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Presenting the physical manifestation of SBX Sector A in the cassette format.

The elevated noise floor provides an extra harmonic distortion which really ties the synthetic elements together.

Constructed and assembled manually and locally by Echopress, the conceptual multi-layered artwork and design is on full display here.

Available in our Bandcamp through our link in bio. Limited edition of 50 copies.

Artwork: Rui Almeida & Ana Sales
Design: Diogo Oliveira / Echopress

Presenting the physical manifestation of SBX Sector A in the cassette format.

The elevated noise floor provides an extra harmonic distortion which really ties the synthetic elements together.

Constructed and assembled manually and locally by Echopress, the conceptual multi-layered artwork and design is on full display here.

Available in our Bandcamp through our link in bio. Limited edition of 50 copies.

Artwork: Rui Almeida & Ana Sales
Design: Diogo Oliveira / Echopress

Presenting the physical manifestation of SBX Sector A in the cassette format.

The elevated noise floor provides an extra harmonic distortion which really ties the synthetic elements together.

Constructed and assembled manually and locally by Echopress, the conceptual multi-layered artwork and design is on full display here.

Available in our Bandcamp through our link in bio. Limited edition of 50 copies.

Artwork: Rui Almeida & Ana Sales
Design: Diogo Oliveira / Echopress

Presenting the physical manifestation of SBX Sector A in the cassette format.

The elevated noise floor provides an extra harmonic distortion which really ties the synthetic elements together.

Constructed and assembled manually and locally by Echopress, the conceptual multi-layered artwork and design is on full display here.

Available in our Bandcamp through our link in bio. Limited edition of 50 copies.

Artwork: Rui Almeida & Ana Sales
Design: Diogo Oliveira / Echopress

Presenting the physical manifestation of SBX Sector A in the cassette format.

The elevated noise floor provides an extra harmonic distortion which really ties the synthetic elements together.

Constructed and assembled manually and locally by Echopress, the conceptual multi-layered artwork and design is on full display here.

Available in our Bandcamp through our link in bio. Limited edition of 50 copies.

Artwork: Rui Almeida & Ana Sales
Design: Diogo Oliveira / Echopress

Tomáš Šenkyřík — 1m2

Beginning with 1982’s Sound Map Of The Hudson River, Annea Lockwood has investigated waterways across the globe by walking their lengths and field recording along the way. It’s a captivating approach to the challenge of documenting the layered scales and complex interconnectedness of an ecosystem. 1m² sees Tomáš Šenkyřík use a different approach to the same subject, standing still and documenting an ecosystem as time moves through it. The Czech field recordist focused on a single square metre of wetland close to his house in South Moravia, periodically recording it across several days in June 2024, the track titles showing when these sounds were captured. The tape opens with an incessant click and a low-end groan before creaks, squeaks and buzzes create a lopsided beat, a coincidental groove emerging between critters voices and ecological processes. The scenes Šenkyřík captures oscillate between consistency, disruption, and, in the peculiar whining loop that dominates the fifth track, consistent disruption. The hums, chitters, squelches and borborygmus-like burbles across the tracks sound like synthesisers, while Šenkyřík’s editing switches focal point from being seemingly submerged underwater to out in the open air as bird song and trudging footsteps flutter by. Like Lockwood, Šenkyřík elegantly captures the complexity and wonder of an ecosystem, the square metre he focuses on getting bigger by the second.
@daryl.worthington for @thequietus Spool’s Out

Pro-dubbed by @headlessduplicatedtapes
Risography printed J-Card by @diogololly at @_echopress_

Tomáš Šenkyřík — 1m2

Beginning with 1982’s Sound Map Of The Hudson River, Annea Lockwood has investigated waterways across the globe by walking their lengths and field recording along the way. It’s a captivating approach to the challenge of documenting the layered scales and complex interconnectedness of an ecosystem. 1m² sees Tomáš Šenkyřík use a different approach to the same subject, standing still and documenting an ecosystem as time moves through it. The Czech field recordist focused on a single square metre of wetland close to his house in South Moravia, periodically recording it across several days in June 2024, the track titles showing when these sounds were captured. The tape opens with an incessant click and a low-end groan before creaks, squeaks and buzzes create a lopsided beat, a coincidental groove emerging between critters voices and ecological processes. The scenes Šenkyřík captures oscillate between consistency, disruption, and, in the peculiar whining loop that dominates the fifth track, consistent disruption. The hums, chitters, squelches and borborygmus-like burbles across the tracks sound like synthesisers, while Šenkyřík’s editing switches focal point from being seemingly submerged underwater to out in the open air as bird song and trudging footsteps flutter by. Like Lockwood, Šenkyřík elegantly captures the complexity and wonder of an ecosystem, the square metre he focuses on getting bigger by the second.
@daryl.worthington for @thequietus Spool’s Out

Pro-dubbed by @headlessduplicatedtapes
Risography printed J-Card by @diogololly at @_echopress_

Tomáš Šenkyřík — 1m2

Beginning with 1982’s Sound Map Of The Hudson River, Annea Lockwood has investigated waterways across the globe by walking their lengths and field recording along the way. It’s a captivating approach to the challenge of documenting the layered scales and complex interconnectedness of an ecosystem. 1m² sees Tomáš Šenkyřík use a different approach to the same subject, standing still and documenting an ecosystem as time moves through it. The Czech field recordist focused on a single square metre of wetland close to his house in South Moravia, periodically recording it across several days in June 2024, the track titles showing when these sounds were captured. The tape opens with an incessant click and a low-end groan before creaks, squeaks and buzzes create a lopsided beat, a coincidental groove emerging between critters voices and ecological processes. The scenes Šenkyřík captures oscillate between consistency, disruption, and, in the peculiar whining loop that dominates the fifth track, consistent disruption. The hums, chitters, squelches and borborygmus-like burbles across the tracks sound like synthesisers, while Šenkyřík’s editing switches focal point from being seemingly submerged underwater to out in the open air as bird song and trudging footsteps flutter by. Like Lockwood, Šenkyřík elegantly captures the complexity and wonder of an ecosystem, the square metre he focuses on getting bigger by the second.
@daryl.worthington for @thequietus Spool’s Out

Pro-dubbed by @headlessduplicatedtapes
Risography printed J-Card by @diogololly at @_echopress_

Tomáš Šenkyřík — 1m2

Beginning with 1982’s Sound Map Of The Hudson River, Annea Lockwood has investigated waterways across the globe by walking their lengths and field recording along the way. It’s a captivating approach to the challenge of documenting the layered scales and complex interconnectedness of an ecosystem. 1m² sees Tomáš Šenkyřík use a different approach to the same subject, standing still and documenting an ecosystem as time moves through it. The Czech field recordist focused on a single square metre of wetland close to his house in South Moravia, periodically recording it across several days in June 2024, the track titles showing when these sounds were captured. The tape opens with an incessant click and a low-end groan before creaks, squeaks and buzzes create a lopsided beat, a coincidental groove emerging between critters voices and ecological processes. The scenes Šenkyřík captures oscillate between consistency, disruption, and, in the peculiar whining loop that dominates the fifth track, consistent disruption. The hums, chitters, squelches and borborygmus-like burbles across the tracks sound like synthesisers, while Šenkyřík’s editing switches focal point from being seemingly submerged underwater to out in the open air as bird song and trudging footsteps flutter by. Like Lockwood, Šenkyřík elegantly captures the complexity and wonder of an ecosystem, the square metre he focuses on getting bigger by the second.
@daryl.worthington for @thequietus Spool’s Out

Pro-dubbed by @headlessduplicatedtapes
Risography printed J-Card by @diogololly at @_echopress_

Tomáš Šenkyřík — 1m2

Beginning with 1982’s Sound Map Of The Hudson River, Annea Lockwood has investigated waterways across the globe by walking their lengths and field recording along the way. It’s a captivating approach to the challenge of documenting the layered scales and complex interconnectedness of an ecosystem. 1m² sees Tomáš Šenkyřík use a different approach to the same subject, standing still and documenting an ecosystem as time moves through it. The Czech field recordist focused on a single square metre of wetland close to his house in South Moravia, periodically recording it across several days in June 2024, the track titles showing when these sounds were captured. The tape opens with an incessant click and a low-end groan before creaks, squeaks and buzzes create a lopsided beat, a coincidental groove emerging between critters voices and ecological processes. The scenes Šenkyřík captures oscillate between consistency, disruption, and, in the peculiar whining loop that dominates the fifth track, consistent disruption. The hums, chitters, squelches and borborygmus-like burbles across the tracks sound like synthesisers, while Šenkyřík’s editing switches focal point from being seemingly submerged underwater to out in the open air as bird song and trudging footsteps flutter by. Like Lockwood, Šenkyřík elegantly captures the complexity and wonder of an ecosystem, the square metre he focuses on getting bigger by the second.
@daryl.worthington for @thequietus Spool’s Out

Pro-dubbed by @headlessduplicatedtapes
Risography printed J-Card by @diogololly at @_echopress_

We printed the new merch for the magnificent and talented Calcutá @calcuta_____ !!!
Fantastic artwork by our friend @o_miguelalmeida .

A special thanks to @omlopess & @salgadobrunos for this great video 🎥

New Riso 🍄
Size: A4 / 1 color print On Fedrigoni Noce 200g

New Riso 🍄
Size: A4 / 1 color print On Fedrigoni Noce 200g

New Riso 🍄
Size: A4 / 1 color print On Fedrigoni Noce 200g

4 colours riso print postcard
(An offer on any purchase from the website)
Printed by @_echopress_

4 colours riso print postcard
(An offer on any purchase from the website)
Printed by @_echopress_

We made a beautiful A3 Riso edition of 50 four-color print for this film photography by @desgastado 📷

Fedrigoni Arena Ivory Bulk 100g
Aqua, Yellow, Fluorescent Pink, Black

Business card x Riso color chart designed for @_echopress_ 🖨️

Business card x Riso color chart designed for @_echopress_ 🖨️

Business card x Riso color chart designed for @_echopress_ 🖨️

Business card x Riso color chart designed for @_echopress_ 🖨️

Business card x Riso color chart designed for @_echopress_ 🖨️

Business card x Riso color chart designed for @_echopress_ 🖨️

O @_cru.de_ fez uma belíssima ilustração para a EchoPress! Impressa a 4 cores em risografia.
Aqua . Flu.Pink . Yellow . Black
(Num set de papéis diferentes.)
.
.
.
Envia email se tiveres interesse em imprimir!
Contacto na info!

O @_cru.de_ fez uma belíssima ilustração para a EchoPress! Impressa a 4 cores em risografia.
Aqua . Flu.Pink . Yellow . Black
(Num set de papéis diferentes.)
.
.
.
Envia email se tiveres interesse em imprimir!
Contacto na info!

Estamos a cozinhar umas coisas para o@bacaroporto !!! 🍊
Riso 3 cores em fedrigoni arena 100g.

Obrigado @omlopess pelo magnífico vídeo 🎥
Som: Sopratutto, Nicolini

Presente para a especial e talentosa @molipoppins 🤍 Magnífica ilustração impressa em Risografia 3 cores em Fedrigoni Arena Ivory Bulk 150g !
.
Gift for the special and talented @molipoppins 🤍 Amazing illustration printed in 3-color Risograph on Fedrigoni Arena Ivory Bulk 150g!

Very excited to launch this very limited edition set of 4 iron patches (glued back)
100% locally made in Porto, Portugal
Risoprinted by EchoPress @_echopress_
Designed by Iñaki Aires @inaki_aires
- Sizes -
Upper Left Patch - 5cm
Upper Right Patch - 6cm x 4cm
Bottom Left Patch - 9cm x 6cm
Bottom Right Patch - 4cm x 4cm
-
For sale at @atanor_visions website
Dm to be picked in Porto

Very excited to launch this very limited edition set of 4 iron patches (glued back)
100% locally made in Porto, Portugal
Risoprinted by EchoPress @_echopress_
Designed by Iñaki Aires @inaki_aires
- Sizes -
Upper Left Patch - 5cm
Upper Right Patch - 6cm x 4cm
Bottom Left Patch - 9cm x 6cm
Bottom Right Patch - 4cm x 4cm
-
For sale at @atanor_visions website
Dm to be picked in Porto

[pt]Impressão risográfica, 3 cores
em papel autocolante não revestido de 80g.

[en]3 color risograph print on 80g uncoated
sticker paper.

@atanor_editions

#printisnotdead #risograph #echopress #atanor #stickers