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artem.indd
Artem Matyushkin
(Art) Director @nonobjectiveworks
Practician @praxis.abc
Creative Director @apropos.editions
ECS, visual language research and sketches, 2026. Working on something new with Nocturnal Wax @nocturnal_wax, coming very soon.
ECS, visual language research and sketches, 2026. Working on something new with Nocturnal Wax @nocturnal_wax, coming very soon.
ECS, visual language research and sketches, 2026. Working on something new with Nocturnal Wax @nocturnal_wax, coming very soon.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Clockwise and Otherwise: Non-Objective Times”, clock faces design, 2025.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
“Fabric on Fabric” is a study by Non-Objective, developed in dialogue with Camisas Manolo @camisasmanolo. We were interested in proposing a deliberate juxtaposition between the tangible object — the shirt itself — and its representation: images of the same shirts printed onto fabric, playing with a subtle self-referential logic. The project was captured across Tokyo, Kobe, Maebashi, and Osaka. Concept by Non-Objective, photographed by Katya Sikacheva with contributions by Artem Matyushkin.
Galerie Merman, editorial design, 2025. Designed at Non-Objective @nonobjectiveworks
Galerie Merman, editorial design, 2025. Designed at Non-Objective @nonobjectiveworks
Galerie Merman, editorial design, 2025. Designed at Non-Objective @nonobjectiveworks
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
While most studios navigate between commercial demands and creative ambitions, @nonobjectiveworks has built something different: a distributed international practice that treats design as cultural inquiry rather than visual problem-solving. Founded by Artem Matyushkin in 2020 and now co-led with Katya Sikacheva, the studio operates across Paris, Seoul, Tbilisi, Vienna and beyond, developing what they call “conceptual and visual languages” through everything from brand identities to exhibitions and research projects.
Their approach rejects design as service, instead positioning it as conversation – a philosophy that manifests in their refusal to use formal briefs, their commitment to co-authorship with clients, and their parallel cultural initiatives they term ‘extensions.’ Here, Matyushkin and Sikacheva explain how they've structured a studio that functions as both business and cultural entity.
Read the interview at our link in bio.
Another dream project with a dream team. Frames and duality for the pop/off/art gallery identity, designed at Non-Objective.
Another dream project with a dream team. Frames and duality for the pop/off/art gallery identity, designed at Non-Objective.
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