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Christmas may be behind us and 2026 already well underway… but who says the gift-giving season has to end?

Introducing the 𝗖𝘆𝗮𝗻𝘃𝗶𝗲𝘄 𝗗𝗮𝘀𝗵𝗯𝗼𝗮𝗿𝗱 🎛️

The dashboard is the latest evolution of the Cyanview platform, designed to monitor real-time data from all cameras connected to a Cyanview RCP.

But it goes even further! It also enables camera control directly from the user interface.

Accessible from any device (computer, tablet, or smartphone) the Cyanview Dashboard puts full camera monitoring and control at your fingertips.

𝘓𝘰𝘰𝘬 𝘰𝘶𝘵 𝘧𝘰𝘳 𝘰𝘶𝘳 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘢𝘵𝘪𝘰𝘯 𝘷𝘪𝘥𝘦𝘰 𝘵𝘰 𝘣𝘦 𝘳𝘦𝘭𝘦𝘢𝘴𝘦𝘥 𝘴𝘰𝘰𝘯 🤫

#CyanviewDashboard #ShadingOverIP #ColorCorrection #Broadcast #LiveProduction Cyanview

𝗕𝘆 𝗽𝗼𝗽𝘂𝗹𝗮𝗿 𝗱𝗲𝗺𝗮𝗻𝗱, 𝗵𝗲𝗿𝗲 𝗶𝘀 𝘁𝗵𝗲 𝗥𝗖𝗣-𝗝 !

Find out how this new product fits into our lineup and get a sneak peek at our new and totally revamp RCP GUI.

Link in our bio. Enjoy your read!

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LiveBroadcast #LensControl #ColorCorrection #IP #RCP

Our 2022.12 release update includes a lot of new features and as always new camera integrations like the new Sony FR7. It’s the world’s first pan-tilt-zoom (PTZ) camera to combine a full-frame image sensor, an interchangeable lens design, and remote shooting functionality.

Our Cyanview RCP can be used for shading obviously but also to move, record and recall positions, to control the camera menu and also for tally. The #GIF below also features, and for the first time, our upcoming CY-RCP-J aka « RCP Joystick » 🤩

Sign-up for our newsletter to learn everything on the 2012.12 release via the link in our bio👇🏻 https://bit.ly/3huS5fQ

#FR7 #ShadingOverIP #RemoteProduction #RemoteShading #MulticamLive #LiveProduction #Broadcasting #Broadcast #Cyanview #RCP

Cyanview is in London this week for the 10th edition of @mpts_london

Visit us at stand J21 on Wednesday and Thursday (13-14 May) at Olympia, Grand Hall.

We will be showcasing our universal camera control with a selection of different camera models (ARRI, RED, Sony, Proton,…). You’ll also get a sneak peek at what we’re working on, such as our CyanCamera app, which lets you control smartphones from the RCP, as well as other cool stuff.

🎟️ Register for your free ticket via the 🔗 in bio

#MPTS #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #IP

It’s often cameras and lenses that get all the attention, but it’s the infrastructure around them that can make all the difference.

CyanView has become part of how we can support more complex cinematic and multi-camera productions at Shoot Blue.

CyanView is a camera-agnostic remote camera control system, allowing anything from a single camera to large multi-camera setups to be monitored and controlled from a central point.

For DOPs and DITs, it provides a practical way to maintain consistency across multiple cameras, particularly when they’re mounted on cranes, vehicles, or hard-to-reach rigging positions. It’s equally at home with ARRI, Sony VENICE, the Sony FX series, and Blackmagic cinema cameras, making it well suited to mixed camera packages.

Combined with appropriate connectivity and infrastructure, it opens up the possibility of operating a fully wireless camera department, reducing rigging complexity and increasing flexibility where that workflow makes sense.

CyanView also offers some particularly useful functionality, including direct iris control on Sony FX6 and FX9 cameras with Sony E-mount lenses, without the need for external lens motors. It’s complemented by CyanView Dashboard, a browser-based interface for camera monitoring and control from a desktop, tablet or phone.

Now part of our offering at Shoot Blue.
Drop us a line if you’d like to find out more.

Canon has revealed a brand new camera in their EOS Cinema line, the EOS C400, designed to excel in multiple production environment, from live broadcast to cinematic multicam events.

* The C400 is a 6K full frame box style cinema camera that includes an ethernet port to enable remote control and complete shading from Cyanview RCPs via use of the XC protocol.
* In addition to having a native RF lens mount, the EOS C400 features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses allowing full lens control directly from the Cyanview RCPs. Adding a Cyanview RIO with @tiltamax or @arri motors allow creative lens selection while keeping full lens control from the RCP (Cinema Prime & Zoom lenses, Fujinon Cabrio,...).

We’ll have our hands on the C400 and the full Canon line up soon with @canonfrance, so stay tuned 👀 @canonemeapro

Check out this blog post to learn more about Cyanview control with Canon cameras ➡ https://bit.ly/3lszsvh (link in Bio)

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LiveBroadcast #LensControl #ColorCorrection #IP #RCP #Canon

Canon has revealed a brand new camera in their EOS Cinema line, the EOS C400, designed to excel in multiple production environment, from live broadcast to cinematic multicam events.

* The C400 is a 6K full frame box style cinema camera that includes an ethernet port to enable remote control and complete shading from Cyanview RCPs via use of the XC protocol.
* In addition to having a native RF lens mount, the EOS C400 features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses allowing full lens control directly from the Cyanview RCPs. Adding a Cyanview RIO with @tiltamax or @arri motors allow creative lens selection while keeping full lens control from the RCP (Cinema Prime & Zoom lenses, Fujinon Cabrio,...).

We’ll have our hands on the C400 and the full Canon line up soon with @canonfrance, so stay tuned 👀 @canonemeapro

Check out this blog post to learn more about Cyanview control with Canon cameras ➡ https://bit.ly/3lszsvh (link in Bio)

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LiveBroadcast #LensControl #ColorCorrection #IP #RCP #Canon

Canon has revealed a brand new camera in their EOS Cinema line, the EOS C400, designed to excel in multiple production environment, from live broadcast to cinematic multicam events.

* The C400 is a 6K full frame box style cinema camera that includes an ethernet port to enable remote control and complete shading from Cyanview RCPs via use of the XC protocol.
* In addition to having a native RF lens mount, the EOS C400 features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses allowing full lens control directly from the Cyanview RCPs. Adding a Cyanview RIO with @tiltamax or @arri motors allow creative lens selection while keeping full lens control from the RCP (Cinema Prime & Zoom lenses, Fujinon Cabrio,...).

We’ll have our hands on the C400 and the full Canon line up soon with @canonfrance, so stay tuned 👀 @canonemeapro

Check out this blog post to learn more about Cyanview control with Canon cameras ➡ https://bit.ly/3lszsvh (link in Bio)

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LiveBroadcast #LensControl #ColorCorrection #IP #RCP #Canon

Canon has revealed a brand new camera in their EOS Cinema line, the EOS C400, designed to excel in multiple production environment, from live broadcast to cinematic multicam events.

* The C400 is a 6K full frame box style cinema camera that includes an ethernet port to enable remote control and complete shading from Cyanview RCPs via use of the XC protocol.
* In addition to having a native RF lens mount, the EOS C400 features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses allowing full lens control directly from the Cyanview RCPs. Adding a Cyanview RIO with @tiltamax or @arri motors allow creative lens selection while keeping full lens control from the RCP (Cinema Prime & Zoom lenses, Fujinon Cabrio,...).

We’ll have our hands on the C400 and the full Canon line up soon with @canonfrance, so stay tuned 👀 @canonemeapro

Check out this blog post to learn more about Cyanview control with Canon cameras ➡ https://bit.ly/3lszsvh (link in Bio)

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LiveBroadcast #LensControl #ColorCorrection #IP #RCP #Canon

Cyanview will be back in Las Vegas for @nabshow 2024 from April 14-17.

Visit us at booth 𝗖𝟱𝟵𝟮𝟰 in the Central Hall !

We will show our latest innovations and you can already book a slot to schedule a demo with our team and get hands-on with our products.

📅 https://bit.ly/3IAXAn7 or via the link also in our bio

Use our code NS2799 to get your free exhibit pass

See you in Vegas !

#NAB2024 #NABShow #ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #Shading

Cyanview will be back in Las Vegas for @nabshow 2024 from April 14-17.

Visit us at booth 𝗖𝟱𝟵𝟮𝟰 in the Central Hall !

We will show our latest innovations and you can already book a slot to schedule a demo with our team and get hands-on with our products.

📅 https://bit.ly/3IAXAn7 or via the link also in our bio

Use our code NS2799 to get your free exhibit pass

See you in Vegas !

#NAB2024 #NABShow #ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #Shading

This week the HAMBURG OPEN show will, as usual, kick off the trade show season for Cyanview.

On Wednesday 17 and Thursday 18 January 2024, we will be on the @dreamchiptechnologies stand to showcase how to control ATOM cameras with Cyanview, from the AtomOne mini AIR (smallest SDI broadcast camera) to the SSM500 (smallest high-speed broadcast camera).

📍Visit us at Stand 324 in Hall B6

If you haven’t already done so, we highly recommend that you install our latest firmware update, 24.1.1.

It provides additional settings for Dream Chip ATOM, including Flare or selectable multi-matrix resolution. Here’s a link to learn more about the new features and see what we have in the works for 2024.

https://bit.ly/41X6wfD ⇨ Link in bio

Credits 🎥
@broadcastpro_au
@eastsideaerials.de
@filmosvideo

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #ColorCorrection #IP #RCP #DreamChip

This week the HAMBURG OPEN show will, as usual, kick off the trade show season for Cyanview.

On Wednesday 17 and Thursday 18 January 2024, we will be on the @dreamchiptechnologies stand to showcase how to control ATOM cameras with Cyanview, from the AtomOne mini AIR (smallest SDI broadcast camera) to the SSM500 (smallest high-speed broadcast camera).

📍Visit us at Stand 324 in Hall B6

If you haven’t already done so, we highly recommend that you install our latest firmware update, 24.1.1.

It provides additional settings for Dream Chip ATOM, including Flare or selectable multi-matrix resolution. Here’s a link to learn more about the new features and see what we have in the works for 2024.

https://bit.ly/41X6wfD ⇨ Link in bio

Credits 🎥
@broadcastpro_au
@eastsideaerials.de
@filmosvideo

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #ColorCorrection #IP #RCP #DreamChip

Visit @satisexpo next week to see Cyanview products in action on our partners booth:

👉🏻 @ampvisualtv - A46 - OB Truck HAUSSMANN
👉🏻 Boîte à Outils Broadcast - BOB - A52 - A56
👉🏻 @canonme - A28
👉🏻 @captaprod - C45 + OB Truck PULLMAN
👉🏻 CVS Engineering - A4 - A5
👉🏻 Imagine Communications - A55
👉🏻 @multicamsystemsfr - C1
👉🏻 @trmaudiovisuel - A13 - B12
👉🏻 @visual_impact_france - B32
👉🏻 And also on the #satistv set

📧 Our team will be at the show on Wednesday. If you want to chat with us send an email at marketing@cyanview.com or a direct message on any social platform !

See you in Paris

#SATISEXPO #SATIS2023
#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #ColorCorrection #IP #RCP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

First 2 days of @ibcshow are already done !
Time is flying fast so don’t wait and drop by Hall 10 Stand 10.D31g to say hi and ask for a demo.

Our Belgian Beer party starts at 5 pm this Sunday 🍻

#IBC2023 #ShadingOverIP #RemoteShading #Broadcast #LiveProduction #RemoteProduction #LensControl #ColorCorrection #IP

(Français ⬇️)

@haivision customer day in France is taking place this Thursday, June 15 and Cyanview is pleased to be part of it to talk about shading, from on-site production to full remote production.

To all our French/France-based customers & partners, don’t hesitate and register now 👉🏻 https://lnkd.in/eKpjFW2F

Haivision vous ouvre ses portes ce jeudi 15 juin et Cyanview est heureux d’être de la partie pour échanger sur le shading: du contrôle classique sur site jusqu’en complète remote production.

À tous nos clients et partenaires français (ou basés en France), n’hésitez pas et inscrivez-vous 👉🏻 https://lnkd.in/eKpjFW2F

#Haivision #ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #ColorCorrection #IP

𝐋𝐢𝐯𝐞 𝐏𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐃-𝐂𝐢𝐧𝐞𝐦𝐚 𝐜𝐚𝐦𝐞𝐫𝐚𝐬

𝘖𝘯 𝘵𝘰𝘱 𝘰𝘧 𝘱𝘳𝘰𝘷𝘪𝘥𝘪𝘯𝘨 𝘤𝘢𝘮𝘦𝘳𝘢 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘊𝘺𝘢𝘯𝘷𝘪𝘦𝘸 𝘢𝘭𝘴𝘰 𝘰𝘧𝘧𝘦𝘳𝘴 𝘵𝘩𝘦 𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘵𝘰 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘢𝘭𝘭 𝘵𝘺𝘱𝘦𝘴 𝘰𝘧 𝘭𝘦𝘯𝘴𝘦𝘴 !

D-Cinema cameras require more than typical system cameras because they were not designed to be painted live...but that’s only the beginning of the story.
Let's take the #SonyFX9 for example. This camera became really popular for capturing Live Cinematic Multicam Productions such as concerts, operas, fashion shows - in fact it’s maybe THE camera for those kind of scenarios.
On these productions, a wide range of lenses are often used, from expensive cine zooms to prime lenses with Tilta motors, professional B4 2/3" lenses or even box lenses.

Not all of these can be directly connected and controlled by the FX9, but with the Cyanview RIO and RIO Live modules you get full lens control capability in addition to camera shading.

Here are three photo setups often used by PLANI

* Sony FX9 with Fujinon Cabrio ZK25-300mm PL lens
* Sony FX9 with Fujinon Duvo HZK 25-1000mm PL lens
* Sony FX9 with Canon CJ45EX9.7B B4 lens

Ps: you can also add our VP4 to act like a dedicated CCU to provide all the features of a system camera to the Sony FX9 !

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #SonyFX9

𝐋𝐢𝐯𝐞 𝐏𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐃-𝐂𝐢𝐧𝐞𝐦𝐚 𝐜𝐚𝐦𝐞𝐫𝐚𝐬

𝘖𝘯 𝘵𝘰𝘱 𝘰𝘧 𝘱𝘳𝘰𝘷𝘪𝘥𝘪𝘯𝘨 𝘤𝘢𝘮𝘦𝘳𝘢 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘊𝘺𝘢𝘯𝘷𝘪𝘦𝘸 𝘢𝘭𝘴𝘰 𝘰𝘧𝘧𝘦𝘳𝘴 𝘵𝘩𝘦 𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘵𝘰 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘢𝘭𝘭 𝘵𝘺𝘱𝘦𝘴 𝘰𝘧 𝘭𝘦𝘯𝘴𝘦𝘴 !

D-Cinema cameras require more than typical system cameras because they were not designed to be painted live...but that’s only the beginning of the story.
Let's take the #SonyFX9 for example. This camera became really popular for capturing Live Cinematic Multicam Productions such as concerts, operas, fashion shows - in fact it’s maybe THE camera for those kind of scenarios.
On these productions, a wide range of lenses are often used, from expensive cine zooms to prime lenses with Tilta motors, professional B4 2/3" lenses or even box lenses.

Not all of these can be directly connected and controlled by the FX9, but with the Cyanview RIO and RIO Live modules you get full lens control capability in addition to camera shading.

Here are three photo setups often used by PLANI

* Sony FX9 with Fujinon Cabrio ZK25-300mm PL lens
* Sony FX9 with Fujinon Duvo HZK 25-1000mm PL lens
* Sony FX9 with Canon CJ45EX9.7B B4 lens

Ps: you can also add our VP4 to act like a dedicated CCU to provide all the features of a system camera to the Sony FX9 !

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #SonyFX9

𝐋𝐢𝐯𝐞 𝐏𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐃-𝐂𝐢𝐧𝐞𝐦𝐚 𝐜𝐚𝐦𝐞𝐫𝐚𝐬

𝘖𝘯 𝘵𝘰𝘱 𝘰𝘧 𝘱𝘳𝘰𝘷𝘪𝘥𝘪𝘯𝘨 𝘤𝘢𝘮𝘦𝘳𝘢 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘊𝘺𝘢𝘯𝘷𝘪𝘦𝘸 𝘢𝘭𝘴𝘰 𝘰𝘧𝘧𝘦𝘳𝘴 𝘵𝘩𝘦 𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘵𝘰 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘢𝘭𝘭 𝘵𝘺𝘱𝘦𝘴 𝘰𝘧 𝘭𝘦𝘯𝘴𝘦𝘴 !

D-Cinema cameras require more than typical system cameras because they were not designed to be painted live...but that’s only the beginning of the story.
Let's take the #SonyFX9 for example. This camera became really popular for capturing Live Cinematic Multicam Productions such as concerts, operas, fashion shows - in fact it’s maybe THE camera for those kind of scenarios.
On these productions, a wide range of lenses are often used, from expensive cine zooms to prime lenses with Tilta motors, professional B4 2/3" lenses or even box lenses.

Not all of these can be directly connected and controlled by the FX9, but with the Cyanview RIO and RIO Live modules you get full lens control capability in addition to camera shading.

Here are three photo setups often used by PLANI

* Sony FX9 with Fujinon Cabrio ZK25-300mm PL lens
* Sony FX9 with Fujinon Duvo HZK 25-1000mm PL lens
* Sony FX9 with Canon CJ45EX9.7B B4 lens

Ps: you can also add our VP4 to act like a dedicated CCU to provide all the features of a system camera to the Sony FX9 !

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #SonyFX9

𝐋𝐢𝐯𝐞 𝐏𝐫𝐨𝐝𝐮𝐜𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐃-𝐂𝐢𝐧𝐞𝐦𝐚 𝐜𝐚𝐦𝐞𝐫𝐚𝐬

𝘖𝘯 𝘵𝘰𝘱 𝘰𝘧 𝘱𝘳𝘰𝘷𝘪𝘥𝘪𝘯𝘨 𝘤𝘢𝘮𝘦𝘳𝘢 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘊𝘺𝘢𝘯𝘷𝘪𝘦𝘸 𝘢𝘭𝘴𝘰 𝘰𝘧𝘧𝘦𝘳𝘴 𝘵𝘩𝘦 𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘵𝘰 𝘤𝘰𝘯𝘵𝘳𝘰𝘭 𝘢𝘭𝘭 𝘵𝘺𝘱𝘦𝘴 𝘰𝘧 𝘭𝘦𝘯𝘴𝘦𝘴 !

D-Cinema cameras require more than typical system cameras because they were not designed to be painted live...but that’s only the beginning of the story.
Let's take the #SonyFX9 for example. This camera became really popular for capturing Live Cinematic Multicam Productions such as concerts, operas, fashion shows - in fact it’s maybe THE camera for those kind of scenarios.
On these productions, a wide range of lenses are often used, from expensive cine zooms to prime lenses with Tilta motors, professional B4 2/3" lenses or even box lenses.

Not all of these can be directly connected and controlled by the FX9, but with the Cyanview RIO and RIO Live modules you get full lens control capability in addition to camera shading.

Here are three photo setups often used by PLANI

* Sony FX9 with Fujinon Cabrio ZK25-300mm PL lens
* Sony FX9 with Fujinon Duvo HZK 25-1000mm PL lens
* Sony FX9 with Canon CJ45EX9.7B B4 lens

Ps: you can also add our VP4 to act like a dedicated CCU to provide all the features of a system camera to the Sony FX9 !

#ShadingOverIP #RemoteShading #Broadcast #RemoteProduction #LiveProduction #LensControl #SonyFX9