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Σας περιμένω τη Δευτέρα 18 Μαΐου, 18.30, στο NYU in Athens για μια συζήτηση με τον Νικόλα Αναστασόπουλο, τη Δάφνη Δραγώνα, τον Γιώργο Δρίβα και τον Γιάννη Σταυρακάκη γύρω από τα κοινά και την τέχνη στο δημόσιο χώρο, με αφορμή την έκδοση του βιβλίου μου "Curating the Commons. Socially Engaged Public Art" #nyuinathens #universityofmichiganpress #fastforwardfestival

Christina Dimitriadis
PORTRAITS OF MATTER
Curated by Daphne Dragona
Πινακοθήκη Δήμου Κεντρικής Κέρκυρας - Municipal Gallery of Corfu
Exhibition duration: 7 May – 10 June 2026
Opening hours: Tuesday – Saturday, 10:00–16:00
Courtesy of @elenikoroneougallery Koroneou Gallery

Christina Dimitriadis
PORTRAITS OF MATTER
Curated by Daphne Dragona
Πινακοθήκη Δήμου Κεντρικής Κέρκυρας - Municipal Gallery of Corfu
Exhibition duration: 7 May – 10 June 2026
Opening hours: Tuesday – Saturday, 10:00–16:00
Courtesy of @elenikoroneougallery Koroneou Gallery

Tonight marks the opening of the 19th Audiovisual Arts Festival of the Department of Audio & Visual Arts, together with the exhibition PORTRAITS OF MATTER by Christina Dimitriadis at the Municipal Gallery of Corfu.

Curated by Daphne Dragona, the exhibition brings together works from three photographic series exploring the temporalities of matter, deep geological time, and human activity.

The exhibition also includes audio descriptions for visually impaired visitors, created and curated by Vilelmini Sosoni, Maria Petasi, Emmanouel Rovithis, Ismini K., and their collaborators.

Please join us tonight at 7:30 pm at the People’s Garden!

We are very pleased to be joined by Daphne Dragona at the Ecological Translation symposium on the 28th and 29th of April at Goethe-Institut Athen!

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. She teaches Theory of Curatorial Practices, Exhibition Design, and History of Digital Art at the Department of Audiovisual Arts, Ionian University. Her current work addresses the ambiguous role of technology in times of climate crisis and the challenges and possibilities of degrowth for art and culture. She was curator for transmediale festival (Berlin, 2015–2019) and EMAF – European Media Art Festival (Osnabrück, 2021–2023). Dragona’s research explores how artistic and curatorial practices engage with the contradictions of connectivity, the promises of the commons, and ecological transformation in the digital age. She holds a PhD from the Faculty of Communication & Media Studies at the University of Athens, and her writings have been published by Springer, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac, among others.

The event is free and open to all!
Full schedule and registration at www.ecologicaltranslation.com

We are very pleased to be joined by Daphne Dragona at the Ecological Translation symposium on the 28th and 29th of April at Goethe-Institut Athen!

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. She teaches Theory of Curatorial Practices, Exhibition Design, and History of Digital Art at the Department of Audiovisual Arts, Ionian University. Her current work addresses the ambiguous role of technology in times of climate crisis and the challenges and possibilities of degrowth for art and culture. She was curator for transmediale festival (Berlin, 2015–2019) and EMAF – European Media Art Festival (Osnabrück, 2021–2023). Dragona’s research explores how artistic and curatorial practices engage with the contradictions of connectivity, the promises of the commons, and ecological transformation in the digital age. She holds a PhD from the Faculty of Communication & Media Studies at the University of Athens, and her writings have been published by Springer, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac, among others.

The event is free and open to all!
Full schedule and registration at www.ecologicaltranslation.com

We are very pleased to be joined by Daphne Dragona at the Ecological Translation symposium on the 28th and 29th of April at Goethe-Institut Athen!

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. She teaches Theory of Curatorial Practices, Exhibition Design, and History of Digital Art at the Department of Audiovisual Arts, Ionian University. Her current work addresses the ambiguous role of technology in times of climate crisis and the challenges and possibilities of degrowth for art and culture. She was curator for transmediale festival (Berlin, 2015–2019) and EMAF – European Media Art Festival (Osnabrück, 2021–2023). Dragona’s research explores how artistic and curatorial practices engage with the contradictions of connectivity, the promises of the commons, and ecological transformation in the digital age. She holds a PhD from the Faculty of Communication & Media Studies at the University of Athens, and her writings have been published by Springer, Sternberg Press, Diaphanes, and Leonardo Electronic Almanac, among others.

The event is free and open to all!
Full schedule and registration at www.ecologicaltranslation.com

Join us tomorrow (Sat, Apr 11) for the symposium “Shifting Weathers – On Image, Climate and the Politics of Seeing” at Villa Heike in Berlin-Lichtenberg!

This full-day program (12 – 5 pm), held in English, explores how weather and climate are shaped, mediated, and contested through visual culture. Bringing together artistic and theoretical perspectives, the symposium examines the circulation of climate images, embodied ecological experience, and the role of AI and media in producing environmental knowledge. Admission is free.

With: Marjolein Oele (Professor of Philosophy of the Humanities, Radboud University Nijmegen), curator and theorist Daphne Dragona, and artists Susanne Kriemann and Luiz Zanotello.

☞ Read more on PiB Photography in Berlin:
https://www.photography-in.berlin/villa-heike-kunstverein-shifting-weathers/

Image: Installation view, Shifting Weathers, 2026, featuring Luiz Zanotello, At the periphery of events, 2023. Photo: Jannis Uffrecht.

CONVERSATION
Technical, planetary, operational images in the heat of time
Daphne Dragona in conversation with Luiz Zanotello

Daphne Dragona and Luiz Zanotello come together as part of the symposium Shifting Weathers – On Image, Climate and the Politics of Seeing. Dragona examines the ambivalent role of technology in the context of the climate crisis, engaging questions of degrowth in art and culture. Zanotello’s artistic research explores the material ecologies of techno-imagination, tracing intersections of space, language, and environment through post-digital and transmedia approaches. Their conversation considers how weather, time, and image-making intersect within contemporary technical media, as well as the politics of machinic vision and possibilities for artistic appropriation.

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. Her work addresses the ambivalent role of technology in the climate crisis and engages questions of degrowth in art and culture. She has presented projects internationally, including at the Onassis Foundation and EMST (Athens), Laboral (Gijón), and Aksioma (Ljubljana). She curated transmediale (2015–2019) and EMAF (2021–2023), and currently teaches at the Ionian University.

Luiz Zanotello is an artist and researcher exploring the material ecologies of techno-imagination. His post-digital practice traces intersections of space, language, and environment through installations and research-based formats. He is a PhD candidate at PhDArts (Leiden University) and has exhibited internationally, including in Zagreb, Vienna, and Venice. He previously served as Assistant Professor for New Media at UdK Berlin.

📆 Saturday, April 11, 2026
🕚 12–16h
📍 Villa Heike Kunstverein, Berlin

The conversation will be held in English. Admission is free.

Images:
1. Top: Portrait Luiz Zanotello. Bottom: Portrait Daphne Dragona. Photo: Jussi Virkkumaa / Saari Residence.
2. Top: Cartographic visualization of weather cams, Luiz Zanotello, 2026. Bottom: A visualization of a local perspective from the gallery. Images: Luiz Zanotello.
3. Still frames from the work Tempo-imagem, Luiz Zanotello, 2024.

CONVERSATION
Technical, planetary, operational images in the heat of time
Daphne Dragona in conversation with Luiz Zanotello

Daphne Dragona and Luiz Zanotello come together as part of the symposium Shifting Weathers – On Image, Climate and the Politics of Seeing. Dragona examines the ambivalent role of technology in the context of the climate crisis, engaging questions of degrowth in art and culture. Zanotello’s artistic research explores the material ecologies of techno-imagination, tracing intersections of space, language, and environment through post-digital and transmedia approaches. Their conversation considers how weather, time, and image-making intersect within contemporary technical media, as well as the politics of machinic vision and possibilities for artistic appropriation.

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. Her work addresses the ambivalent role of technology in the climate crisis and engages questions of degrowth in art and culture. She has presented projects internationally, including at the Onassis Foundation and EMST (Athens), Laboral (Gijón), and Aksioma (Ljubljana). She curated transmediale (2015–2019) and EMAF (2021–2023), and currently teaches at the Ionian University.

Luiz Zanotello is an artist and researcher exploring the material ecologies of techno-imagination. His post-digital practice traces intersections of space, language, and environment through installations and research-based formats. He is a PhD candidate at PhDArts (Leiden University) and has exhibited internationally, including in Zagreb, Vienna, and Venice. He previously served as Assistant Professor for New Media at UdK Berlin.

📆 Saturday, April 11, 2026
🕚 12–16h
📍 Villa Heike Kunstverein, Berlin

The conversation will be held in English. Admission is free.

Images:
1. Top: Portrait Luiz Zanotello. Bottom: Portrait Daphne Dragona. Photo: Jussi Virkkumaa / Saari Residence.
2. Top: Cartographic visualization of weather cams, Luiz Zanotello, 2026. Bottom: A visualization of a local perspective from the gallery. Images: Luiz Zanotello.
3. Still frames from the work Tempo-imagem, Luiz Zanotello, 2024.

CONVERSATION
Technical, planetary, operational images in the heat of time
Daphne Dragona in conversation with Luiz Zanotello

Daphne Dragona and Luiz Zanotello come together as part of the symposium Shifting Weathers – On Image, Climate and the Politics of Seeing. Dragona examines the ambivalent role of technology in the context of the climate crisis, engaging questions of degrowth in art and culture. Zanotello’s artistic research explores the material ecologies of techno-imagination, tracing intersections of space, language, and environment through post-digital and transmedia approaches. Their conversation considers how weather, time, and image-making intersect within contemporary technical media, as well as the politics of machinic vision and possibilities for artistic appropriation.

Daphne Dragona is a curator, theorist, and writer based in Berlin and Athens. Her work addresses the ambivalent role of technology in the climate crisis and engages questions of degrowth in art and culture. She has presented projects internationally, including at the Onassis Foundation and EMST (Athens), Laboral (Gijón), and Aksioma (Ljubljana). She curated transmediale (2015–2019) and EMAF (2021–2023), and currently teaches at the Ionian University.

Luiz Zanotello is an artist and researcher exploring the material ecologies of techno-imagination. His post-digital practice traces intersections of space, language, and environment through installations and research-based formats. He is a PhD candidate at PhDArts (Leiden University) and has exhibited internationally, including in Zagreb, Vienna, and Venice. He previously served as Assistant Professor for New Media at UdK Berlin.

📆 Saturday, April 11, 2026
🕚 12–16h
📍 Villa Heike Kunstverein, Berlin

The conversation will be held in English. Admission is free.

Images:
1. Top: Portrait Luiz Zanotello. Bottom: Portrait Daphne Dragona. Photo: Jussi Virkkumaa / Saari Residence.
2. Top: Cartographic visualization of weather cams, Luiz Zanotello, 2026. Bottom: A visualization of a local perspective from the gallery. Images: Luiz Zanotello.
3. Still frames from the work Tempo-imagem, Luiz Zanotello, 2024.

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. 🤖 Installation views

On view at Saigon, Athens (March 5 – April 2, 2026), 𝗰𝗼𝗹𝗹𝗮𝗽𝘀𝗲: 𝗱𝗮𝘁𝗮.𝗺𝗼𝗱𝗲𝗹𝘀.𝘄𝗼𝗿𝗹𝗱𝘀. brings together artists and collectives engaging with the entangled realities of technological acceleration, ecological strain, and systemic crisis.

The exhibition unfolds the hidden infrastructures behind contemporary computational systems, revealing the human labor, material extraction, and geopolitical tensions that sustain them. At the same time, it reflects on how algorithmic culture reshapes perception, producing uncertainty and new mythologies of the present.

Artists on view: Niki Danai Chania, Bethan Hughes, Vladan Joler / Gordan Savičić / Felix Stalder, Athina Koumparouli, Latent Community, Maria Mavropoulou, Juan Obando, Salvatore Vitale

Curated by @daphne_dragona @katerina_gkoutziouli

INFO
📅 March 5 – April 2, 2026
5️⃣ Opening hours: Thursday-Sunday, 17:00-21:00
📍 Saigon: 39 Korytsas, 10447, Votanikos
🎟️ Free admission

📷 Maria Mavropoulou

1| Maria Mavropoulou, Ecologies of Noise, 2026. Digital print, 100 x 500 cm.
2,12| Latent Community, Dark Source: Cloud Extraction, 2026. Single channel video, stereo sound, 8’20’’.
3| Bethan Hughes, An Elastic Continuum VI, 2025. Silver gelatin print, stainless steel, 30 x 40 cm & An Outfit for a Woman in a Field II, 2025. Latex, stainless steel, dimensions variable.
4| Juan Obando, They/Them, 2023. Video, color, sound, duration: 9’41’’.
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Print on Alu-dibond, 220 x 180 cm. Video, sound, 2’55’’.
6,7| Salvatore Vitale, Death By GPS, 2023-2026. 3-channel video, color, sound, 3’40”, Inkjet print, 90 x 120 cm.
8| Niki Danai Chania, The Nymph (Fragment of), 2026. Ceramics, 185 x 130 x 3 cm.
9| Athina Koumparouli, Strata of Cloud to Ground, 2026. LCD screens, 320 x 90 cm.
10,11,13| collapse: data.models.worlds. Exhibition installation views.

With the support of @neongreece, @prohelvetia, and #error417expectationfailed

#collapse #exhibition #artists #contemporaryart

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#artisttalks
🎙️Artist talks & discussion

📆Wednesday, 18 March 2026, 19.00
PLYFA, Building 7C @plyfa.space

⚫️With Latent Community @latentcommunity, Maria Mavropoulou, @maria.mavropoulou, Felix Stalder #FelixStalder
Moderated by Daphne Dragona @daphne_dragona, Katerina Gkoutziouli @katerina_gkoutziouli

What changes in an era of possible environmental and computational collapse? How do technological solutions connect to the exhaustion of natural resources? Is it possible for infrastructural and ecological systems to sustain one another, and assist in restoring environmental and social balance?

As part of collapse: data.models.worlds, this panel invites exhibition participants to share their artistic research and methodologies defining their practice.

The panel will explore practices of visualization, mapping, and documentation as critical tools for engaging with infrastructures of data, energy, and ecology. Particular attention will be given to questions of sovereignty, forms of resistance, and the potential for collective imaginaries of viable futures.

The discussion will be held in English.
The exhibition will be open to visitors before the event, 17.00-19.00.

More info via link in bio

collapse: data.models.worlds. runs until 2 April 2026 at Saigon @saigon, Athens, realized with the support of NEON Organization for Culture @neongreece and Development, Swiss Arts Council Pro Helvetia @prohelvetia, and Error 417 Expectation Failed.

Photo credits:
1| Latent Community, Dark Source: Cloud Extraction, 2026. Installation view. Photo: Maria Mavropoulou
2| Latent Community. Photo credit: Jean-Louis Carli/MAIF
3| Maria Mavropoulou, Ecologies of Noise, 2026. Installation view. Photo: Maria Mavropoulou
4| Maria Mavropoulou
5| Vladan Joler/ Gordan Savičić/ Felix Stalder, Infrastructure of a Migratory Bird, v2.0, 2025. Installation view. Detail. Photo: Maria Mavropoulou
6| Felix Stalder

#event #talk
collapse:data.models.worlds.
Ομιλίες καλλιτεχνών και συζήτηση

Με τη συμμετοχή των Latent Community, Μαρία Μαυροπούλου, Felix Stalder
Συντονίζουν: Κατερίνα Γκουτζιούλη, Δάφνη Δραγώνα

Τετάρτη 18 Μαρτίου από τις 19:00, Κτήριο 7Γ

▪️More info στο σύνδεσμο στο bio

Τι αλλάζει σε μια εποχή ενδεχόμενης περιβαλλοντικής και υπολογιστικής κατάρρευσης; Πώς συνδέονται οι τεχνολογικές λύσεις με την εξάντληση των φυσικών πόρων του πλανήτη; Θα μπορούσαν οι υποδομές και τα οικοσυστήματα να υποστηρίζουν το ένα το άλλο και να συμβάλλουν στην αποκατάσταση της περιβαλλοντικής και κοινωνικής ισορροπίας;

Στο πλαίσιο της έκθεσης collapse: data.models.worlds, συμμετέχοντες καλλιτέχνες
προσκαλούνται να παρουσιάσουν την καλλιτεχνική τους έρευνα και τις μεθοδολογίες που διαμορφώνουν την πρακτική τους. Το καλλιτεχνικό δίδυμο Latent Community θα παρουσιάσει τη συνεχιζόμενη έρευνά του γύρω από τις εξορυκτικές υποδομές και τα ενεργειακά καθεστώτα στη Δυτική Μακεδονία, ιχνηλατώντας την πορεία που τώρα διαγράφεται από την οικονομία του λιγνίτη προς τις αυξανόμενες ενεργειακές απαιτήσεις του υπολογιστικού νέφους. Η καλλιτέχνις Μαρία Μαυροπούλου θα συζητήσει το φαινόμενο του “model collapse”, εξετάζοντας τη σταδιακή υποβάθμιση της παραγωγής περιεχομένου σε σχέση με την πολιτισμική ισοπέδωση και την περιβαλλοντική εξάντληση. Ο θεωρητικός μέσων Felix Stalder θα αναφερθεί στη συνεργασία του με τους καλλιτέχνες Vladan Joler και Gordan Savičić, εστιάζοντας στη χαρτογράφηση των κοινωνικών, τεχνολογικών, πληροφοριακών και οικολογικών σχέσεων που εμπλέκονται στην επαναφορά ενός συγκεκριμένου είδους πτηνού στο φυσικό του περιβάλλον.
Το πάνελ θα αναδείξει πρακτικές οπτικοποίησης, χαρτογράφησης και τεκμηρίωσης ως εργαλεία
για την κριτική διερεύνηση υποδομών που σχετίζονται με τα δεδομένα, την ενέργεια και την
οικολογία. Ιδιαίτερη έμφαση θα δοθεί σε ζητήματα κυριαρχίας, μορφών αντίστασης και στη
δυνατότητα διαμόρφωσης συλλογικών φαντασιακών για βιώσιμα μέλλοντα.

▪️Η συζήτηση θα γίνει στην αγγλική γλώσσα.
H έκθεση θα είναι επισκέψιμη πριν την εκδήλωση, 17.00-19.00.

Η έκθεση collapse: data.models.worlds διαρκεί έως τις 2 Απριλίου 2026 στο Saigon.

#plyfa #plyfaspace #athens

#event #talk
collapse:data.models.worlds.
Ομιλίες καλλιτεχνών και συζήτηση

Με τη συμμετοχή των Latent Community, Μαρία Μαυροπούλου, Felix Stalder
Συντονίζουν: Κατερίνα Γκουτζιούλη, Δάφνη Δραγώνα

Τετάρτη 18 Μαρτίου από τις 19:00, Κτήριο 7Γ

▪️More info στο σύνδεσμο στο bio

Τι αλλάζει σε μια εποχή ενδεχόμενης περιβαλλοντικής και υπολογιστικής κατάρρευσης; Πώς συνδέονται οι τεχνολογικές λύσεις με την εξάντληση των φυσικών πόρων του πλανήτη; Θα μπορούσαν οι υποδομές και τα οικοσυστήματα να υποστηρίζουν το ένα το άλλο και να συμβάλλουν στην αποκατάσταση της περιβαλλοντικής και κοινωνικής ισορροπίας;

Στο πλαίσιο της έκθεσης collapse: data.models.worlds, συμμετέχοντες καλλιτέχνες
προσκαλούνται να παρουσιάσουν την καλλιτεχνική τους έρευνα και τις μεθοδολογίες που διαμορφώνουν την πρακτική τους. Το καλλιτεχνικό δίδυμο Latent Community θα παρουσιάσει τη συνεχιζόμενη έρευνά του γύρω από τις εξορυκτικές υποδομές και τα ενεργειακά καθεστώτα στη Δυτική Μακεδονία, ιχνηλατώντας την πορεία που τώρα διαγράφεται από την οικονομία του λιγνίτη προς τις αυξανόμενες ενεργειακές απαιτήσεις του υπολογιστικού νέφους. Η καλλιτέχνις Μαρία Μαυροπούλου θα συζητήσει το φαινόμενο του “model collapse”, εξετάζοντας τη σταδιακή υποβάθμιση της παραγωγής περιεχομένου σε σχέση με την πολιτισμική ισοπέδωση και την περιβαλλοντική εξάντληση. Ο θεωρητικός μέσων Felix Stalder θα αναφερθεί στη συνεργασία του με τους καλλιτέχνες Vladan Joler και Gordan Savičić, εστιάζοντας στη χαρτογράφηση των κοινωνικών, τεχνολογικών, πληροφοριακών και οικολογικών σχέσεων που εμπλέκονται στην επαναφορά ενός συγκεκριμένου είδους πτηνού στο φυσικό του περιβάλλον.
Το πάνελ θα αναδείξει πρακτικές οπτικοποίησης, χαρτογράφησης και τεκμηρίωσης ως εργαλεία
για την κριτική διερεύνηση υποδομών που σχετίζονται με τα δεδομένα, την ενέργεια και την
οικολογία. Ιδιαίτερη έμφαση θα δοθεί σε ζητήματα κυριαρχίας, μορφών αντίστασης και στη
δυνατότητα διαμόρφωσης συλλογικών φαντασιακών για βιώσιμα μέλλοντα.

▪️Η συζήτηση θα γίνει στην αγγλική γλώσσα.
H έκθεση θα είναι επισκέψιμη πριν την εκδήλωση, 17.00-19.00.

Η έκθεση collapse: data.models.worlds διαρκεί έως τις 2 Απριλίου 2026 στο Saigon.

#plyfa #plyfaspace #athens

is pleased to announce PCAI ‘s collection artists Latent Community participation at the group exhibition collapse: data.models.worlds. curated by @katerina_gkoutziouli and @daphne_dragona .
The exhibition addresses the intensifying state of crisis shaping the contemporary world, examining the role of technology within it. Drawing on current debates around the possibilities and limitations of technological infrastructures, it explores their entanglement with social and ecological issues, from the past to the present.

On view from March 5 to April 2, 2026, at @saigon_athens

For the exhibition @latentcommunity present the artwork Dark Source: Cloud Extraction.
Cloud Extraction marks the first iteration of the Dark Source, an ongoing critical research project on extractivism, unfolding as a poetic video essay that examines the unseen connections between mineral extraction and data mining.
The research takes place in the lignite villages of Western Macedonia, focusing on the social and economical impacts of the lignite extractive practices, the desertification of the region and their long-term consequences on the land scape and local communities

Organised by @vektor_athens

More information:
https://www.pcai.gr/pcai-collection-artists-latent-community

Image credits: Latent Community, Dark Source: Cloud Extraction, 2026. Film still.
Single channel video, stereo sound, 8’00’’. Courtesy of the artists.

#pcai #pcaicollectionartists #latentcommunity #groupshow

On view in Collapse: data.models.worlds. at @saigon_athens curated by @daphne_dragona @katerina_gkoutziouli

Cloud Extraction marks the first iteration of Dark Source, an ongoing critical research project on extractivism, unfolding as a poetic video essay by Latent Community that examines the unseen connections between mineral extraction and data mining.

The research takes place in the lignite villages of Western Macedonia, focusing on the social and ecological impacts of lignite extractive practices, the desertification of the region, and their long-term consequences on the landscape and local communities.

With @constantine_skourlis @dafinantoniadou

Dark Source: Cloud Extraction (2026) is commissioned by VEKTOR Athens and Error 417 Expectation Failed.

Opening: Thursday, March 5, 2026, 19:00
Opening hours: Thursday-Sunday, 17:00-21:00
Address: Saigon, 39 Korytsas, 10447, Votanikos
Free admission