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SOMETHING BLUE - ZENDAYA

8000 hours of work and a radial effect of 65 000 kingfisher blue and black raw silk “feathers” in satin stitch embroidery in 27 different shades of blue: @Zendaya wears a Schiaparelli Haute Couture Spring/Summer 2026 look created by @DanielRoseberry for the New York premiere of her new film ‘The Drama’ with Robert Pattinson.

Stylist: @luxurylaw

#Schiaparelli

‘SPHYNX’: A MANIFESTO BY @DANIELROSEBERRY ON THE FALL/WINTER 2026-2027 COLLECTION:
‘In three weeks, “Schiaparelli: Fashion Becomes Art,” will open at the V&A museum in London. It’s a full retrospective of Elsa Schiaparelli’s life and work, one that suggests that among the ways she transformed fashion was by being the first designer to question the medium of fashion itself. For Elsa, a dress wasn’t just a dress. A dress could have drawer pulls on its pockets, symbolizing the hidden dimensions of the female psyche. A dress could have a skeleton embroidered on it, suggesting the body had been turned inside out. It was a radical, risky assertion then, and it still is today: Fashion is a major business, but it’s also the ultimate forum of self-expression and fantasy. Both things are true at the same time—but that doesn’t mean that there isn’t an inherent tension between these two truths.
The same is also true for Schiaparelli as a house. Like many heritage houses, it’s both blessed and limited by the recognizability and endurance of its codes.
That tension—between fashion as a business and fashion as a dream factory; between what a dress should be and what a dress can be; between who a woman appears to be and who a woman is; between the weight of the maison’s history and how it exists now—has informed this entire collection. In every piece, in every accessory, there’s an apparent contradiction. Take, for example the look which I call “impossible knitwear”: traditional Aran cable knits juxtaposed with panels of illusion tulle, which creates the effect of something heavy that seemingly floats on the body. Or our liquid plisse silk-blend fabric, topped with a clear lamination, and made into spiral cut gowns and separates. Again and again, we used performance fabric to try to represent the authenticity of the maison - Elsa, after all, was one of the first couturiers to embrace jersey.’ __ Daniel Roseberry

Video: @christophe_tiphaine

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

LOOK 13 - ‘THE WAVE’, INSPIRED BY THE CHROMATIC TONES OF AN EYESHADOW PALETTE

ANGELINA K.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Angelina wears a molded bustier dress covered in rhinestones and crystal fringes with a gradient effect ranging from mauve to midnight chocolate. Toffee satin mule with an asymmetrical wavy vamp embellished with a gold metal Keyhole and a curved heel. Baroque pearl earrings.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Angelina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

CLOSING LOOK - AWAR
From the studio to the runway, photographed by @DanielRoseberry.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Awar wears a sharp-shouldered ‘Elsa’ jacket which collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
Black velvet trousers.
Warm silver headpiece decorated with black rhinestones, a central crystal, and small spikes.
Archive-inspired warm silver chandelier earrings and necklace set with black stones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a gold metal Keyhole and a curved.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction @ClaraCullen
Film Production @WalterFilms
Music @BenBrunnemer
Karolina’s photography: @DanielRoseberry
Shoot Lighting @Charles.Hdn 
Production @VillaEugenie
Location @PetitPalais_Musee

#Schiaparelli

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

THE SCHIAPARELLI MAN
@BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry.
He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’.

Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back.

#schiaparelli #badbunny #grammys

When Margot called for the world premiere of “Wuthering Heights”, I sketched this dress and then named my chat GPT Jacob.

Three words came to mind.Romance. Drama. Passion.
The lace brought the romance, the silhouette was the drama.And that red velvet sfumato hem was all passion - and a bit of poison.

Stylist: @AndrewMukamal

#wutheringheights #margotrobbie #schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show.

‘THE AGONY AND THE ECSTASY’
HAUTE COUTURE SPRING/SUMMER 2026

Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity
hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink.
The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips.
A silver metal sun-shaped headpiece set with rhinestones.
Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a
curved heel.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

#Schiaparelli

SCHIAPARELLI HAUTE COUTURE SPRING/SUMMER 2026 by @DANIELROSEBERRY

‘The emotional core of this collection was revealed to me while I was on a creative retreat outside of Rome. One afternoon, I arranged a last-minute tour to see the Sistine Chapel.

If you’ve been there, you know that the first thing you see isn’t the ceiling, but the walls, densely painted by an army of artists in the years before Michelangelo began his work in 1508.
But crane your neck skyward, and thought stops. Feeling begins. That’s because forty years later, one man came in and singlehandedly changed art forever. Here is agony and ecstasy comingled, terrible and exquisite. He didn’t tell us what happened, but instead gave his audience permission on how to feel when they looked at art.

It woke up the world. And 500 years later, it woke me up, too. I stopped thinking for the first time in years of how something should look, but instead about how I feel when creating it.
That revelation informed every part of this collection. Sharp strokes and rapid squiggles became scorpion tails. I drew stingers and snake teeth, chimeraed archetypes of couture with venom. I knew these reptilian creatures, these “infantas terribles,” as I called them, would become the heroes of the collection, our ceiling: they’d be birds of flight, defying gravity, bold in color, explosive in silhouette.

So many people ask me what the point is of couture. It’s certainly not to create clothing for daily life. But for me, couture allows me to connect with the hopeful adolescent I once was, the one who decided to not go into medicine or finance or law, but to chase that singular fantasy that fashion can still provide. Let the rest of the year be about reality. But nothing is more powerful—or timeless—or for me, more now, than getting to unchain my imagination…and, I hope, yours.
Couture is an invitation. Stop thinking, it tells you. It’s time to feel. You only have to look up.’- Daniel Roseberry.

Stylist @_MarieChaix_
Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist
Film Direction: @ClaraCullen
Film Production: @WalterFilms
Music @BenBrunnemer
Production @VillaEugenie

‘THE AGONY AND THE ECSTASY’, A MANIFESTO BY @DANIELROSEBERRY.

SCHIAPARELLI HAUTE COUTURE SPRING/SUMMER 2026.

 Video: @Christophe_Tiphaine
 Music: @BenBrunnemer

 #Schiaparelli

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

Fashion Trust Arabia 🏆
Thank You to Her Excellency, the incredible @almayassabnthamad and to Tania Fares and the entire family at @fashiontrustarabia.So proud to be a part of this year’s jury.Deep thanks to Her Highness @mozabintnasser

ARIANARELLI. THE MAKING.

@ArianaGrande appeared in Custom Schiaparelli Haute Couture, designed by @DanielRoseberry, at the New York premiere of Wicked: For Good, directed by Jon M. Chu.

Ballgown with a black ruched crepe and satin bustier, laced up the back, with delicate side bows and signature Keyhole embroidery at the bustier. Voluminous skirt made from 200 meters of silk organza and tulle split into 20 ruffles.

Styling @LuxuryLaw
Video @christophe_tiphaine
Music @BenBrunnemer

#Schiaparelli

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫

Tale as old as time 💫