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It was the day before his first match at the Miami Open, and @carlitosalcarazz had given over a fraction of his morning for this Vanity Fair cover shoot and interview. Prior to his arrival on set, there was some anxiety in the air. But it cleared once he walked in.

There are, of course, readily available clips online of the player being a gent: sweeping clay courts himself after practice rounds, greeting staffers and fellow players with the same warmth. And yet it’s hard to prepare for Alcaraz’s disarming niceness.

On the court, when he hears his fans cheer, Alcaraz points to his ear to encourage them to scream louder. He vigorously huffs and puffs and assuredly kicks his racket in between serves. In person, Alcaraz is more gentle than he lets his professional persona reveal.

He’s tennis’s greatest contemporary showman.

Read @eljosecriales’s full cover story on the young tennis phenom at our link in bio.

Photographer @ethanjamesgreen
Fashion Editor @dara._
Hair @tamastuzes
Makeup @emikaneko
Set Design @tuna.bird
Production @selectservices

Every year after the WNBA season ends, @aja22wilson takes a reset. “I put my shoes away. I get my long nails,” the six-foot-four center says. “This makes sure I cannot touch a basketball.”

When she is playing, Wilson’s unstoppable. She’s a four-time league MVP who’s led the Las Vegas Aces to three championship victories—the first WNBA player to score more than 1,000 points in a single season. Her three-pointers float effortlessly; her jump shot is the move’s platonic ideal. She bats away defenders like a cat with a toy mouse.

In April, the South Carolinian reportedly signed a deal that makes her the highest-paid player in WNBA history—a three-year contract that starts at $1.4 million and could reach $5 million. Now she’s making a case for inclusion on the list of greatest athletes ever, in any sport. She’s not being shy about it, either. “I want to prove that I’m the best,” says Wilson. “That allows me to have a great trophy case. It allows me to get rings. And it allows me to just play with peace.”

For Vanity Fair’s Sports Issue, @vanderhoofy catches up with the queen of the court. More at our link in bio.

Photographer: @campbelladdy
Fashion Editor: @maxortegag
Hair: @lacyredway
Makeup: @iamjamalscott
Set Design: @ibbynjoya
Production: @selectservices

It’s been eight years since @k.mbappe made his World Cup debut as an electric wide forward who bashed in four goals in seven matches as France won the tournament for just the second time in 88 years. He was 19.

Now Mbappé will lead France into this summer’s tournament as captain, but as he sits down for an interview with Vanity Fair’s @aidan_mclaughlin, his platinum career is in a crucible.

He’s weathered attacks on his French identity while serving as his nation’s chief diplomat. He’s endured criticism of his game while scoring goals by the hatful for Real Madrid.

For Vanity Fair’s Sports Issue, @aidan_mclaughlin meets the biggest star in world football. He’s under unfathomable pressure. More at our link in bio.

Photographer @annieleibovitz
Fashion Editor @luxurylaw
Groomer @melissa.dezarate
Set Design @maryhoward_setdesign
Movement Director @jorgedorsinville
Production AL Studio
Location @fairmontwashington, member of ALL Accor

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

Screenwriter David Koepp is always on the lookout for the next idea.

‘Panic Room’ was inspired by a newspaper article about safe rooms. ‘Cold Storage’ was sparked, partly, by a beeping smoke alarm tucked away somewhere in an old house. ‘Black Bag’ came from a conversation Koepp had with a CIA adviser 30 years before he actually wrote that movie, back when he was doing research for ‘Mission: Impossible.’

The idea for ‘Disclosure Day,’ Koepp’s latest screenplay came to him the best way he knows how: in the form of an email, with a 38-page attachment, courtesy of Steven Spielberg.

At first, Koepp assumed the director was just after some feedback, writer to writer. Eventually, though, Spielberg asked him, “Do you want to do it?”

At our link in bio, Darryn King sits down with David Koepp to talk craft, ‘Disclosure Day,’ and whether he thinks aliens are really out there.

‘Michael’ left decades of material on the table. So, will there be a sequel to The King of Pop’s musical biopic?

VF’s @christress breaks down everything we know so far. More at our link in bio.

Director @hannahpak__
Editor photogabete

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

At sporting events, the owner’s box has become a kind of modern salon, a place where money, fame, media, and politics sit side by side, in real time, with the cameras rolling.

It’s no longer enough to simply attend. Owning a professional sports team has become the ultimate trophy asset for the rich and powerful.

Think about it. An invite to a fashion show? That’s sweet. A free ride on a private plane? It seems everyone has a NetJets account now. But a walk-on pass to the 50-yard line at a Patriots game? Now we’re talking.

At our link in bio, @derekblasberg digs into the last bastion of status for a well-moneyed few.

Illustration by Yannick Lowery

@charles_leclerc’s style philosophy? “Minimalist but elevated, and then whatever makes me feel good.”

Ahead of the Cannes Film Festival, the Formula 1 star and L’Oréal Paris ambassador takes us through the finishing touches of his red carpet routine. Watch now at our link in bio.

Director @nikkipetersenfilm
Editor Cory Stevens
Production @all4prod
DoP @nicolas_demousseau
Sound / Gaffer Hubert Rey-Grange
Production Coordinator @polem_music
Global Talent Video Director @adele_ligerot

@bellahadid makes her arrival at this evening’s Chopard Miracle Gala in Cannes, held at La Palestre.

See more looks from the French Riviera at our link in bio.

Video by @treyshotyou

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

As ‘The Late Show’ and Colbert prepare to sign off, one reality is inescapable: We’re witnessing the end of an institution.

But even in the face of all the political and economic headwinds facing late night, Colbert himself has a reputation for being kind and engaging. As he prepares to sign off the air and embark on his next project—a ‘Lord of the Rings’ movie, the perfect assignment for a die-hard Tolkien fan—more than a dozen big-name guests and colleagues shared their favorite behind-the-scenes Colbert memories with VF—from potentially disastrous technical difficulties to awkward encounters to heartfelt moments that will stick with them for years to come.

More from Laura Bradley at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

In ‘Fjord,’ @renatereinsve and @imsebastianstan play a couple who face scrutiny after moving to her remote Norwegian hometown. The pair, alongside cast and crew, hit the Cannes red carpet for the film’s world premiere.

More updates from the Croisette, head to VF’s live blog at our link in bio.

By the time Theo Baker had landed at Stanford, it was impossible to escape discussion of the War on Fun.

“To host a social gathering,” writes Baker, “one needed to apply far in advance to the Party Review Committee, which only met once a week, on Tuesdays. Few parties were approved, and even those that were could only last for a limited time, be hosted on certain days, and be open to specific people. A detailed proposal filling dozens of pages of requirements was required. And then there was the other essential component: the ‘Harm Reduction Plan.’

Every social event, in Stanford’s view, was a harm waiting to happen—the university’s goal was to minimize the fallout. This framing, while perhaps understandable from a lawyer’s perspective, had the effect of bludgeoning formative life experiences to death.”

At our link in bio, read an exclusive excerpt from @tabsterbaker’s book, ‘How to Rule the World: An Education in Power at Stanford University,’ where the former Stanford Daily reporter and youngest recipient of the George Polk Award for investigative journalism details his first assignment.

By the time Theo Baker had landed at Stanford, it was impossible to escape discussion of the War on Fun.

“To host a social gathering,” writes Baker, “one needed to apply far in advance to the Party Review Committee, which only met once a week, on Tuesdays. Few parties were approved, and even those that were could only last for a limited time, be hosted on certain days, and be open to specific people. A detailed proposal filling dozens of pages of requirements was required. And then there was the other essential component: the ‘Harm Reduction Plan.’

Every social event, in Stanford’s view, was a harm waiting to happen—the university’s goal was to minimize the fallout. This framing, while perhaps understandable from a lawyer’s perspective, had the effect of bludgeoning formative life experiences to death.”

At our link in bio, read an exclusive excerpt from @tabsterbaker’s book, ‘How to Rule the World: An Education in Power at Stanford University,’ where the former Stanford Daily reporter and youngest recipient of the George Polk Award for investigative journalism details his first assignment.

By the time Theo Baker had landed at Stanford, it was impossible to escape discussion of the War on Fun.

“To host a social gathering,” writes Baker, “one needed to apply far in advance to the Party Review Committee, which only met once a week, on Tuesdays. Few parties were approved, and even those that were could only last for a limited time, be hosted on certain days, and be open to specific people. A detailed proposal filling dozens of pages of requirements was required. And then there was the other essential component: the ‘Harm Reduction Plan.’

Every social event, in Stanford’s view, was a harm waiting to happen—the university’s goal was to minimize the fallout. This framing, while perhaps understandable from a lawyer’s perspective, had the effect of bludgeoning formative life experiences to death.”

At our link in bio, read an exclusive excerpt from @tabsterbaker’s book, ‘How to Rule the World: An Education in Power at Stanford University,’ where the former Stanford Daily reporter and youngest recipient of the George Polk Award for investigative journalism details his first assignment.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.

Last night, co-stars @tayrussell, @hoooooyeony, Michael Fassbender, Alicia Vikander, and director Na Hong-jin stepped out for the world premiere of the sci-fi thriller ‘Hope.’

Today, the cast and crew are back supporting their film at a photocall. Directed by Na Hong-jin, ‘Hope’ centers on a police chief and officer who try to defend a community from a mysterious beast. The film also marks the first onscreen collaboration between Vikander and Fassbender since 2016’s ‘The Light Between Oceans.’

More updates from the Croisette at our link in bio.