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crashmagazine
CRASH
French Radical Art, Fashion and Cinema Print Magazine since 1998
Crash 108 Privacy Issue
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Looking back at our conversation with Robert Pattinson in Crash 80 as he continues to push his career into bold new territory. Most recently, he appeared in ’The Drama‘, sharing the screen with Zendaya (@zendaya) in a compelling project helmed by visionary director Kristoffer Borgli (@kristogger).
In the interview, he reflected on his shift from global stardom to working with visionary auteurs, embracing unpredictable, independent projects like ’Good Time’. Drawn to complex characters and morally ambiguous stories, he spoke about trusting daring directors, chasing originality, and building a career defined less by scale than by instinct, risk, and creative freedom.
Read the full interview on our website. Link in bio.
Photos by @rodland.jpg .
Interview @armelleleturcq
Hair @dianaschmidkte1
Styling Assistant Jaclyn Kershek
#crashmagazine #robertpattinson #thedrama #zendaya
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Premiering today at the Festival de Cannes in Christophe Honoré’s (@chhonore ) ’Mariage au goût d’orange‘, Ji-Min Park (@welovejiminpark ) brings her singular presence back to the screen.
Primarily a visual artist, Ji-Min moves between art and cinema without ever fully belonging to either. First revealed in ’Return to Seoul‘, she brings to the screen a perspective rooted in displacement, navigating between cultures, classes, and identities.
Now appearing in ’The Little Sister‘, she continues to treat acting as an extension of her practice. One that transforms intimacy, memory, and lived tension into form. Between visibility and withdrawal, control and surrender, her work exists in that in-between space where fragility becomes power.
Discover the full story in Crash 108. Link in our bio.
Photographer Michal Chelbin
Talent @welovejiminpark
Editor-in-chief @armelleleturcq
Interview @alainberland
Style @luphilippe_guilmette
Jewelry @boucheron
Fashion @miumiu , @versace , @loewe
Make-up @yinnl_
Hair @sayakaotama
Nail artist @nania_nails
Stylist assistant @agustin_escalada
Production coordination @leanaenj
Digital content @juliabll_
#crashmagazine #crash108 #jiminpark #michalchelbin #versace
Following the premiere of her new film ’Moulin‘ yesterday at the Festival de Cannes, we‘re revisiting our interview with Louise Bourgoin (@louisebourgoin_), photographed by American artist Sam Samore, in Crash 72. The actress reflected on her attachment to independent cinema, artistic freedom, and the instinctive way she approaches both film and image.
Speaking around the release of ’I Am a Soldier‘, Louise discusses navigating between intimate auteur projects and larger productions while remaining deeply rooted in French cinema. Trained in fine arts, she describes choosing roles sincerely rather than strategically, drawn to filmmakers who challenge narrative and visual form. Across cinema, fashion, and contemporary art, she revealed a singular artistic sensibility shaped as much by visual culture as by performance itself.
Read the full interview in Crash 72. Link in bio.
Photography #samsamore
Styling @armelleleturcq
Fashion @newbottega @dior
Jewels @chopard
Makeup @phophiemathiasmakeup for @diorbeauty
Hair Rodolphe Farmer
Styling assistant @der_maxime
Photo assistant Hélène Bozzi
#crashmagazine #louisebourgoin #dior #chopard
Following the premiere of her new film ’Moulin‘ yesterday at the Festival de Cannes, we‘re revisiting our interview with Louise Bourgoin (@louisebourgoin_), photographed by American artist Sam Samore, in Crash 72. The actress reflected on her attachment to independent cinema, artistic freedom, and the instinctive way she approaches both film and image.
Speaking around the release of ’I Am a Soldier‘, Louise discusses navigating between intimate auteur projects and larger productions while remaining deeply rooted in French cinema. Trained in fine arts, she describes choosing roles sincerely rather than strategically, drawn to filmmakers who challenge narrative and visual form. Across cinema, fashion, and contemporary art, she revealed a singular artistic sensibility shaped as much by visual culture as by performance itself.
Read the full interview in Crash 72. Link in bio.
Photography #samsamore
Styling @armelleleturcq
Fashion @newbottega @dior
Jewels @chopard
Makeup @phophiemathiasmakeup for @diorbeauty
Hair Rodolphe Farmer
Styling assistant @der_maxime
Photo assistant Hélène Bozzi
#crashmagazine #louisebourgoin #dior #chopard
Following the premiere of her new film ’Moulin‘ yesterday at the Festival de Cannes, we‘re revisiting our interview with Louise Bourgoin (@louisebourgoin_), photographed by American artist Sam Samore, in Crash 72. The actress reflected on her attachment to independent cinema, artistic freedom, and the instinctive way she approaches both film and image.
Speaking around the release of ’I Am a Soldier‘, Louise discusses navigating between intimate auteur projects and larger productions while remaining deeply rooted in French cinema. Trained in fine arts, she describes choosing roles sincerely rather than strategically, drawn to filmmakers who challenge narrative and visual form. Across cinema, fashion, and contemporary art, she revealed a singular artistic sensibility shaped as much by visual culture as by performance itself.
Read the full interview in Crash 72. Link in bio.
Photography #samsamore
Styling @armelleleturcq
Fashion @newbottega @dior
Jewels @chopard
Makeup @phophiemathiasmakeup for @diorbeauty
Hair Rodolphe Farmer
Styling assistant @der_maxime
Photo assistant Hélène Bozzi
#crashmagazine #louisebourgoin #dior #chopard
Following the premiere of her new film ’Moulin‘ yesterday at the Festival de Cannes, we‘re revisiting our interview with Louise Bourgoin (@louisebourgoin_), photographed by American artist Sam Samore, in Crash 72. The actress reflected on her attachment to independent cinema, artistic freedom, and the instinctive way she approaches both film and image.
Speaking around the release of ’I Am a Soldier‘, Louise discusses navigating between intimate auteur projects and larger productions while remaining deeply rooted in French cinema. Trained in fine arts, she describes choosing roles sincerely rather than strategically, drawn to filmmakers who challenge narrative and visual form. Across cinema, fashion, and contemporary art, she revealed a singular artistic sensibility shaped as much by visual culture as by performance itself.
Read the full interview in Crash 72. Link in bio.
Photography #samsamore
Styling @armelleleturcq
Fashion @newbottega @dior
Jewels @chopard
Makeup @phophiemathiasmakeup for @diorbeauty
Hair Rodolphe Farmer
Styling assistant @der_maxime
Photo assistant Hélène Bozzi
#crashmagazine #louisebourgoin #dior #chopard
We are deeply saddened by the passing of VALIE EXPORT (1940–2026), a radical pioneer of feminist performance art whose work permanently disrupted the image of the female body in cinema, art, and public space.
Discover the film about VALIE EXPORT performance « Genital Panic » directed by @armelleleturcq for Arte.tv on our website. Link in bio.
#crashmagazine #valieexport
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
Continuing our revisit of the fashion story captured by Bruce Gilden, the Magnum photographer known for his rebellious and unpolished vision, for Crash 96, first published in 2022, we meet Birgitt Doss (@birgitt_doss), whose beauty is never defined by age. Long before this conversation became visible on the runway, Crash was celebrating faces shaped by time, experience, and character. A reminder that beauty does not fade with age - it evolves, gaining strength, depth, and singularity.
Recently seen on the runway during Paris Womenswear Fashion Week for the Matières Fécales FW26 show, Birgitt Doss embodies a vision of fashion where age, individuality, and presence take center stage. Her casting reflects a broader shift in the industry, one that moves beyond youth as the default measure of beauty.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton @hermes @chanelofficial@fendi @givenchy @maxmara @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #birgittdoss
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
As Oklou (@oklou_ ) performs today at the opening ceremony of the 2026 Cannes Film Festival, we’re looking back at her feature in Crash 93.
Long before the world caught up, Oklou was already building her own universe - somewhere between alien synth-pop, fantasy landscapes and emotional storytelling. In our interview around the release of Galore, she spoke about creating narrative music, trusting intuition over expectations, and finding freedom beyond traditional ideas of pop performance. From transforming samples into dreamlike textures to imagining songs as scenes and characters, her work has always existed in a space entirely her own. Revisiting this conversation now feels more relevant than ever.
Read the full interview by Alice Butterlin in Crash 93. Link in bio.
Photos by @stefanarmbruster .
Styling @armelleleturcq
Fashion @fendi
Makeup @annasadamori
Hair @nicophilippon
Photographer assistant @paulinescottodicesare
Stylist assistant @paulinegrsjn
Thanks to @hotellalouisiane
#crashmagazine #oklou #cannesfilmfestival #fendi
CRASH 108 – THE PRIVACY ISSUE
One of the most memorable voices of his generation, Raphaël Quenard (@raphael.quenard ) has carved a path defined by instinct, unpredictability, and an unmistakable presence. Moving effortlessly between the offbeat worlds of Quentin Dupieux and more grounded, intimate narratives, he continues to blur the lines between comedy and something far more elusive.
For this issue of Crash, the actor took part in a photo shoot inspired by the aesthetics of the Grand Siècle, in which he models the first Dior men’s collection designed by Jonathan Anderson.
Discover the full story in Crash 108. Link in our bio.
Talent @raphael.quenard in @dior by #jonathananderson
Editor in Chief and interview @armelleleturcq
Photographer @t.h.hauser
Stylist @chiaraficola
Fashion @dior
Hair @tomoko_ohama at @wiseandtalented with @oribe haircare
Make up @pommeseiler
Photographer assistant @tokiookada and @jd_wesh
Stylist assistant @leanaenj
#crashmagazine #dior #jonathananderson #raphaelquenard
CRASH 108 – THE PRIVACY ISSUE
One of the most memorable voices of his generation, Raphaël Quenard (@raphael.quenard ) has carved a path defined by instinct, unpredictability, and an unmistakable presence. Moving effortlessly between the offbeat worlds of Quentin Dupieux and more grounded, intimate narratives, he continues to blur the lines between comedy and something far more elusive.
For this issue of Crash, the actor took part in a photo shoot inspired by the aesthetics of the Grand Siècle, in which he models the first Dior men’s collection designed by Jonathan Anderson.
Discover the full story in Crash 108. Link in our bio.
Talent @raphael.quenard in @dior by #jonathananderson
Editor in Chief and interview @armelleleturcq
Photographer @t.h.hauser
Stylist @chiaraficola
Fashion @dior
Hair @tomoko_ohama at @wiseandtalented with @oribe haircare
Make up @pommeseiler
Photographer assistant @tokiookada and @jd_wesh
Stylist assistant @leanaenj
#crashmagazine #dior #jonathananderson #raphaelquenard
CRASH 108 – THE PRIVACY ISSUE
One of the most memorable voices of his generation, Raphaël Quenard (@raphael.quenard ) has carved a path defined by instinct, unpredictability, and an unmistakable presence. Moving effortlessly between the offbeat worlds of Quentin Dupieux and more grounded, intimate narratives, he continues to blur the lines between comedy and something far more elusive.
For this issue of Crash, the actor took part in a photo shoot inspired by the aesthetics of the Grand Siècle, in which he models the first Dior men’s collection designed by Jonathan Anderson.
Discover the full story in Crash 108. Link in our bio.
Talent @raphael.quenard in @dior by #jonathananderson
Editor in Chief and interview @armelleleturcq
Photographer @t.h.hauser
Stylist @chiaraficola
Fashion @dior
Hair @tomoko_ohama at @wiseandtalented with @oribe haircare
Make up @pommeseiler
Photographer assistant @tokiookada and @jd_wesh
Stylist assistant @leanaenj
#crashmagazine #dior #jonathananderson #raphaelquenard
CRASH 108 – THE PRIVACY ISSUE
One of the most memorable voices of his generation, Raphaël Quenard (@raphael.quenard ) has carved a path defined by instinct, unpredictability, and an unmistakable presence. Moving effortlessly between the offbeat worlds of Quentin Dupieux and more grounded, intimate narratives, he continues to blur the lines between comedy and something far more elusive.
For this issue of Crash, the actor took part in a photo shoot inspired by the aesthetics of the Grand Siècle, in which he models the first Dior men’s collection designed by Jonathan Anderson.
Discover the full story in Crash 108. Link in our bio.
Talent @raphael.quenard in @dior by #jonathananderson
Editor in Chief and interview @armelleleturcq
Photographer @t.h.hauser
Stylist @chiaraficola
Fashion @dior
Hair @tomoko_ohama at @wiseandtalented with @oribe haircare
Make up @pommeseiler
Photographer assistant @tokiookada and @jd_wesh
Stylist assistant @leanaenj
#crashmagazine #dior #jonathananderson #raphaelquenard
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
Allen Jones (@allenjonestheartist ), the pioneering British Pop artist known for his provocative sculptural explorations of the human figure, found his work back in the spotlight at this year’s 2026 Met Gala. Collaborating with Kim Kardashian (@kimkardashian ), he created a sculptural breastplate that positioned her look between fashion and artwork, turning it into a form of living installation.
In that spirit, we revisit our interview with Allen Jones in Crash 103. At the time of the interview, ’From the Gods‘ was on view at the Galerie Almine Rech (@alminerech ), marking his third solo exhibition. Best known for his late-1960s series ’Hatstand Table and Chairs‘ - a scandalous work featuring a wax woman in S&M attire on all fours supporting a glass table, which had a lasting influence - he revived it here as a monumental 3D video installation titled ’In Camera‘. He explains that painting remains the starting point of his practice, leading to hybrid works combining painting and sculptur: “I am a painter who sculpts.”
Read the full article in Crash 103. Link in bio.
Photos by @manuelobadiawills
1- Allen Jones, Video, 2023, 3D animation of model and ‘Cover Story’, 3 screens, 3 screens: 212 x 110 cm each
2- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
3- Allen Jones, In Camera, 2020, Video animation and oil and wooden veneer on board, 240 x 265 x 112 cm
4- Allen Jones, Large Swivel Sculpture, 2023, Matte Stainless Steel, Corten Steel, Copper, 270 x 500 cm. Courtesy of Almine Rech Gallery
5- Allen Jones, Stand - By Me, 2024, Patinated bronze outline with acrylic infill, patinated bronze head, 165 x 58 x 58 cm. Courtesy of Almine Rech Gallery
6- Allen Jones, «Hymn» to Her (3d elements), 2022, Oil on curved board with photos, triptych, 200 x 220 x 50 cm
7- Allen Jones, Kind of Blue, 2015, Oil on canvas, oil enamel on composite figure and wooden base, 243,84 x 203,2 cm. Courtesy of Almine Rech Gallery
#crashmagazine #allenjones #kimkardashian #metgala
CRASH 108 - THE PRIVACY ISSUE
In the heart of Saint-Germain-des-Prés, behind closed windows of a private hôtel particulier, this fashion story unfolds the best looks of Spring Summer 2026 collections, through quiet, almost hidden moments. Captured by Guglielmo Profeti and styled by Chiara Ficola, this narrative explores a subtle tension between distance and intimacy.
Discover the full story in Crash 108. Link in our bio.
1- Look @ysl by @anthonyvaccarello
2- Look @miumiu & Watch „Seamaster Aqua Terra“ 150m, 30 mm steel on steel @omega
3- Look @dior
4- Look @prada & „Flèche“ brooch in white gold @boucheron
Photographer @guglielmo_profeti
Editor-in-chief @armelleleturcq
Style @chiaraficola
Make-up @mariaooolsson
Hair @tomoko_ohama
Model @anaislunch at @imgmodels
Casting director @timoern
Production coordination @leanaenj
Photographer assistant @vincenzosassu
Stylist assistant @sophiakellywong
Digital content @juliabll_
#crashmagazine #crash108 #ysl #guglielmoprofeti
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
Italian artist Diego Marcon (@die.marcon ) shifts the boundaries of cinema in his new exhibition “Prom”. Mixing behind-the-scenes animatronics, prosthetics, furniture, and sets with the exhibition of four moving image works, he provokes questions about the power of cinema, the trust we place in images and our perception of truth.
“Prom” is curated by Rebecca Lamarche-Vadel (@rebeccalamarchevadel )and is on view at Lafayette Anticipations (@lafayetteanticipations ) until 19 July 2026.
Read the full article by @jiltonic on our website. Link in bio.
1- Diego Marcon Krapfen, 2025 [Production Image] ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
2- Installation view, Diego Marcon, La Gola, Kunsthalle Wien, Vienna, 04 October 2024 – 02 February 2025. ©️ Diego Marcon. Courtesy the Artist; Sadie Coles HQ, London; Galerie Buchholz, Berlin/Cologne/New York. Photo: Iris Ranzinger / Kunsthalle Wien
3- Diego Marcon, Krapfen, 2025 [Production Image] digital video, colour, sound duration: 4 min 44 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society, The Vega Foundation. Photo: Brigida Brancale
4- Diego Marcon, Krapfen (the kid), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Claudia Ferri
5- Diego Marcon, Krapfen (Gloves), 2025. ©️ Diego Marcon. Courtesy Diego Marcon. Produced by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, The Renaissance Society and The Vega Foundation. Photo: Brigida Brancale
6- Diego Marcon, The Parents’ Room, 2021 [Production Image] Digital video transferred from 35mm film, CGI animation, color, sound duration: 6 min 23 sec, looped. ©️ Diego Marcon. Courtesy Diego Marcon. Photo: Chiara Fossati
7- Diego Marcon, La Gola, 2024, Exhibition View at Lafayette Anticipations, Photo Credits: Aurelien Mole
#crashmagazine #diegomarcon
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
As fashion increasingly opens space for older models, the runway is beginning to reflect a broader spectrum of age, presence and lived experience, challenging long-held ideas that equate relevance with youth and instead positioning aging as visible and integral to beauty.
This shift brings us back to our 2022 fashion story with Gisele Zelauy (@originalgiselezelauy), captured by Bruce Gilden (@bruce_gilden ) in Crash 96 - an approach we explored early on, foregrounding faces beyond conventional timelines. The American photographer and longtime Magnum Photos member, is known for his close-range, flash-driven imagery that rejects polish in favor of raw presence and individuality.
A defining face of late ’80s and ’90s fashion, Gisele Zelauy recently returned to the runway at the Tom Ford FW 26/27 show under Haider Ackermann during Paris Womenswear Fashion Week, her appearance marking both the return of a key figure and fashion’s growing focus on longevity, visibility and careers that extend far beyond a single era.
See the full story in Crash 96. Link in bio.
Photographer @bruce_gilden
Stylist @armelleleturcq
Fashion @louisvuitton , @hermes , @chanelofficial , @fendi , @givenchy , @maxmara , @balenciaga
Hair @errolkaradag
Makeup @asamimatsuda
Styling assistant Rika Nurrahmah
#crashmagazine #brucegilden #giselezelauy
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
With the new season of ‘Tell Me Lies’ (@tellmelieshulu ) on @hulu being officially out, we look back at our interview with Grace van Patten (@gracevanpatten ), playing the self-destructive main character Lucy Albright. She talks about her role in the series based on the novel by Carola Lovering, on how it’s an all too familiar story which explores tumultuous college relationships, toxic love, trauma and betrayal.
Dressed in Fendi, she also talked about her role in the series ‘Nine Perfect Strangers’, in which she starred alongside Nicole Kidman, Melissa McCarthy and Bobby Cannavale.
Read the full interview by Roisin Breen in Crash 97.
Photographer @hudsonphoto
Stylist @cryoungin at @thewallgroup
Hair @davidvoncannon at @aframe_agency
Makeup @vincentoquendo at @thewallgroup
Fashion @fendi
Photographer assistant @ashbeann
Stylist assistant Gabe Bass
Thanks to @themarkhotelny and @angelosensinicommunication
#crashmagazine #fendi #tellmelies #gracevanpatten #outtakes
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