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Six comedy kingpins dig deep on delusional auditions, nagging insecurities and bizarre fan interactions.
THR‘s annual Comedy Actor Emmy Roundtable featuring #HarrisonFord, @glenpowell, #OwenWilson, @zachbraff, #YahyaAbdulMateenII and @rizahmed is now at the link in bio.
Writer + Moderator Lacey Rose @laceyvrose
Photographer: Beau Grealy @beaugrealy
Artistic and Fashion Director: Alison Edmond @edmondalison
Visual Media Director: Ash Barhamand @ash_mack
Creative Director: Ada Guerin @guerin_ad
Producer / Associate Photo Editor: Naomy Pedroza @naomypedroza
Location: The Georgian @thegeorgian
Fashion: @ysl @paulsmithdesign @brietling @omega @louisvuitton @completedworks
Yahya Abdul-Mateen II opens up about his aspirations to own a farm.
Watch the full #THRRoundtable at the link in bio.
Location: @thegeorgian
#ErikaAlexander, #LeahLewis, #ChrisPerfetti and more members of THR’s 2026 Supporting Class share their dream guest stars for their respective television shows.
See THR's full 2026 Supporting Class at the link in our bio.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
All those steamy romances featuring billionaires and werewolves that you’re stumbling upon on TikTok? They’re part of the booming microdrama business, a global industry estimated at $11 billion last year that is projected to grow to $14 billion by the end of 2026. Dominated by romances of all stripes, microdramas keep you hooked with bite-sized high drama, cliffhangers and wild plot twists, all from the convenience of your phone.
As microdrama companies build their libraries, they’re enlisting Hollywood creatives at the start of their careers or experiencing occupational lulls. Years earlier, these types might have flocked to indie film, reality television or B movies to gain a paycheck and a line on their résumé. But now, with production levels at depressing lows in the L.A. area, many are racking up IMDb credits in this campy training ground, spending long workdays filming on-the-nose dialogue, hungry once-overs and near kisses in the process.
Microdrama-curious, THR's enterprise reporter @kilkennykatie embedded on the set of 'Fight Dirty,' from the San Francisco-based company CandyJar. The project features both brutal fight scenes and a lot of sexual tension, and in the process, she got to see how the special, very addictive sauce is made. Click the link in bio to read more.
#Zendaya reflected on working with her partner #TomHolland in two upcoming projects releasing this year in a new profile with Elle, where she said that returning for the latest #SpiderMan film felt like "coming home."
The #Euphoria star and English actor met when they began working on 'Spider-Man: Homecoming,' the first movie from the film franchise with Holland as its lead. With his fourth Spidey entry set to release this summer, the couple are also both starring in Christopher Nolan’s #TheOdyssey.
Read more at the link in bio.
#GlenPowell shares how #HarrisonFord kept a low profile while the pair were promoting #Expendables3.
Watch the full #THRRoundtable at the link in bio.
Location: @thegeorgian
#NaomiWatts, #TaylorDearden, #CharlesMelton and more members of THR's 2026 Supporting Class describe their television characters in five words.
See THR's full 2026 Supporting Class at the link in our bio.
May we present to you, THR’s 2026 Supporting Class 📚✨
Stars #TaylorDearden, #CharlesMelton, #NaomiWatts and more give us their hot takes on their characters and the actors they hope make a guest star appearance on their series one day (Hint: #ViolaDavis is in high demand 😉).
Check out the full list of stars at the link in bio.
Photographer: Michael Buckner @bucknerphoto
Deputy Awards Editor: Brande Victorian @be_vic
Artistic and Fashion Director: Alison Edmond @edmondalison
Visual Media Director: Ash Barhamand @ash_mack
Creative Director: Ada Guerin @guerin_ad
#OffCampus star #MikaAbdalla is reflecting on her character’s journey in season one of the romance series.
The 26-year-old, who plays Allie Hayes, is digging into the road to self discovery that the college student and aspiring actress takes in the series. The character is the best friend to season one’s leading lady, Hannah Wells, portrayed by #EllaBright, whose relationship with NHL-bound hockey player Garrett Graham, portrayed by #BelmontCameli, is the central plot for Off Campus' first season.
Allie is equal parts quirky best friend and fleshed out leading lady material of her own. 'Off Campus' has adopted the 'Bridgerton' model, so Abdalla's Allie will one day be the female lead of the series; however, it’s unclear which season at this point.
Read more at the link in bio.
Director Georgi Banks-Davies explains to THR's David Canfield why the real drama in #TheNightManager lives in what’s left unsaid.
Watch her full Directors in Focus interview at the link in bio.
The boys are back 😎
As part of a wide-ranging conversation moderated by THR's Lacey Rose, #HarrisonFord, #GlenPowell, #OwenWilson, #YahyaAbdulMateenII, #RizAhmed and #ZachBraff spoke candidly about everything from delusion and neurosis to fame, fandom and laughing their way to the top.
Read the full #THRRoundtable at the link in bio.
Writer + Moderator Lacey Rose @laceyvrose
Photographer: Beau Grealy @beaugrealy
Artistic and Fashion Director: Alison Edmond @edmondalison
Visual Media Director: Ash Barhamand @ash_mack
Creative Director: Ada Guerin @guerin_ad
Producer / Associate Photo Editor: Naomy Pedroza @naomypedroza
Location: The Georgian @thegeorgian
Fashion: @ysl @paulsmithdesign @brietling @omega @louisvuitton @completedworks
Nine months after #StephenColbert announced the cancellation of long-running #LateShow, he presided over the final episode of the #CBS late night show, with #PaulMcCartney serving as his final guest after, Colbert joked, his “white whale” guest of the pope “canceled,” disappointed with the hot dogs offered in his dressing room.
At the top of his monologue, the host said originally the Late Show team had planned to do a “huge special” for the final episode, but then they realized that “every episode is special.”
“The best way to celebrate is to do a normal show and talk about the national conversation,” Colbert said.
Read more about the final Late Show at the link in bio.
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