Saturday 1-6pm and by appointment

Photos by @exhibitiondocumentation

HOME SCREEN opens tonight 6-9pm at @marytwo.one :) Monica Unser @unseremonica has written a wonderful text 🧡 with food prepared by Olivia Rast @olivia.rast 🧡 special show in a very special place aka my home city

Huge massive thank you to @elviraelvirabaettig and @jackpryce for everything 🧡🧡🧡 to Monica and Olivia, and to Julian for documenting the show 🧡

📷 @exhibitiondocumentation

One of the works I’m showing in the group show ‘Not I‘ at @capitainpetzel until 14. February

Archival print on Photo Rag, UV print on museum glass, coloured lighting gel, tape, 61 x 53 cm

‘and the last time i felt burned out like this i came up with the best performance of my career but now everything is different’

One of the works I’m showing in the group show ‘Not I‘ at @capitainpetzel until 14. February

Archival print on Photo Rag, UV print on museum glass, coloured lighting gel, tape, 61 x 53 cm

‘and the last time i felt burned out like this i came up with the best performance of my career but now everything is different’

One of the works I’m showing in the group show ‘Not I‘ at @capitainpetzel until 14. February

Archival print on Photo Rag, UV print on museum glass, coloured lighting gel, tape, 61 x 53 cm

‘and the last time i felt burned out like this i came up with the best performance of my career but now everything is different’

•
We are super excited to present our first event of the year. Daria Blum will perform her multimedia live piece titled 'Redux II: I'm So Disappointed In You' ⚠️

Saturday, 24. January
🕖Doors and Bar 19:15
🕗Performance 20:00 (No late admission! Doors will be closed)
There will be soup after the show

Incorporating a monologue set in Berlin in the 2010s, 'I'm So Disappointed In You' reflects on female alliances, desire, and rivalry through video, music, text, and choreography. Switching between different voices and mannerisms, Blum narrates encounters and disputes between her alter egos, as Daphne, Dahlia, and Daisy move through the liminal spaces of hostel lobbies, club toilets, and waiting rooms, arguing and duetting with their counterparts on- and off-screen.

Previously shown at Tate Modern and Grotto, Berlin, the performance now receives its Swiss premiere at Halmet.

Flyer Photo by Moritz Tibes