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auditory_committee
Ossa / MODRODDA / integrated Systems / Mod-Telepathy
Thank you, Katon / OSSA @auditory_committee for always remembering about me. This is another incredibly beautiful album for my collection.
I’m truly honored that one of the 300 copies found its way to me here in Warsaw.
I love you for creating such a beautiful piece of art, especially this collaboration with Zake @zake_drone and ASC @ascaux
An absolutely incredible production.
ZAKE / OSSA / ASC
Microlight and Momentary Drifts
@zake_drone ZAKE DRONE RECORDINGS 2026
@pastinside
Mastering by: @jamesbernard and @ambientmountainhouse
Photography: @b.pioulard
Microliths & Momentary Drifts -Microlith 3
Big love to all that have supported our release ❤️🙏❤️
@zake_drone @ascaux
Amazing Art work @b.pioulard
Lush mastering @ambientmountainhouse
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
zakè, Ossa, ASC
‘Microliths and Momentary Drifts’
CD | 7” | Digital
Purchase:
🇺🇸 PITP.US
🇺🇸 zakedrone.bandcamp.com
🇬🇧 Norman Records
🇬🇧 Juno Records
🇮🇹 Soundohm Records
🇯🇵 Tobira Records
🇯🇵 Linus Records
Microliths and Momentary Drifts is the first full-length collaboration from the trio of zakè @zake_drone (Zach Frizzell), Ossa @auditory_committee (Kaiton Slusher), and ASC @ascaux (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present (@pastinside) over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.
Each of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.
Written, recorded, and produced by zakè, Ossa, and ASC. Additional guitar and textures on ‘Momentary Drift 7’ by Chad Mossholder from Twine. Mixed by zakè at KTS. Mastered by James Bernard (@jamesbernard) at Ambient Mountain House (@ambientmountainhouse). Photography by Benoît Pioulard (@b.pioulard) on Polaroid SX-70 film. Layout and design by zakè.
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