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Djo has been nominated for Best Album Cover for his album The Crux at the 68th Annual Grammy Awards.

Imagery by Neil Krug
Produced by Taylor Vandegrift at Cineaste
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland & Taylor Vandegrift
Lighting Design: Matt Roe & Joe Beckley
Art Direction: William Wesley II
DJO Styling: Chloe Hartstein
Character Styling: Santa Bevacqua
Casting: Michael Beaudry

new work with LDR @honeymoon

Produced by @williamtv at @cineaste.tv

Hair @annacofone
Makeup @tyronmachhausen

Time-Zero Stories

Time-Zero Stories

Time-Zero Stories

Time-Zero Stories

Time-Zero Stories

Time-Zero Stories

Time-Zero Stories

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

Maiko Geiko Kyoto (2018-): a series of photographs documenting the geisha Tomitae and other geisha in Kyoto, Japan.

@thundercatmusic cover story for @exit_magazine 🐈‍⬛

Imagery and design by me. Cover art concept by myself & @Lolita___harley

Additional Design: @mark.jubber

Special thanks to @exit_magazine & @pbdy

Thundercat shoot produced by @williamtv at @cineaste.tv

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

my first cover (and twelve pages…in print!)

thank you @shadowplay_magazine

it’s so beautiful how a chance encounter meeting my new neighbor, @neilkrug led to such an amazing collaboration and new friendship… i am eternally grateful to the universe for always uniting me (in the strangest ways) with spectacular talent and vision. this will be the first of many collaborations to come.

please enjoy ♡

—

performance, hair, makeup + styling by myself
imagery by @neilkrug
produced by neil krug + myself
interview by martin onufrowicz
special thanks to joe beckley, @badmickey, and @hanna_pallot

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

Talk to any record collector, and they'll tell you how much they appreciate album artwork as a tangible, artistic extension of the music.

But how many versions does it take to get an award-worthy album cover?

Before @djotime’s 'The Crux' became a nominee for the Grammys’ brand-new Best Album Cover category, photographer @neilkrug was obsessing over 169 versions. Shot on the Paramount Pictures lot, this maximalist '70s-inspired scene is a visual feast. With apologies in the sky, Djo hanging precariously from one of the hotel's second-story windows, and even a minuscule mouse dressed as the bellman, this album cover rewards fans who like to slow down and appreciate the details.

According to Krug, the winning version was the 165th.

What's your favorite detail from this album artwork?

Imagery by Neil Krug
Creative Direction by Neil Krug, Joe Keery, Jake Hirshland, and Taylor Vandegrift
Produced by Taylor Vandegrift at Cineaste

New work with the one and only @thundercatmusic for his forthcoming album “Distracted” out April 3rd via @brainfeederrecords

Imagery & design by Neil Krug

Produced by @williamtv at @cineaste.tv

Special thanks to @autryisgone, @pbdy, @joshber, Dominic Smith, and the Ninja team x

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Angel Sigh Coda & Other Stories is live.

Limited edition prints are now available and shipping world.

neilkrugstudio.com

X

Femme Fatale with @monlaferte out now 🌹

Produced by @williamtv at @cineaste.tv

Femme Fatale with @monlaferte out now 🌹

Produced by @williamtv at @cineaste.tv

Femme Fatale with @monlaferte out now 🌹

Produced by @williamtv at @cineaste.tv

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x

ImageNation Paris 2025 / Nov 14-15-16

Next month I’m exhibiting a collection of analog works with @imagenationparis for their Polaroid Exhibition “That Magic Moment”.

In this exhibition, I’ll be debuting the first image from a project of mine entitled: “Maiko Geiko Kyoto (2018-)”, which is a series of photographs documenting the geisha Tomitae in Kyoto, Japan [slide 4].

Galerie Joseph Le Palais, Paris
Vernissage: Friday, November 14th, 6PM

Special thanks to Martin Vegas & Francesco Sambati.

NK x