Allen Yu
Austin

🟧🟢
Taking inspiration from the dream passage on the Korean celadon pillow I saw at the National Museum of Korea (slide to the end to see): “the holes pierced on the side of pillows made of ceramics are a passageway for dreams” as featured in the Chinese folk story, Zhenzhongji (枕中記, The World Inside a Pillow), I made this piece exploring the quiet liminal space in between worlds
Made @eastsidepotshop
Woodfired @eyeofthedogartcenter

🟧🟢
Taking inspiration from the dream passage on the Korean celadon pillow I saw at the National Museum of Korea (slide to the end to see): “the holes pierced on the side of pillows made of ceramics are a passageway for dreams” as featured in the Chinese folk story, Zhenzhongji (枕中記, The World Inside a Pillow), I made this piece exploring the quiet liminal space in between worlds
Made @eastsidepotshop
Woodfired @eyeofthedogartcenter

🟧🟢
Taking inspiration from the dream passage on the Korean celadon pillow I saw at the National Museum of Korea (slide to the end to see): “the holes pierced on the side of pillows made of ceramics are a passageway for dreams” as featured in the Chinese folk story, Zhenzhongji (枕中記, The World Inside a Pillow), I made this piece exploring the quiet liminal space in between worlds
Made @eastsidepotshop
Woodfired @eyeofthedogartcenter

🟧🟢
Taking inspiration from the dream passage on the Korean celadon pillow I saw at the National Museum of Korea (slide to the end to see): “the holes pierced on the side of pillows made of ceramics are a passageway for dreams” as featured in the Chinese folk story, Zhenzhongji (枕中記, The World Inside a Pillow), I made this piece exploring the quiet liminal space in between worlds
Made @eastsidepotshop
Woodfired @eyeofthedogartcenter

🟧🟢
Taking inspiration from the dream passage on the Korean celadon pillow I saw at the National Museum of Korea (slide to the end to see): “the holes pierced on the side of pillows made of ceramics are a passageway for dreams” as featured in the Chinese folk story, Zhenzhongji (枕中記, The World Inside a Pillow), I made this piece exploring the quiet liminal space in between worlds
Made @eastsidepotshop
Woodfired @eyeofthedogartcenter

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

A heartfelt thank you to everyone who braved the weather to join us on opening night of Flower and Friends 2 this Saturday! I’m so grateful for our Austin creative community.
@lalley, @kevinmunoz, @andewsak, @tim_mccool_art, @thomascook_art, @mount.dracula, @steefcrombach, @blumenfloral, @eli.decker, @strangevioletdesigns, @folkrelics, @killer.drone.sandwich, @trashybuni, @loveandragestudios, @blacxlancer, @grandpasglizzys, @clevvydj, @feralatelier
If you missed it, you can still catch us during gallery hours on Thursday 4/23 and Friday 4/24 from 3-8pm, or at the closing party on Saturday 4/25 from 6-9pm.

Come celebrate the spring season with us on Saturday 4/18 at the Paseo for the second edition of the Flower and Friends show, organized by the amazing @andewsak and @steefcrombach
I’ll have some of my ceramic pieces on display completed with floral arrangements. Super excited to show my work alongside so many great Austin artists. Please come check out what I’ve been working on.
I’d like to think life is worth celebrating, especially during the darkest times, just as plants endure the harshness of winter only to emerge from dormancy more vibrant and alive in the spring. Come celebrate life, resilience, and community with us as we gather in a space of warmth, renewal, and shared presence.

Come celebrate the spring season with us on Saturday 4/18 at the Paseo for the second edition of the Flower and Friends show, organized by the amazing @andewsak and @steefcrombach
I’ll have some of my ceramic pieces on display completed with floral arrangements. Super excited to show my work alongside so many great Austin artists. Please come check out what I’ve been working on.
I’d like to think life is worth celebrating, especially during the darkest times, just as plants endure the harshness of winter only to emerge from dormancy more vibrant and alive in the spring. Come celebrate life, resilience, and community with us as we gather in a space of warmth, renewal, and shared presence.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

It’s been 12 years since I last spent Lunar New Year in China. I used to think I knew this place instinctively, yet each time I return, the China I meet feels more unfamiliar.
When I’m away, I take pride in how connected I try to be with my culture. Yet being back reminds me how much I’ve changed. I’ve become an outsider looking in from a space that is neither fully here nor there.

The last thing I made in 2025 also happens to be my favorite thing I made of the year.
Soda fired @eastsidepotshop

The last thing I made in 2025 also happens to be my favorite thing I made of the year.
Soda fired @eastsidepotshop

The last thing I made in 2025 also happens to be my favorite thing I made of the year.
Soda fired @eastsidepotshop

Everyday Monument (I-IV), 2025
7” x 16.5” x 10” Height
Stoneware with layered shino glazes
Made and fired @eastsidepotshop

Everyday Monument (I-IV), 2025
7” x 16.5” x 10” Height
Stoneware with layered shino glazes
Made and fired @eastsidepotshop

Everyday Monument (I-IV), 2025
7” x 16.5” x 10” Height
Stoneware with layered shino glazes
Made and fired @eastsidepotshop

Everyday Monument (I-IV), 2025
7” x 16.5” x 10” Height
Stoneware with layered shino glazes
Made and fired @eastsidepotshop

Joint Chamber (Not Galarian Weezing), 2025
12” x 8” x 13” height
Twinning bottle with a thick layer of shino glaze and some intense carbon trapping! Fired @eastsidepotshop
#志野 #志野焼 #shino
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