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📣 CHART 2026 save the date! Join us as we gather art collectors, art professionals and art enthusiasts alike for the next edition of CHART. Taking place from 27–30 August 2026, with a VIP preview on 27 August, CHART returns to Kunsthal Charlottenborg to celebrate the best of contemporary art in the region 💙

Featuring presentations by leading galleries from across the Nordic countries, CHART 2026 presents a comprehensive look at both the diversity of practices as well as the shared threads that define contemporary art in the region today.

The Public Programme at CHART 2026 will once again present a wide selection of talks, performances, music, screenings and off-site projects. Expanding beyond Charlottenborg into the surrounding public space, a key ambition of CHART is to bring art into the city and to meet audiences where they already are.

CHART Public frames our public programme with a total installation in the historic courtyards at Charlottenborg. In spring 2026, we will invite artists, designers, architects and scenographers to submit ambitious proposals for structures that merge artistic expression with space for gathering and social interaction.

For now, mark your calendars and get ready to join us at Charlottenborg for an unforgettable and inspiring week!

@juliesilbermann
@kristin_kristjansd
@sidselbenzin
@martaschioldann

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

What drives the next generation of art collectors?

Meet @jbfals and @ritarprates, whose approach to collecting is personal, instinctive, and deeply connected to community. For them, relationships with artists and the stories surrounding a work hold as much value as the works themselves.

Published as part of a new series for #CHARTJournal, we explore how the next generation of collectors is reshaping the art market through intuition, access, relationships, and lived experience - from their first encounters with art to the values that shape what, how, and why they collect today. You can read the full conversation now through the link in bio 👆🔗

📸
• Image of Rita Rosa Prates and Jeppe Bruun Fals in their home. Photo by Peter Dalsgaard
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Work by Cecilia Fiona
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Igor Moritz and Dominic Dispirito
• Image of Jeppe Bruun Fals and Rita Rosa Prates’ home. Works by Stevie Dix (left, below), Tomas Leth (top), Florence Hutchings (right)
• Portrait of Jeppe Bruun Fals
• Portrait of Rita Rosa Prates. Photo by Peter Dalsgaard
All images courtesy of Jeppe Bruun Fals and Rita Rosa Prates

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

We are pleased to announce CHART has successfully qualified as a 2025-26 Active Member with @galleryclimatecoalition 🌱♻️

To achieve Active status we had to demonstrate that our organisation had implemented environmentally responsible best practice in line with GCC guidance.

Active Membership is not a certification of sustainability nor a claim that we are doing things perfectly. We’re all doing our best to assess, report and reduce our impact, setting targets in line with science, taking any actions we can and working out other solutions as we go.

We encourage all of our peers and colleagues to visit CHART’s sustainability page (link in bio) and the @galleryclimatecoalition website to learn more about the initiative and how to get involved!

📸Photos by Niklas Adrian Vindelev

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Wonderful to see Klara Kristalova (@hundskogen) — previously #partofchart with @gallerimagnuskarlsson — participating in this year’s Venice Biennale (@labiennale) as part of the Nordic Countries Pavilion (@nordiccountriespavilion)🦉

Together with Benjamin Orlow (@benjaminorlow) and Tori Wrånes (@closest_relatives), Kristalova has transformed Sverre Fehn’s iconic 1962 Pavilion into a mythical landscape for the exhibition How Many Angels Can Dance on the Head of a Pin, on view untill 22 November 2026.

Known for her psychologically charged ceramic sculptures, Kristalova contributes works that explore themes of coexistence, belonging and transformation. Her two sculptures, Lust for Life and Bird Disguise, bring a poetic and unsettling presence to the Pavilion.

Listen back to Kristalova’s reflections on representing the Nordics at the Venice Biennale in the CHART Talks Programme 2025 panel discussion “The Notion of Nordicness and its Potential” — now available on Spotify. 🎤✨ Listen via the link in bio 🔗

📸
• Klara Kristalova, Lust for Life, Installation View, Nordic Countries Pavilion, 2026
• Images 2—3: Klara Kristalova, Tori Wrånes, How Many Angels Can Dance On The Head Of A Pin, Installation View, Nordic Countries Pavilion, 2026
• Klara Kristalova, Bird Disguise, Nordic Countries Pavilion, 2026
• Images 5—7: Klara Kristalova, In the artist’s workspace, 2026
• Images 8—9: Klara Kristalova in the exhibition, How Many Angels Can Dance On The Head Of A Pin, Nordic Countries Pavilion, 2026
Courtesy of the artist, Magnus Karlsson Gallery and the Nordic Countries Pavilion at the 61st International Art Exhibition - La Biennale di Venezia. Photos by Finnish National Gallery / Pirje Mykkänen

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

Sweden Art Guide 🙌💙 From Göteborg to Båstad to Stockholm—be sure to catch these must-see exhibitions currently on view.
___
NEVVEN @nevvengallery
Olaf Marsja: The Nameless One
16.04 - 05.06

Arnstedt Östra Karup @galleriarnstedt
Group Exhibition: Ex students from Malmö Art Academy
01.05 - 20.05

CFHILL @cfhillofficial
Anders Krisár: Father Figures
17.04 - 22.05

Galerie Nordenhake @galerie_nordenhake
Frida Orupabo: Daily Encounters
16.04 - 16.05
🌜 LAST DAY THIS FRIDAY 🌜

Andréhn-Schiptjenko @andrehnschiptjenko
Dev Dunsi: Unmistakably You
09.04 - 17.05
🌜 LAST DAY THIS SATURDAY 🌜

Galleri Magnus Karlsson @gallerimagnuskarlsson
Bella Rune: Planet
12.05 - 27.06

📷
• Olaf Marsja, The Nameless One, 2026
• Olaf Marsja, Sun Mask, 2026, NEVVEN
• Group Exhibition, Ex Students from Malmö Art Academy, Installation View, 2026, Arnstedt Östra Karup
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Anders Krisár, Father Figures, 2026, Installation View, CFHILL
• Frida Orupabo, Daily Encounters, Installation View, 2026, Galerie Nordenhake
• Frida Orupabo, Angry and Wipe Your Tears, both, 2026, Galerie Nordenhake
• Bella Rune, Thick at One End and Tapering at The Other, 2026, Galleri Magnus Karlsson
• Bella Rune, Thick at One End and Tapering at The Other (detail), 2026, Galleri Magnus Karlsson
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
• Dev Dunsi, Unmistakably You, Installation View, 2026, Andréhn-Schiptjenko
All images courtesy of the artists and galleries

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

CHART Public Winner Announcement! 🎪 After reviewing submissions from designers, architects, scenographers and artists from across the Nordics, the jury invited 3 finalist teams to present their ideas, before selecting 1 winner:

• ‘Pantomime’ by Mads Vagn Jacobsen (@mads.vagn), Frederik Lykkeberg Larsen (@frederiklykkeberg) from @antenna_works & Oliver Sundqvist (@o.sundqvist) 🏵️

Reimagining the courtyards at Charlottenborg as a total installation, the team behind Pantomime has proposed an inspiring scenography that will set the stage for CHART 2026.

Pantomime draws on a theatrical tradition rooted in gesture, exaggeration, and collective spectacle, turning Charlottenborg’s courtyards into an open, continuous stage. Like a circus arriving in the city, the installation temporarily occupies the courtyard, transforming it into a stage for collective experience.

The jury has also selected 2 teams who they would like to give honourable mentions to:

• ‘Sisters’ by Áron Koch (@kh_aron), Robert Olsson (@robbearth), Charles Palmborg (@charliepalmborg) & Maciej Rojek (@maciejrrojek)

• ‘A space of borrowed gravity’ by Victor Hauerslev Munch (@victormunch) & Jacob Billesbølle (@_blurkid_)

CHART Public is made possible by the generous support of @koebenhavnskommune, @detobelskefamiliefond, @augustinusfonden, @statenskunstfond and Knud Højgaards Fond who all generously contributed to the production of CHART Public.

Our warmest thanks go out to this year’s jury:
• Kim Lenschow (@kimlenschow), Founder of Office Kim Lenschow

• Peter Bur Andersen (@peterburandersen), Founder and Creative Director of @briqgroup

• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at @surfaceclub_eu, and Project manager for CHART Public

📸
• Pantomime by Mads Vagn Jacobsen, Frederik Lykkeberg Larsen & Oliver Sundqvist
• Illustration by Jörg Kölderer in 1502–1508 for Maximiliani König Zeughauss
• Marcel Marceau in an advert for LU in 1988, portrayed as his iconic character “Bip the Clown”. Photo by Marc Riboud.
• Sisters by Áron Koch, Robert Olsson, Charles Palmborg & Maciej Rojek
• A space of borrowed gravity by Victor Hauerslev Munch & Jacob Billesbølle

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Sophie Calle at Louisiana Museum of Contemporary Art! If you find yourself in the Copenhagen area in the coming months, make sure to experience ‘Something Missing?’ by @adansophiecall on-view at @louisianamuseum until September 6 2026 🦒

Sophie Calle has exhibited as part of CHART 2025 with Wilson Saplana Gallery (@wilsonsaplanagallery) who represents the artist.

Through a combination of 300 individual pieces of photography, text and video, Sophie Calle captures stories that deeply reflect humanity at its core. From questions that seek to understand the meaning of beauty, to witnessing the touching experience of seeing the sea for the first time, Calle’s collective work is deeply moving in its ability to speak to our shared human experience. Be sure to catch this impressive collection of works located in the West Wing of the museum.

📸
• Sophie Calle, Today my mother died, 2013
• Sophie Calle, Voir la mer, 2011. Photo by Camilla Stephan / Louisiana Museum of Modern Art
• Sophie Calle Danger, 2018. From the series: Because
• Sophie Calle, Calle-Joconde – Wrong turn, 2023. From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Sophie Calle, Calle-Joconde – Wrong turn, 2023 (detail). From the series: Catalogue Raisonné of the Unfinished
• Portrait of Sophie Calle in her home in Malakoff, Paris, 2026. Photo by Rasmus Quistgaard / Louisiana Channel
All photos courtesy of the artist, Wilson Saplana Gallery and Perrotin.
©Sophie Calle / VISDA, Paris, 2026

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Welcoming a new gallery to CHART 2026! Read a brand new Q&A with the owner of @otpcopenhagen, published via the CHART Journal 📰📣

In an interview with @martaschioldann, Oscar Gilbert, owner of OTP Copenhagen, reflects on the psychological intensity of small-format paintings and the changing demographics of collectors. From early student exhibitions in Edinburgh to working closely with an increasingly international collector base, he discusses how the gallery balances artistic ambition with the practical realities of running a commercial space.

Explore how the gallery challenges conventions and engages with body politics, ideas of the uncanny or the grotesque, and new approaches to religion and spirituality. Dive into the full conversation now via chartartfair.com (link in bio)

We can’t wait to welcome OTP Copenhagen to Kunsthal Charlottenborg later this summer where they will exhibit as part of the art fair at CHART 2026 for the first time ❤️

📸
• Portrait of Oscar Gilbert. Work by Christian John Munks. Photo by Luna Lopez
• Works by Kinga Bartis included in Deep Dream OTP Copenhagens first group show in the back room of Brigade Gallery during COVID in 2020
• Presenting to a group inside Tsai Ling Tsengs exhibition Small Paintings in 2023
• Packing Sunflowers III by Clara Gesang Gottowt at Rantzausgade in the summer of 2024
• Oscar Gilbert with Karen Bro at the opening of Penny Davenports exhibition Galaxy Paintings in 2024
• Opening of Tanja Nis-Hansen’s solo exhibiton ‘Cogito Ergonomic Sum’ in January 2026. Photo by Pierre-Alain Parfond
• Inside Trude Viken’s solo exhibition ‘Veiled in Pink’ in 2024

All photos courtesy of OTP Copenhagen

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

Must-see shows in Copenhagen! If you find yourself in the Danish capital this week these are the exhibitions you don’t want to miss 🌞🇩🇰
___⁠
Andersen’s Contemporary @andersenscontemporary
Group Exhibition: If one could read them, one would know everything
05.02 - 09.05
🚨Closing Tomorrow⁠

Galleri Bo Bjerggaard @galleribobjerggaard
Anna Bjerger: The Dusk
10.04 - 13.05

Isaak Fangel @isaakfangel
Halfdan Venlov: Midnight Waltz
10.04 - 16.05

Galleri Nicolai Wallner @nicolaiwallner
David Shrigley: The Mantis Muse
27.03 - 23.05

Martin Asbæk Gallery @martinasbaekgallery
Peter Bonde
01.05 - 30.05

Alice Folker Gallery @alicefolkergallery
Maria Torp: Transition
24.04 - 04.06

Eighteen @eighteengallery
Caroline Absher: Lost Language
01.05 - 06.06

V1 Gallery @v1gallery
Kaspar Oppen Samuelsen: Grå Stær, Hvid Kat
01.05 - 06.06

SPECTA @spectagallery
Group Exhibition: People
24.04 - 06.06

palace enterprise @palaceenterprise_cph
Adam Christensen: Lise
30.04 - 06.06

Wilson Saplana Gallery @wilsonsaplanagallery
Mette Winckelmann: Slip
30.04 - 06.06
⁠
📷
• David Shrigley, The Mantis Muse, Installation Views, Galleri Nicolai Wallner, 2026
• Mette Winckelmann, Slip, Installation View, Wilson Saplana Gallery, 2026. Photo by David Stjernholm
• Adam Christensen, Lise, Installation View and detail, palace enterprise, 2026. Photo by Jan Søndergaard
• Peter Bonde YOUR FUCKING FACE, 2026
• Caroline Absher, Lost Language, Installation View, Eighteen, 2026
• Andreas Eriksson, Skimmer, 2023
• Anna Bjerger, The Dusk, Installation View, Galleri Bo Bjerggaard, 2026
• Anna Bjerger, Red Socks, 2026
• Maria Torp: Transition, Installation View, Alice Folker Gallery, 2026
• Maria Torp, Unaware, 2026
• Halfdan Venlov, Midnight Waltz, Installation View, 2026. Photo by Kevin Josias
• Kaspar Oppen Samuelsen, Grå Stær, Hvid Kat, Installation View, V1 Gallery, 2026
• Kaspar Oppen Samuelsen, Som Blomster / Like Flowers, 2026

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

CHART Public Jury 🚩 We are delighted to welcome Katrine Morel (@katrine_morel) to this year’s jury. The 2026 open call competition is now closed. Thank you to everyone who submitted their proposals for total installations to be installed in the Charlottenborg courtyards during CHART 🪩⁠

Katrine Morel is the Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu), an interdisciplinary design practice based in Stockholm and Malmö. Working across architecture, spatial design, curatorial research and creative direction, she shapes projects through spatial organisation and contextual understanding, from housing and public space to exhibition environments.

Katrine holds a degree in architecture from The Royal Danish Academy of Architecture. Before joining Surface Club, she worked at TABLEAU, a multidisciplinary design studio and concept store in Copenhagen. Over the past three years, she has served as the project manager for CHART Architecture - now CHART Public, a concept she helped develop.

The jury will now consider all submitted proposals. We look forward to announcing the winner of this year’s competition as well as the honourable mentions on Wednesday 13 May. Find out more about CHART Public via chartartfair.com (link in bio)  🔗👀⁠

📷⁠
• Portrait of Katrine Morel. Photo by Kevin Josias @kevin.josias⁠
• TABLEAU - Post Service, @michaelrygaard @tableau_cph
• TABLEAU - Post Service, @tableau_cph
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Big Daddy Shelf, @hampusper
• Surface Club - Cottage Core, @surfaceclub_eu
• Surface Club - Cottage Core, @surfaceclub_eu
• TABLEAU - Connie-Connie, @michaelrygaard @tableau_cph
• TABLEAU - Connie-Connie, @tableau_cph

Last chance to enter this year’s open call competition! Send us your proposals for total installations that will transform the historic courtyards at Charlottenborg during CHART 🏗️

Calling all architects, designers, scenographers and artists - this is your chance to set the tone for guests arriving to this year’s fair, and for future editions of CHART Public.

Deadline: Sunday 26 April at 23:59 (CET) ⏳ Head over to chartartfair.com to download the competition brief and find out more (link in bio) 👆

Thank you to this year’s competition jury:
• Kim Lenschow (@kimlenschow), Architect & Founder of Office Kim Lenschow
• Peter Bur Andersen, Founder & Creative Director of BRIQ (@briqgroup)
• Katrine Morel (@katrine_morel), Head of Architecture & Spatial Design at Surface Club (@surfaceclub_eu)

CHART Public is made possible by the generous support of @kobenhavnskommune and @detobelskefamiliefond

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd

CHART Public Jury 💥 We are delighted to welcome Peter Bur Andersen (@peterburandersen) to this year’s jury. The competition brief is now live – send us your proposals for total installations inside the Charlottenborg courtyards before the deadline this Sunday at 23:59 (CET) 👀🏗️

Peter Bur Andersen is the founder and Creative Director of BRIQ (@briqgroup), established in 2008 with a vision to shape our future cities and create meaningful urban experiences. At BRIQ, he has pioneered a place-based approach to urban development, working closely with operators, local stakeholders, and communities. He leads projects from concept to realisation, integrating commercial strategies with local identity, culture, and community engagement.

Before founding BRIQ, Peter spent years developing retail and hospitality concepts internationally, gaining insight into how commerce shapes the urban experience. His work emphasises the balance between commerce, culture, and public space as essential to creating vibrant neighbourhoods. Several of BRIQ’s projects, including Guldbergsgade, Carlsberg Byen, and Århusgadekvarteret, have received national and international recognition for their dynamic urban environments.

Find out more about CHART Public and this year’s competition jury via link in bio 🔗👆

📸
• Portrait of Peter Bur Andersen. Photo by Heidi Lerkenfeldt @lerkenfeldt.heidi
• Carlsberg Byen, BRIQ. Photo by Andreas Raun Rosendahl @andreas.raun.rosendahl 
• Carlsberg Byen, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• 3 Days of design, BRIQ, 2024. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Den Rød By, BRIQ. Photo by BRIQ
• Guldbergsgade, BRIQ. Photo by Anne-Sophie Rosenvinge @asrosenvinge
• The Denmark Pavilion, Paris, BRIQ. Photo by Jacob Lisbygd @jacoblisbygd