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Evening viewing recommendation? On the Criterion Channel, watch Billy Wilder's THE APARTMENT (1960) in our Office Romances collection! ❤️

Jack Lemmon stars in one of Wilder’s most beloved films as C. C. Baxter, a company man anxious to please his superiors at the New York insurance firm where he works—enough to let his bosses use his apartment for their affairs. Smitten with one of the building’s elevator operators (Shirley MacLaine), Baxter soon finds himself embroiled in a love triangle with dangerous consequences. Winner of five Academy Awards, including Best Picture and Best Director, THE APARTMENT expertly balances mirth and melancholy, finding romance amid the loneliness of corporate life in midcentury Manhattan.

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Remembering the great Kenji Mizoguchi, born on this day in 1898. 🖤 One of Japan’s most important filmmakers, Mizoguchi created a cinema rich in technical mastery and social commentary, specifically regarding the place of women in Japanese society. Watch our collection of his films on the Criterion Channel, featuring the heartrending masterpiece THE STORY OF THE LAST CHRYSANTHEMUM (1939), the exquisite ghost story UGETSU (1953), the moving tale of forbidden love A STORY FROM CHIKAMATSU, and much more.All of these films are also now 30% OFF during our Spring Sale at criterion.com!

Morning ☕ 💙

On the set of THELMA & LOUISE (1991)— now 30% off during our Spring sale!

Morning ☕ 💙

On the set of THELMA & LOUISE (1991)— now 30% off during our Spring sale!

Morning ☕ 💙

On the set of THELMA & LOUISE (1991)— now 30% off during our Spring sale!

Morning ☕ 💙

On the set of THELMA & LOUISE (1991)— now 30% off during our Spring sale!

Evening viewing recommendation? On the Criterion Channel, watch K-ON! THE MOVIE (2011) as part of our Anime collection! This heartfelt continuation of the beloved, slice-of-life anime series K-ON! traces the charming adventures of five high school students who come together to form the band Ho-kago Tea Time. Beautifully blending humor, music, and gentle emotion, K-ON! THE MOVIE is a bittersweet ode to friendship, creativity, and the bonds that last a lifetime.

Stay tuned for our AUGUST 2026 Criterion titles announcement this Monday.

✨Eiza González’s Closet Picks! ✨ The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how KLUTE awakened her love for film noir, and talks about why she keeps returning to THE MOTHER AND THE WHORE. ✨ You can see Eiza next in I LOVE BOOSTERS and IN THE GREY, both opening theatrically this month!

Watch some of Eiza's Picks on the Criterion Channel!
FANNY AND ALEXANDER
THE MOTHER AND THE WHORE
IN THE MOOD FOR LOVE
MONSIEUR VERDOUX

TGIF c/o Bob Fosse and Roy Scheider at the 1980 Cannes Film Festival, where ALL THAT JAZZ won the top prize alongside KAGEMUSHA! 🏆

📸 Ralph Gatti / AFP

On the Criterion Channel, watch Roger Donaldson's NO WAY OUT (1987) in our '80s Remakes (and Their Originals!) collection. Based on Kenneth Fearing’s classic suspense novel THE BIG CLOCK, this gripping, inspired reimagining resets the story against the backdrop of Washington, DC, political intrigue as young naval officer Tom Farrell (Kevin Costner) begins an affair with the mysterious Susan Atwell (Sean Young)—unaware that she is also the mistress of his boss, the powerful and possessive Secretary of Defense David Brice (Gene Hackman). When Susan dies under mysterious circumstances, Farrell is plunged into a labyrinth of danger and deception.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

✨Announcing our JUNE 2026 Criterion Channel lineup! ✨ Next month, set out on an epic journey with our Odysseys collection, or revisit the foundational Bond classics that introduced the silver screen’s most iconic superspy. A spotlight on Courtney Love’s acting career reveals an incandescent screen performer, while a collection of wedding movies explores the tension and breathless expectation surrounding that fateful walk down the aisle. There’s so much more to choose from this month, including a selection of LGBTQ+ Favorites, Steven Spielberg’s jaw-dropping classic CLOSE ENCOUNTERS OF THE THIRD KIND, the exclusive premiere of Gary Hustwit’s shape-shifting portrait of Brian Eno, cult classics from Alex Cox, and stylish shorts by Yann Gonzalez.

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

’80s Remakes x Their Originals 🎥 ❤️ Now playing on the Criterion Channel! Viewed side by side, these films reveal a decade in provocative dialogue with the past, infusing timeless originals with the aesthetics, politics, and cultural permissiveness of a new era.

• BREATHLESS (1983) / BREATHLESS (1960)
• CAT PEOPLE (1982) / CAT PEOPLE (1942)
• THE POSTMAN ALWAYS RINGS TWICE (1981) / THE POSTMAN ALWAYS RINGS TWICE (1946)
• THE THING (1982) / THE THING FROM ANOTHER WORLD (1951)
• NO WAY OUT (1987) / THE BIG CLOCK (1948)
• THE MAN WHO LOVED WOMEN (1983) / THE MAN WHO LOVED WOMEN (1977)

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Evening viewing recommendation? On the Criterion Channel, watch CLOCKWATCHERS (1997)! Jill Sprecher’s indie gem stars Parker Posey, Lisa Kudrow, Toni Collette, and Alanna Ubach in a deadpan time capsule of late-90s corporate culture that brilliantly captures the malaise and muzak-set absurdity of life inside the cubicle. Alongside the film, watch a great interview with Sprecher.

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!

Read Geoff Dyer's new essay on our edition of John Boorman’s 1967 stylized revenge thriller starring Lee Marvin — a film that transforms hard-edged pulp into a kaleidoscopic psychological puzzle. 🖤 Head to the link in our bio to check out the full essay and buy our new 4K edition of the film for 30% OFF at criterion.com during our summer sale!