Instagram Logo

abemanfredstudio

Abe Manfred

@scadpaint
AbrahamManfred99@gmail.com
PA/Sav @abe_ken_man

26
posts
149
followers
97
following

19
2
4 days ago


Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

Thinking about interpersonal actions humans commonly do, the ‘Touch’ series posits that art pieces are jealous of us.

Furthering my explorations with Object Oriented Ontology, this piece asks the viewer to interact with the wall piece by high-fiving, fist-bumping, or kissing. For humans, each of these actions is coded with an assumed relationship to the other person. This series pushes the viewer to create a relationship with the art through touch, using physicality as an entry point for understanding.

'Touch', 2026, various sizes
Mix media


27
3
2 weeks ago

'Duck Season', 2026, 12x16"
Oil on Canvas


25
2
3 weeks ago


'Last Track Meet'
Watercolor series, 2026
4x6" card


39
3
1 months ago

'Last Track Meet'
Watercolor series, 2026
4x6" card


39
3
1 months ago

'Last Track Meet'
Watercolor series, 2026
4x6" card


39
3
1 months ago

'Last Track Meet'
Watercolor series, 2026
4x6" card


39
3
1 months ago

'Last Track Meet'
Watercolor series, 2026
4x6" card


39
3
1 months ago

'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago

'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago


'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago

'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago

'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago

'Ground Creature', 2026, 16x20"
Oil on Linen


31
3
1 months ago

'Desk Still Life', 2026, 11x14"
Grayscale oil on canvas

My first oil painting!


27
3
1 months ago

I'm honored to be a part of @scaddistrict's 'Metamorphose' the 2026 Port City Review publication, print and online.

'Kaleidoscopic', 2025, 8x10"
Acrylic on canvas panel

This self-portrait shows change as quiet and personal. The kaleidoscopic nature of the portrait reflects emotional growth. The colors blend over the achromatic skin creating the effect of fluctuation, outwardly showing internal changes. This portrait plays off of my emotional state during this period of my life, my freshman year, depicting the way that I have
emotionally been askew during this period of large change.


44
7
1 months ago


I'm honored to be a part of @scaddistrict's 'Metamorphose' the 2026 Port City Review publication, print and online.

'Kaleidoscopic', 2025, 8x10"
Acrylic on canvas panel

This self-portrait shows change as quiet and personal. The kaleidoscopic nature of the portrait reflects emotional growth. The colors blend over the achromatic skin creating the effect of fluctuation, outwardly showing internal changes. This portrait plays off of my emotional state during this period of my life, my freshman year, depicting the way that I have
emotionally been askew during this period of large change.


44
7
1 months ago

Excerpt of 'Orlando' by Virginia Woolf. This novel is so profound in understanding identity, and evolution.

Once cocooning a caterpillar becomes a viscose liquid, retaining only a grain of memory, before forming into a butterfly. This is what I feel parallels the path of Orlando, and I am so inspired by that journey.


12
1 months ago

'Orlando', 2025
Process images of the fabric work, done first in greyscale, with colored glaze. The ruffle collar was a last minute addition.


31
2
2 months ago

'Orlando', 2025
Process images of the fabric work, done first in greyscale, with colored glaze. The ruffle collar was a last minute addition.


31
2
2 months ago

'Orlando', 2025
Process images of the fabric work, done first in greyscale, with colored glaze. The ruffle collar was a last minute addition.


31
2
2 months ago

'Orlando', 2025
Process images of the fabric work, done first in greyscale, with colored glaze. The ruffle collar was a last minute addition.


31
2
2 months ago

Refurbished Lamp, 2024
Recycled glass lamp, painted in acrylic, umbrella shade


26
2
2 months ago

Refurbished Lamp, 2024
Recycled glass lamp, painted in acrylic, umbrella shade


26
2
2 months ago

Refurbished Lamp, 2024
Recycled glass lamp, painted in acrylic, umbrella shade


26
2
2 months ago

Refurbished Lamp, 2024
Recycled glass lamp, painted in acrylic, umbrella shade


26
2
2 months ago

'Transparent I' 2024, 16x20"
Acrylic on canvas
Featured in 2024 SAMA Biennial

Looking at older self-portrait work like this, I see an evolving perception of self. The things that I felt were provocative in my self styling during the time of this painting are now standard in my life. I am grateful that a radically-honest, evolving identity can be cataloged through my work. The title 'Transparent I' holds a different connotation when viewing it from this lens, the transparency is in my vulnerability. I see vulnerability in the face of my past self when looking back at this work.


36
4
2 months ago

'Transparent I' 2024, 16x20"
Acrylic on canvas
Featured in 2024 SAMA Biennial

Looking at older self-portrait work like this, I see an evolving perception of self. The things that I felt were provocative in my self styling during the time of this painting are now standard in my life. I am grateful that a radically-honest, evolving identity can be cataloged through my work. The title 'Transparent I' holds a different connotation when viewing it from this lens, the transparency is in my vulnerability. I see vulnerability in the face of my past self when looking back at this work.


36
4
2 months ago

'Transparent I' 2024, 16x20"
Acrylic on canvas
Featured in 2024 SAMA Biennial

Looking at older self-portrait work like this, I see an evolving perception of self. The things that I felt were provocative in my self styling during the time of this painting are now standard in my life. I am grateful that a radically-honest, evolving identity can be cataloged through my work. The title 'Transparent I' holds a different connotation when viewing it from this lens, the transparency is in my vulnerability. I see vulnerability in the face of my past self when looking back at this work.


36
4
2 months ago

Process of my self-portrait as a strawberry

Detail of 'Heritage Garden', 2024


27
4
2 months ago

Process of my self-portrait as a strawberry

Detail of 'Heritage Garden', 2024


27
4
2 months ago

Process of my self-portrait as a strawberry

Detail of 'Heritage Garden', 2024


27
4
2 months ago


Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.

Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!

Our advantages:

No Need to Register

Avoid app downloads and sign-ups, store stories on the web.

Exclusive High-Quality

Stories Say goodbye to poor-quality content, preserve only high-resolution Stories.

Accessible on All

Devices Download Instagram Stories using any browser, iPhone, Android.

Completely Free to Use

Absolutely no fees. Download any Story at no cost.

Frequently Asked Questions

The Instagram Stories Download feature is designed to provide a secure and high-quality method for downloading Instagram stories. It's user-friendly and doesn't require users to register or sign up. Simply copy the link, paste it, and enjoy the content.
Downloading Instagram stories is a simple process that involves three steps:
  • 1. Go to the Instagram Story Downloader tool.
  • 2. Next, type the username of the Instagram profile into the provided field and click on the Download button.
  • 3. You'll then see all the Stories that are available for the current 24-hour period. Select the ones you want and hit Download.
The selected story will be swiftly saved to your device's local storage.
Unfortunately, it is not possible to download stories from private accounts due to privacy restrictions.
There is no limit to the number of times you can use the Instagram story download service. It's available for unlimited use and is completely free.
Yes, it is legal to download and save Instagram Stories from other users, provided they are not used for commercial purposes. If you intend to use them commercially, you must obtain permission from the original content owner and credit them each time the story is used.
All downloaded stories are typically saved in the Downloads folder on your computer, whether you're using Windows, Mac, or iOS. For mobile devices, the stories are saved in the phone's storage and should also appear in your Gallery app immediately after download.