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Variety
The business of entertainment.
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
Even the greats like #LéaSeydoux sometimes experience cycles of self-doubt.
On set of “The Unknown,” one of her two films competing at #Cannes this year, Seydoux found herself consumed by recursive thought processes. “I’ve never done any theater school. I learned to act in front of a camera,” she recalls. “So I feel that I’m almost an unprofessional actor. I’ve done so many films, but I’m still sometimes like I will never be able to do this.”
But to read through Seydoux’s list of credits is to grasp her talent for transformation: she’s an actress who pushes to the edge while becoming someone else. Since her Palme d’Or-winning breakthrough in 2013 with the frankly sexual, emotionally walloping “Blue Is the Warmest Colour,” Seydoux has become a staple of world cinema. She’s lent that style and edge to the James Bond franchise (where she played Daniel Craig’s one true pairing, the Proustianly named Madeleine Swann) and to “Dune: Part Two” (where her sly Bene Gesserit noblewoman has big plans for Austin Butler’s fearsome warrior).
After working with countless auteurs, from Yorgos Lanthimos to Wes Anderson to David Cronenberg, she feels assured that the fate of the Bond franchise is in the hands of visionary director Denis Villeneuve. She tells Variety, “I was a bit sad when I heard that it was sold [to Amazon MGM], but now that it’s Denis, I was like, ‘Oh, at least it’s him, so it will be cinema.’”
As the film industry endures a litany of Hollywood mergers and new technologies that threaten to replace the roles of creatives, Seydoux affirms her faith in individuality: “I think that nothing can replace humanity. I don’t feel threatened. Maybe I’m wrong! But I believe in human nature.”
Click the link in bio to read the full cover story.
- -
Photographs by Jason Hetherington
@jasonhetheringtonstudio
Location: Mandarin Oriental Lutetia, Paris
@mo_lutetia
Styling: Alexandra Imgruth/The Wall Group
@alexandraimgruth
Makeup: Sandrine Cano Bock/Artlist Paris - New York
@sandrinecanobock
Hair: Marion Anee/Call My Agent
@marion.anee
Manicure: Adrienne/B.Agency
@adriennne.soter_
Style Credits:
Full looks: Louis Vuitton
@louisvuitton
SPOILERS: What makes an award-worthy moment? Stars of “Pluribus,” “Outlander,” “For All Mankind” and more dissect some of their favorite scenes at the An Evening with @sonypicturestv FYC event.
#RamiMalek is the first Egyptian performer to win the Oscar for best actor “one of the greatest achievements.”
“One of the greatest achievements in receiving that award is the hope it’s imbued in so many people all over the world, especially where my family is from in Egypt,” Malek said at #Cannes during a Kering #WomenInMotion Talk. “All over the world I think people can relate to what it feels like to be an immigrant... that comes with some weight. To be able to connect to that accomplishment in some way and hopefully inspire anyone fills me with some sense of pride thatis greater even than doing the work itself.”
#NicolasWindingRefn broke down in tears at #Cannes as he recalled dying for 25 minutes due to a leaking heart:
“Before I died, I had come to the end of my career because I didn’t have anything left in me. So there was nothing for me to do. And then I suddenly had what was called a leaking heart ... the situation was discovered by accident and suddenly I was told that I would probably not live, but if I did they didn’t know what would happen... I realized before I died that I’d been given a gift: I could start over again. Like how many people get a second chance? And I got a second chance from God. And I could use that for good — at least for me, how can I expand my children’s lives?”
#SebastianStan slams Donald Trump and says what's going on in America is "no laughing matter."
"I think we’re in a really, really bad place. I really do," Stan said at the #Cannes press conference for "Fjord." "And to be honest with you, when you’re looking at what’s happening, right now -- if we’re talking about the consolidation of the media, censorship, threats, the supposed lawsuits that seemingly never end but don’t actually go anywhere. You know, the writing was on the wall. We encountered all that with the movie ['The Apprentice'] to the point that we were, three days before the festival, unsure if the movie was going to play the festival. So maybe people are paying attention more to that film, I think it will stand the test of time for that. But we went through all of it right before Jimmy Kimmel and Stephen Colbert and so on. So, I wish it wasn’t like that."
#CharlesMelton, #SophieThatcher and the cast of “Her Private Hell” get emotional and fired up during the film’s 7-minute standing ovation at #Cannes.
“Her Private Hell” stars Thatcher as a tortured movie star who must confront her daddy issues when her best friend marries her father. At the same time, a mysterious presence, known only as The Leather Man, is going on a killing spree of young women
#SebastianStan and #RenateReinsve hold back tears as Cristian Mungiu’s heart-wrenching family legal saga “Fjord” earns a 10-minute standing ovation at #Cannes.
Stars Zach Braff, Donald Faison and Sarah Chalke recall stepping back into the @scrubs world, continuing the beloved series and their personal soundtracks when they’re getting into character.
#JulianneMoore says “I fucking love actresses” while accepting her lifetime achievement award at Kering’s #WomenInMotion dinner at #Cannes.
Women empowering women is what @kering_official’s #WomenInMotion dinner is all about. #JulianneMoore celebrates her career achievement award alongside Salma Hayek, Chloé Zhao, Demi Moore and Ruth Negga at #Cannes.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
#ColmanDomingo praises #MichaelJackson for being “truly the greatest performer that has ever walked this planet” at @kering_official’s #WomenInMotion Dinner at #Cannes.
#DaisyEdgarJones, Salma Hayek and several other Hollywood stars also appeared at the dinner, where Julianne Moore received Kering’s Women in Motion Award.
Click the link in bio to read Variety’s interview with Moore.
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