Instagram Story Save
Free Save Instagram Story, Reels, Photo, Video, Highlights, IGTV online
cueart
CUE Art
mādar: Iran Relief Exhibition
Curated by @melikaabikenari + @golnar.adili
On view May 16th + 17th
Support relief efforts via artwork 🔗 in bio
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
🎟️ Introducing: Membership at CUE!
CUE’s new membership program is an opportunity to connect with an emerging and experimental arts community—and to receive meaningful benefits while sustaining our artist-centered mission.
Membership offers access to special gatherings, artwork and editions, studio visits, and more—including a level specifically for artists with portfolio reviews and written feedback.
The ecosystem that supports the arts requires immense and dedicated labor. Membership directly supports the people who make this work possible—artists, mentors, curators, educators, art handlers, designers, and more—and helps CUE remain a vital alternative to traditional institutional models.
Become part of this generative network.
Link in bio for details 🔗
——
Images from recent CUE program offerings (listed in order of appearance):
Join as a member to receive special access to events like these.
📸 @hatnimlee:
💃🏽 Performance by @iyannathemodel and @c0c0villa for “Vendah” by @corneliustulloch, 2023.
📸 @ng.nyc:
🐡 Procession of grilled fish by @chefoscarriquelme for “Luma” by @catalina.tuca, 2024.
🌾 Kamayan dinner by chefs @woldykusina and @ljalmendras for “Sometimes My Accent Slips Out” by @bhen_alan, 2024.
🎶 Improvisational bass set by @bantlopez for “worried notes” by @kelisafiamaksud, 2024.
🥀 Closing performance for “This Fire That Warms You” by @tsohilbhatia, 2024.
🥣 Performative dinner by @afimoh__ and @bazm.nyc for “The Bride Has Gone to Pick Flowers” curated by @just.lila, 2025.
——
www.cueartfoundation.org/support-cue
#cueart #artistled #alternativeartspaces #emergingartists #experimentalart #contemporaryart #independentart #supportartists #artmembership #artmatters #artsworkers #supportthearts #artscommunity #artnonprofit #newyorkart
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
We invite you to join us this Saturday, May 23, from 6–9 pm for the opening of 203/H The Collector at the CUE Art Foundation, sharing works by 18 participating artists and researchers brought together through the Interdisciplinary Art and Theory Program (IATP).
The exhibition emerged out of a year of Friday gatherings in the basement of Canada gallery on the Lower East Side. Each week, from 4–6 pm, we met to read Walter Benjamin’s The Arcades Project, an unfinished work published after his death. Afterwards, we continued our conversations at Toad Hall or Whiskey Tavern near Canal Street, bars that became extensions of the reading room, where ideas lingered long after the text closed.
The book brought us together, each of us developing an intimate relationship with the text while reading alongside one another. At some point, Benjamin simply became Walter. The exhibition emerges not only from our engagement with his fascinating text, but from the way our worlds collided: friendships, debates, and an osmosis of ideas that unfolded over many Fridays together.
The exhibition is an invitation to think together, to expand the community, and to continue the conversations that began around a basement table and stretched late into the evening.
About IATP @iatp_nyc
Based in New York City, the Interdisciplinary Art and Theory Program (IATP) is a year-long critical studies program for artists, curators, and cultural practitioners. Through readings, seminars, and collective discussion, it examines the structures, histories, and politics that shape contemporary art and culture.
Much love and thanks to Jinny Khanduja @jinnykk and Jasmine Buckley at CUE @cueart for making this happen.
ANNOUNCING: “Datos Helados | Soft Tidal” by
Federico Bolagno-Romero & Mathías Chumino
Join us at the opening reception on Saturday, June 6th, 6-10 pm, with performances by Yellow Tears, Imminent Death, and Daren Ho beginning at 8 pm.
Datos Helados is an ongoing project of site specific installations that delve into the tensions between data, memory, meaning, and territory. This installment of the series, “Soft Tidal” presents a sculptural and media installation tracing data as liquid matter across the Hudson and el Río de la Plata.
Read more and RSVP for the opening at links in bio 🔗
——
Image Credits:
Graphic Design: Jvy Vazquez (@jvyvazquez)
Photos: Details of past and in-process works as part of “Datos Helados,” 2025-26
——
Datos Helados | Soft Tidal
June 6–27, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Artists: Federico Bolagno-Romero (@publica__), Mathías Chumino / C03RA (@c03ra)
Curator: Will Rubenstein (@vialrecordings)
Exhibition Text: Leticia Almeida (@tankydarling)
Performances: Yellow Tears (@yellowtears_official), Imminent Death (@nothingnatural), Daren Ho (@the_daren_ho_story)
Music Programming: @publica__ + @vialrecordings
#datoshelados #cueart
ANNOUNCING: “Datos Helados | Soft Tidal” by
Federico Bolagno-Romero & Mathías Chumino
Join us at the opening reception on Saturday, June 6th, 6-10 pm, with performances by Yellow Tears, Imminent Death, and Daren Ho beginning at 8 pm.
Datos Helados is an ongoing project of site specific installations that delve into the tensions between data, memory, meaning, and territory. This installment of the series, “Soft Tidal” presents a sculptural and media installation tracing data as liquid matter across the Hudson and el Río de la Plata.
Read more and RSVP for the opening at links in bio 🔗
——
Image Credits:
Graphic Design: Jvy Vazquez (@jvyvazquez)
Photos: Details of past and in-process works as part of “Datos Helados,” 2025-26
——
Datos Helados | Soft Tidal
June 6–27, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Artists: Federico Bolagno-Romero (@publica__), Mathías Chumino / C03RA (@c03ra)
Curator: Will Rubenstein (@vialrecordings)
Exhibition Text: Leticia Almeida (@tankydarling)
Performances: Yellow Tears (@yellowtears_official), Imminent Death (@nothingnatural), Daren Ho (@the_daren_ho_story)
Music Programming: @publica__ + @vialrecordings
#datoshelados #cueart
ANNOUNCING: “Datos Helados | Soft Tidal” by
Federico Bolagno-Romero & Mathías Chumino
Join us at the opening reception on Saturday, June 6th, 6-10 pm, with performances by Yellow Tears, Imminent Death, and Daren Ho beginning at 8 pm.
Datos Helados is an ongoing project of site specific installations that delve into the tensions between data, memory, meaning, and territory. This installment of the series, “Soft Tidal” presents a sculptural and media installation tracing data as liquid matter across the Hudson and el Río de la Plata.
Read more and RSVP for the opening at links in bio 🔗
——
Image Credits:
Graphic Design: Jvy Vazquez (@jvyvazquez)
Photos: Details of past and in-process works as part of “Datos Helados,” 2025-26
——
Datos Helados | Soft Tidal
June 6–27, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Artists: Federico Bolagno-Romero (@publica__), Mathías Chumino / C03RA (@c03ra)
Curator: Will Rubenstein (@vialrecordings)
Exhibition Text: Leticia Almeida (@tankydarling)
Performances: Yellow Tears (@yellowtears_official), Imminent Death (@nothingnatural), Daren Ho (@the_daren_ho_story)
Music Programming: @publica__ + @vialrecordings
#datoshelados #cueart
Last chance to acquire works as part of mādar, curated by @melikaabikenari and @golnar.adili! Browse the available works, part of a collection contributed by 80+ artists in support of on-the-ground relief efforts in Iran via @momsagainstpoverty and @child_international.
Links in bio to more info, acquisitions, and donations for the relief effort 🤍
“mādar,” a group benefit exhibition and relief effort curated by @melikaabikenari and @golnar.adili, is on view for one final day! Stop by the gallery from 12-6 pm.
At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.
Artworks in the show, contributed by over 80 artists, are available for acquisition through Tuesday, with proceeds supporting humanitarian relief efforts through @momsagainstpoverty, @child_international, and additional initiatives providing direct funds to people on the ground in Iran.
Links in bio to available works + merch shop! 🔗
Photos by @ng.nyc 📸
——
mādar
May 15–17, 2026
Gallery Hours: Sat + Sun, 12–6 pm
137 W. 25th St., NYC
“mādar,” a group benefit exhibition and relief effort curated by @melikaabikenari and @golnar.adili, is on view for one final day! Stop by the gallery from 12-6 pm.
At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.
Artworks in the show, contributed by over 80 artists, are available for acquisition through Tuesday, with proceeds supporting humanitarian relief efforts through @momsagainstpoverty, @child_international, and additional initiatives providing direct funds to people on the ground in Iran.
Links in bio to available works + merch shop! 🔗
Photos by @ng.nyc 📸
——
mādar
May 15–17, 2026
Gallery Hours: Sat + Sun, 12–6 pm
137 W. 25th St., NYC
“mādar,” a group benefit exhibition and relief effort curated by @melikaabikenari and @golnar.adili, is on view for one final day! Stop by the gallery from 12-6 pm.
At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.
Artworks in the show, contributed by over 80 artists, are available for acquisition through Tuesday, with proceeds supporting humanitarian relief efforts through @momsagainstpoverty, @child_international, and additional initiatives providing direct funds to people on the ground in Iran.
Links in bio to available works + merch shop! 🔗
Photos by @ng.nyc 📸
——
mādar
May 15–17, 2026
Gallery Hours: Sat + Sun, 12–6 pm
137 W. 25th St., NYC
“mādar,” a group benefit exhibition and relief effort curated by @melikaabikenari and @golnar.adili, is on view for one final day! Stop by the gallery from 12-6 pm.
At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.
Artworks in the show, contributed by over 80 artists, are available for acquisition through Tuesday, with proceeds supporting humanitarian relief efforts through @momsagainstpoverty, @child_international, and additional initiatives providing direct funds to people on the ground in Iran.
Links in bio to available works + merch shop! 🔗
Photos by @ng.nyc 📸
——
mādar
May 15–17, 2026
Gallery Hours: Sat + Sun, 12–6 pm
137 W. 25th St., NYC
“mādar,” a group benefit exhibition and relief effort curated by @melikaabikenari and @golnar.adili, is on view for one final day! Stop by the gallery from 12-6 pm.
At a moment of ongoing uncertainty in Iran, the exhibition brings together artists spanning generations and disciplines—from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York—in a collective gesture of solidarity.
Artworks in the show, contributed by over 80 artists, are available for acquisition through Tuesday, with proceeds supporting humanitarian relief efforts through @momsagainstpoverty, @child_international, and additional initiatives providing direct funds to people on the ground in Iran.
Links in bio to available works + merch shop! 🔗
Photos by @ng.nyc 📸
——
mādar
May 15–17, 2026
Gallery Hours: Sat + Sun, 12–6 pm
137 W. 25th St., NYC
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
. with deep love and gratitude to everyone who brought mādar into being. ❤️🔥 may 15, @cueart
works remaining from the benefit auction are still available for purchase today and tomorrow at the artists’ retail prices. link below and in bio .
32auctions.com/madarbenefit
the exhibition remains on view through sunday, may 17, 12-6 pm.
⚔️ @narrokh @sag.nyc @backhomebeer @bazm.nyc
📷: @luigiwmorris
We are pleased to invite you to “203 / H The Collector,” organized by Oorja Garg and Ridwana Rahman with the Interdisciplinary Art and Theory Program (IATP) at CUE Art Foundation from May 23-29, 2026.
Artists & Researchers: Minnie Black, Yves Cao, Kaela Mei-Chee Chambers, Joseph Issac Cohen, Spencer Everett, Christian Amaya Garcia, Oorja Garg, Mary-Elisabeth Moore, Pegah Pasalar, Sarah Passino, Ridwana Rahman, Rujuta Rao, Lauren Rooney, Miranda Samuels, Soleil Corazón-Libre, Trevor Warren, Mariia Usova
IATP Team: Jeremy Johnston, Ben DuVall & Curtis Eckley (Darling Green), Miranda Samuels, Orlee Malka, Avi Alpert, Meleko Mokgosi, Kristen Hileman, Anthea Behm, and Jennifer Pranolo
Opening Night: Saturday, May 23, 6-9 PM
Closing & Symposium: Friday, May 29
CUE Art Foundation
137 W 25th St, New York, NY
After a year of moving through Walter Benjamin’s The Arcades Project with IATP, convolute by convolute, this exhibition emerges from questions around collecting, commodities, memory, and the strange lives of objects.
Benjamin returns often to the figure of the collector: one who withdraws things from circulation and reorders them according to intimate logics of assembly. In this gesture, the object is released from economic function and enters narrative life.
The exhibition invites viewers to encounter things not as possessions to be acquired, but as forms carried across contexts, memories, and possible futures.
@iatp_nyc @cueart @riiiiiiiiiiiiiiiiiiiid @pinkbearblacksheep @yjeancao @kaelachambers @josephissaccohen @christianamayagarcia @pegahpas @rujutarao @trevorpwarren @maryelissabet @mirandasamuels_ @sarah.passino @avialpert @darling_green_studio @curtiseckley @meleko.mokgosi
Sparkling Water Sponsored by @nomina_drink
mādar brings together artists spanning generations and disciplines, from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York, in a collective gesture of solidarity. While the bombing has temporarily paused, the situation remains precarious. Critical infrastructure has been damaged or destroyed, and millions — already burdened by years of economic crisis, inflation, and U.S. sanctions — face the threat of displacement, food insecurity, and long-term instability.
Curated by Melika Abikenari and Golnar Adili, mādar is a benefit exhibition and auction opening Friday, May 15 at 6 PM at CUE Art Foundation.
Contributed works will be available through a benefit auction supporting relief efforts through Moms Against Poverty and additional on-the-ground initiatives supporting people in Iran. The online auction launches with the opening reception and remains live through 11:59 PM EST on May 15.
Opening night includes sounds by @narrokh beginning at 9 PM, aragh cocktails by @sag.nyc , beer provided by @backhomebeer , and bites by @bazm.nyc .
mādar will remain on view through the weekend at CUE Art Foundation, 137 West 25th Street. Weekend gallery hours on Saturday, May 16 and Sunday, May 17 are from 12–6 PM; no reservations are required.
Original image by Ali Akbar Sadeghi, adapted for this flyer.
mādar brings together artists spanning generations and disciplines, from Bandar Abbas, Hormozgan, Iran to Brooklyn, New York, in a collective gesture of solidarity. While the bombing has temporarily paused, the situation remains precarious. Critical infrastructure has been damaged or destroyed, and millions — already burdened by years of economic crisis, inflation, and U.S. sanctions — face the threat of displacement, food insecurity, and long-term instability.
Curated by Melika Abikenari and Golnar Adili, mādar is a benefit exhibition and auction opening Friday, May 15 at 6 PM at CUE Art Foundation.
Contributed works will be available through a benefit auction supporting relief efforts through Moms Against Poverty and additional on-the-ground initiatives supporting people in Iran. The online auction launches with the opening reception and remains live through 11:59 PM EST on May 15.
Opening night includes sounds by @narrokh beginning at 9 PM, aragh cocktails by @sag.nyc , beer provided by @backhomebeer , and bites by @bazm.nyc .
mādar will remain on view through the weekend at CUE Art Foundation, 137 West 25th Street. Weekend gallery hours on Saturday, May 16 and Sunday, May 17 are from 12–6 PM; no reservations are required.
Original image by Ali Akbar Sadeghi, adapted for this flyer.
Join us on Saturday, May 2nd, for d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩, a new dinner work by Tsohil Bhatia (@tsohilbhatia) co-presented with Peel (@peel.space) in Pittsburgh, PA. The meal will be followed by a set from multi-disciplinary DJ, artist, and designer Formosa (@formosa.exe).
Guests gather for a shared eight-course meal in which the table becomes a site for speculation on the practices that have shaped what we consider to be either palatable or objectionable.
Drawing upon ingredients and methods that have existed for centuries—ash, clay, salt, grain, fruit, char, fermentation—the menu acts as a set of relations to land across geographies and over time. Recipes carry evidence of the propositions of the land. They draw from histories of accident, spoilage, and contamination, often incorporating ingredients that we have learned to distrust.
Through vocabularies of refusal and relation, the work reconsiders our prevailing conceptions of value and sustenance.
Capacity is limited! Learn more and reserve a seat ($50) at links in bio. 🔗
——
d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩 is made possible through essential support from the Carnegie Mellon School of Art, Brian Wongchaowart, Chris and Dawn Fleischner, and JADED (@jadedpgh).
Drinks graciously provided by @goodlandercocktails and @twofraysbrewery.
d̶i̶r̶t̶ 𝘦𝘢𝘳𝘵𝘩
Tsohil Bhatia
Saturday, May 2nd, 8-11 pm
Peel | 5806 Forbes Ave, Pittsburgh, PA
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Today is the last day of “What’s Left in the Remaking.” Come visit us before the show closes at 6 pm!
Work in the show is available to collect, and sales directly support the artists and help to sustain CUE’s emerging artist-centered program.
To inquire or express interest, visit link in bio. 🔗
Myeongsoo Kim (@msk3022)
“Desolate Landscape-01,” 2022
Cut-out pigment print, framed
20 x 26 x 1 ¾ inches
Fereidoun Ghaffari (#fereidounghaffari)
“Untitled,” ongoing
Oil on canvas
29 x 28 inches
Levani (@levanmindi)
“v. hierophant (i),” 2025
Bull horns, pigmented cast silicone, polished stainless steel, laboratory hardware, ceramic, steel
40 x 16 x 20 inches
Shellyne Rodriguez (_shellyne_)
“NO PASARÁN!,” 2024
Linocut relief print, chine collé, collage
36 x 24 inches (framed: 42 x 30 inches)
Tania Bruguera (@taniabruguera)
“Dear Diary,” 2025
Digital print on Canson Rag
16 x 24 inches (sheet: 18 x 26 inches)
Artist Proof (A.P.)
Camilo Godoy (#camilogodoy)
“HIC HABITAT FELICITAS (Contacto),” 2022
Archival pigment print
8 x 10 inches (framed: 16 x 18 inches)
Edition of 1 of 5 + 2 APs
Naeem Mohaiemen (@naeem_mohaeiemen)
“When Worlds Collide 2,” 2020
Polyamide 12 nylon 3D print, spray paint
15 x 15 x 10 inches
Edition of 5 + 1 AP
Paul Miller (DJ Spooky) (@djspooky_official)
“Orwell: A Portrait,” 2025
Digital print on architectural vellum
48 x 36 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
See more of the works on view in “What’s Left in the Remaking,” and come visit us in the gallery before the exhibition closes this Saturday, April 18th.
The works are available for sale, directly supporting both the artists and CUE’s deeply relational and artist-centered model.
To inquire or express interest, head to link in bio. 🔗
Abigail DeVille (@victoriouspurple)
“Night Rider (Jupiter’s Wish),” 2022
Antique dolls, tulle, galvanized gold metallic wire, oven wire rack, paint, plywood, paper, MDF, canvas board
48 x 48 x 10 inches
—
Keli Safia Maksud (@kelisafiamaksud / @notanafricanspecialist)
Detail of “If I say the sky’s small arithmetic, its inscription, its echo I,” 2023
Embroidery and carbon transfer on carbon paper
76 x 26 inches
—
Esperanza Mayobre (@esperanzamayobre)
“1000 lingotes,” 2025
Acrylic paint and tape on board
30 x 24 inches
—
Catalina Tuca (@catalina.tuca)
“The Sensitive Project: Emotion of Orsolya Gal (Romania),” 2021
3D printed resin; accompanied by drawing, 3D model, and rendering
4 x 4 x 7 inches
“The Sensitive Project: Emotion of Vishal Kumaraswami (India),” 2021
3D printed PLA; accompanied by drawing, 3D model, and rendering
8 x 4 x 4 inches
“The Sensitive Project: Emotion of Ryan Doherty (Canada),” 2021
3D printed silicone rubber; accompanied by drawing, 3D model, and rendering
6 x 6 x 7 inches
—
Juan Eduardo Gómez (@juan_e_gomez)
“Untitled,” 2020
Oil on linen
24 x 18 inches
—
Tsohil Bhatia (@tsohilbhatia)
“Untitled (Scene I – dosa batter),” 2025
Hardwood flooring, homemade dosa batter (rice, lentils, fenugreek seeds, water; fermented), chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
“Untitled (Scene II – mustard seeds),” 2025
Hardwood flooring, mustard seeds, chipboard, lumber, acrylic
Wall configuration: 22 x 32 x 5 inches
Floor configuration: 5 x 32 x 22 inches
—-
Jade Guanaro Kuriki-Olivo (@puppiespuppiesjade)
“Chick with a Dick,” 2025
Taxidermied chick, TPE dildo
7 x 7 x 3 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
It’s the final week of “What’s Left in the Remaking.” Check out more of the works in the show, and come see them in person before it closes this Sat, April 18th!
The exhibition doubles as a benefit, and works are available for sale. Sales help sustain individual artists practices and ensure that CUE can continue to provide opportunities for emerging and experimental work during this challenging moment.
To inquire or express interest, head to link in bio. 🔗
Golnar Adili (@golnar.adili)
“A Thousand Pages of Chest in A Thousand Mirrors - For Palestine,” 2024
Transfer of book cloth, grandmother’s gown, board, print sculpture on paper
9 x 23 x 1½ inches (open); 9 x 11 x 1 ½ inches (closed)
James Yakimicki (@yaki.micki)
“78 in a 65 - Still (afraid) and Going for It,” 2025
Oil paint on stretched linen
36 x 24 inches
Athena LaTocha (@athena_latocha)
“Untitled, No. 20,” 2022
Shellac ink, soils from the Green-Wood Cemetery, demolition sediment from Downtown Brooklyn, pulverized brick, glass microbeads from New York City Department of Transportation on paper, custom raw steel artist frame
18½ x 27 x 2 inches
Mo Kong (@mosmosk)
“Swift Island Chain Compass,” 2024
Biotech concrete, Sporosacrina Ureae, Sporosarcinca Pasteurii, Sentiment AI feedback system, hand-blown glass, heavy duty spring, nonfood algae-based energy bars, Guano, Spirulina, liquid magnets, magnetic levitating educational models
39 x 9¼ x 7½ inches
Steffani Jemison (@steffanijemison)
“Untitled (Same Time / way in the middle of the air),” 2025
Acrylic on brass
23⅝ x 23⅝ inches
Yang Mai (@_yangmai_)
“Shhh! (Whitewash),” 2025
Chinese school uniform, barricade, paint, foam, PVC pipe
37 x 32 x 23½ inches
David Humphrey (@aikenhump)
“At the Controls,” 2019
Acrylic on canvas
22 x 28 inches
Judy Linn (@judylinniam)
“acute angle,” 2015
Archival pigment print
16¼ x 11¼ inches
Miatta Kawinzi (@mkawstudio)
“Reaching for our other halves (1),” 2023
Archival pigment print of cut paper on paper
14 x 11 inches
Ernst Fischer (@_ernst_fischer_)
“Untitled (Spessartine),” 2013
Pigment print, Diasec-mounted
22½ x 32 inches
——
What’s Left in the Remaking
On view through April 18, 2026
Gallery Hours: Wed–Sat, 12–6 pm
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!
Our advantages:
No Need to Register
Avoid app downloads and sign-ups, store stories on the web.
Exclusive High-Quality
Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.
Accessible on All
Devices Download Instagram Stories using any browser, iPhone, Android.
Completely Free to Use
Absolutely no fees. Download any Story at no cost.
Frequently Asked Questions
- 1. Go to the Instagram Story Downloader tool.
- 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
- 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.