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Recent freelance work for @loropiana copywriting for their Royal Lightness showcase in selected stores worldwide and online

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

This weekend I was invited as guest speaker at @britishfilminstitute
In the first session I gave a lecture for the 25&Under introduction to the current Sophia Loren programme. And the second was a short talk to introduce Alessandro Blasseti’s Lucky To Be A Woman. Thank you @maia.ara for being such a legend <3

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

Bound To Form opened on Friday

Thank you to everyone that made it. And thank you to the team for having me.

Exhibition runs Monday 28 - Tuesday 29 July

Thanks to
@s.i.l.e.nt.t
@feranmieso
@rachelrolandmartins
@2ktonykk
@silv.o
@cbenji_
@the_koppel_project
& @cedaaarrrrr for lovely photos of the prints xx

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

I wrote a commentary on the book ‘Barbican Stories’, published in 2021 by past and present Barbican workers. It was written anonymously by current and former employees who have experienced racism. I also look at the wider historical racial history of Barbican, and ask a series of questions to current audiences about whether change can really come from these institutions that claim to love us publicly, but in private undervalue our labour.

Before entering the creative industry whilst studying for my degree, I worked at IKEA. I collected 3 years worth of evidence demonstrating worker exploitation and discrimination. I effectively tried to unionise my department, at 20 years old. From first hand experience, I know how hard it is to bring a workforce together to stand up for what’s right. There’s a lot at risk, including people’s livelihoods. So even when something seems right, we are forced not to act. To honour the workers at Barbican I wrote this commentary, and stand in solidarity with all workers across the world. Shout out to @chris.smalls_ being one of the goats of our time. And @resolvecollective for standing on business. Link in bio to read

When did identity politics replace class struggle? (3rd image is a screenshot of a message I sent in Nov 2024)

Cultural theorist Catherine Liu’s interview ‘How Liberals Monetised Trauma’. I recommend watching the whole interview but I’ll summarise my favourite parts below.

She argues that politicians like AOC use trauma as part of their political image, and that a lot of modern left politics is too focused on performing empathy, centring suffering, and making people feel “seen”. She argues that this does not build real political progress.
My favourite point is her critique of lived experience being treated as the highest form of knowledge (something I wrote about in my Substack ‘There Is No Time For Nuance In The Face Of Crisis’). Marx never worked in a factory, but remains one of the most important thinkers on worker exploitation. Distance from an experience can sometimes make an argument clearer and more objective.
Liu’s wider point is that turning trauma into political currency is individualistic and anti-community. It will not build class unity or liberation. She argues for a return to more stoic, objective, and disciplined politics.

When did identity politics replace class struggle? (3rd image is a screenshot of a message I sent in Nov 2024)

Cultural theorist Catherine Liu’s interview ‘How Liberals Monetised Trauma’. I recommend watching the whole interview but I’ll summarise my favourite parts below.

She argues that politicians like AOC use trauma as part of their political image, and that a lot of modern left politics is too focused on performing empathy, centring suffering, and making people feel “seen”. She argues that this does not build real political progress.
My favourite point is her critique of lived experience being treated as the highest form of knowledge (something I wrote about in my Substack ‘There Is No Time For Nuance In The Face Of Crisis’). Marx never worked in a factory, but remains one of the most important thinkers on worker exploitation. Distance from an experience can sometimes make an argument clearer and more objective.
Liu’s wider point is that turning trauma into political currency is individualistic and anti-community. It will not build class unity or liberation. She argues for a return to more stoic, objective, and disciplined politics.

When did identity politics replace class struggle? (3rd image is a screenshot of a message I sent in Nov 2024)

Cultural theorist Catherine Liu’s interview ‘How Liberals Monetised Trauma’. I recommend watching the whole interview but I’ll summarise my favourite parts below.

She argues that politicians like AOC use trauma as part of their political image, and that a lot of modern left politics is too focused on performing empathy, centring suffering, and making people feel “seen”. She argues that this does not build real political progress.
My favourite point is her critique of lived experience being treated as the highest form of knowledge (something I wrote about in my Substack ‘There Is No Time For Nuance In The Face Of Crisis’). Marx never worked in a factory, but remains one of the most important thinkers on worker exploitation. Distance from an experience can sometimes make an argument clearer and more objective.
Liu’s wider point is that turning trauma into political currency is individualistic and anti-community. It will not build class unity or liberation. She argues for a return to more stoic, objective, and disciplined politics.

The quote comes from Herodotus, Book 9, Chapter 122: “Soft lands breed soft men,” attributed to Cyrus II of Persia. Cyrus the Great, founder of the Achaemenid Empire in 550 BC, ruled what was then the largest empire in the world. By that same logic, hard lands produce hard people.

I use the quote to frame the video of the shopkeeper in Burkina Faso because he explains that, although times are hard, hardship is part of the process of things getting better.

Here in the West, comfort and the individual pursuit of self-preservation at all costs have distorted our understanding of sacrifice and endurance. It has led many to reject conflict even when people believe it is necessary for self-defense and for the long-term protection of the people.

That mindset has also spread through the diaspora, shaped in part by the values and narratives of the countries in which they now live.

Those who want rest will continue to seek it. But the struggle for justice and sovereignty continues, carried forward by those willing to endure. The IRGC is continuing Cyrus’ sentiment, and others like Ibrahim Traoré are also following suit, by doing what’s necessary to become free from colonialism. I continue on this in my Substack, which you can find in the link in my bio.

Long live the global resistance.

The quote comes from Herodotus, Book 9, Chapter 122: “Soft lands breed soft men,” attributed to Cyrus II of Persia. Cyrus the Great, founder of the Achaemenid Empire in 550 BC, ruled what was then the largest empire in the world. By that same logic, hard lands produce hard people.

I use the quote to frame the video of the shopkeeper in Burkina Faso because he explains that, although times are hard, hardship is part of the process of things getting better.

Here in the West, comfort and the individual pursuit of self-preservation at all costs have distorted our understanding of sacrifice and endurance. It has led many to reject conflict even when people believe it is necessary for self-defense and for the long-term protection of the people.

That mindset has also spread through the diaspora, shaped in part by the values and narratives of the countries in which they now live.

Those who want rest will continue to seek it. But the struggle for justice and sovereignty continues, carried forward by those willing to endure. The IRGC is continuing Cyrus’ sentiment, and others like Ibrahim Traoré are also following suit, by doing what’s necessary to become free from colonialism. I continue on this in my Substack, which you can find in the link in my bio.

Long live the global resistance.

The quote comes from Herodotus, Book 9, Chapter 122: “Soft lands breed soft men,” attributed to Cyrus II of Persia. Cyrus the Great, founder of the Achaemenid Empire in 550 BC, ruled what was then the largest empire in the world. By that same logic, hard lands produce hard people.

I use the quote to frame the video of the shopkeeper in Burkina Faso because he explains that, although times are hard, hardship is part of the process of things getting better.

Here in the West, comfort and the individual pursuit of self-preservation at all costs have distorted our understanding of sacrifice and endurance. It has led many to reject conflict even when people believe it is necessary for self-defense and for the long-term protection of the people.

That mindset has also spread through the diaspora, shaped in part by the values and narratives of the countries in which they now live.

Those who want rest will continue to seek it. But the struggle for justice and sovereignty continues, carried forward by those willing to endure. The IRGC is continuing Cyrus’ sentiment, and others like Ibrahim Traoré are also following suit, by doing what’s necessary to become free from colonialism. I continue on this in my Substack, which you can find in the link in my bio.

Long live the global resistance.

Photo from my workshop a few weeks ago :-)

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

A Lesson On: Fashion Production

Hi besties I’ll be hosting a workshop at @pulsarldn on Thursday 19 February

If you could pick any brand in the world, how would you design their showcase at London Fashion Week? What would the invitation look like?

To celebrate the start of LFW 2026 you’ll be designing either a runway show concept or an innovative invitation for a brand’s show, just like in the industry. Together we’ll learn how to think strategically, make creative decisions, and explain your ideas.

We’ll cover:
Production
Creative consultancy
Research
Concept
Art Direction
Strategy and more

We’ll be working both digitally and physically, so bring your laptops and iPads if you like to work digital.

All abilities welcome, it’s designed to be a fun way to be creative and learn at the same time. Tickets are free but RSVP is required. Link in my bio, and hopefully see you on Thursday

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part II)

Picture 5 is an image of an extract of letters exchanged between Ottoman Sultan Murad III and Mai Idris Alooma in the 16th CE. I was thinking about how the Alliance of Sahel (AES) is the reincarnation of the Kanem-Borno empire. More in the sense that it demonstrates pan-African strength through regional diplomacy, strategic allyship and strength through faith. Just a thought

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

The Kanem-Borno Empire (Part I)

A 1000 year African empire spanning across the Middle Ages. While England was going through the Dark Ages (one has to laugh), Africa and Arabia were thriving. The Kanem-Borno empire created a trade corridor across the Sahara where both regions worked symbiotically, exchanging goods and knowledge to one another. I had to split into two parts cause there’s so much interesting info to share

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

A closer look at the Citizen’s Night Watch in Burkina Faso, a movement led by ordinary people to protect their country, and fight for Africa as a whole

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love

First picture is me sending photos of goat hides to Nabil so he can choose his favourite. 2nd picture is when we bumped into Beverly and Dion one random Sunday on a walk in Surrey. And the last photo is of my new badge which I love