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SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

SAMURAI - LA IRONÍA DEL QUERER

E.P: Marianela Knaus @unachicaalmodovar
Producer: Carlota Lolet
Directed by: Marianela Knaus @unachicaalmodovar & Miguel Vazquez @mig_vazquezcf
Art director: Laura Pérez @_lauraperezzz

Cinematography : Daniel Ocanto
Gaffer: Carlos Ramirez @_carlosra_

1AC: Florencia Sero @florencia.sero
2AC: Pinky Alonso @pinkyloader
Video Assist: Oriana Miquelarena @orimiquelarena

Edit &Color: Pablo Bonal @el.bonal

Camera Rental: Lenso Films @lenso.filmservices
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa35 + Arri Signature Prime + Nikkor 8mm Fisheye

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LOLA ÍNDIGO - MOJA1TA

Production Company: Somos Mister @somosmister
E.P: Willy Rodriguez @willyrg
Producer: Marianela Knaus @unachicaalmodovar
Directed by: Willy Rodriguez @willyrg
1 AD: Pablo Atienza @mundoatienza
Art director: Rosa Chicle @rosa.chicle

Cinematography : Daniel Ocanto
Gaffer: Edu Luzón @eduluzongaffer

1AC: Nico Pampin @nicolodeon_ Florencia Silvia @florencia.sero
2AC: Sandra Pascual @spascuu
Video Assist: Adán Comesaña @adancomga

Edit: Ale Garen @alegaren
Color: Pablo Bonal @el.bonal
VFX: Agua Panela FX @aguapanela_fx

Camera Rental: Lenso Films @lenso.filmservices Videotron @videotron_rental
Grip: La Vía Nivel @lavianivel
Lighting: Cinelux @cineluxsau

Shot with:
Arri Alexa Mini LF + Arri Signature Prime Zooms + Laowa 10mm GL Optics

LEIVA - ÁNGULO MUERTO

Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa

1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam

Color: @danigrndo
VFX: @metropolitanapost

Camera Rental: @aks_media_tools

Shot with:
Arri Alexa 35 + Tribe7 Blackwing

LEIVA - ÁNGULO MUERTO

Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa

1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam

Color: @danigrndo
VFX: @metropolitanapost

Camera Rental: @aks_media_tools

Shot with:
Arri Alexa 35 + Tribe7 Blackwing

LEIVA - ÁNGULO MUERTO

Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa

1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam

Color: @danigrndo
VFX: @metropolitanapost

Camera Rental: @aks_media_tools

Shot with:
Arri Alexa 35 + Tribe7 Blackwing

LEIVA - ÁNGULO MUERTO

Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa

1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam

Color: @danigrndo
VFX: @metropolitanapost

Camera Rental: @aks_media_tools

Shot with:
Arri Alexa 35 + Tribe7 Blackwing

LEIVA - ÁNGULO MUERTO

Production Company: Blur @blur__________
E.P: Mario Fornies @marioblur
Directed by: @zipirealizador @gonechegram & @sevillajuan
Cinematography : Daniel Ocanto
AD: @judit.vilarrasa

1AC: @kikemdc
2AC: @pinkyloader
Steadycam: @amovilla_steadicam

Color: @danigrndo
VFX: @metropolitanapost

Camera Rental: @aks_media_tools

Shot with:
Arri Alexa 35 + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

BULLPADEL
Directed by @cesarconti
Production company: @attic_films
EP: Paco Gallego
Producer: Daniel Vesselizza

Cinematographer: Daniel Ocanto & @manuelbascoy @byuno_
1AC: @lisa.ceinos
2AC: @pierre_le_court
Gaffer: @hugo_la_via_nivel

Camera rental: @lenso.filmservices
Light Rental: @lavianivel

Shot with:
Arri Alexa Mini LF + Tribe7 Blackwing

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

Some BTS of shoots past. All photos with my lovely Contax’s 👏

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

My grandma tends to say “llegó la tarde”(something like “the sunset is here”) when talking about aging. You never get older, your sunset is just arriving.

A few years back the sunset for my abuelo came, and going back to visit Tenerife, where they are from, has been hard ever since.

Last November I finally went back after some time and it was strange still. It was both the same and not the same. Everything was very much encapsulated in time, but also just slipping away, slowly. I was both glad and sad to be back.

This a small collection called “Abuelos”. A group of photos I inadvertently started as a way of coping with the incoming sadness and beauty of sunsets you don’t ever want to see.

Film photos lab @carmencitafilmlab

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

Often I forget what it is that brought me to this app in the first place, it was about my point of view, my photography, my film camera.

I get clouded with sharing the “latest work” as everyone else does, for the rush of the race. I just want to show you what I am and see, in all their formats.

Where’s the fun if not?

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

FADE INTO YOU

Directed by Camila Vicentelli

Produced by Santa Mónica

Equipment:
ARRICAM LT + Cooke S4
Kodak Vision3 500T

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid

MAX MATITIA - DIME CÓMO TE SIENTES

Directed by Begoña Berenguer

Produced by Topo Collective

Equipment:
Alexa Mini + Ironglass Soviet Lenses & Laowa 12mm

Locations:
Madrid