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aacommstudio
AA Communications Studio
A graphic design studio and independent publisher within the @aaschool focusing on architecture, art, design and theory.
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Renée Gailhoustet
Edited by Nichola Barrington-Leach
AA Publications, 2026
This book presents the work of the French architect Renée Gailhoustet (1929–2023). A pioneering figure in the provision of generous and adaptable social housing in the communist red suburbs of Paris in the 1970s–1980s, Gailhoustet has been largely forgotten by histories of post-war architecture, only gaining recognition for her contributions in the past several years.
AA Publications editors: Max Zarzycki, Emily Priest
Design: Caspar Bailey
Photography: Sacha Trouiller
Drawings: NVBL Architects.
Print: Albe De Coker
@n_v_b_l @lilliambleak @caspar_design @_emilypriest@albedecoker
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
Seeding Change: Visionary Timber Architecture at Hooke Park, 1981–2001
Edited by Kate Davies and Anna Lisa Reynolds
Paperback
167 x 230mm
168pp
Hooke Park in west Dorset is a home to a nexus of progressive approaches to forestry, architecture, engineering and education. This woodland campus, now operated by the AA, was established by John Makepeace and the Parnham Trust in the early 1980s as an educational project to test the use of local roundwood in building, which resulted three pioneering timber buildings. This book draws on a rich archive of photographs, drawings and documents to tell the stories of these structures, tracing the evolution of their material-led and research-driven approach to design, grounded in a living landscape.
Designed to complement the ethos of Hooke Park itself, the book’s production reflects a conscious commitment to sustainability and material economy. The format was chosen to minimise paper waste, with dimensions optimised to work efficiently within standard sheet sizes - a quiet nod to the resource-conscious thinking that defines the campus. Printed on recycled stock, the pages carry a warm off-white tone, while the monospace typeface forms a visual connection to the photographs, drawings and typed correspondence that constitute the Hooke Park archive at the heart of Seeding Change. Against this restrained, archival palette, the binding makes a bold counterpoint: the bright tape spine binding introduces a flash of contemporary colour, referencing the experimental and forward-looking culture of the AA’s woodland campus.
AA Publications, 2025
Design: Caspar Bailey
Proofreader: Charlotte Jones, Anna Lisa Reynolds
Print: Empress
@caspar_design
@annalisareynolds
@empress.london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
The Word for World: The Maps of Ursula K Le Guin
Edited by So Mayer and Sarah Shin
When Ursula K Le Guin started writing a new story, she would begin by drawing a map. The Word for World presents a selection of these images by the celebrated author, bringing them together with poems, stories, interviews, recipes and essays from a variety of contributors to consider how her imaginary worlds enable us to re-envision our own.
Co-published by Spiral House (an imprint of Silver Press) and AA Publications to coincide with an exhibition of Ursula K Le Guin’s maps at the Architectural Association, London.
Paperback
148 x 210mm
160pp
Design: Caspar Bailey
Production editing: Max Zarzycki
Print: Calverts
@sarah_shin_
@caspar_design
@lilliambleak
@spiralhouseeditions
@calverts_london
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
Visual identity for The Word for World, an exhibition on display at the @aaschool
The identity uses type layered over image to visually interpret Le Guin’s exploration of language, mapping, and perception. The bold, flowing typography is both readable and organic, appearing to float above or grow through faint, line-drawn imagery beneath it - echoing Le Guin’s notion that words and worlds are interwoven systems rather than separate entities.
Curators: Sarah Shin and Harriet Jennings
Assistant Curator: Molly Evans
Exhibition Design: Standard Deviation (Sammy Lee, Mark Lowe and Sarah Shin, with Federico Campagna, MJ Harding and Rain Wu)
Graphic Design: Caspar Bailey
Copyediting: Anna Lisa Reynolds
Cyanotypes: Elena Andreea Teleaga
Sign Writing: Louis Musk
Exhibition Installation: Install Archive and AA Facilities
Audio Visual: AA Audio-Visual Department
@caspar_design
@annalisareynolds
@lilliambleak
@harrietgjennings
@sarah_shin_
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
As Hardly Found: Art and Tropical Architecture
Edited by Albert Brenchat-Aguilar
Paperback
270 x 300
168pp
As Hardly Found: Art and Tropical Architecture centres artists and artworks that have so far been overlooked by histories of ‘tropical architecture’. In this collection of essays, historians, artists and archivists address works of art connected to epicentres of teaching and practice within the movement – focusing on the Department of Tropical Architecture at the Architectural Association and its collaborators – which emerged in the mid-20th century alongside anticolonial struggles that dismantled the British Empire.
AA Publications, 2025
Design: Andrew Reid
Communications Studio Editors: Anna Lisa Reynolds, Max Zarzycki
Proofreader: Charlotte Jones, Emily Priest
Print: Graphius
@albertbrenchat
@graphiusgroup
@annalisareynolds
@lilliambleak
@_emilypriest
@andrewreiiiiid
#aapublications
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
AA Files 81
Edited by Maria Shéhérazade Giudici and Rory James Sherlock
Paperback
245 x 297
112pp
AA Publications, 2025
Design: Andrew Reid
Proofreader: Charlotte Jones
Print: Pureprint
AA Files 81 features contributions by Ahmed Belkhodja (amblk_), Anna Font (@afontvac), Anooradha Iyer Siddiqi (@iyersiddiqi), Boris Hamzeian (@boris_hamzeian), George Jepson, Huma Gupta, Giaime Meloni (@giaimemeloni) and Sabrina Puddu, Maria Paez Gonzalez (@maria_paez_gonzalez), Octave Perrault (@octaveperrault), Olivia Neves Marra, Sony Devabhaktuni (@sonydevabhaktuni).
This issue explores a range of ways to frame the idea of spatial intelligence – from the evolution of digital techniques in design education to a radical questioning of the parameters through which we assess environmental sustainability.
@pureprintgroup
@rorysherlock
@blacksquare.eu
@andrewreiiiiid
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Book launch for Reyner Banham: A Set of Actual Tracks
Edited by Ludovico Centis
On Tuesday 4 March we were delighted to host the launch of our new anthology of texts by Reyner Banham at the Architectural Association. Including an introduction by the editor, Ludovico Centis, and catered with pineapple sundaes in reference to Reyner Banham Loves Los Angeles (1972), the event was a well-earned celebration of contributors’ brilliant work and of Banham’s enduring legacy.
@theempire_eu
@caspar_design
@lilliambleak
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Exhibition guide and identity design for Distillation of Architecture: 家具 – an exhibition celebrating more than 30 years of collaboration between Maeda and the AA, co-curated by Shin Egashira, Ingrid Schroder and Soji Maeda.
Bringing together architects and makers from Japan, this exhibition reconsiders the concept of furniture in relation to architecture, through a process of ‘distillation’ – the refinement of ideas, materials and processes. Four architects have each been paired with a maker and asked to rethink a piece of furniture or domestic structure. The resulting works demonstrate how living spaces can be transformed through architectural and material thinking.
Exhibition Realisation: Shin Egashira, Harriet Jennings, Molly Evans
Translation: Aoi Phillips, Megumi Yamashita
Design Teams: Schemata Architects with Ikuya Sagara, Studio mnm with Kittaka Brothers & Corp, Bansyo, Ishikawa Seisakusho and Imatoku Kogei, Suzuko Yamada with Yuki Murakami and Tsubame Architects with Hidakuma Studio.
The guide is covered in Takeo Pachica, a Japanese synthetic paper whose surface feels like a soft fabric and will turn translucent when hot stamped. Copies of the guide can be found in the AA Gallery until the exhibition closes on Friday 7 March 2025.
96pp, 105 x 145mm
Design: Andrew Reid
Editor: Anna Lisa Reynolds
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Concerning ... Land
Edited by Ingrid Schroder
Paperback
110 x 140mm
48pp
AA Publications, 2024
Design: Andrew Reid
Communications Studio Editor: Emily Priest
Proofreader: Charlotte Jones
Print: Pureprint
This publication is the first of a series that provides space to contend with fundamental professional and academic concerns in architecture. The essays included in this issue explore what it means to belong to land, to claim it, to be landed, or to maintain land through stewardship and responsibility. The authors span scales and interpretations from the earthbound (Silvana Taher), to the mythical (Charlotte Birrell), the legal (Georgia Hablützel) and the infrastructural (Tadeáš Říha).
@silvanataher
#charlottebirrell
@georgiasophia
@tadeas.riha
@_emilypriest
@andrewreiiiiid
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
Design identity for Ripple Ripple Rippling - An exhibition by Jingru Cyan Cheng, Chen Zhan and Mengfan Wang.
Design Identity: AA Communications Studio
Exhibition Realisation: AA Public Programme
Curated by: Jingru Cyan Cheng, Chen Zhan and Mengfan Wang
(For full list of credits, please visit aaschool.ac.uk)
This multisensory exhibition tells situated stories of the entangled flows of people and land around an ordinary village in China. Curated visual, sonic and bodily encounters surface hidden changes in Chinese rural homes and village landscapes that enable the floating labour force who sustain the country’s urbanisation. The exhibition also reveals how the transformative process of this work has unfolded over a decade, and reflects on its evolving methods and media of communication, which interweave architecture, anthropology, filmmaking and performance.
The design approach embraces the diverse range of content on display in the exhibition. The predominant use of a sans serif typeface, combined with white space and a strong sense of grid, forms a framing device, allowing the vibrant photography and colour to take centre-stage in shaping the identity. A striking pink hue, referencing the colourful garments worn by villagers, adds a vivid touch, while atmospheric photographs create a dynamic contrast between moments of stillness and movement, enriching the visual narrative.
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
AA Files 80
Edited by Maria Shéhérazade Giudici
and Rory James Sherlock
Paperback
245 x 297
96pp
AA Publications, 2024
Design: Andrew Reid
Proofreaders: Charlotte Jones, Max Zarzycki
Print: Pureprint
AA Files 80 features eleven contributions that put forward different approaches to architectural research. The publication seeks to unearth past moments of architectural agency to demonstrate that even in times of social and environmental crisis, new spatial imaginaries are possible. Contributions include essays from Emanuele Coccia (@unicamens), Irina Davidovici (@idavidovici), Rebecca Crabtree, Violette de la Selle and Wes Hiatt (@whiatt), Sofia Singler, Charles Rice (@drmdrmdrmdr), Platon Issaias (@platon.issaias), Moad Musbahi (@rubicon_m), Hilary Sample (@mmmosarchitects), Raafat Majzoub (@raafatmajzoub) and an interview with renowned archaeologist Linda Manzanilla.
AA Files 80 has been designed and produced in-house by the Communications Studio at the AA, and its revised style and editorial structure is redolent of the precision, focus and intent that the journal has historically embodied. While the essays are not explicitly linked by any given theme, there are implicit connections between each that are suggested by their composition as a unified form. Subtle nods to former incarnations will no doubt be discernible to enduring readers, but these serve only as the waypoints of an altogether new graphic and editorial approach that connects the future of the journal to its prodigious past.
@pureprintgroup
@andrewreiiiiid
@lilliambleak
@rorysherlock
@blacksquare.eu
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
A Set of Actual Tracks
Edited by Ludovico Centis
232pp, 140 x 190 mm, paperback
2024
Edited by Ludovico Centis
Design: Caspar Bailey
AA Publications editors: Ryan Dillon, Max Zarzycki
Proofreaders: Charlotte Jones, Anna Lisa Reynolds
This book brings a contemporary critical lens to the work of Reyner Banham, one of the most prescient architectural and design critics of the 20th century. Thirteen of the acerbic historian’s essays and book chapters have been selected by contributors, ranging from classics such as ‘The Great Gizmo’ to lesser-known texts such as ‘The Wall’, an intimate confession he penned in hospital shortly before his death. Each is accompanied by a contemporary response that contextualises Banham’s writing, drawing out reflections on what the critic’s work means today.
@theempire_eu
@caspar_design
@lilliambleak
@annalisareynolds
Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.
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