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I just had to share this too. Some very special people here. Can’t believe how grateful I am. It’s a pretty wild ride this thing called life. Always appreciate being in fine company. 💙

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

There really is nothing better than being in conversation with inspiring people. During Melbourne Fashion Week I got to do just that. A very heartfelt thank you to Stephen Morris Moody, (Fabric Designer and Co-Owner of MTK Australia), and Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom) for exploring the notion that as we find ourselves in the midst of this technological revolution, as a counterbalance, we are experiencing an artisanal revolution.

With this emergence and as we build our AI smart factories, we explored why artisans matter, the value of human skills and creativity and how innovation emerges from mastery. Technology improves efficiency, but humans craft the future. There are immense opportunities at our fingertips: to embrace them it will take vision, commitment and collaboration.

Thank you to Dayana Adones and Julia Browne for continuing the exploration of this topic within the Roundtable discussions.

Thank you to ISS Institute for the Italian / Australian Fellowship that enabled this conversation.

Thank you to Melbourne couturier, Kara Baker. This bias-cut silk/wool dress from Kara Baker Couture, just 💙. Hair and make-up from the talented Kim Tavares.

And finally, thanks to Melbourne Fashion Week – to Matty Flinn and Jacinta O’Malley – such a pleasure to bring this conversation to the industry with your support.

Melbourne Fashion Week wrapped up a little while ago, I’m a little slow to share. The afterglow is still present. How lovely is that?

@mtk.knit @gaia.custom @dayana.adones , @melbfashhub @issinstitute @karabakercouture @kimtavaresmakeup

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

We are thrilled to share Alida Milani’s Fellowship report, in partnership with the Italian Australian Foundation. ‘Reimagining Australian Fashion: An Artisanal Approach’ explores how artisanal fashion skills - grounded in tradition, cultural identity, and human ingenuity - can evolve alongside innovation and digital technology to create a more sustainable, connected, and economically resilient future for Australia’s fashion and textile sector.

We were fortunate to see Alida disseminating her knowledge at Melbourne Fashion Week, where she hosted a talk at M/FW Conversations: The Artisanal Revolution, in which she led critical industry conversations around sustainability, artisanship, and innovation.

🔗 Head to our website to hear more about her insightful and detailed research!

We are thrilled to share Alida Milani’s Fellowship report, in partnership with the Italian Australian Foundation. ‘Reimagining Australian Fashion: An Artisanal Approach’ explores how artisanal fashion skills - grounded in tradition, cultural identity, and human ingenuity - can evolve alongside innovation and digital technology to create a more sustainable, connected, and economically resilient future for Australia’s fashion and textile sector.

We were fortunate to see Alida disseminating her knowledge at Melbourne Fashion Week, where she hosted a talk at M/FW Conversations: The Artisanal Revolution, in which she led critical industry conversations around sustainability, artisanship, and innovation.

🔗 Head to our website to hear more about her insightful and detailed research!

We are thrilled to share Alida Milani’s Fellowship report, in partnership with the Italian Australian Foundation. ‘Reimagining Australian Fashion: An Artisanal Approach’ explores how artisanal fashion skills - grounded in tradition, cultural identity, and human ingenuity - can evolve alongside innovation and digital technology to create a more sustainable, connected, and economically resilient future for Australia’s fashion and textile sector.

We were fortunate to see Alida disseminating her knowledge at Melbourne Fashion Week, where she hosted a talk at M/FW Conversations: The Artisanal Revolution, in which she led critical industry conversations around sustainability, artisanship, and innovation.

🔗 Head to our website to hear more about her insightful and detailed research!

We are thrilled to share Alida Milani’s Fellowship report, in partnership with the Italian Australian Foundation. ‘Reimagining Australian Fashion: An Artisanal Approach’ explores how artisanal fashion skills - grounded in tradition, cultural identity, and human ingenuity - can evolve alongside innovation and digital technology to create a more sustainable, connected, and economically resilient future for Australia’s fashion and textile sector.

We were fortunate to see Alida disseminating her knowledge at Melbourne Fashion Week, where she hosted a talk at M/FW Conversations: The Artisanal Revolution, in which she led critical industry conversations around sustainability, artisanship, and innovation.

🔗 Head to our website to hear more about her insightful and detailed research!

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

Did you know that we have a pioneering knit-manufacturer who has supplied prestigious fashion houses including Calvin Klein and Ralph Lauren, and worked under strict confidentiality with iconic French luxury names in the Kering group, seeing his creations grace catwalks from Paris to New York - right here on the outskirts of Melbourne?

Do you know what the F*** fashion tech is?

If you’d like answers to these questions and a whole lot more, come and meet Stephen Morris-Moody, Fabric Designer and Co-Owner of MTK Australiaand Grace Marafioti, What the F*** is Fashion Tech Blog and Founder of Gaia Custom.

Whilst we’re in the midst of a technological revolution, we explore the notion that there is a counter balance, an artisanal revolution emerging.

Then join a Roundtable - you choose - to explore - investing in Melbourne’s artisanal future: what is needed? And how do artisans enable technology that amplifies their work OR, led by Julia Browne of Melbourne Fashion Hub, explore what is luxury now?

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @melbfashhub

#MFW #MelbourneFashionWeek #artisans #fashion

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

I am delighted to be in conversation with Stephen Morris-Moody and Grace Marafioti at:

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION

Thu 23 Oct
1:30 – 3:15pm

Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles.

Stephen’s expertise and the beauty of what he produces is breathtaking – all here on the outskirts of Melbourne – who knew?

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

And Fashion Tech – there is so much in development it’s hard to keep up – can’t wait to hear what Grace has to say!

Fashion is at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter, especially now, and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack this shift and how innovation can be a tool to sustain and amplify artisanship.

Then join us for the roundtable – you choose – What is luxury now? A great topic to explore. Or Investing in Melbourne’s Artisanal Future – what is needed? And how can artisans enable technology that amplifies their work?

We’d love to see you; you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@mtk.knit @gaia.custom @gracemarafioti @dayana.adones @melbfashhub @issinstitute

#MFW #MelbourneFashionWeek #fashion #artisans #artisanship #madeinaustralia #local #creativity #innovation

It is with great pleasure that I share I will be in conversation at Melbourne Fashion Week!

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION
Thu 23 Oct
1:30 – 3:15pm

Fashion sits at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack how innovation can be a tool to sustain and amplify artisanship.

Then join the Roundtable to explore Investing in artisanship: what is needed? And… how can artisans enable technology that amplifies their work?

I’m in conversation with:
Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles. 

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@melbfashionweek @mtk.knit @gracemarafioti @gaia.custom

#MFW #MelbourneFashionWeek #artisan #artisanship #madeinmelbourne

It is with great pleasure that I share I will be in conversation at Melbourne Fashion Week!

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION
Thu 23 Oct
1:30 – 3:15pm

Fashion sits at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack how innovation can be a tool to sustain and amplify artisanship.

Then join the Roundtable to explore Investing in artisanship: what is needed? And… how can artisans enable technology that amplifies their work?

I’m in conversation with:
Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles. 

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@melbfashionweek @mtk.knit @gracemarafioti @gaia.custom

#MFW #MelbourneFashionWeek #artisan #artisanship #madeinmelbourne

It is with great pleasure that I share I will be in conversation at Melbourne Fashion Week!

M/FW CONVERSATIONS: THE ARTISANAL REVOLUTION
Thu 23 Oct
1:30 – 3:15pm

Fashion sits at a crossroad. As the industry contends with overproduction, climate crisis and the rise of generative AI, a quiet revolution is emerging that sees artisanal skill, cultural diversity and human-scale production as our greatest assets.

Join us to explore why artisans matter and how leading design houses, global initiatives and dedicated platforms invest in their success. We will unpack how innovation can be a tool to sustain and amplify artisanship.

Then join the Roundtable to explore Investing in artisanship: what is needed? And… how can artisans enable technology that amplifies their work?

I’m in conversation with:
Stephen Morris-Moody (Fabric Designer and Co-Owner of MTK Australia)
Stephen Morris-Moody is the co-owner, fabric designer, and the driving creative force behind MTK Australia—a pioneering knit-fabric manufacturer based in Melbourne that supplies world-class and local labels with innovative, Australian-made cut and sew knit textiles. 

Grace Marafioti (What the F*** is Fashion Tech Blog and Founder of Gaia Custom)
Through Grace’s studies in science and experience in technology, she founded a Bespoke Fashion label — Gaia Custom, with the aim to make custom clothing more accessible. This combination launched her into the world of ‘Fashion-Tech’. Grace now researches & writes on how people can scale personalisation via technology.

We’d love to see you, you can book tickets here:
https://mfw.melbourne.vic.gov.au/event/conversations

@melbfashionweek @mtk.knit @gracemarafioti @gaia.custom

#MFW #MelbourneFashionWeek #artisan #artisanship #madeinmelbourne

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

A little while ago, I had the immense pleasure of attending the Martin Grant exhibition at the NGV Australia with fellow ISS Institute Fellow, Lisa Piller. Seeing the collection through a maker’s lens was so special. I mean, I can see the beauty, the artistry, the exquisiteness of design, and I have a sense of the complexity… but I don’t really know.

When we arrived at the pleating and in particular, the pleated skirt with the pattern, Lisa, shared “The way the geometric print has been manipulated through pleating – and the careful and deliberate control of the pleat widths and directions at critical points – that is immensely complex –it extends the dimensionality of the print and design, while maintaining the stunning couture fit at the waist”.

I have always been a big believer in the fact simplicity is in fact complex. I marvel at the expertise behind Martin’s creativity and love that the NGV have invested in showcasing this extraordinary talent. There’s so much to enjoy.

If you haven’t been, it’s worth the visit to experience something quite beautiful.
On until 26 January 2026.

@issinstitute @design_steward @martingrantofficial @ngvmelbourne
#artisan #aetelier #melbourne #paris

Good morning Melbourne! 🦢☀️🩵

That’s it folks…

I’ve really enjoyed sharing a little with you about this Fellowship and some of the things I’ve discovered, both within Australia and in Italy. There’s so much more, and for someone who doesn’t share much, it’s been an enriching experience.

Thank you to the ISS Institute and the Italian / Australian Foundation for this remarkable opportunity.

And thank you to my partner in crime, Dennis D’Angelo, for the memorable adventures and for expanding the experience.

Thank you all for your encouragement and kind words.

Ciao for now, the report beckons.

@issinstitute

#madeinitaly #artisan #fashion #culture #creativtity #quality #skills #skillsandcapabilities #craftsmanship #value #australianitalianfellowship2025

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

The Last Supper – well, more so, the last day! This has been on my bucket list, so it is a real joy to be spending the day at Latteria Studio with Alice Adams.

Latteria Studio is a creative culinary space located in Rome’s Monteverde Nuovo neighbourhood, near the San Giovanni di Dio market. Essentially, we’re out of the ‘centro’ and in the suburbs - which is fascinating. Alice tells us the area was developed around 1910, there’s lots of lovely villas and gardens – inspired by the English housing model. The gardens are full of jasmine and spring is in the air, it’s so lovely.

We’re here today to take part in her very special “Market to Table” series, which involves shopping at local markets followed by hands-on cooking and a delicious lunch.

The menu: Carla’s focaccia, Carciofi fritti (double fried baby artichokes), Gnocchetti con zucchine e vongole (Tiny gnocchetti with zucchini and clams), Straccetti con rucola (Fine beef slices with rocket) with contorno Agretti al agro (Monk’s beard with butter and pepper), and to finish off Crostata con ricotta e fragole (ricotta and strawberry tart).

The best thing about this?

Seasonal cooking and storytelling. Shared moments preparing food. From the heart.

Here we are – Alice and I, Alice weaving magic at the markets, Dennis making pasta, and double frying Carciofi – now that is something I would love to do again!

Thank you, Alice. What a joy to experience, I can’t wait to be back!

@issinstitute @alice.adamscarosi @latteriastudio

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

And then this happened… the joy of friends and travel.

Opening on the day of our “discovering” Roma, we hightail it to the Palazzo delle Esposizioni to experience fourteen exquisitely curated rooms of pure artisanal craftsmanship, creativity and spectacular fashion.

From the website:

The exhibition “Dal Cuore Alle Mani: Dolce&Gabbana” (“From the Heart to the Hands”) is a remarkable showcase of Italian haute couture, currently on display from 14 May to 13 August 2025. This exhibition offers an immersive journey into the creative universe of designers Domenico Dolce and Stefano Gabbana, highlighting their inspirations drawn from Italian culture, art, and craftsmanship.

Curious to know a bit more about the men behind the brand, ChatGPT shares:

Domenico Dolce is from Polizzi Generosa, a small town in the Madonie mountains of Sicily. His Sicilian heritage deeply influences the brand’s aesthetic — think Baroque excess, religious iconography, and traditional Sicilian tailoring. The island’s culture, colours, and storytelling are core to Dolce&Gabbana’s identity.

Stefano Gabbana, on the other hand, was born in Milan to a family originally from Venice. Though not Sicilian, Gabbana embraced Dolce’s roots, and together they built a brand that romanticises and elevates Southern Italian tradition — especially that of Sicily.

Understanding the unique regional roots that influence the creative partnership assists me appreciate the journey through their world - and it’s a magnificent world at that.

So grateful to my friend, Amanda for letting me know it was on!

@issinstitute @dolcegabbana @dolcegabbana_exhibit

#madeinitaly #artisan #culture #creativtity #fashion #beauty #quality #innovation #skills #skillsandcapabilities #craftsmanship #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025

Ahhhhh La bella Roma! It’s been a while, so we’re off to see some of the iconic and memorable sites.

Waking up in Trastevere, we emerge from the cobblestone streets to the glory of the Tiber. What a moment – I think that is St Peter’s Basilica we can see. We’re on our way to meet Alice, who lives in Rome, to run our proposed walking tour past her before we launch into it.

We meet at a fab café Cresci, for a capuc and a brioche, just next door to St Peter’s Square. It’s quite incredible to be here at this time. It’s the Wednesday before Pope Leo XIV celebrates his inauguration Mass marking the formal beginning of his papacy. The chairs are set; the crowds are full and there is a definite buzz in the air.

From St Peters we pass the Castel Sant’Angelo… Fun fact: The Castel is linked to the Vatican by a secret passageway (800 meters long!) called the Passetto di Borgo. It has been used as an escape route for popes in times of danger… but what else I wonder?

To my favourite, Piazza Navona, the open space and majesty of the buildings is pure joy. We weave through the streets, a treasure trove of independent boutiques featuring artisanal craftsmanship – another joy, past the Pantheon and on to the Trevi Fountain.

Phew. It’s busy. They have Municipal Guards guiding tourists through for a closer experience. The tradition of coin tossing remains a cherished ritual. According to legend, throwing a coin over your left shoulder with your right hand ensures a return trip to Rome. Damn, no coins.

Oh well, I’ll just have to pray instead!

@issinstitute @alice.adamscarosi

#madeinitaly #artisan #culture #craft #creativtity #australianitalianfellowship2025