Instagram Story Save

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

Just got back from Colombia where we - @cremersroger and @doinakraal - had our exhibition Coulisse, Palacio de la Memoria @galeriasextante . We had a wonderful time with @kevin_simon_mancera who’s vigorous and moving work can still be admired @nueveochenta (and in some of the images in this post).

Our tapestries - inspired by historical Catchpenny prints - were made with the help of Lotte van Dijk @textielmuseum in Tilburg. They are made of woven cotton and linnen (in four colours). After they were woven we painted on them. The backside is also part of the work :)

During the opening we performed ‘Sans Frayeur dans ce bois’ by Marc-Antoine Charpentier (1680) together with the excellent Sebastian Vega on the lute.

Made possible with the support of the @mondriaanfonds .

We are very happy to be in Bogotá installing our newest project Coulisse Palacio de la Memoria @galeriasextante. Opening Saturday 18 April. This project is made possible through the generous support of the Mondriaan Fund.

We are very happy to be in Bogotá installing our newest project Coulisse Palacio de la Memoria @galeriasextante. Opening Saturday 18 April. This project is made possible through the generous support of the Mondriaan Fund.

Saturday, following the opening of @bostokkermans.sincere , the evening continues with: TAROT CARD READING – 8:00 pm

“At first glance, Jana Coorevits’ photographs and Krystel Geerts’ sculptures appear very different from one another. Yet, they share the same sensitivity. They allow the material to find its own form by giving it their full attention and observing what emerges. They place the process at the centre.”

“In the fold of reality,” as Indra Devriendt called it. Geerts and Coorevits took this further by organising a Tarot Card Reading on Saturday evening at 8 pm. Roger Cremers and Doina Kraal will present their tarot deck, designed in collaboration with Professor Kurt Vanhoutte (University of Antwerp).
Jana Coorevits has compiled a selection of texts for the occasion that engage in dialogue with the works in the exhibition. We will read by candlelight and moonlight.

Image 1: Tarot card deck, photo: Roger Cremers
Image 2: “Zeg me” – Arjen Duinker

@janacoorevits @krystelgeerts @cremersroger @doinakraal

Saturday, following the opening of @bostokkermans.sincere , the evening continues with: TAROT CARD READING – 8:00 pm

“At first glance, Jana Coorevits’ photographs and Krystel Geerts’ sculptures appear very different from one another. Yet, they share the same sensitivity. They allow the material to find its own form by giving it their full attention and observing what emerges. They place the process at the centre.”

“In the fold of reality,” as Indra Devriendt called it. Geerts and Coorevits took this further by organising a Tarot Card Reading on Saturday evening at 8 pm. Roger Cremers and Doina Kraal will present their tarot deck, designed in collaboration with Professor Kurt Vanhoutte (University of Antwerp).
Jana Coorevits has compiled a selection of texts for the occasion that engage in dialogue with the works in the exhibition. We will read by candlelight and moonlight.

Image 1: Tarot card deck, photo: Roger Cremers
Image 2: “Zeg me” – Arjen Duinker

@janacoorevits @krystelgeerts @cremersroger @doinakraal

Words can’t express the pain I feel, my dearest love and soulmate has passed away.

Words can’t express the pain I feel, my dearest love and soulmate has passed away.

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Now on view, ‘Le Sacre du Printemps’
a project by @petervos1975 and @doinakraal & @cremersroger

This exhibition needs to be experienced after sunset.

The exhibition Le Sacre du Printemps explores the dynamics between two extreme tendencies that coexist: the glorification versus the sacrifice of nature by humans. Artists Peter Vos, Roger Cremers and Doina Kraal share a love for the enchanting beauty of nature and the animal world. In the exhibition, they place their sense of wonder for the natural world in a long history of art forms that use nature as an endless source of inspiration. At the same time, attention is paid to the sacrifice of both nature and youth for a life in which nature is subordinate to man. A wide range of historical references resonate particularly strongly in the current era, in which war and climate change are the order of the day.

1-6📸 overview

7📸 @petervos1975
Untitled
45x50 cm,1996
Oil on wood

8📸 @doinakraal & @cremersroger
Wenn du mich siehst, dann weine
Ø 36 cm, 2025
Ceramic/porcelain

9📸 @doinakraal & @cremersroger
Infanterie
Ø 52 cm, 2025
Ceramic/porcelain

10📸 @doinakraal & @cremersroger
Infanterie
43,5 x 33,5 cm, 2025
Wood

Rondje Kunst Deluxe ‘Deluxe Art Tour’ - Tuesday, November 25

We would like to invite you to an art tour on Tuesday, November 25 at 12:15 PM at the display cases at the main entrance of Amsterdam UMC, location AMC.

During this lunch break, we (Doina Kraal and Roger Cremers @cremersroger ) will be showcasing the Tarot des Forains et du Cirque, which we created during a fellowship at Allard Pierson in collaboration with Prof. Dr. Kurt Vanhoutte.

We will share the stories behind the cards and demonstrate how old circus images and tarot intertwine in a contemporary art form.

Circus Lecture - December 12, 2025

On December 12, we will be giving a lecture on the cards at Allard Pierson. This afternoon—from 2:30 PM to 4:30 PM—will be entirely dedicated to the Allard Pierson’s circus collection. For this you must register in advance ( link in Bio)

#tarot #tarotdemarseille #tarotartist

Rondje Kunst Deluxe ‘Deluxe Art Tour’ - Tuesday, November 25

We would like to invite you to an art tour on Tuesday, November 25 at 12:15 PM at the display cases at the main entrance of Amsterdam UMC, location AMC.

During this lunch break, we (Doina Kraal and Roger Cremers @cremersroger ) will be showcasing the Tarot des Forains et du Cirque, which we created during a fellowship at Allard Pierson in collaboration with Prof. Dr. Kurt Vanhoutte.

We will share the stories behind the cards and demonstrate how old circus images and tarot intertwine in a contemporary art form.

Circus Lecture - December 12, 2025

On December 12, we will be giving a lecture on the cards at Allard Pierson. This afternoon—from 2:30 PM to 4:30 PM—will be entirely dedicated to the Allard Pierson’s circus collection. For this you must register in advance ( link in Bio)

#tarot #tarotdemarseille #tarotartist

Rondje Kunst Deluxe ‘Deluxe Art Tour’ - Tuesday, November 25

We would like to invite you to an art tour on Tuesday, November 25 at 12:15 PM at the display cases at the main entrance of Amsterdam UMC, location AMC.

During this lunch break, we (Doina Kraal and Roger Cremers @cremersroger ) will be showcasing the Tarot des Forains et du Cirque, which we created during a fellowship at Allard Pierson in collaboration with Prof. Dr. Kurt Vanhoutte.

We will share the stories behind the cards and demonstrate how old circus images and tarot intertwine in a contemporary art form.

Circus Lecture - December 12, 2025

On December 12, we will be giving a lecture on the cards at Allard Pierson. This afternoon—from 2:30 PM to 4:30 PM—will be entirely dedicated to the Allard Pierson’s circus collection. For this you must register in advance ( link in Bio)

#tarot #tarotdemarseille #tarotartist

OPENING—Friday November 21st, 17:00-21:00h

Hope to see you all at the exhibition.
‘Le Sacre du Printemps’.
a project by @petervos1975 and
@doinakraal & @cremersroger

Friday November 21st
17:00-21:00h(this exhibition needs to be experienced after sunset)
Heejsteck#
Blauwe-Vogelweg 23
Utrecht

P.s Pea soup will be served.

OPENING—Friday November 21st, 17:00-21:00h

Hope to see you all at the exhibition.
‘Le Sacre du Printemps’.
a project by @petervos1975 and
@doinakraal & @cremersroger

Friday November 21st
17:00-21:00h(this exhibition needs to be experienced after sunset)
Heejsteck#
Blauwe-Vogelweg 23
Utrecht

P.s Pea soup will be served.

OPENING—Friday November 21st, 17:00-21:00h

Hope to see you all at the exhibition.
‘Le Sacre du Printemps’.
a project by @petervos1975 and
@doinakraal & @cremersroger

Friday November 21st
17:00-21:00h(this exhibition needs to be experienced after sunset)
Heejsteck#
Blauwe-Vogelweg 23
Utrecht

P.s Pea soup will be served.

Video portrait of @cremersroger and @doinakraal made by @blickfanger for @textielmuseum where our installation Perpetual Light can be seen until June 2025.

Look who I found in purgatory!

Dr.ONE rogercremerspetermertens.common.garden