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The Infamous Magazine
When Fame Is Not Enough
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Cheak for Issue 13.
“I’m more attracted to the mental gymnastics of figuring out a funky and complicated piece, while still making it look effortless. I think the real charm of good graffiti is pulling it off as if it wasn’t difficult, but to do so there’s a lot of time spent in the lab.”
Mark your calendar for “The Infamous X All Star Presents: Issue #13 Release Party” in Chicago. Live set from DJ, BillyTheKid. Raffle, signed prints, Zwon artwork on display and special 1 night only discount on issue #3 featuring Pose. February 8th, 6-10pm at All Star Press
Snipe for Issue 13. “My hand is mixed with a little old school and new. When I get to a wall, if my cap fat and the paint is flowing, I’m going to drop the cleanest ISM off the top of my head. All bangers, no sloppy shit.“
Snipe for Issue 13. “My hand is mixed with a little old school and new. When I get to a wall, if my cap fat and the paint is flowing, I’m going to drop the cleanest ISM off the top of my head. All bangers, no sloppy shit.“
Snipe for Issue 13. “My hand is mixed with a little old school and new. When I get to a wall, if my cap fat and the paint is flowing, I’m going to drop the cleanest ISM off the top of my head. All bangers, no sloppy shit.“
Snipe for Issue 13. “My hand is mixed with a little old school and new. When I get to a wall, if my cap fat and the paint is flowing, I’m going to drop the cleanest ISM off the top of my head. All bangers, no sloppy shit.“
Snipe for Issue 13. “My hand is mixed with a little old school and new. When I get to a wall, if my cap fat and the paint is flowing, I’m going to drop the cleanest ISM off the top of my head. All bangers, no sloppy shit.“
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Distort for Issue 13. “I’ve always had these epiphanies where I say “Im going to stop doing that, and do this instead”. It’s always in my head. Everything is fine tuning. Im very far down the fucking road in my own journey so anything that happens is fine tuning at this point. More picture making, less ego.”
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Zwon for Issue 13. “I never really boxed myself in; saying I am this or that type of writer. Bombing would be my meditation. It’s when I can get in the zone; not thinking about anything. More intricate pieces is where I kill myself. I want to take a big bite. I
want to fail. I want to stand in-front of it and pull my hair, doubting myself, thinking it looks wack, then pushing through it; overcoming it and finishing it to my best ability. “ –Zwon
Grab for Issue 13. “When rocking pieces I like to tell a story that uses the colors and characters to show off different moods or themes. My letters are angled and move in a way that shows interaction with each other, shapes that mimic the motions of a B-Boy, which is important to me as a former B-Boy myself.”
Grab for Issue 13. “When rocking pieces I like to tell a story that uses the colors and characters to show off different moods or themes. My letters are angled and move in a way that shows interaction with each other, shapes that mimic the motions of a B-Boy, which is important to me as a former B-Boy myself.”
Grab for Issue 13. “When rocking pieces I like to tell a story that uses the colors and characters to show off different moods or themes. My letters are angled and move in a way that shows interaction with each other, shapes that mimic the motions of a B-Boy, which is important to me as a former B-Boy myself.”
Grab for Issue 13. “When rocking pieces I like to tell a story that uses the colors and characters to show off different moods or themes. My letters are angled and move in a way that shows interaction with each other, shapes that mimic the motions of a B-Boy, which is important to me as a former B-Boy myself.”
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
Endem for Issue 13. “My sobriety, seeing my own stuff rock and seeing other writers crush it go bigger and push the limits when it comes to rappelling, is what keeps me motivated.” (first 📸 @lovely_hue_photography_ )
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
3i7 for Issue 13. “The best spots are… spots that only fit your name, nobody can spot jock. Theres nothing worse then to see one of your fills running for six months and then someone get up next to you and get buffed the next week… Theres an art in picking spots that not many people have the eye for.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Likes for issue 13. “Color creates the mood. It conveys emotion, whether intentional or not. So it’s communicating on another level on top of what I’m setting out to do. With graffiti, it’s an added flare to complement the style.”
Join us for an exclusive release party for Issue 13 of The Infamous at the Museum of Graffiti in Miami on Saturday, December 7th, from 3–6 PM. The event kicks off with a panel talk from 3–4 PM featuring renowned graffiti artists Distort and Grey, sharing insights into their craft and culture.
Stick around to meet cover artists Cheak, Distort, and Grey, who will be signing their covers.
Every attendee will receive a free copy of Issue 13, and the first 25 guests will take home an exclusive, limited-edition t-shirt.
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