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Getting ready for Partial Coverage. Tonight with @gloyddd at @the_____servers opening at 19:00.

Getting ready for Partial Coverage. Tonight with @gloyddd at @the_____servers opening at 19:00.

We are happy to announce ‘Partial Coverage’ by Baroeg Mulder, and welcome you all to the opening on Friday, April 17th at 19:00.

In ‘Partial Coverage’, Baroeg will present a new video installation, developed with support from @stroom_den_haag and @amartefonds

17/4: Opening from 19:00
18,19/4: Open from 14:00-18:00
Prinses Beatrixlaan 400, Den Haag

Poster: @lucygengler_

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

@_billytown

Our group exhibition ’meander’ is open to visit until tuesday.

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Some weeks have passed since we presented Partial Coverage by Baroeg Mulder. Here is a look at the installation.

In Partial Coverage, Baroeg Mulder makes a choreographic attempt to capture presence, and we are both witnessing and participating in it. The interchange amongst strangers, or people you know, becomes a readable act. Using broadcasting tools to fragment the surrounding spaces, Partial Coverage builds a rotating narrative that the viewer steps into for a moment.

The sound presented alongside the video in the installation was composed live by Floyd Verbruggen ( @gloyddd ) and Maudi Gaillard ( @sssackboy )

Made possible with the generous support of @stroom_den_haag and @amartefonds

Pictures: @hannah_schleifer @baroegm @enricocarpi

Biennale highlight

Sitting in a bus up North seems like an appropriate moment to share this work.
Made in March of this year in Ii, Finland. Shown recently, as part of ‘Desire Paths’ at @the_____servers

‘Plunge’
0min 1s, looped

The content of a register tracking the comings and goings of ice-hole-plungers in Ii, Finland, is washed out by a splash of water. The ink on the pages finds a new shape.

Photos: @enricocarpi + @hannah_schleifer

Sitting in a bus up North seems like an appropriate moment to share this work.
Made in March of this year in Ii, Finland. Shown recently, as part of ‘Desire Paths’ at @the_____servers

‘Plunge’
0min 1s, looped

The content of a register tracking the comings and goings of ice-hole-plungers in Ii, Finland, is washed out by a splash of water. The ink on the pages finds a new shape.

Photos: @enricocarpi + @hannah_schleifer

Sitting in a bus up North seems like an appropriate moment to share this work.
Made in March of this year in Ii, Finland. Shown recently, as part of ‘Desire Paths’ at @the_____servers

‘Plunge’
0min 1s, looped

The content of a register tracking the comings and goings of ice-hole-plungers in Ii, Finland, is washed out by a splash of water. The ink on the pages finds a new shape.

Photos: @enricocarpi + @hannah_schleifer

Sitting in a bus up North seems like an appropriate moment to share this work.
Made in March of this year in Ii, Finland. Shown recently, as part of ‘Desire Paths’ at @the_____servers

‘Plunge’
0min 1s, looped

The content of a register tracking the comings and goings of ice-hole-plungers in Ii, Finland, is washed out by a splash of water. The ink on the pages finds a new shape.

Photos: @enricocarpi + @hannah_schleifer

Sitting in a bus up North seems like an appropriate moment to share this work.
Made in March of this year in Ii, Finland. Shown recently, as part of ‘Desire Paths’ at @the_____servers

‘Plunge’
0min 1s, looped

The content of a register tracking the comings and goings of ice-hole-plungers in Ii, Finland, is washed out by a splash of water. The ink on the pages finds a new shape.

Photos: @enricocarpi + @hannah_schleifer

De Oenoloog (2025)

falling glass, red wine, fog, stained tablecloth, 3 hours

A mysteriously long moment of a wineglass tipping over.

Presented at ‘hints of red fruit and a touch of sparkle’ with @hetresort at @vinnatuur last summer.

De Oenoloog (2025)

falling glass, red wine, fog, stained tablecloth, 3 hours

A mysteriously long moment of a wineglass tipping over.

Presented at ‘hints of red fruit and a touch of sparkle’ with @hetresort at @vinnatuur last summer.

A recent drawing and two older ones:

1. 2025, graphite, pastel, almost a4 paper
2. 2023, graphite, ballpoint, a4 paper
3. 2023, ballpoint, pastel, a4 paper

A recent drawing and two older ones:

1. 2025, graphite, pastel, almost a4 paper
2. 2023, graphite, ballpoint, a4 paper
3. 2023, ballpoint, pastel, a4 paper

A recent drawing and two older ones:

1. 2025, graphite, pastel, almost a4 paper
2. 2023, graphite, ballpoint, a4 paper
3. 2023, ballpoint, pastel, a4 paper

‘It folds until it breaks, it mirrors until it is whole’ (2025)

Exhibited in the group show ‘Please RSVP’ @the_____servers

Photo’s: @hannah_schleifer and myself

‘It folds until it breaks, it mirrors until it is whole’ (2025)

Exhibited in the group show ‘Please RSVP’ @the_____servers

Photo’s: @hannah_schleifer and myself

‘It folds until it breaks, it mirrors until it is whole’ (2025)

Exhibited in the group show ‘Please RSVP’ @the_____servers

Photo’s: @hannah_schleifer and myself

‘It folds until it breaks, it mirrors until it is whole’ (2025)

Exhibited in the group show ‘Please RSVP’ @the_____servers

Photo’s: @hannah_schleifer and myself

‘It folds until it breaks, it mirrors until it is whole’ (2025)

Exhibited in the group show ‘Please RSVP’ @the_____servers

Photo’s: @hannah_schleifer and myself

Two works that are on their way to Armenia for a group exhibition in @ddd_kunsthouse which opens in April.

‘Notes: at the end of a stumble’, 2023

‘Notes: a reached peak’, 2023

Two works that are on their way to Armenia for a group exhibition in @ddd_kunsthouse which opens in April.

‘Notes: at the end of a stumble’, 2023

‘Notes: a reached peak’, 2023

Two works that are on their way to Armenia for a group exhibition in @ddd_kunsthouse which opens in April.

‘Notes: at the end of a stumble’, 2023

‘Notes: a reached peak’, 2023

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Icehole-plunge register with stains resembling an animated water splash.

Final Moments #1
c-print, aluminum frame
40 x 50 cm

A series of images portraying insect individuals and the site of their death. Photographed from underneath them, the pictures give an impression of what the final moments of their lives must have looked like from their point of view.

Final Moments #1
c-print, aluminum frame
40 x 50 cm

A series of images portraying insect individuals and the site of their death. Photographed from underneath them, the pictures give an impression of what the final moments of their lives must have looked like from their point of view.